ARIA Top 50 Top Ten/Chart Review. 30th May. When Harry's House Meets the ARIA Singles Chart.

Look...this week is going to be a Harry Styles avalanche...we're going to be doing nothing other than talking about Harry Styles songs for the most part beause all twelve new songa from "Harry's House" made the ARIA singles chart all in the top fifteen with seven of them joining reigning number one "As It Was" in the top ten, it was a blitzkrieg that I am not convinced did all that much damage anyway given Kendrick cleared out the chart for the most part last week but like I said "As it Was" by Harry Styles spends a sixth week at number one thanks to massivc streaming off the back of the album release.

Now this massive streaming is pretty much the same for all the Harry Styles songs in the top ten so I am going to blow through those quickly with "Late Night Talking" at number two, "Matilda" at number three and "Music for a Sushi Restaurant" at number four.

Jack Harlow's "First Class' managed to stem the surge of Harry songs slightly by only falling three places to number five. 

"Little Freak" by Harry Styles debuts at number six ahead of Lizzo's "About Damn Time" which dropped three places to number seven (this song is still strong and should rebound next week).

The rest of the top ten is all Harry Styles though with "Daylight" at number eight, "Grapejuice" at number nine and "Satellite' at number ten.

Gains

So we do have some small gains this week with two place gains for "No Role Modelz" by J Cole to 48, "Woman" by Doja Cat to 47 and "Good 4 U" by Olivia Rodrigo to number 37.

"Cooped Up" by Post Malone feat. Roddy Ricch rose one place to 26.

Re-Entries

Two returns this week with one being "Say Nothing" by Flume and MAY-A at 49 and the unsurprising return of "Watermelon Sugar" by Harry Styles at number 44.

Loses

There are a LOT of losers this week as you would expect so in an effort to keep this short, I am only going to go through the double digit losses and really given Kendrick did most of the damage last week, this list of double dgit losers isn't as big as you would think.

We'll begin with Kendrick Lamar album cuts that somehow remained the chart with "Die Hard" fear Blxst and Amanda Reifer sliding 22 to 27 and "N95" down 16 to 18.

"Thousand Miles" by The Kid Laroi slumped eleven places to 20 while "Heat Waves" by Glass Animals fell 10 to 16. 

Finally "Dua Lipa' by Jack Harlow fell fifteen to 46. 

Drop outs

Harry Styles took out the rest of Kendrick Lamar album tracks and two other songs that were already on the way out anyway with "Churchill Downs" by Jack Harlow feat. Drake and "Hurtless" by Dean Lewis.

New Entries

So we did get a Harry Styles album bomb so here are the songs that I won't be covering in full...

"Boyfriends" at 15, "Keep Driving" at 14, "Love of My Life" at 13, "Daydreaming" at 12,  "Cinema" at 11, "Satellite" at 10,  "Grapejuice" at 9, "Daylight" at 8 and "Little Freak" at 6.

That leaves us with just three songs to cover beginning with...

4. "Music for a Sushi Restaurant" by Harry Styles

Ahh yes, the vaguely annoying album opener with blaring horns that really do end up becoming aggravating before getting ridiculous and completely annoying. Then there's the lyrics where Harry sings that he could cook an egg on this girl...what the hell, Harry? Proceeds to call her sweet ice cream and then claim she needs a flake put in her which is all sorts of questionable. This song is the song of gross food and sex double entendre that like Timbaland and Justin Timberlake's "Carry Out" winds up disgusting. Next!

3. "Matilda' by Harry Styles

Ahh so this might be one of my favourite songs on "Harry's House", the plucky guitars and Harry Styles telling the story of this girl he knows and how she grew up an abusive or at leastt troubled household and Harry is the one to show empathy and encourage this woman to move forward with her life...travel the world and achieve everything she wants in life despite her upbringing. It's a sweet and well written song using hiding this woman's identity in the main character Roald Dahl's book "Matilda". Yeah, this is excellent. 

2. Late Night Talking" by Harry Styles.

Last of the songs to deal with here and well, it's a bit of a shame that the somewhat wonky production on the verses kind of rules the vibe that Harry Styles is going for here, he is going for the late 70s/early 80s sound that really doesn't work here or have the the late night vibe that the song seems to need and what but can't reach which is a shame because that chorus is actually really catchy but you win some, you lose some, I guess.

So yeah, in a week dominated by Harry, he gets worst of the week for "Music for a Sushi Resraurant" but he also gets the best for "Matilda"

Next week...the fall out of all this which ARIA will reveal on Friday at 5pm AEST

Lookin' Fine '89. 28th May. Satisfied Patience Changed His Ways For You

Well knock me over with three dozen bulldozers, we've got a doozy of a week here and it all starts right at the very top where out of it seems completely nowhere, "Eternal Flame" by The Bangles has taken the number one spot, it stormed six places to the top of the chart thanks to sales that were strong enough to unseat "Like A Prayer" by Madonna back one to number two and "The Living Years" by Mike + The Mechanics back to number three as both songs are weakening and both ready to gracefully slide their way out of the top 50.

It also meant that "Stuck On You" by Paul Norton took a one place to number four while "Ring My Bell" by Collette remains steady at number five somehow.

What I am not thrilled about is the continued rise for Bette Midler's "Wind Beneath My Wings" which climbed three places to number six and looks unfortunately well positioned for a run at the top five.

All that did was help send "Stop!" by Sam Btown on a three place plummet to number seven and it's going to come under threat from our latest arrival to the top ten "Now You're In Heaven" by Julian Lennon up three places to number eiight.

At least it pushed "Lost in Your Eyes" Debbie Gibson back one place to number nine while "She Drives Me Crazy" by Fine Young Cannibals gets a three place push down to number ten. 

Gains

Kate Ceberamo's "Bedroom Eyes" have the attention of the charts this week, it's darting up five to number eleven this week. 

Breaking into the the top twenty this week is "Iko Iko" by The Belle Stars which climbed one place to twenty

"The Look" by Roxette is up ten places to number 23 as it looks set for a run toward the top ten while "House of Cards" by James Reyne climbed big off it's debut as it climbed from 50 to 26!

"Straight Up" lived up to it's name for Paula Abdul as it rose from 34 to 27 while "I Drove All Night" climbed from 35 to 28.

Daryl Braithwaite's "L:et Me Be" rose ten places to 29 and "One" by Metallca jmped nine places  to 38 while "Something's Got a Hold of My Heart" by Marc Almond feat. Gene Pitney rebounded back to 41...shame, thought that song was done.

Losers

We start with "Soul Revival" by Johnny Diesel & The Injectors which stumbled down from 41 to 49 this week while "Twist in My Sobriety" by Tanita Tikaram slipped eleven places to 43.

"She's A Mystery To Me" by Roy Orbison slipped twelve places to 42 while "Belfast Child" by Simple Minds fell back from 31 to 37 and "Fire Woman" by The Cult slimped nine places to 36.

Fprmer top five hit "Tucker's Daughter" by Ian Moss slid ten places to 35 and former number one "I'm Gonna Be (500 Miles)" by The Proclaimers slipped six places to 30.

New Entries

Six pieces of fresh meat in the top fifty this week, let's begin with...

50. "Change His Ways" by Robert Palmer

So we're starting with the fifth single from Robert Palmer's album "Heavy Nova" and this is not one of Palmer's better singles to date, it's messy conglomeration of genres into something that doesn't work at all and then there's Palmer yodelling which doesn't even fit with the vibe he is going for here! Yeah, not good!

47. "Simple Man" by Noiseworks

Hopefully this third single from Noisework's second album "Touch" is better than what we've heard from Robert Palmer and yeah, it is but that's mostly because the instrumentation is more organic and sounds really damn good but why is Jon Stevens placed that low in the mix and the lyrics incredibly basic? I get he is just a simple man wanting the touch of another human but I am going to struggle to remember any of this song going forward. 

46.  "Pop Singer" by John Cougar Mellencamp

So I actually really like John Cougar Mellencamp's brand of heartland rock and I was looking forward to hearing his new single from album "Big Daddy" and yeah, this is a sassy clapback at a music industry that was more interested in burying Mellencamp's identity and turning him into their ideal pop singer and that he realized he couldn't be himself with all the deals that were being made. The song is definitely catchy and sounds great even if it does sound like somewhat of a detour from Mellencamp's usual sound even if it makes sense for this sort of song. Check it out.

44. "Satisfied" by Richard Marx

Brand new single from Richard Marx coming from his album "Repeat Offender" and oh wow...this sounds as dated to 1985 or 1986 in the production, sure that hint of guitar on the end of the hook sounds nice but dear god, this song could have used some genuine rock energy and some fire in the belly because yeah this ain't doing it for me especially if Marx isn't going to stop until he is satisfied. Sadly he'll be waiting awhile to satisfy me.

40. "I'll Be There For You" by Bon Jovi

Sigh...I miss the Bon Jovi that made songs like "Livin' On a Prayer" and "Bad Medicine" because this third single from "New Jersey is the corniest simp song I have ever heard. You'll be the air she breathes for her? Did nobody realize how desperate and pandering that sounds or that you might actually be smothering her with unwanted affection? This isn't good either...NEXT!

34. "Patience" by Guns 'n' Roses.

Okay so we wind up a pretty rough week with a single from Guns 'n' Roses which comes from the album "G N' R Lies" and much to my surprise, it's a gentle acoustic guitar ballad and features. Axl Rose whistling and not yetlling for once, he actually sounds great in this vocal timbre and it kind of makes sense when the song is about a relationship that's on the brink of falling apart and how he and this woman need a little time and patience to sort things out. I needed Guns 'N' Roses to come through with a good song and they have...check this song out.

Of course, "Patience" is the best of the week ahead of John Cougar Mellencamp's "Pop Singer". As for the worst of the week, monogenre clusterfuck v simp anthem, I think I'll give it to the monogenre clusterfuck that is "Changed His Ways" by Robert Palmer.

ARIA Top 50 Singles Chart Top Ten/ Chart Review. 23rd May. Kendrick's Mr Morale and The Big Steppers Album Bomb

 We got the biggest disruption to the singles chart this year courtesy of Kendrick Lamar's final album for TDE called "Mr Morale & The Big Steppers", 14 songs from the album entered the ARIA top 50 this week including three in our top ten so let's start there where for another week "As It Was" by Harry Styles kept the number one spot, it's got a lock on number one thanks to excellent streaming and sales with Youtube also kicking in, its postion at the top will only be strengthened next week thanks to the album release.

That meant "First Class" by Jack Harlow stuck at number two. Now it's still reasonably strong on sales and streaming and also has some youtube but have to wonder if it's going to come under some pressure in the weeks ahead.

That brings us to the first of three new arrivals to the top ten...all of them are from Kendrick Lamar with "N95" debuting at number three and really that's all on streaming, I don't see this being in the top ten next week, it shifted "About Damn Time" by Lizzo back one to number four but this song should rebound, it's still reasonably strong on streaming. 

The second of the new entries from Kendrck Lamar in the top ten is "Die Hard" feat. Bixst and Amanda Reifer debuting at number five. 

All of this pushed "Heat Waves" back two places to number six for Glass Animals (I am ready for this song to go the hell away if I am to be hobest)

The laat of Kendrick Lamar new entries is in at number seven with the album opener "United in Grief"...again no expectation that it will stick around.

"Big Energy" by Latoo feat. Mariah Carey and DJ Khaled slipped back two to number eight while "Thousand Miles' by The Kid Laroi slumped four places to number nine while The Kid Laroi's biggest hit to date "Stay" feat Justin Bieber slipped three places to number ten.

For those wondering how the top ten would look without the Kendrick album bomb...

1. As It Was

2. First Class

3. About Damn Time

4. Heat Waves

5. Big Energy

6. Thousand Miles

7. Stay

8. Bad Habits

9. Where Are You Now

10. Cold Heart (PNAU Remix)

Gains

There are none. Every single song that's not from Kendrick  lost hard this week.

Losses

So not to make this blog post a really long one, I am only going to cover the double digit losses which begins with the thirty place loss for "Churchill Downs" by Jack Harlow feat. Drake...ouch.

"Hurtless" by Dean Lewis suffered an eleven place fall while "Starlight" by Dave collapsed seventeen places to 42 and "Good 4 U" by Olivia Rodrigo tumbled eleven to 39.

The momentum has been zapped out of Leah Kate's "10 Things I Hate About You" as it fell 14 to 37 while Adele's "Easy On Me" took a 15 place fall to 34.

Jack Harlow's "Dua Lipa" got unceremoniously dumped 18 places to 31 while "Industry Baby" by Lil Nas X feat. Harlow took an eleven place slide to 26. 

Drop Outs

There's fifteen drop outs and with Harry Styles album bomb next week, some of these likely have ghad their chart runs ended permanently.

New entries from last week like "This Love (Taylor's Version)" by Taylor Swift, "The Heart Part 5" by Kendrick Lamar (weird, would thave thought name recognition alone would have kept the song in the top 50) and "Hold My Hand" by Lady Gaga.

The long running hits that took their exits this week like "Kiss Me More" by Doja Cat and SZA, "Happier Than Ever" by Billie Eilishm "Blinding Lights" by The Weeknd and "Watermelon Sugar" by Harry Styles, 

Older songs that got viralitylike "Lost" by Frank Ocean and "Iris" by the Goo Goo Dolls.

Newer songs that definitely won't qualify for the year end with "Flowers" by Lauren Spencer-Smith. 

Songs that are question marks for the year end like "Tom's Diner" by AnnenMayKentereit & Giant Rooks, "Nail Tech" by Jack Harlow

Definitely making the year end is "Down Under" by Luude feat. Colin Hay

New Entries

So we are in an album bomb situation so here's the Kendrick Lamar songs that charted that didn't qualify for best nor worst of the week.

48. "Auntie Diaries", 44. "Crown", 45. "Mr Morale" feat Tanna Leone, 30. "Savior" feat. Baby Keem and Sam Dew, 22. "Purple Hearts" feat. Ghostface Killah & Summer Walker, 21. "Silent Hill" feat. Kodak Black, 20. "Count Me Out", 17. "Worldwide Steppers", 16. "Rich Spirit", 12. "Father Time" feat. Sampha

So that leaves us with five new entries to talk about here however we aren't starting with Kendrick somehow because...

27. "Cooped Up" by Post Malone feat. Roddy Ricch

So did you know that Post Malone is literally dropping an album called "Twelve Carat Toothache" in June? Yeah given Post Malone was literally one of the biggest artists in the world around 2018/19, it is kind of amazing how under the radar Post Malone has managed to go however considering both "Motley Crue' and "One Right Now" weren't exactly the kind of hits that Post Malone would have expected in the lead of to the album I guess it's not that much of a surprise this upcoming album feels really low key so how is "Cooped Up"?

Like I was with "Motley Crue", I am really disappointed by this, feels like Post Malone is stepping back toward a trap comfort zone that doesn't even begin to make sense after the best album of his career in 2020, yeah the piano sounds good but Post Malone sounds like he is singing in pain over this trap beat that doesn't do much and couple that with Roddy Ricch dropping his most disappointing verse to date? Yeah I'm skipping this one. 

TW: Mentions of abuse. 

19. "We Cry Together" by Kendrick Lamar and Taylour Paige

This is my favourite song on "Mr Morale & The Big Steppers" and I don't say that lightly. More for the very real depiction by Kendrick Lamar and Taylour Paige of an ugly abusive abusive relationship where both Kendrick and Taylour say some terrible things to each other before Taylour Paige delivers a verse while she's in tears and the anger and frustratio felt by both is palpable before it culminates in the pair having sex. The song is set over this ska jazz groove which gives the song a lot more power and adds to the bitter darkness and rage that swells in the song. 

Probably not a song to listen to if you have been in an abusive relationship and find this sort of song triggering.

7. "United in Grief" by Kendrick Lamar

This is one of those songs where we discover that Kendrick Lamar is revealing his own fallibility as a human being questioning his own attitudes to women,  in that he cheated on his partner while he was on tour and the pain that this brief hook up caused her, reflections on his long career in the music industry, he knows and chooses the need to stay humble and all those accolades he has recieved won't last when he does die and how he has entered therapy to deal with his own mental health. If anything this might be the song where Kendrick is at his absolute best on the album in terms of being able to switch up his flow but it's also a painful reminder that like all of us, Kendrick is not perfect, he is also human...something that become more abundantly clear on the album.

5. "Die Hard" by Kendrick Lamar feat Blxst and Amanda Reifer

So this song is a slice of R & B that brings Blxst and Amanda Reifer on board as Kendrick begs for his partner to be patient with him as he is very much in a vulnerable place right now and pleading her to remain loyal to him and that in the hook delivered by Blxst that she can love him despite all his flaws and all that she has had to put up with from him. Kendrick knows that when he falls in love he falls in love hard which for him means a lot of emotion. Its definitely an intertesting song even though the instrumention is more upbeat and less dark than it is on other songs on the album. 

3. "N95" by Kendrick Lamar

Okay so the album opener charts the highest and is a reference to a particular type of mask used during lockdowns etc in 2020 and 2021 but it's Kendrick lashing out at the state of society in 2022 and with particular refernce to Afican-American culture, he warns against chasing material wealth and possessions amid the troubling economic circumstances of so many post COVID lockdowns. Kendrick also spends a bit of the song calling out the criminals who are on the end of attention of the feds. Not really the best song from the album but ehh, I'll take it. 

And that wraps up the week, a week that really was tough to get through but best and worst fell out easily with worst going to "Cooped Up" by Post Malone feat. Roddy Rich. Best of the week going to "We Cry Together" by Kendrick Lamar and Taylour Paige.

Next week, Harry Styles album bomb but we'll find out when the charts update at 5pm AEST on Friday. 

Lookin' Fine '89. 21st May Help Good Thing Crack Up One House Of Cards.

 Well the unpredictability of the chart at the moment is kind of starting to drive me a little crazy especially as there was one particularly bad song that entered the top ten this week in a really bad sign of what's ahead but anyway speaking of the top ten, let's as usual start there because "Like A Prayer" by Madonna returned to number one yet again much to my surprise, it had strong enough sales to deny "The Living Years" by Mike + The Mechanics a second week at number one with "The Living Years' slipping back to number two.

The surprise is that "Stuck on You" by Paul Norton rose three places to number three this week which is really good to see as I still like this song.

However "Stop!" by Sam Brown at number four and "Ring My Bell" by Collette stalled at four and five respectively. 

Rising two places to number six is "Eternal Flame" by The Bangles, this song always set to be a surefire hit. 

All this caused "She Drives Me Crazy" by Fine Young Cannibals slip four places to number seven, it's coming under pressure from "Lost In Your Eyes" by Debbie Gibson which rose one spot to number eight.

What I am not thrilled about is the eight place gain for the cats in heat strangulation song "Wind Beneath My Wings" by Bette Midler to number nine. Really? We really want sappy crap like this in the top ten...that Debbie Gibson song was more than fucking enough without adding this shit to it.

Wrapping our top ten is "Cry in Shame" by Johnny Diesel & The Injectors rising one place to number ten,

Gains

So apart from Bette Midler's cats in heat in a bag song, Most of last week's debuts gained hard beginning with  "Bedroom Eyes" by Kate Ceberano rose nine places to 16 which yeah is great to see.however I am not thrilled that "Iko Iko" by The Belle Stars got a boost from 37 all the way to 21...can we not do this?.

Thankfully Roxette's "The Look" is on the rose as well as it climbed twelve places to 33 and even if I don't think it's Simple Minds best song, I am most okay with "This is Your Land" rising nine places to 38.

Losers

Let's start with "Something's Got a Hold of My Heart" by Marc Almond feat. Gene Pitney which slipped from 35 all the way down to 49, it's really had quite the abortive run. 

Then there's "Celebrate The World" by Womack & Womack which tumbled from 39 to 46 and "Where Did I Go Wrong" by UB40 down from 35 to 43. 

Former top ten hits took a massive plunge this week like "Too Many Broken Hearts" by Jason Donovan which skidded down 12 places to 42. 

"Soul Revival" by Johnny Diesel & The Injectors tumbled from 34 to 41 while "End of the Line" by The Traveling Wilburys fell seven to 40  "Belfast Child" by Simple Minds skidded from 23 to 31 and "She's A Mystery To Me" by Roy Orbison tumbled eight to 30. 

"Wild Thing" by Sam Kinison fell nine places to 28 while former chart topper "I'm Gonna Be (500 Miles)" slid from 16 to 24 and former top ten hit "I'm On My Way" skidded from 7 to 13 both for The Proclaimers.

New Entries

Seven new entries beginning with...

50. "House of Cards" by James Reyne

So we're starting this week off with the lead single from James Reyne's album entitled "Hard Reyne" and look I am not the biggest fan of James Reyne so I was kind of dreading this song and yeah this isn't for me at all in that there's barely a sticky melodic hook here and Reyne sounds like he woke up in the morning with a mouth full of marbles, it's not the worst thing in the new entries this week (we'll get to that) but it's the one song this week that I am not going to remember going forward. Next!

47. "One" by Metallica

Ahh so next up, we have the third and final single from Metallica's "...And Justice for All" with this song portraying a World War I soldier who sustained serious wounds to his arms and legs, had his jaw blown off by a landmine and is thus rendered blind and unable to speak or move and is left begging for a higher power to take his life. 

It's a dark, sad song that really does paint war and the impacts of it it on individual human beings in a dark but extremely powerful light, it's almost as though the song was designed for the music and the lyrics to take a backseat to the recordings that are played through out the song. May we never forget the horroes that war brings with it and is never the answer. Great song by Metallica, check it out. 

45. "The Crack Up" by The Black Sorrows

Ahh finally a song with some groove to it! Well here's the latest single from The Black Sorrows from their 1987 "Hold Onto Me" and wow...I hear the Fleetwood Mac influence here with the guitar work and also some of the harmonies, I also appreciate that this has a really damn strong hook with it that gives people something to sing along with so yeah I really actually enjoyed this a lot even though I wouldn't say it's better than "Chained to the Wheel", check it out

39. "Let Me Be" by Daryl Braithwaite

Newest sungle from "Edge" hits the charts and it's actually a Daryl Braithwait song I've never heard before that was in part co written by David Reyne so this could be interesting. Turns out that "Let Me Be" is your very definition of 80s ballad just with enough spare guitar to keep it the song moving, it's also following the pattenr of songs that Braithwaite has released before (even if this one wouldn't sound out of place on a Phil Collins record). The song is about a man questioning why people won't leave him alone and let him live in his life in peace, it's not bad but I'm not going to remember this one much, Daryl has done better previously.

35. "I Drove All Night" by Cyndi Lauper

So the first of two covers to hit the chart new this week with this one being a cover of a song that was originally recorded by Rob Orbison in 1987 but wasn't released until 1992 so Cyndi Laurper took the song and recorded it for her album "A Night to Remmber" and honestly while I think the song sounds like something that would have worked for somebody like a Belinda Carlisle, Cyndi Lauper sounds better than I thought here helped by production that ampeds up some rock in the drums and the guitars on the hook. The song being all about escaping a busy city even just for a bit of respite even if it meant driving all night to do it to just get to a loved one so yeah in other words I think I liked this more than I thought would. 

26. "Help" by Bananarama

Okay...what the hell? Why are Bananarama reducing themselves to recording a cover of The Beatles 1965 hit "Help" which went on to be a number one hit in 1965? Turns out they recorded the song for the UK Comic Relief charity where they teamed up with Dawn French, Jennifer Saunders and Kathy Burke to record this and yeah, this is exactly what I expected...a washed out 80s cover where nobody sounds like they are having any fun and some od them sound just plain bored to be on the song...this sounds dreadful...next!

18. "Good Thing" by Fine Young Cannibals

So here's the follow to "She Drives Me Crazy"...a song that I still really like by the way. and yeah "Good Thning" is that perfectly servceable follow up. Catchy and really kind of fun. My only quibble with the song is that the vocals on the verse could have been turned up a little but othrwise I am absolutely fine with this song doing well (I kind of expect it to do alright). Well worth checking out.

However it's not getting best of the week with that going to "The Crack Up" by The Black Sorrows. Worst of the week is going to that wretched cover of "Help" by Bananarama. 

ARIA Top 50 Top Ten/Chart Review: 16th May Hold My Heart for This Love

 This week shocked me in one way, he impact of Jack Harlow's album "Call Home The Kids Miss You" is severely blunted this week, now sure he did have two songs from the album that debuted this week but there was nowhere near the impact I was expecting.

This is also obvious when we look to our top ten where much to my surprise, "As It Was" by Harry Styles maintained the number one spot now there's an open question of whether Kendrick Lamar can get anything from "Mr Morale & The Big Steppers" to number one next week but "As It Was" held steady thanks to strong streaming and sales along with decent Youtube.

This meant that despite the album impact, "First Class" by Jack Harlow couldn't retake number one although I will say it was pretty close because the streaming for this song is just as strong however I will say that it may have some stronger competition behind it with that strong competition coming from "About Damn Time" by Lizzo which stormed up nine places to number three thanks to enormous sales and streaming growth and is among the sales leaders, ccould be a playr for number one down the track.

Beyond that though..the rest of the top ten isn't that interesting with "Heat Waves" by Glass Animals continuing to overstay it's welcome by remaining at four while "Thousand Miles" by The Kid Laroi slipped to number five (just me or is this Kid Laroi's most anonymous song to date?) and "Big Energy" by Latto feat. Mariah Carey and DJ Khaled hangs around at number six.

Then there's "Stay" by The Kid Laroi and Justin Bieber which slipped two places to number sevem. Up one place to number eight is "Cold Heart (PMAU Remix)" by Elton John and Dua Lipa..unfortunately.

Sliding one place to number nine is "Where Are You Now" by Lost Frequencies and Callum Scott (the sooner this song is gone the better) and finally the biggest loser inside the top ten this week..."Bad Habits" by Ed Sheeran down three to number ten as people are finally sick of this god...thank god.

Gains

So the obvious big story in terms of gains is the one I already mentioned for Lizzo's "About Damn Time" hitting number three but what gained big this week? 

Well okay. "Wait for U" by Future feat. Drake and tems up three to number twelve but the gain that raised my eyebrows was the sixteen place gain for "10 Things I Hate About You" by Leah Kate to 22...I mean I get the song has got traction and I do think the song is okay but it's kind of a surprise a song so obviously catty and toxic has this sort of traction.

Re Entries

So 1998 hit "Iris" by The Goo Dolls returned to the top 50 this week at number 45...bit weirded out by this one...I am guessing it's probably viral on Tik Tok at this point.

Fortunately the other return makes more sense because it's "Nail Tech" by Jack Harlow which came back off the back of the album release.

Losers

Mostly pleased with the losers this week because some long term hits are finally starting to move out with "The Motto" by Tiesto and Ava Max down 13 to 50.

"Lost" by Frank Ocean lost seven places to 49 while "Tom's Diner" by AnnenMayKantereit and Giant Rooks slipped seven places to 47.

That said newer songs like the complete crap "Honest" by Justin Bieber feat. Don Toliver slumped sixteen places to 46.

Doja Cat;s "Woman" plunged eight places to 42 while her other big hit "Kiss Me More" with SZA also slipped eight to 41 while "Down Under" by Luude feat. Colin Hay collapsed nine places to 40.

A bunch of songs lost seven places this week with "Mr Brightside" by The Killers to 39, "Watermlon Sugar" by Harry Styles to 37, "Flowers" by Lauren Spencer-Smith to 33. "That's What I Want" by Lil Nas X to 27 and "Starlight" by Dave to 25

Drop Outs

Seven songs dropped out this week and look the only one I really unhappy about leaving is "When You're Gone" by Shawn Mendes. 

The others gone are "Dreams" by Fleetwood Mac, "Light Switch" by Charlie Puth, "We Don't Talk About Bruno" by The Cast of Encanto (locked on the year end list), "In My head" by Lil Tjay, "That That" by Psy feat. Suga of BTS and finally "Drivers License" by Olivia Rodrigo.

New Entries

Five new entries this week, beginning with...

36. "Hold My Hand" by Lady Gaga

We're starting this week's reviews with a song that was recorded by Lady Gaga for the soundtrack of the new Top Gun sequel (the fact we're only now getting a sequel for this is a sign that the film industry have run out of ideas for movies but I digress) and well given Lady Gaga's track record with film songs, I was hoping for something amazing so what did we get? 

We got a ballad that Lady Gaga sounds good on but the production is a mess here for one thing the crescendos on the verses really don't build to much so leaves the chorus kind of really feeling flat which is odd given it's clearly going for the 80s power ballad sound so yeah while I get what the song is trying to do and I don't think it's completely bad...I likely won't be coming back to this song.

31. "The Heart Part 5" by Kendrick Lamar

We got a whole lot more Kendrick Lamar to be discussing next week when the album inevitably bombs the singles chart but this song got released on Monday as part of Kendrick's "The Heart" series where he has released this before every album and well...I am not going to mince words here because this is one of the best songs to be released this year, I can't say if it's better than anything from "Mr Morale & The Big Steppers".

Flipping a Marvin Gaye sample that gives the song a shocking amount of groove and punch, Kendrick gives an update on where he is at in his life and as usual for Kendrick, the lyrics and themes are incredibly dense and quite meta as he raps about life on the streets, sociery's habit of using drugs to quell pain but what tips the song over the edge is the empathy for the late Nipsey Hussle in third verse that made me oddly emotional so yeah if this song made me cry than it's something pretty special. Check it out.

23. "This Love (Taylor's Version) by Taylor Swift

The second single from "1989 (Taylor's Version)" following "Wildest Dreams (Taylor's Version)" and I do like the production here, it's cleaner and feels warm with the guitars but for a song that's about a complicated relationship, the lyrics feel suspiciously abortive and simple like Taylor doesn't really seem too keen on fleshing out how and why this relationship has gotten so complicated. Ehh, I don't hate it but I certainly don't love it either.

17. "Churchill Downs" by Jack Harlow feat. Drake

So I am going to say something that some of you will not like..."Call Home The Kids Miss you" is a perfectly serviceable hip hop album that is actually better than the nonsense both Drake and Kanye West released last year and I guess it's mostly because he doesn't engage in the concern trolling that Drake does (and when Drake does do that, it leaves a really sour taste in my mouth) however this is probably one of the best songs on the album, the song is named after the famous racecourse in Kentucky which is Harlow's home state and sees both Harlow and Drake casting some introspection about their lives and their rise to the top of the game over a decent beat if slightly overmixed...I'll take this.

13. "Dua Lipa" by Jack Harlow

Yeah perhaps naming one of your most dank trap songs after one of the most colourful popstars we've currently got is a pretty bad idea, I'm actually surprised Dua Lipa herself gave this the okay considering it doesn't reflect the brand of pop music she makes. It just sounds odd for a trap song where Harlow goes on and on about wanting to hook up with Dua Lipa and yet the song has no groove or energy to it? Come on Jack, you did better on the album but this is not it.

It's also the worst of the week. The best falls out easily as well because that's going to "The Heart Part 5" by Kendrick Lamar. 

Speaking of Kendrick Lamar, expect the mother of all album bombs when the chart updates on Friday at 5pm

Lookin' Fine '89. 14th May. This Is Your Bedroom Eyes Look

 Well then...we've got a pretty interesting week to wade through including some rises that are getting disturbing to say the least and some promise in the new entries but first let's talk about the big news in our top ten which is after sitting back and watching the battle raging ahead of it, "The Living Years" by Mike + the Mechanics reached number one thanks to a massive sales surge, it absolutely roared past "Like a Prayer" by Madonna which got pushed back to number two and is starting to look like it's weakening but we'll have to see.

What is most definitely weakening is "She Drives Me Crazy" by Fine Young Cannibals which remained at number three but it's done as a contender for number one.

Unfortunately that can only mean that "Stop" by Sam Brown can probably continue its rise as it climbed one place to number four this week while the even worse "Ring My Bell" by Collette also jumped one to number five because Australia is fucking confused right now or think it sounds like Anita Ward's version...ugh.

However in much better news, "Stuck on You" by Paul Norton got a two place gain to number six however I think that may have been helped by the three place collapse to number seven by "I'm on My Way" by The Proclaimers. 

Then much to no one's surprise is the new arrival to the top ten of "Eternal Flame" by The Bangles up four places to number eight. Happy to see it here!.

Hell, it pushed back the increasingly frustrating ballad "Lost In Your Eyes" by Debbie Gibson back two places to number nine while "Chained to the Wheel" by The Black Sorrows fell back one place to number 10 but I am just happy the latter made the top ten at all.

Gains

The hot streak of 1927 singles doing well continues with "Compulsory Hero" up six to twenty.. 

Also rising unfortunately like the malodorous fart that hasn't quite unleashed it's full stench yet is "Wind Beneath My Wings" by Bette Midler which climbed from 22 to 17. 

Meanwhile breaking into the top ten is "Young Years" by Dragon up three places to 18 and Samantha Fox's awful cover of "I Only Wanna Be With You" leapt six places to 20.

Rising 12 places to 21 is "Hurricane" by James Freud, kind of surprised by this one if I can be honest.

"Fire Woman" by The Cult jumepd seven places to 24 while rising twenty places to 26 is "When Love Comes to Town" by Us with B.B. King. "How'm I Gonna Sleep" by Tim Finn rose nine places to 27 and "Straight Up" by Paula Abdul got a straight boost from 39 to 31.

Finally "Celebrate The World" by Womack & Womack  had a nice ten place gain to 39/

Re Entries

Just the one re entry with "So Good" by Wa Wa Nee back at 49. 

Losers

"Like the Way I do" by Melissa Etheridge is on the way out having dropped six places to 50 while "My Prerogative" by Bobby Brown also slipped six places to 46. 

Poision are finding out their song "Your Mama Don't Dance" is dancing it's way out of the chart and it tangoed down twelve places to 44 while "You'll Never Know" by 1927 slumped from 37 to 43.

Unfortunately "Buffalo Stance" by Neneh Cherry limped down seven places to 41 while former top five hit "You Got It" by Roy Orbison tumbled nine places to 38 and "End of the Line" by Traveling Wilburys is heading for Destination Chart Exit as it slipped eight places to 33.

The same could said for "Too Many Broken Hearts" by Jason Donovan which took a fourteen place hit to 30 while "Tuckler's Daughter" by Ian Moss crumbled eleven places to 27.

New Entries

47. "This Is Your Land" by Simple Minds

Kind of surprised to see a new single from Simple Minds weven with "Belfast Child" still doing reasonably well on the charts and unfortunately this really doesn't do much for me at all. Yeah, the twang of the guitar is pretty but I feel like the song is missing a cohesive melody at some points and it really does put the structure of the song out of complete whack to the point, it's confusing to listen to. I am skipping this. 

45. "The Look" by Roxette

Okay so next up a Swedish pop duo with their fourth single from thier second studio album "Look Sharp!" and look, what to do want me to say? This song positively drips with appeal! Its outrageously catchy and an extreme amount of fun...it's almost so infectious it should probably be illegal with that hook allowing call and response. This is a great song, check this out!

40. "Leave Me Alone" by Michael Jackson

Latest single from 1987 album "Bad" and features Michael Jackson taking potshots at tabloid rumours about him over a pretty jaunty piano and weird sound effects which I will admit that I am not a huge fan of but it does allow Jackson to plead with the tabloids to leave him alone and to stop making up stuff about him.even if I think the way 'leave me alone' is sung on the hook can be thought of as a little whiny but overall it is a decent Michael Jackson song just not one of his best.

37. "Iko Iko" by  The Belle Stars

Okay so The Belle Stars are a British all girl group and for some ungodly reason we've got their cover of an already much covered song that was originally recorded by James "Sugar Boy" Crawford and Cane Cutters however it failed to chart. It wasn't until jam band the Dixie Cups recorded the song that it became a hit and now we've got this cover from the Belle Stars complete with clanking atonal percussion that makes the song sound like a prolapsed anus, hell the vocals aren't even mixed correctly here. This is flat garbage...next!

25. "Bedroom Eyes" by Kate Ceberano

It's always nice to end a week on an Australian note, this week being the lead single from Kate's third solo album "Brave" and yeah, this is a pretty damn cute song about a woman who despite telling herself that the relationship is over, she's still in love with this guy because of those 'bedroom eyes' he makes and leaves her wanting him. The song has a neat piano line too. Worth checking out.

However it's not the best of the week because that is going to "The Look" by Roxette. Worst of the week in a pretty good week generally is going to "Iko Iko" by The Belle Stars. 

ARIA Singles chart top 50 Top 10/ Chart Review: 9th May. Wait Damn Time For 10 Things In The Stars

 Well we have some uncertainty ahead on the charts and it's interesting as to how this might all play out especially as we may well get a couple of weeks in a row of album bombs ahead from Jack Harlow, Kendrick Lamar and Harry Styles in that order so buckle up because I think the weird quiet on the charts is over for the time being.

Let's dig into the top ten where Harry Syles held on to the number one for another week with "As It Was", Now it's hold on number one next week isn't a sure thing but it's been the streaming and sales leader all week and does have good Youtube to maintain top spot. 

However "First Class" by Jack Harlow remains a huge chance of retaking the number one spot next week thanks to a streaming boost courtesy of the new album but it was solid on sales and streaming this week along with the video for the song dropping on Youtube to keep the pressure on "As It Was"

Somehow "Heat Waves" by Glass Animals continues to linger by remaining at number three....I mean seriously I was done with this song Christmas last year...time for it to go.

Remaining at number four is "Thousand Miles" by The Kid Laroi stuck at number four...I am not sure what the future holds for this song especially as it does seem like one of the more anonymous Kid Laroi releases in awhile.

Speaking of The Kid Laroi, "Stay" feat. Justin Bieber also held steady at number five however what is coming to place pressure on the weaker songs above it is "Big Energy" by Latto feat. Mariah Carey and DJ Khaled which climbed four places to number six....sales and streaming are doing a lot for this song.

All this pushed back long time top ten stayers one spot with "Bad Habits" by Ed Sheeran to number seven, "Where Are You Now" by Lost Frequencies and Calum Scott to eight, "Cold Heart (PNAU Remix)" by Elton John and Dua Lipa back to number nine and "Shivers"by Ed Sheeran to number ten.

Gains

Adele's "Easy On Me" rebounded five places to number 16 (think it's because of a recent TV special on Seven but I could be wrong there). 

"Wait A Minute" by Willow climbed twelve places to 25 which I find weird but not as weird as the fifteen place gain for "Flowers" by Lauren Spencer Smith to 26...can we not indulge that utter bore of a song, please?

Losers

Lil Tjay's "In My Head" tumbled eight places to 48 while Encanto seems to be absolutely done with "We Don't Talk About Bruno" by The Cast of Encanto suffering the biggest slide of the week down sixteen to 47 (Mostly okay with that, I'm ready to start talking about Bruno again as much as I am tired of the song)

"Dreams" by Fleetwood Mac fell out of its chart bed down six spots to 45. 

While 2022 songs are also suffering with "When You're Gone" by Shawn Mendes slipping ten places to 43...bit of a shame because yeah the song has grown on me a fair bit.

"Tom's Diner" by AnnenMayKantereit & Giant Rooks suffered a twelve place diner smash up to 40 while "Hurtless" by Dean Lewis fell seven to 36.

A song that might finally be on the way out is "Kiss Me More" by Doja Cat feat. SZA as that plummeted nine places to 33.

Drop Outs

Six drop outs this week with the only one I am really disappointed about is "Numb Little Bug" by Em Beihold falling out, I can only hope the stagnant charts meant it made the year end.

No such worries for "Do It To It" by Acraze feat. Cherish because that's firmly locked on the year end list, it took "Fingers Crossed" by Lauren Spencer Smith and "Boyfriend" by Dove Cameron.

I am not complaining the garbage that is "Let's Trot!" by Brothers feat. Joel Fletcher is gone along with 2018 chart topper "Perfect"by  Ed Sheeran.

New Entries

Six new entries this week, let's begin with...

49. "That That" by Psy (feat. Suga of BTS)

So somehow I didn't expect to be talking about K Pop legend Psy on this blog especially in 2022, you might remember he had that massive hit in the early 2010s with "Gangnam Style' which ended up being one of the biggest hits of 2012 (it was 2nd behind Carly Rae Jepsen's "Call Me Maybe" on the year end) so while I don't mind the nostalgia, I am kind of well aware that the only reason this charted was because of member of BTS, Suga producing it. As for the song itself, well it reminds me a lot of 2010/11 and the club boom woth elements of the song feeling more like LMFAO had returned! It doesn't really get all that grating until the second half of the song, if you like somewhat silly dance music then you'll enjoy this but this ain't no "Gangnam Style".

38. "10 Things I Hate About You" by Leah Kate

Alright so Tik Tok virality has spawned another newcomer on the charts this time in the form of American Leah Kate who has been releasing singles since 2020 and released her debut album last year with this song being the first of hers to catch any kind of traction. Now I avoided this song for the past week mostly because I was alarmed by the comparisons with "abcdefu" by Gayle (a song that will be making my worst hit songs list for 2022...spoiler) and yet I actually kind of like this one mostly because the instrumentation has some genuine anger behind it which matches the anger in Leah Kate's delivery, the anger in "abcdefu" has always felt very forced from Gayle. 

I guess my major criticism of "10 Things I Hate About You" is that lyrically it does feel reminiscent of Miley Cyrus song "7 Things I Hate About You" especially that last line on the chorus where she says he made her love him...not all that original if you ask me but hey it does fit this highly toxic teenage brand of melodrama, I am fine with this song for now but don't be surprised if it has soured on me come the end of the year.

35. "In The Stars" by Benson Boone

Okay so Benson Boone is an American singer songwriter from Washington with this being the first song of his to crack the top 50 in Australia and I am going to be honest about this, this is a boring dirge of a piano ballad about the death of a loved one yet it's Boone's singing that drives me up the wall here, he sounds like a mix of Lewis Capaldi and Dean Lewis with either marbles or dinner, it's really offputing and not something I want to listen to again. 

28. "Honest" by Justin Bieber feat. Don Toliver

I didn't expect to get a new single from Justin Bieber so soon especially as "Ghost" is still doing fine enough on the charts right now but I was curious about this one especially as 2021 had shown a genuine improvement in Bieber's music so imagine my disappoint when I heard this song and found out that this is a trap clunker more reminiscent of the absolute garbage Bieber released in 2020 on that forgotten about album "Changes" (nobody cares about that album now in 2022, right?). Throw in the fact that it's another Bieber crooning about his wife with lyrics including "I like that cajun on you" and Don Toliver's verse being an absolute mess about smoking skunk and buying weed over Facetime? This is is absolute junk and a complete regression from Bieber. 

15. "Wait for U" by Future (feat. Drake & Tems)

I would have said that the only reason that this song debuted as high as it did was because of the Drake feature but then ARIA revealed that Future's new album "I NEVER LIKED YOU" debuted at number one on the top 50 album so how's this song?. Honestly, it's not anything special as Future mumble raps his way through the song and Drake complains about this girl having a cheap watch after telling her to put a muzzle over her mouth. The sample of Tem's 2020 song "Higher" does sound nice here but wow not feeling the content from either Future 

12. "About Damn Time" by Lizzo

Well it's about damn time that Lizzo returned to the Australian charts with a new song, granted this song had a shaky start in it's first week but then hanks to Tik Tok took off so remarkably that it ended up being the highest new entry of the week. I'll give the song this, that chorus is catchy and Lizzo is doing her best to sell it with the content basically being this reassuring "Life is tough but you'll pull through the worst of it okay" however I do feel like this is just a rehashed version of "Juice" or an attempt to make a part two of "Juice" but hey I'll take it .

And really I have no choice but to give Lizzo the best of the week in a week where I felt like the good tracks needed asterisks around them to some degree as for the worst...Justin Bieber and Don Toliver are getting this for "Honest" because it's such a massive disappointment from an artist who I thought was on the right track to being really good, it beats out Benson Boone for it.

Next week, looks like its plentu of Jack Harlow but we'll see when the chart updates on Friday at 5pm AEST

Lookin' Fine 89. May 7th. The Love Generation When Jack Comes To Town

 We finally got a bit of stability right at the top of the chart this week even if the rest iof the chart feels about as stable as smebody's stomach while sick with the noro virus but anyway let's not waste any time and get started with the top ten because Madonna hangs on to number one with "Like a Prayer", it's got a decent sized sales margin ahead of our new number two that being "The Living Years" by Mike + The Mechanics as it got a sales boost of it's own enough to oush "She Drives Me Crazy" by Fine Young Cannibals back to number three.

"I'm On My Way" by The Proclaimers remains at number four, "Stop!" by Sam Brown stuck at number five and "Ring My Bell" by Collette at number six.

Debbie Gibson got a one place gain for her ballad "Lost In Your Eyes" to number seven while breaking into the top ten is Paul Norton's "Stuck On You" which rose from 11 to 8 and further entrenching itself in the top ten is "Chained to the Wheel" by The Black Sorrows as it climbed one to number nine.

Finally falling back one is "One Summer" by Daryl Braithwaite to number ten.

Gains

So "Cry in Shame" by Johnny Diesel & The Injectors has absolutely taken off this week as ut flew from 39 to 14! 

Tone Loc also had a top twenty break through as the good "Wild Thing" climbed from 22 to 15 and the awful  "Wild Thing" by Sam Kinison climbed from 25 to 19

In good news "Compulsory Hero" by 1927 jumped from 34 to 20 while "Young Years" by Dragon but I have no idea why anyone wants the song where cats in heat are being strangled with "Wind Beneath My Wings" by Bette Midler up from 38 to 22...come on, we can do better.

In more bad news Samantha Fox's cover of "I Only Wanna Be With You" is up from 32 to 26.

James Freud got a ten place gain to 33 with "Hurricane" while "Real Gone Kid" by Deacon Blue is up seven places to 41. 

Re Entries

One re entry courtesy of Johnny Diesel & The Injectors with "Don't Need Love" back at  47

Losers

Former chart topper "Teardrops" by Womack & Womack is on the way out down 12 to 48 while "Straight Up" by Paula Abdul slipped nine places to 39.

1927's previous single "You'll Never Know" utterly collapsed from 21 to 37  while in pleasing news "Where Did I Go Wrong" by UB40 slipped from 29 to 35...good.

Disappointingly "Buffalo Stance" by Neneh Cherry slipped from 27 to 34 and "Your Mama Don't Dance"by Poison slipped from 26 to 32. 

Roy Orbison's "She's a Mystery to Me" slumped from 17 to 23 and "You Got it" is on the way out as it tumbled ten places to 29 while the same goes for "Soul Revival" by Johnny Diesel & The Injectors down ten to 28. 

New Entries

Three new entries this week, beginning with

50. "The Beat(en) Generation" by The The

We're starting off with British post punk courtesy of The The.with this song being the lead single from the band's third album entitled "Mind Bomb" and while this song does have an oddly lounge feel for post punk, the lyrics are no less angry as they urge people to open their eyes and see what is happening, start questioning politicians motives etc (keeping in mind that in 1989, Britain was in the final throes of the Margaret Thatcher era and the Brits had gone through some really dark times during her tenure as Prime Minister) and challenging the youth to stop believing what they see as half truths and how hatred has been sown into the hearts of a lot of Brits during that time. Not going to say it's a bad song but it's not one that I am going to remember much. 

46. "When Love Comes to Town" by U2 with B.B. King

This is a collaboration I wasn't expecting to be released as a single, Irish rock act U2 collaborating with American blues singer songwriter, guitarist and record producer B.B. King taken from U2's 1988 album "Rattle and Hum" and you know I think this song has the energy and passion that I was missing from that The The song. Bobo and B.B. King throw themselves vocally into this song that it does get impossible not to get carried away with it, it's pretty much a story about how two guys did some really awful things before the loves of their lives come along to turn them into well behaved and well heeled gentlemen. I loved this more than I expected...check this out. 

43. "I'd Rather Jack" by The Reynolds Girls

And we're ending this week with Liverpool sisters Linda and Aisling Reynolds with their breakthrough single "I'd Rather Jack" and as I suspected it's written by two of the members of Stock, Aitken and Waterman because wow it sounds like their formula just a shame the synths here are just completely annoying while the Reynolds sisters have good harmonies, there's not much by the way of interplay between the two. Really, this song is only here because of that hook and that hook alone but otherwise I see no use for this.

It's the worst of this week easily. Best of the week is also easy with that going to "When Love Comes to Town" by U2 with B.B. King

ARIA Singles Chart Top 50 Top Ten/Chart Review: 2nd May

 Well this week was about what I expected, we got a song returning to number one and looks like having some real momentum to hold on to the number one for awhile even despite how busy it looks like the charts are about to be over the next few weeks and our only new entry this week landing predictably hgh but okay let's deal with the top ten first because returning to number one is "As It Was" by Harry Styles as it became the firm leader on streaming and while a little up and down on sales this week, it was still enough to fend off it's rivals,

Former number one "First Class" by Jack Harlow slipped back to number two due to losing that streaming advantage, its actually doing better than expected on sales as well. I expect this to stick around for awhile.

Then there's "Heat Waves" by Glass Animals remaining at number three, this song is really only here on streaming fumes at this point because it's got nothing on sales, it's literally waiting to be pushed out of the top ten at this point.

That brings us to our one new entry this week..."Thousand Milea" by The Kid Laroi, this got to the top ten because apart from the top two, the top ten is rather weak and I am surprised it isn't as strong as I would have thought a new Kid Laroi single usually is.

This caused Kid Laroi's other top ten hit "Stay" with Justin Bieber to fall back one to number five and "Bad Habits" by Ed Sheeran back to number six.

"Where Are You Now" by Lost Frequencies and Calum Scott remains at number seven somehow while "Cold Heart (PNAU remix)" by Elton John and Dua Lipa slipped back two places to number eight.

"Shivers" by Ed Sheeran is also on the way out slipping one place to number nine which only means good news for the newest arrival to the top ten....sigh..."Big Energy (remix)" by Latto feat. Mariah Carey and DJ Khaled up four places to hit the top ten at number ten. I only expect this to rise further as it's got traction which is not a good sign going forward.

Gains

The biggest gainer of the week is Harry Styles 2020 hit "Watermelon Sugar" which climbed twelve places to 25 while "Wait a Minut!" by Willow climbed nine places to 37

Re=Emtries

Just one return this week with "Perfect" by Ed Sheeran back at number 50...somehow.

Losers

Weirdly enough I am not all that upset about most of our losers this week...okay, "Numb Little Bug" by Em Beihold losing five places to 49 is worrying as I do like that song a lot.

However when "Let's Trot!" by Brothers feat. Joel Fletcher dropped six places to 44 or "Do It To It" by Acraze feat. Cherish slipped eight places to 42...I am not going to complain.

"Dreams" by Fleetwood Mac tumbled nine places to 39 and "We Don't Talk About Bruno" by The Cast of Encanto shut down eight places to 31,

Drop Outs

Our two drop outs are pretty predictable with both "Dance Monkey" by Tones and I and "Nail Tech" by Jack Harlow gone.

New Entries

Just the one new entry this week so let's talk about...

4/. "Thousand Miles" by The Kid Laroi

One thing I was hoping for from The Kid Laroi is that he'd find a change up or something different to his music or at least something that makes me material less unpleasant to enjoy so how is the lead single for his debut album? Well it's an improvement in terms of the writing where it's Kid Laroi not trying to force this girl to stay but rather he encourages her to stay away from him, knowing that his toxic tendemcies will only end up ruining whatever chance this relationship has. Just a a shame th piano based production does feel clunky and doesn't really reflect the drama of the situation so really I guess I am kind of ehh about this one?

That wraps up another rather abortively short week. Next week, we'll have to see what he get because I am not sure, we'll find out when ARIA updates their charts at 5pm on Friday.