All 4 1994. 20th February. The Power Of My Eyes, It's Alright.

Well...things have slowed a little bit on the chart this week, just the three new entries, the top ten continued to shuffle around with at least one change that wasn't for the better and some old hits have finally started falling away so let's get to that top ten where for another week "Give It Up' by Cut 'N' Move continued to rule the roost at number one and I don't see what is going to stop it. it's got solid sales traction at this point.

Rising two to number two is "Slave to the Music" ny Twenty 4 Seven feat. Stay-C and Nance but it just doesn't have the traction on sales to challenge our current number one however it was enough to move past "Asshole" by Denis Leary at number three while "All for Love" by Bryan Adams, Rod Stewart and Sting slipped back to number four.

Much to my surprise, "Stsy (Faraway So Close!)" by U2 remained at number five but hey I am happy about this, would love to see it become a massive hit. 

M People's "Moving On Up" continues to live up to it's name up one to number six, it moved past "Shoop" by Salt 'N' Pepa which slipped to number seven. 

"Hero" by Mariah Carey climbed one spot to number eight, I guess it's not completely done after all~. Then we get to the first of two new arrivals to our top ten with "Hey Mr. D.J" by Zhane up two number nine this week.

Unfortunately, "Said I Loved You...but I Lied" by Michael Bolton somehow got a seven place boost to number ten as it had a solid sales week. 

Losers

Lets blow through these losers quickly because it looks like the end of Gabrielle's "Dreams" chart run is nigh as it tumbled from thirty six to forty nine this week.

Sadly the great "In Your Room" by Depeche Mode was hit with a seven place drop to forty seven while Jimmy Barnes 1993 hit with The Badloves "The Weight slipped nine to forty six.

A ten place tumble to forty five occured for The Pet Shop Boys single "I wouldn't normally do thing kind of thing" while "Nails in My Feet" fail eight to forty two for Ceowded House.

Peter Andre saw one of the biggest falls of the week as it collapsed from twenty nine to forty one with "Let's Get It On" 

Bit disappointed that Take That's "Relight My Fire" feat. Lulu isn't taking off as trhat slipped six to thirty nine while Janet Jackson's "Again" fell seven to thirty eight

"Creep" by Radiohead" hit a nine place skid to thirty one while "No Rain" by Blind Melon stumbled nine to thirty and "All That She Wants" by Ace of Base" fell from fifteen to twenty one. 

Gains

Our gains this week are a rather rough lot this week, I already mentioned Michael Bolton climbing into the top ten but can anyone explain why "Feelin' Alrught" by EYC is up five to eleven or that "Can We Talk" by Tevin Campbell is up eight places to nineteen? Neither song is all that good.

At least "Spoonman" by Soundgarden got a decent seven place boost to twenty three but it's not exactrly a good sign that the biggest gain of the week was a ten place gain for "Is There Any Love in Your Heart" by Lenny Kravitz to thirty two or that "Tears of a Clown" by Caligula got a five place jump to  thirty four. 

"Green Limousine" by The Badlovrs drove from forty three to thirty six ehile "She Don't Let Nobody"
 by Chaka Demus and Pliers climbed from forty one to thirty seven. 

Re Entries

One re entry this week with "The Power of Love" by Beverly back at number twenty seven.

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New Entries

Just the three new entries this week, lets get this started with...

43. "You Open My Eyes" by Hoodoo Gurus

So we begin this week with the second single from the Hoodoo Gurus album "Crank" and interestingly enough, it's the first song that was not written or co written by frontman Dave Faulkner with Brad Shepherd taking over lead vocal duties on this particular song and while I think the rock instrumentation sounds great...I can't be the only one who thinks the lead vocals are buried way too far back in the mix here? The back vocals have better placement in this song than Shepherd's do which is a shame because it's not a bad song. 

33.  "The Power of Love" by Celine Dion

Another week another cover of Jennifer Rush's 1985 hit "The Power Of Love", this time coming from Celine Dion for her album "Falling into You" and I have to be honest here...I actually really think Celine's version might be the best version of the song, she absolutely owns this song, she MAKES you believe that she believes in the relationship she has and the power of love with HER man and the instrumentation that swells around Celine but still allows her to own the song...yeah, you'll see this on a list at the end of the year, Believe me. 

25. "It's Alright" by East 17

Oh boy, East 17 are back after angering me with their rancid cover of Pet Shop Boys "West End Girls", "It's Alright is the sixth and final I was hoping that this song could make me forgive me.

the 
Well it started off well enough with the gentle piano and the vocals about love shining through and a chorus where the band sing repeatedly "It's alright" but than the beat switch happens and the song turns into this electronic pop song and when the hook is nothing more than the band repeating "Alright" and "Everything's going to be alright"into ad najuseam...yeah...no thanks.

It takes worst of the week too only mostly because there was more to like about the Hoodoo Gurus track.

Celine Dion runs away with best of the week for "The Power of Love"

All 4 1994. 13th February. Stay, I'm Looking For Spoonman In Your Room

This week feels bit busier than I expected so no major preamble here especially as I have a lot else going on and straight into the top ten where Cut 'N' Move maintained numnber one for a second week with "Give It Up", it had enough sales to hold up over our new number two this week "Asshole" by Denis Leary which climbed four places to hit the runner up slot. 

It thankfully moved past "All For Love" by Bryan Adams, Rod Stewart and Sting which slipped back to number three and looks to be on the downswing.

The same cannot be said for "Slave to the Music" by Twenty 4 Seven feat. Stay-C and Nance which climbed onne spot to number four. Thinking this could make a play for number one if it gets it's cards right.

A new entry at number five with "Stay (Faraway. So Close)" by U2, it's here becaqse it had a solid sales week. I'll talk about this song when I review all the new entries. 

All of this caused "Shoop" by Salt 'N' Pepa to tumble three places to number six. "Moving On Up" by M People down three to number seven and "Boom! Shake the Room" by DJ Jazzy Jeff and the Fresh Prince down one to number eight,

The last two are on the way out of the top ten naturally with "Hero" by Mariah Carey down one to number nine and "Please Forgive Me" by Bryan Adams also down one to number ten.

Losers

Unsurprisingly "Time" by INXS fell hard off it's debut last week down from thirty six to forty nine this week. Also hitting the skids is "Estranged" by Guns 'N' Roses down six places to forty six.

Jordy's "Dur dur d'etre bebe!" slipped eight to forty five as it's non starter status continues. "Runaway Train" by Soul Asylum ran the wrong way down nine to forty four,

The clown in "Tears of a Clown" by Caligula is crying even harder as the song just utterly collapsed from twenty five to thirty nine this week. 2 Unlimited's underpowered "Maximum Overdrive" slipped six places to thirty eight.

"The Weight" by Jimmy Barnes and The Badloves unfortunately got hit with a ten place drop to thirty seven.

It's bad dreams for Gabrielle as "Dreams" fell eight to thirty six and "The Key. The Secret" by Urban Cookie Collective is on the downswing down from twenty one to thirty two. 

Gains

The gains are a bit of a mixed bag this week with "What's My Name" by Snoop Doggy Dogg getting a welcome ten place boost to nineteen but why is utter junk like "Feelin' Alright" by EYC breaking into the top twenty at sixteen...that's not good.

Or that "Now and Forever" by Richard Marx jumped nine to twenty four or "Can We talk" by Tevin Campbell climbed to twenty seven from thirty one and I'm confused as to how Heart managed to get one of the biggest gains of the week with "Will You Be There (In the Morning)" up from forty three to twenty eight.

At leasr we did get "Relight My Fire" by Take That feat Lulu up to thirty three and "Natils in My Feet" by Crowded House up nine to thirty four.

We also had "She Don't Let Nobody" by Chake Demus and Pliers up eight to forty one because...sigh....

New Entries

Four new entries this week, starting with...

50. "I'm Looking For the One (To Be With Me) by DJ Jazzy Jeff and the Fresh Prince

We finally get the follow up "Boom! Shake the Room" hitting the chart this week and while this is weaker than the previous single, it doesn't quite have the instant punch that "Boom! Shake the Room" does but Will Smith  brings his usual energy to it. My only concern is that new jack swing that underpins the melody does kind of feel played out by now but still decent song that is worth checking out. 

40. "In Your Room" by Depeche Mode

Ahh the fourth and final single from Depeche Mode's album "Songs of Faith and Devotion" and wow, this is certainly one hell of a dark turn from this UK electronic band, this sounds incredibly sinster with the guitars playing to a darker and more cold vibe and you know what I really dig this a fair bit. worth checking out if you aren't too creeped out  by the lyrics.

30. "Spoonman" by Soundgarden

Lead single from "Superunknown" and I think I dig this as well. Chris Cornell has described this song has been about a paradox of who an artist is and the perceptions people have of him given he is a street musician and automaticaly as a value placed on him and is wrongfully judged by others and yeah this song adds to that street vibe with the production. Definitely an interesting song. 

5. "Stay (Faraway, So Close!)

So we close out this with a far quieter but still incredibly dark song from U2 from their album Zooropa with this song being inspired by both Frank Sinatra and a film called "Faraway So Close!" (about angels who long to be on Earth and be human)  where this ghost basically haunts and follows this woman's every move. Bono sounds incredible here and I actually really love the anthemic instrumentation which gives this song a really spooky vibe. Great song.

No worst of the week this week, none of the songs here deserve that. I am giving best of the week to "In Your Room" by Depeche Mode because that song is bound to stick with me 

All 4 1994: January 30th. Estranged Dirty Dawg Daughter Now and Forever, what's my name?

 This week was busy in more ways then one, multiple new entries across the board and plenty of changes to our top ten...just not right at the top where "All For Love" by Bryan Adams, Rod Stewart and Sting remained at number one for another week thanks to a decent sales margin, it handily held up over our new number two "Shoop" by Salt 'N' Pepa which climbed one place this week as it seemed to gain more momentum, it just remains to be seen if it can take number one,.

Cut 'n' Move continues to move on up with their cover of KC and The Sunshine Band's "Give It Up" up three places to number three, this is a cover I actually don't mind, it's a bit of fun and the band didn't mess with the key melodies too much.

All of this saw "Boom! Shake the Room" by DJ Jazzy Jeff and the Fresh Prince slide down two places to number four as it slowly makes it way out alongside "Please Forgive Me" by Bryan Adams as it slipped one to number five and "Moving On Up" by M People down one to number six.

Stalled at number seven is "Hero" by Mariah Carey. This song just stuck right now and it remains to be seen if it can get any kind of real traction to move up.

Moving up is "Slave to the Music" by Twenty 4 Seven feat. Stay-C and Nana up one to number eight while "Asshole" by Denis Leary is one of the big gainers of the week by jumping from its debut at 30 to number nine this week, this song has some very real momentum and it will be interesting to see if it can make a play for numnber one.

Finally defeating my prediction from last week "Got to Get It" by Culture Beat remains stubbornly at number ten. 

Losers

One of 1993's biggest hits looks like it's spending it's last week in the top 50, "Dreamlover" by Mariah Carey plummeted from thirty three to fifty this week while non starter "Where is the Love" by Rick Price and Margaret Urlich stumbled ten places to forty five. 

"Soul to Squeeze" by Red Hot Chili Peppers slipped eleven places to forty while "Maximum Ovcrdrive" by 2 Unlimited stumbled six places to thirty eight and "Lemon" by U2 lost it's juice down from twenty six to thirty three. 

Finally "All About Soul" by Billy Joel collapsed from thirty four to forty eight this week. 

Gains

I mentioned "Asshole" by Denis Leary joining the top ten earlier but there were a couple of other noteworthy gains this week starting with "Tears of a Clown" by Caligula which climbed from thirty nine to thirty one and interestingly "Feelin' Alright" by EYC jumping from forty two to twenty six

New Entries

Alright so because we have plenty of new entries I am going to aim to keep my reviews brief this week, starting with.

44. "Estranged" by Guns 'n' Roses

Well, starting off with a nine minute song from a 1991 Guns 'N' Roses album sure is a wild way to start the week's new entry reviews but it is their second longest song overall and lead singer Axl Rose said that the song is about acknowledging estrangement and how it all works aft the estrangement has happened, it's supposed to be a continuation of "November Rain". 

The song is fine, I do like the instrumentation but why are Axl's vocals so weirdly produced ? He sounds so tinny here. This song isn't for me but if you are curious, check it out. 

39. "Will You Be There (In the Morning)"  by Heart

So Nancy Wilson takes the lead vocal on this song and serves as the lead single from their album "Desire Walks On" and yeah, this is not the best song I have ever heard from Heart, I do like the piano that underpins the melody but I am not a fan of the weirdly pitchy vocals here at all, it just sounds like a Wilson Phillips song with a rock edge. Next!

37. "Who I Am (What's My Name0" by Snoop Doggy Dogg

Now for some hip hop, this time coming from American rapper Snoop Doggy Dogg, he appears to be a prodigy of producer Dr Dre with this song being Dogg's first single and well...I think I love this. Dre has give Snoop Dog just this perfect West Coast G funk groove for him to just absolutely kill it as he raps about finding his true identity and where he sits within hip hop and broader life. Definitely a good song. Check it out!

34. "Now and Forever" by Richard Marx

Oh god, you know when you see a song title and absolutely know what you are going to get? Yeah, that was the case with this song from Richard Marx and my expectations and thoughts going in were thoroughly met, this is a corny "I will be your man not just now but forever" over guitar that is very reminiscent of Bryan Adams at his most treacly sweet and that high note on the bridge is willowy as all hell. Yuck yuck yuck.

29. "Dirty Dawg" by NKOTB

Oh so we have a previously unreleased track from New Kids on the Block's greatest hits album...and dear god this reeks of trying to leap onto nineties hip hop trends that NKOTB cannot remotely do and the production just buries their vocals which might be as well considering the lyrics are pretty terrible as well where he is whining about this girl not treating him right and leaving him cold which doesn't even begin to make sense but than he accuses her of cheating on the bridge and outright calls her a "Dirty Dawg" on the hook...like that's classy, my guy.

Nope, add this one to the filth to toss aside.

27. "Daughter" by Pearl Jam

Trigger Warning: Child abuse

Second single from the second studio Pearl Jam album entitled "Vs.", also I really need something truly excellent to end the week and you know what? I think I got what I was after with this song, nice scathing guitar riffs bounce off the wall with this song and Eddy Vedder's vocals are immaculately produced and he sounds incredible in the mix, The content of this song is incredibly dark, a little girl with learning disabilities the parents of this child don't understand, they get angry and frustrated abd abuse the little girl only after pulling down the shades so the neighbours don't see and can't report the abuse. which is just heavy and devastating content especially for a song in 1994. Yeah, this song is great but if you are struggling with issues from childhood abuse...might be a song to avoid.

"Daughter" by Pearl Jam is easily best of the week. The worst of the week also easily falls out..it's going to "Dirty Dawg" by NKOTB

All 4 1994. January 23rd. She Feelin' Alright...Asshole, Can We Talk?

Pretty standard week we have at hand here but we do have a new number one...just wish it was better...it's "All For Love" by Bryan Adams, Sting and Rod Stewart claimed top spot with a damn good sales week that gave it a well timed push to get ahead of last week's number one "Boom! Shake The Room" by DJ Jazzy Jeff and the Fresh Prince at number two.

"Shoop" by Salt 'N' Pepa climbed one place but that might be more because "Please Forgive Me" by Bryan Adams hit the downswing down two to number four.

M People continue to keep their upwards momentum going as they climbed one spot to number five as did Cut 'n' Move's "Give It Up" whichn climbed four places to number six meanwhile the same cannot be said of "Hero" by Mariah Carey which has stalled at number seven.

Ace of Base stumbled four places to number nine as "All That She Wants" continues it's descent out of the top ten. 

There's a new arrival to the top ten this week and one that I saw coming with "Slave to the Music" by Twenty 4 Seven feat. Stay-C and Nane up five spots to number nine this week, I think this could make a play for number one soon.

Rounding out our top ten is "Got to Get to it" by Culture Beat down down one to number ten, it's time in the top ten is done.

Losers.

So not too many major losers this week with one of  the biggest being "True Love" by Elton John and Kiki Dee which slipped eleven places to forty five. 

The other major loser was Johnny Gill with "The Floor" sliding eleven to forty nine.

Efua's "Somewhere" is also headed out as it stumbled six to forty seven. 

Re Entries

We did have one return this week with "Please (You Got That...)"  by INXS returning at number forty three/

Gains

Most of the gains are just small incremental gains as the hits of 1993 slowly start making their way out but we did see "Green Limousine" by The Badloves rise ten spots off the debut to thirty seven and "Maximum Overdrive" by 2 Unlimited rise eight to thirty two this week.

New Entries

Four new entries this week, let's begin with...

50. "She Don't Let Nobody" by Chaka Demus & Pliers.

Alright, already got the bad feelings going just by glancing at this and seeing that is a cover of a 1981 Curtis Mayfield song and that Chaka Demus and Pliers are a reggae duo for whom this song is from their fourth album and well it's this smooth r'n'b number about hiw his girlfriend doesn't let other girls other than him have sex with her, it honestly feels like a brag song about how he is the only one she will sleep with and honestly while I think it's cool, that hook is beyond repetitive to the point of annoying and I feel like he is only using this girl's loyalty to him be a reason to brag about how she doesn't sleep with other guys which is a shame because I do like the smoother production here but yeah I don't see myself coming back to this one. 

42. "Feelin' Alright" by EYC

Alright, EYC an American pop and R'n'B group with this song being their big break through and look while I think the hook is a bit noisy, I do kind of get the appeal of this because I can see how this song would go off at parties given how the percussion is going off but I just wish the vocals didn't sound so completely buried because other wise this is a pretty solid party jam.

38. "Can We Talk?" by Tevin Campbell

Time to turn our attention to American singer songwriter Tevin Campbell who first started notching hits in 1991 and appeared on "Fresh Prince of Bel Air" at one point with this song released in September 1993 having been co-produced by Babyface of all people and...this is a bit of a disaster, not only is that clanking noise in the background way too reminiscent of poles being banged together and while the lyrical content of the song doesn't stand out particularly at first, he just wants to talk to this girl but is too shy to do so however he wants to find out her name...at first but then by the end of the song, he gets more insistent she talk to him and give him her name like he is entitled to it! This sucks...next!

30. "Asshole" by Dennis Leary

It's a bad sign that we're relying on an American comedian for a good song this week because my goodness we need something good to close out the week and well...this song is actually fucking hilarious, Leary's verses are full of things he does that would likely piss off everyone else such as piss on the toilet seat etc and it's all because he says that he is an asshole on the hook with the adlibs singing "he's an asshole" and "he's the world's greatest asshole". I loved this. Check it out!

Yeah, "Asshole" by Dennis Leary is the easy best of week, as for the worst..."Can We Talk" by Tevin Campbell for being a beyond pushy slice of incel R'n"B

All 4 1994: January 16th Wishing Green Limousine on Maximum Overdrive

 Week two of 1994 and we have a fairly interestong week in prospect on the ARIA singles chart with plenty of movement in the top ten and outside of it as well however let's begin with the top ten where the big story of the week is our new number one that being "Boom! Shake the Room" by DJ Jazzy Jeff & The Fresh Prince. it got enough sales to just nab the numbher one spot this week thanfully ending the five week reign at number one by "Please Forgive Me" by Bryan Adams which fell back to number two and doesn't look to be a threat to number one anymore

I'd say...unfortunately...the threat to our new number one is coming from "All For Love" by Bryan Adams, Rod Stewart and Sting which got a two place boost to number three.

"Shoop" by Salt 'N' Pepa is the only song in the top ten that didn't move as it remains glued to the number four spot. "All That She Wants" by Ace of Base slid two places to number five as it looks to be on the downswing now. 

M People's "Moving On Up" lives up to it's name by moving up three places to number six...this has momentum behind it so I can see this climbing higher in the weeks ahead.

Speaking of momentum also up three spots to seven is "Hero" by Mariah Carey...a song that's fine enough but not Mariah's best song however it did move past "Creep" Radiohead at number eight and "Got to Get It" by Culture Beat at number nine.

Finally a new arrival to the top ten, moving up nine places is Cut 'N' Move's cover of KC and the Sunshine Band's "Give It Up"

Losers

Lets rip our way through the biggest losers of the week starting from "Sweat (A La La La La Long)" by Inner Circle finally making it's way out down nine places to 46. 

Efua's "Somewhere" slides from 35 to 41 this week as it hit the downswing. "Go West" by Pet Shop Boys took the wrong direction and went south seven places to 30.

Meatloaf's "Rock and Roll Dreams Comr Through" dipped from 18 to 23 while 'The Weight" by Jimmy Barnes and The Badloves fell out of the top ten down six to number 12.

Re-Entries

Just the one re-entry with "Dur dur d'etre bebe" by Jordy returning at 39

Gains

Not too many major gains outside the top ten this week but the one song that seems to have absolutely jumped up the charts is "Slave to the Music" by Twenty 4 Seven feat. Stay-C and Nance which climbed from 28 to 14 this week and looks headed for the top ten at this rate. 

Urban Cookie Collective had a four place gain to 20 with "Feels Like Heaven" while "Hey Mr DJ" by Zhane climbed six places to 21. 

"Where is the Love" by Rick Price and Margaret Urlich rebounded after last week's fall, they are seven to 33. 

New Entries

Four new entries this week, starting with...

49. "Into Your Arms" by The Lemonheads.

So we've got a bunch of bands or groups this week and we start off with an American alternative rock band and I actually like this a fair bit, it's got this solid hooky groove courtesy of those guitars and the drums absolutely kill. I guess the only issue is the vocals, they don't have as much punch or power as I would like but hey, this is still a pretty solid song, hope it sticks around.

47. "Green Limousine" by The Badloves

Fresh off nabbing a top ten hit with Jimmy Barnes in 1993, we've got a new Badloves song and it's pretty mich a blues rock song and look, it's solid but it's not giving me much to say except in terms of the fact it's supposed to be about celebrities who jump aboard any cause's bandwagon if it proves to be fashipnable which is something worth calling out but I reckon the issue deserves a punchier song than this. 

44. "Wishing On the Same Star" by Girlfriend

So Girlfriend's newest effort is a cover of a 1991 song by an American singer songwriter named Keedy with the song written by Diane Warren and honestly I think I like the Gitlfriend version a lot better mostly because they amp up the girls harmonies and Melanie Alexander, who takes the lead vocal on this song can sell this with the sincerity and spirit a song about somebody reminding a loved one that no matter what they are wishing on the star and looking at the same moon and the song has a more lush and warm sound. Definitely dig this, check it out. 

40. "Maximum Overdrive" by 2 Unlimited.

Oh 2 Unlimited again...sigh...I don't have fondness for this group's thumping dance music that's got as much going for it as an empty bucket and yeah...this is just annoying especially with that "woo!" noise punctuating the melody. This is just soulless bleh. Move on.

To no one's surprise, it's the worst of the week. Best of the week is close between The Lemonheads and Girlfriend...I'm going to give it to Girlfriend for "Wishing on the Same Star" but again "Into My Arms" by The Lemonheads is pretty damn good too.

All 4 1994: January 9th: All For A New Year

 Yes, after two years, the retro charts are back for 2025, this time we're checking out the ARIA singles charts of 1994 and after the mediocrity of 1993, I am looking forward to seeing what 1994 has to offer and for the first chart of the year we have a rather quiet one on hand.

Unfortunately we are not off to a good start in our top ten because "Please Forgive Me" by Bryan Adams maintains number one for another week, it had reasonable sales week to see off the challenge of "Boom! Shake the Room" by DJ Jazzy Jeff and the Fresh Prince which is a shame because "Please Forgive Me" is putrid shlock (see my worst hit songs of 1993).

The top three wound up fairly stable with former chart topper Ace of Base remaining at number three with "All That She Wants".

Salt 'N' Pepa moved up one place to number four with "Shoop" (a song that is fine but not my thing). At number five is a new entry with Bryan Adams, Rod Stewart and Sting collaborating on "All For Love", we'll get to the quality of the song later but it's here thanks to decent sales and this being a reasonably big event collab.

Jimmy Barnes collab with The Badloves "The Weight" remains a signpost of stability at number six while Radiohead's "Creep creeps up one spot to number seven.

"Got to Get It" by Culture Beat slipped back to number eight and looks set to fall further as M People climbed three places to hit the top ten at number nine. Finally Mariah Carey's ballad "Hero stayed steady at number ten.

Losses

 Alright, lets start as usual with our losers and we had two songs that took big tumbles out of the top ten with Urban Cookie Collective's "The Key. The Secret" plunging from number four to number eleven but they have a new single on the rise which we will get to in a moment while "Dreams" by Gabrielle dipped from nine to fifteen.

"Lemon" by U2 slid seven places to twenty and Kim Wilde's cover of "If I Can't have You" dropped nine to thirty

Culture Beat were one of the biggest losers of the week as "Mr. Vain" stumbled from eighteen to thirty one while "Somewhere" by Efua slipped from twenty seven to thirty five.

Rick Price and Margaret Urlich's collab "Where is the Love" seems appropriate hecause it fell nine places to number forty while "If I Had No Loot" by Tony! Toni! Tone! akidded down eight places to number forty three.

Finally the biggest song of 1993 "I'd Do Anything For Love (But I Won't Do That)" by Meatloaf fell twenty slots to forty four and "Angels" by John Farnham fell from thirty six to forty nine.

Re Entries

Just the one return this week with 4 Non Blondes back at number 46 with "What's Up?". 

Gains

So the underwhelming collab between Elton John and Kiki Dee "True Love" got a solid boost up nine spots to thirty four. Even worse Michael Bolton's "Said I Loved You...But I Lied" got an eight place gain to thirty two

Twenty 4 Seven's "Slave to the Music" feat Stay-C and Nance got one of the biggest gains this week though as it rocketed from forty six to twenty eight while Urban Cookie Collective thundered up twenty places to twenty four with "Feels Like Heaven" and Cut 'N' Move's cover of "Give It Up" sure did a LOT of moving up as it rocketed from forty one to nineteen this week. 

New Entries

Just the two new entries this week, starting with...

41. "Been Loving You Too Long" by Diesel

Ahh because 1994 needs to start with a cover of an Otis Redding song somehow, yet, I think Diesel does a good job here? Not saying this is better than the original...nothing tops Otis Redding but I would take this cover over Michael Bolton caterwauling through "Sitting on the Dock of the Bay" mostly because gives this song a somewhat understated vibe and I really do like that, it doesn't top the original but I mean we're talking Otis Redding for crying out loud! Diesel still does a good job, this is worth checking out unlike

5. "All For Love" by Bryan Adams, Rod Stewart and Sting

Well okay. this is a collab that should be really good even with the questionable quality of Bryan Adams current number one hit but it does have Rod Stewart and Sting on it, it being for the "Three Musketeers" movie and all so law of averages says this should be at least good, right? 

Well no, this song is everything I dislike about adult contemporary music where it's just flaccid cliches that are eye roll worthy, you could swear that the earnest version of Bon Jovi wrote this song and what is worse is that nobody on the song sounds remotely good here. At least the instrunental has some redeeming value even if the lyrics are banally vomit inducing.

Yeah it's worst of the week by default as we only have two songs here. Diesel gets best of the week for "Been Loving You Too Long"