Pretty Fly (For 1999): 2nd May. Blame It on Millennium Bleeding Love Here Right Now, Lucky Me!

So we have quite the week in front of us with most of all of the new entries in the bottom half of the top fifty and the usual array of movement that we may as well get started straight away with the top ten where we have a new number one that being "No Scrubs" by TLC which moved up three slots to take the top spot, it's sales are excellent and I can see this being a stable number one for the time being. 

It held off "Why Don't You Get a Job?" by The Offspring at number two and "We Like to Party (The Vengabus)" by The Vengaboys at number three, both songs just couldn't go with "No Scrubs". 

Former number one "Baby, One More Time" by Britney Spears slipped back to number four with the bottom having fallen out of sales at this point, to the point it's going to come under pressure from the constantly yo yoing "The Animal Song" by Savage Garden which yo yoed back up one to number five, it was rnough to move past "That Don't Impress Me Much" by Shania Twain which slipped one to number six.

"Touch It" by Monifah continues to be annoyance refusing to move from number seven however it could come under pressure from the new arrival to the top ten this week courtesy of "Fly Away" by Lenny Kravitz up from thirteen to number eight.

"Until the Time is Through" by Five remains at number nine and "Anthme for the Year 2000" by Silverchair fell two slots to number ten. GG

Losers

It's all tearing down for The Living End with "All Torn Down" sliding from twenty six to forty one this week. 

Looks like the public aren't feeling "End of the Line" by Honeyz as it dipped ten to thirty five which is a shame as I really like that song still. "Lullaby" by Shawn Mullins dived from eighteen to thirty one. 

Gains

We have more big gains than losers this week beginning with "Honey to the Bee" by BIllie Piper up thirteen slots to twenty, this song is definitely catchy so I am not surprised to see this up off it's debut. 

Also up off it's debut last week is 4 the Cause with their cover of "Stand by Me" unfortunately up eight to twenty nine. 

"Last to Know" by Human Nature scored a ten place rebound to thirty two...delighted about this one while "Save Tonight" by Eagle Eyed Cherry is up eight to thirty three.

"9pm (Til I Come)" by atb gained nine slots to thirty seven this week in more pleasing news.

Really the only gain I am not thrilled about gaining is that of "Put Your Hands Up" by Black and White Brothers up eight to forty two...really, people? Come on, we can do better than this. 

New Entries

Six entries this week, beginning with...

50. "Love Lies Bleeding" by Sonic Animation

We're starting the week with an Australian dance and techno group called Sonic Animation and I'll give this song credit for actually being somewhat interesting and less repetitive with it's instrumentation and pretty solid base groove even if the lyrics are not anything to write home about, the content being about feeling ecstasy and desire  which makes sense for a song that would fit right in on the dancefloor. This song is fine enough but it's nothing I am going to come back to. 

49. "Millennium" by Robbie Williams

Time again to talk about the most successful solo member of Take That that being Robbie Williams and his new song that given we're heading to the new millennium because of course we had to have a song about it only this time Williams is taking inspiration from James Bond themes more specifically "You Only Live Twice" and satirically explores the jet set lifestyle and reflecting on the anticipation of the year 2000 within cuture and how generations going forward may lose some traditions which is actually not a bad tangent for this sort of song however I do think where the issue with this song is in how weirdly elegant the production is for a song about the future especially in the more orchestral arrangements...

Then again, it could be a case of past meeting future or something? Who knows? The song is pretty good, check it out if you are curious. 

48. "Blame It on the Weatherman" by B*Witched

Staying in the UK and we have the fourth single from B*Witched and I think I might like this better than any of their previous three singles more because yeah...this is pretty close to great with the storm sound effects, the gentle guitar and the girls harmonies on the hook. The song is about blaming the weatherman for the end of a relationship and using the horrible weather outside as justification for blaming the break up on the poor weatherman!

But yeah, I just love how this sounds and how the song builds and the vocals stacking on top of each other, this song is well worth yout time, check it out. 

46. "Right Here, Right Now" by Fatboy Slim

So we have the follow up to "Praise You" from Fatboy Slim and unfortunately I am not much of a fan of this at all, sure I get the instrumental appeal but that breathy voice going "Right here/..ight now" hits the wall of being incredibly annoying, it's somewhat lucky that the instrumentation is somewhat memorable because otherwise I'd say this is annoyingly forgettable rather than annoying and mediocre. Next!

45. "It's Our Time" by Ilanda

Yeah we're finishing with Australians this week beginning with vocal harmony and dance group Ilanda's newest song "It's Our Time" and well...this song is good old fun time with the gleaming funk keys and a pretty solid groove to match that feels reminiscent of what CDB were able to do in the mid 90s although I will say the countdown in the middle of the song is somewhat a bit unnecesaary and doesn't really fit in with the smooth vibe of the song. It's not bad overall. 

43. "Lucky Me" by Bachelor Girl

Wrapping up the week with the latest single from Bachelor Girl, a pop rock song where this woman has everything she could want in life such as a nice house, car etc but is bemoaning the lack of compassion and love within their community where people have put material things above loving other people and demonstrating care and compasion towards others (somethig that has only been deomonstrated more and more in the 2020s) and Tania Doko's vocal delivery does well to communicate how fed up she is with the dynamic at play here, in short another pretty great song that deserves your attention

That conpletes our week and wow, best and worst do not fall out easy here. I think I am going to give worst of the week to "Right Here, Right Now" by Fatboy Slim, it's the song I care least about of our new arrivals.

As for the best, it's a tight go but I am going to give it to "Lucky Me" by Bachelor Girl mostly because i think the lyrics hit hard and play well for introspection.

ARIA Top 50 Singles Chart Review: April 27th: The One Where Olivias Dominate and Bieber's Beauty Has A Renaissance

So this week was something...the re-emergenece of Justin Bieber's career post Coachella and a top three that is dominated by Olivias so let's just right into the top ten where Olivia.....Rodrigo claimed the number one spot with "drop dead", it's second new number one of 2026 (yes, the year has been utterly dominated by "Man I Need") and Olivia's fourth number one in Australia following on from "Drivers License", "Good 4 U" (both in 2021) and "Vampire" (2023)

"Man I Need" by Olivia Dean remains at number two while last week's number one "Rein Me In" by Sam Fender and Olivia Dean slipped off the top spot back to number three...I get the feeling that this song has peaked but fuck am I happy that it got two weeks at number one.

"Daisies" by Justin Bieber continued to benefit from Bieber's moment at Coachella jumping six spots to number four and we continue with Bieber because his 2012  song with Nicki Minaj "Beauty and a Beat" is back on the chart under the ARIA rules around viral songs at number five, this song is so stupid that it's hilarious...it feels like a novelty song to some degree.

The fall out of all of this is that "IloveitIloveitIloveit" by Bella Kay slumped three to number six, I am not sure about this song's future in the top ten while "Dracula" by Tame Impala slipped back two to number seven.

Also falling back two slots to number eight is "Choosin' Texas" by Ella Langley, I am mostly just shocked this song made the top ten at all!. "Ordinary" by Alex Warren slipped two slots back to number nine and finally "So Easy (To Fall in Love)" by Olivia Dean fell four to number ten.

Losers

"Swim" by BTS might be having it's last week on the chart unless something miraculous happens, it dropped another ten slots to fifty.

The only other major loser was "Pinky Up" by Katseye down six to twenty five.

Drop Outs

We saw four songs depart this week with three being sent to the On Replay singles chart with "Espresso" by Sabrina Carpenter, "A Bar Song (Tipsy)" by Shaboozey and "Just the way You are" by Milky x Mallgrab. 

The other drop out being "That's So True" by Grace Abrams.

Gains

So sadly we did see two of last week's new entries gain decently off their debuts with "Earrings" by Malcolm Todd up six to twenty eight and "Freakin' Out" by Dexter and the Moon Rocks up six to forty three.

"Just Keep Watching" by Tate McRae continues to be a pain in my buttcrack by climbing seven to forty one. 

Re-Entries

Apart from "Beauty and A Beat" by Justin Bieber and Nicki Minaj being back at number fve, "Be By You" by Luke Combs continues sto bounce on and off the charts but it's back this week at forty nine. 

New Entry

Two new entries this week, beginning with...

39. "SPEED DEMON" by Justin Bieber

So we're getting this cut from "SWAG II" and unfortunately it's not one of the better songs on that album, Bieber's vocals sound processed to hell and back and there's nothing all that impressive about what is on offer with the production here especially with a guitar line that is painfully reedy, weak and rerally doesn't sound good as Bieber croons about overcoming negativity and personal growth blah blah. Justin, the poor production and vocal performance isn't helping your case here, let's move on. 

1. "drop dead" by Olivia Rodrigo

We end the week with the number one song everyone saw coming from a mile away and likely the opening song of Olivia's upcoming album "you seem pretty sad for a girl so in love" because this is a song about having a really intense and passionate crush on somebody and the euphoria and headiness that comes with feeling that sort of infatuation with another person. It actually feels like head cannon from Olivia to some degree even though she has described the song has being about a "perfect first date" she went on.

As for the production? Well, it's a lot of warping synths, a little guitar and strings that give the song this uncanny Chappell Roan vibe that I actually like a lot and also makes sense when Dan Nigro does the production for both Olivia and Chappell and the pair have been on tour together so Olivia would probably consider somebody calling this a "Chappell Roan song" a compliment. In short, this is a good song, it's probably the best of any of the new entries we've had in the past month.

Yeah, "drop dead" by Olivia Rodrigo  is the best of the week here, it's not really a contest. Worst of the week goes to "SPEED DEMON" by Justin Bieber. 

Pretty Fly (For 1999): 25th April Protect Angel Bee of Mine and Thank 9pm

This week is going to be a long especially in terms of the new entries...there's seven of those this week however let's start with the top ten where "Baby, One More Time" by Britney Spears remains at number one but its sales are starting to slow a bit and it could find itself vulnerable. 

The challengers are beckoning too with "Why Don't You Get a Job?" by The Offspring which climbed one spot to number two, "We Like to Party (The Vengabus)" by The Vengaboys jumped three spots to number three and "No Scrubs" by TLC  which looks to have the better momentum of the three challengers as it skidattled up four spots to number four.

Of course all this could be because "That Don't Impress Me Much" by Shania Twain crashed three spots to number five and "The Animal Song" by Savage Garden down two to number sx. 

"Touch It" by Monifah remained unmoved by the chaos above it stuck at nnumber seven. "Anthem for the Year 2000" by Silverchair down thre to number eight.

What I was surprised to see was "Until the Time is Through" by Five up two into the top ten at number nine. "This Kiss" by Faith Hill slid one to number ten and thankfully looks to be done in the top ten.

Losers

So as you can imagine this week is messy so lets begin with "Heartbeat/Tragedy" by Steps which just utterly collapsed from nineteen to forty five. Former top ten hit "Jackie" by BZ and Joanne slumped from thirty to forty four.

"Last to Know" by Human Nature slipped eight to forty two while Pandora's "A Little Bit" slipped eleven to forty. 

Sadly Jennifer Love Hewitt's "How Do I Deal?" is not getting all the answers down from twenty two to thirty six. and in the loss I am surprised by,.."Changes" by 2pac lost all it's momentum to slide from number twelve to thirty five. 

"Doo Wop (That Thing)" by Lauryn Hill slumped ten slots to thirty four.

Gains

We did get some gains this week with the biggest gain of the week belonging to Eminem's "Hi! My Name Is" climing twenty spots to twenty one. "Every Morning" by Sugar Ray jumped eight to twenty three. 

Korn's "Freak On A Leash" found some more freak to gain eight spots to twenty three while The Living End are tearing up the charts with "All Torn Down" up ten to twenty six.  

New Entries

A nassuve seven new entries this week, beginning with...

50. "Put Your Hands Up" by The Black  and White Brothers

So the Black and White Brothers are an electronic duo hailing from Switzerland with this being the first snng to hit the ARIA singles chart and I'm sorry, I fucking hate this, the vocals are just nasal with nothing more than the lame "Put your hands up in the air" refrain that gets incrementally more annoying every time it is said by that neutered dog whistle of a voice over that bassline, 

We can do better than THIS! Come on..

48. "9pm (Til I Come)" by ATB

So we head to Germany for this song from DJ and producer ATB and mercifully this one doesn't hit the infernal annoyance the previous song does by actually having a dang solid guitar loop that winds up pretty catchy and the female vocals actually fit the song nicely, throw in the bassline and the song is actually pretty dang good for what is an electronic song with not much in the way of lyrics. 

Yeah, check this out, this is pretty good. 

37. "Stand by Me" by 4 the Cause

So we go from dance to r'n'b with 4 The Caause, an Illinois group that later moved to Germany and well this is exactly what you are thinking this is...a cover of Ben E. King's "Stand by Me" amd well. this is something of a mess, the hook is singing with other members repeating by rapping which hits the right point of being annoying and taking the emotion out of the song that King so carefully crafted, it sounds like a Glee performance...oh wait...Glee did this song somewhat better.  This is obnoxious...next!

33. "Honey to the Bee" by Billie Piper

Stepping back into the UK pop scene with this new song from Billie Piper who is actually involved with the next two new entries however "Honey to the Bee" is the latest single from Piper's album entitiled "Honey to the B" and you know what" If there's anything to be said about this song is that Billie does have some pipes, she sounds better on this song than she did on "Because I Want To" (that song is still incredibly obnoxious) but especially on softer songs like this one she sounds really good.

Also this song overall this song is a pretty damn good pop song even if the chorus doesn't quite pop in the way the bridge build suggest its going to and it helps that Piper is a commanding presence. The content is your standard pining love song where she's trying to convince this guy that he is meant for her that she's his honey to his bee. It's cute. Don't mind this overall. 

29. "Thank ABBA For The Music" by Steps, Tina Cousins, Cleopatra, B*Witched and Billie Piper

So this is a strange one, a bunch of established artists and groups like Steps, Tina Cousins and Cleopatra got together at rhe Brit Awards in February to perform a medley of ABBA songs beginning with "Take a Chance on Me", "Dancing Queen", "Mamma Mia" and "Thank You for the Music", now I will say they did stick wth melodies and there were no hackneyed changes apart from changing "you" to "ABBA" in "Tbank You for the Music".

However the issue with this song is the balance here, eleven women to two guys (Lee and H from Steps) and the lack of baritone that the guys could have provided is missing in the medley here. Don't get me wrong, the ladies all sound amazing and the harmonies on point. It's fine enough...nice tribute that just misses in one spot.

28. "Angel of Mine" by Monica

Swinging back to R'n'B with this song from Monica which was recorded by Eternal in 1997 and then re recorded by Monica for her second album "The Boy is Mine" and really, there's not much to say about this song. it's a pretty standard love song where Monica has found her soulmate and describes that meeting that soul mate ande' that instant pyrrhic feeling of an instant connection with that someone special over piano anf strings. Its sweet and cloying but I am not going to remember this song long term. 

27. "Protect Your Mind (Braveheart)" by DJ Sakin & Friends

We're ending the week with a song from a Turkish-German trance project DJ Sakin and friends. It's pretty much a love song that's centre focussed onsomeone who has found their "Braveheart", a warrior, who is willing able to fight for love, truth and justice and that this guy is her one true brave heart but I will say that I do like this form of trance where it blends in instrumentation from other countries like the Scotland's bagpipes and a bit of pan flute to make the song sound really evocative and majestic, it sounds almost unique!. Nice song, check it out if you are curious. 

That was our week, a long one but the worst of the week falls out easily...whatever the hell "Put Your Hands Up" by The Black and White Brothers was. I have no desire to hear that song again.

best of the week is a little harder but I am going to give it to ATB for "9pm (Til I Come)"

Top Ten Worst HIt Songs of 1994

 So in past years, I haven't had trouble putting together this list, most of the really bad stuff can be separated out quickly and dealt with as per 1992, 1996 and 2000 but this year...I had to work hard to figure out ten songs that I could even justify putting on a list of the worst hits of 1994...it's that kind of year but I did get there eventually and most of this list is just really saccharine and sappy music in pop and rock or the song just missed the mark.

A reminder of the rules, the songs must have either debuted on the 1994 ARIA singles year end chart or landed higher on the 1994 year end than they did in 1993. "Zombie" by The Cranberries is being left to 1995 as it is higher on the 1995 year end list than it is on the 1994 year end, also a song can't make this list if it's just boring...there has to be something actually wrong with the song, 

So with all that in mind, let's get this show on the road, starting with...

Number Ten

Look...I tried...but when a song as saccharine and as tepid as this is the biggest song of the year in a year as good as this one for the charts...we got a problem...

"Lovr Is All Around' by Wet Wet Wet

This cover of The Troggs song was for the movie "Four Weddings and a Funeral" and lyrically it is just the worst kind of pop music cheese in that it's not tasty or fresh but its out of date and there are visible signs of mold  starting to spread through the cheese, he feels love in his fingers and toes and from there the feeling only grows only for him to realize that she isn't really recoprocating so he throws himself at her and begs her to let her love for him show. It's this weepy, insincere song that may as well be a simp anthem for the ages, I cannot stand it. 

Number Nine

Moving away slightly from simp anthem territory but remaining completely drippy and overly saccharine....

"I Swear" by All-4-One.

Again another song toward the top of the year end chart that slipped into dippity doo, saccharine nonsense, this time a cover of John Michael Montgomery's 1993 country hit song of the same name and while the original is fine enough, John Michael has a sincerity that makes the song work however this pop cover from All-4-One has all the sincerity of a politician making a promise that they KNOW they are 100% going to break because they cannot stick by the promise...swearing by the moon and the stars in the sky is ridiculous and it sounds all completely fake insincere from the vocals. Blergh. Let's move on

Number Eight

At this point, Peter Frampton should declare a moratorium on people covering this song because nobody can cover it and do it well. 

"Baby, I Love Your Way" by Big Mountain

I am sick to death of people covering this song and wind up making a bigger mess of it than Donald Trump trying to do foreign policy, this time we got the reggae version of the song which still takes out the sisncerity of the original and replaces it with this weirdly hollow sounding song that makes me wonder if they missed the love and sincerity in the Frampton original like that god awful late 80s cover did where it was all oversold annoyance. Ugh. There was no need for this cover, Peter Frampton, I am so truly sorry. 

Number Seven

I am going to keep this one brief because just like the covers of "Baby, I Love Your Way"...there was no need for this...

"The Power of Love" by Beverly

We got two different versions of Jennifer Rush's 1985 hit "The Power of Love" and I would argue that Celine Dion made the definitive cover of this song to the point we didn't need this screechy dancefloor ready cacophony complete with gang vocals and Beverly singing "I am your lady and you are my man" with all the passion of somebody farting post dinner courtesy of being bloated, it just sounds completely insincere and awful especially when you compare it to the original. Next!

Number Six

Doing this to a great song should be sacrilege...

"Twist and Shout" by Chaka Demus feat. Pliers and Jack Radix

I absolutely adore The Beatles cover of "Twist and Shout", a song that was originally recorded in 1961 by The Top Notes, and for Chaka Demus, Pliers and Jack Radix to grab up chunks of that song for this reggae infused nightmare where it uses to "Twist and Shout" as part of a song goading a girl into having sex with him and it's gross as hell, it's the sort of song that leaves a foul taste that lingers long after the song finishes and I want no part of it. Gross.

Number Five

With this next song, I will attempt answer the titular question and explain in no uncertain terms but why we cannot talk until the song quality improves.

"Can We Talk?" by Tevin Campbell

My answer to the titular question of is no...of course...not when Tevin Campbell sounds like a whiny spoilt brat who is upset that his first crush just rejected him for a dance at the primary school disco, he sounds pathetically prepubescent when he attempts to sing or rather begs for this girl to let him talk himself into her pants which brings me to the production which sounds dated back to the late eighties or possibly early nineties because let's face it...1990 and 1991 were still furiously trying to pretend they were still in the 80s, it's a slog of a song that deserves to be forgotten so let's move on.

Number Four

For a collab featuring three of the biggest names in rock, I am truly baffled by this song and how anyone thought this song was even worthy of release. 

"All For Love" by Bryan Adams, Sting and Rod Stewart

For all the star power on this song and especially the run Bryan Adams was on wth hits in the early 90s I am baffled at how NOBODY connected to this song for the film "The Three Musketeers" couldn't think to make something that didn't sound so incredibly cheap and none of them appear to be able to harmonise especially when they all shout "ALL FOR LOVE!" amd the lyrics are just the same corny love song lyrics that just make me groan especially when they try to turn the Musketeers phrase "All for one and one for all" into their bastion of love. I have no desire to hear this song again. Blergh.

Number Three

Then again as far as bad love songs go...there's worse...like this.

"Always" by Bon Jovi

There's something about this song that feels so overly dramatic to the point that the drama feels so unearned it's almost to the point that it makes me laugh especially when the song opens up with those dramatic piano chords and Jon Bon Jovi whispering "This Romeo was bleedin' but you can't see his blood"...uh Jon, that's internal bleeding you might want to go and see a doctor for that one, he then goes on to sing that he is a fighter but wthout this girl by his side, he gives up then you aren't really a fighter, Jon...just somebody parading around like he is a prized cock but then does the whole "I can't go on" when shit gets serious. 

As if all of that is not bad enough, we get to the hook of this comedic shamozzle described as a rock song where Bon Jovi goes into full on horny yowling cat mode with "AAAANNNNDDDDD IIIIIIIIII will love you,...baby...FOR ALLLLLWAAYYYYS".

The bad lyrics just keep rolling in here, it's never ending with this song like on the bridge where he sings if she told him to cry and die for her, he would. It's just over sold nonsense and he is painting her as controlling as hell. Save this song for where it belongs which is Home and Away...not on the charts.

Number Two

Ahh so Mr Adams, we meet again *cracking knuckles intensifies*....

"Please Forgive Me" by Bryan Adams

This song is just one of those songs where again the song doesn't earn it's dramatic pathos especially if she heard "Have Ever Really Loved a Woman" and noped right out of there or that Bryan Adams is referencing the first time he and this woman hooked up in the fucking first line of the song and goes to describe their relationship as only getting better and how he is so impossibly in love with this girl which leads me to ask what he is asking for forgiveness from this girl for? Did he force himself on her or something because he is in love with this song? That question is something I wondered because the song is so incredibly boring and Adams is just reminiscing and pontificating on their first kiss and having sex for the first time. 

"Can't Stop This Thing We Started" and "A Night to Remember" are both far far better than this boring ass overtly dramatic nonsense.

Number One

It wasn't going to be anything else, this song is  profound in it's absence of anything good and hence..

"Said I Loved You...But I Lied" by Michael Bolton

I didn't want to do this, I didn't want to put a song by an artist who toward the backend of his chart making career was the butt of a lot of school yard jokes in the mid nineties from kids who thought Michael Bolton's music was for their grandparents but "Said I Loved You but I Lied" was reprehensible rght from the god damn jumping, everything about this song is wrong, starting with the insincere vocal performance from Michael Bolton and the weirdly gooey production that feels you feeling sick in the pit of the stomache to the point it makes you want to wretch over the toilet bowl especially when Bolton is comparing love to candles where love is a flame that doesn't go out in wind or rain.

This song just feels gross to even listen to, every time I hear it, I want to go jump into a tub of disinfectant and hope the ache in my tummy goes the hell away. 

It's the worst hit song of 1994 and I'm not lying about it.

ARIA Singles Top 50 Chart Review: April 20th. The one where the new entries are a cavalcade of...something...

 So the battle for the number one spot continued this week and it's about to become a three way go with the arrival of "drop dead" by Olivia Rodrigo next week and just glancing at this week's new entries...we are in for a trainwreck of a week in that regard but let's get back to the top ten where "Rein Me" by Sam Fender and Olivia Dean returned to number one basically on the margins in terms of sales and a little streaming. 

It sent "Man I Need" by Olivia Dean back to number two, it still remains a threat for the top spot but a lot is going to depend on those streaming margins against "drop dead".

All of this leaves "IloveitIloveitIloveit" by Bella Kay in a strange post as it almost feels like this song has peaked in some way given it's not makng gains on streaming anymore. 

What was surprisingly was that "Choosin' Texas" by Ella Langley did not make the ground I thought it would, the album boost really only helped this song maintain its postion. 

Speaking holding position that is the case for "Dracula" by Tame Impala at number five. "So Easy (Too Fall in Love" by Olivia Dean at number six, "Ordinary" by Alex Warren stubbornly clinging on at number seven and "Stateside" by Pink Pantheress and Zara Larsson at number eight.

Raye's "Where is My Husband" rebounded to number nine while thanks to Coachella performance and subsequent discourse "Daisies" by Justin Bieber climbed twenty six spots to number ten. 

Losers

"Sailor Song" by Gigi Perez fell nine spots to number forty seven while "Just Keep Watching" by Tate McRae turned off seven spots to forty eight.  

Olivia Dean's "Baby Steps" slipped nine to forty one while "Swim" by BTS continues to struggle to remain afloat on the chart down eleven to forty.

Drop Outs

So we have a slew of drop outs this week, let's begin with the long running songs like "APT" by Rose and Bruno Mars, "Pink Skies" by Zach Bryan and "Carry You Home" by Alex Warren.

Then there's country singles like "Be By You" by Luke Combs and "Weren't for the Wind" by Ella Langley. 

Then there's the songs that really didn't quite get going like "I Run" by HVN and Kaitlyn Aragon and "Aperture" by Harry Styles. 

Finally there's "Father" by Kanye West and Andre Troutman which will be mothballed and forgotten. 

Gains

So outside of that massive gain for "Daisies" by Justin Bieber, there was only one other major gain this week with "Manchild" by Sabrina Carpenter rising nine places to twenty six.

Re-Entries

Three new entries this beginning with "Porch Light" by Noah Kahan is back at fifty (I'd expect this to get a bigger boost with the album being released this Friday).

"House Tour" by Sabrina Carpenter is back at number forty three because of a combination of Coachella and likely because it got a video.

"Yukon" by Justin Bieber also returned at twenty three due to Coachella and the subsequent discourse around his performance.

New Entries

Five new entries this week...let's just get this over with because this is gonna fucking suck..

49. "Freakin' Out" by Dexter and the Moon Rocks

Wow, so this is a weird one this week, Desternd the Moon Rocks are a country rock act hailing from Texas, USA, yet this song in particular feels more like a weaker grunge song that could have come out in 1994/95 only this feels like a cheap Soundgarden rip off, its okay in terms of the lyrics and it might well be one of the better songs new this week.

As for the content of the song, it really doesn't dig deeper than surface level of being alone and wanting somebody to come warm them up and not freak out. Its fine but that's all it will be at best. 

46. "Pop Dat Thing" by DaBaby

Oh I see the Da Baby redemption arc has well and truly begun in the US so Australia just had to get in on the redemption arc train which gives us this pile of nonsense which amounts to DaBaby begging this girl to "Pop Dat Thing" with the thing DaBaby is referencing being his god damn dick, he isn't being shy about what he wants this girl to do which involves a combination of sitting in his lap and eventually blowing and sucking on his 'D'

Throw in the god awful canned production complete with a tinny voice going "Pop Dat Thing" and you have one of the most disposable and utterly useless rap songs of 2026...NEXT!

34. "Earrings" by Malcolm Todd

It's never a good sign when the artist involved is signed to a recording deal on basis of going viral on Tik Tok which is the story of American musician and singer/songwriter Malcolm Todd and with this being his first single to hit the ARIA singles chart I was wary especially as I had heard this song wasn't particularly good and in a week like this one...I was hoping that the horror stories weren't true and so how was it?

Uh yeah, the horror stories checked out because this is the rancid sort of song that sets the industry back twenty years because dear god what even is that arse backward production that doesn't allow anything including Todd's vocals to breathe? Or how the song is just a bunch of choruses and refrains about how earrings got lost in some girl's bed.and Todd is accusing him of being scared to tell this girl that he lost the lyrics because he isn't talking to her before finishing the "song" with "I hope you like my mixtape".

I hope this song dies a very fast death on the charts because this sucks royally/

33.  "Be Her" by Ella Langley

Of all the new songs from "Dandelion", Australia had to go and pick the worst song of the bunch to chart...yeah, I said it, this is the worst song from that album and I am absolutely stunned that it was picked to be a single because threads like a song that GirlDefined would love for what it preaches within the lyrics of the song, its basically "Dear Future Husband" except in this czse this woman has found herself a husband and is now aspiring to be the ultimate Christian tradwife who cooks, cleans, takes care of the kids and wirships Jesus just like 'her'. It's just got this icky overtly conservative vibe that makes milk curdle in my intestines every time I hear it.  I hope this doesn't stick around.

19. "Pinky Up" by Katseye

My last hope for something that might be good...oh wait, it's new song from Katseye, the female group version of Onision releasing pop atrocities and yeah, this one is no different... this is a disaster of obnoxious production that's all centred around the hook that got no chance of actually being a thing..."Pinky Up" (Talk about trying to make fetch happen). I won't say it's worse than a previous single of theirs but it's definitely the sort of song that makes your ears lose hope that they may not hear good music ever again.

That winds up our week...I am nixing best of the week this week...NONE of this crap deserves the title of "best" at all so instead I am giving out a tie for worst of the week which is going to "Pinky Up" by Katseye, "Earring" by Malcolm Todd and "Be Her" by Ella Langley...yeah a three way tie for worst...that's how bad this week was. 

At least next week brings Olivia Rodrigo...it's only up from here...we can hope.

Pretty Fly (For 1999): 18th April. My name is Blackstreet

Bit of a slower week this week which allowed for something of a reset across the chart this week but as normal for the chart right now, there's no change at the top with Britney Spears maintaining her sttanglehold on the number one spot with "Baby, One More Time" however there are some challengers looming on the horizon.

That won't be "Thar Don't Impress Me Much" by Shania Twain as this has pretty much peaked at this point but it's hanging onto number two for grim death this week, it does open up an opportunity for "Wby Don't You Get A Job" by The Offspring at number three to move past it and contend for the number one slot in the weeks ahead.

The yoyo chart performance of "The Animal Song" by Savage Garden continues, this week it's up four to number four this week, it pushed past "Anthem for the year 2000" by Silverchair which slipped back one place to number five.

"We Like to Party (The Vengabus)" by The Vengaboys remains lodged at number six while "Touch It" by Monifah slipped two slots back to number seven. 

RIsing three to number eight is "No Scrubs" by TLC which is in a great position to make a play for higher spots on the chart, it's got the best momentum of anything here.

The final two songs in the top ten are pretty well done but remained in their slots from last week with "This Kiss" by Faith Hill at number nine and "No Matter What" by Boyzone at number ten...thank god, they'll be gone soon. 

Losers

Let's move on with iour losers here and we begin with "Nothing Really Matters" by Madoona down from forty two to forty nine...this song has pretty much been a none starter. 

"When You're Gone" by Bryan Adams and Mel C is also pretty much completely done this week down sx to forty,

"Last to Know" by Human Nature slumped nine spots to thirty four this week. Bit of a shame with this song because it's a damn good song. 

Former top five hit "Jackie" by BZ and Joanne slipped ten spots to thirty this week as people have realized that they can get Jackie off their minds.

Re Entries

Just the one return this week which came for "Got the Life" by Korn which returned at number forty eight.

Gains 

Only one major gain this week with "Enjoy Youtself" by A+ up ten spots to twenty six. 

New Entries

Two new entries this week, let's start with...

41. "Hi! My Name Is" by Eminem

The second single from The Slim Shady LP coming from Eminem who is otherwise knwn as Marshall Mathers III and hails from Missouri, this song features a rather well used sample of Labi Siffre's 1975 song "I Got The..." and togerther producer Dr Dre, Eminem has made an utterly hilarious song where in the first verse he asks kids if they like violence and if they want to see him put nine inch nails through each of his eyelids before saying he has to get his head straight as he cannot figure out which Spice Girl he wants to impregnate!

There's also some really interesting and thoughtful reflections on growing up that I appreciate a lot and the bars here do connect...this is a pretty damn good song. Check it out.

21. "Girlfriend/Boyfriend" by Blackstreet feat. Janet Jackson

Ending this week with a pretty clunky song from American R'n'B group Blackstreet bringing on pop legend in her own right, Janet Jackson and I have to be honest here...I hate this, yeah the interplay is nice but Janet sounds like she is fighting through the layers of production just to be heard here especially with that percussion that's slathered at the front of the mix. It's just not satisfying enough to warrant any more attention. I'm going to forget this exists.

It's worst of the week with the best of the week going to "My Name is" by Eminem. 

 

ARIA Top 50 Singles Chart. 13th April. The one where Australia continues "Choosin' Texas" in the top ten

So I am grateful that this week's chart is a bit slower,n no new entries and a bunch of songs re-entering this week mostly because this week's "Pretty Fly (for 1999)" is A LOT this week (seven new entries) and this week is a bit of a slow down with Ella Langley likely to have some impact next week however lets get straight to our top ten where "Man I Need" by Olivia Dean returned to number onem ow this is absolutely on its incredible streaming strength because the bottom has gone out of sales for this song, it's losing ground there fast.

Which might well open the way for Sam Fender and Olivia Dean to return to number one with "Rein Me In" which slipped back to number two, it's doing better on sales and if it can bridge that streaming margin than it can make a play for number one.

It seems like "IloveitILoveitIloveit" by Bella Kay has stalled out at number three, this is it's fourth consecutive week at number three and it's not really looking like making a push for higher spots which leaves it vulnerable to our big top ten gainer this week "Choosin' Texas" by Ella Langley which climbed six places to number four, this song is killing it on sales and just needs a good streaming uplift and this can absolutely make a play for number one. Hey Twitter stans, looks like the song you dismissed as a "local" hit is now a global hit. 

From there 'Dracula" by Tame Impala slipped one back to number five, the same goes for "So Easy (To Fall in Love)" by Olivia Dean to number six.

Unfortunately "Ordinary" by Alex Warren held firm at number six, that was not the case for " Stateside" by Pink Pantheress and Zara Larsson which slipped two spots to number eight. 

Finally both "Raindance" by Dave and Tems and "Where is My Husband" by Raye both fell one spot to numbers nine and ten respectively.

Losers

We did see some big losers this week with "Aperture" by Harry Styles down ten slots to forty nine, it could be out nex week.

"Father" by Ye and Travis Scott down twelve to forty two while "Swim" by BTS continues to fall away down ten to twenty nine.

Drop Outs

No real surprises with the drop outs this week with "All the Love" by Ye and Andre Troutman, "Potch Light" by Noah Kahan, "Click Clack Symphony" by Raye and Hans Zimmer ad "Body to Body" by BTS all gone.

Gains

"Sailor Song" by Gigi Perez got a ten place boost to number thirty eight while "I Had Some Help" by Post Malone and Morgan Wallen climbed eight to thirty three.

Those two were the only big gains this week.

Re-Entries

Four returns this week and they are all older songs with "Carry You Home" back at fifty for Alex Warren. "Pink Skies" came over at number forty seven for Zach Bryan. 

Sadly "Manchild" by Sabrina Carpenter back at forty six and "APT" by Rose and Bruno Mars returning at number forty two.

That wraps our week with there being no new entries. Next week is probably going to be Ella Langley and Katseye...sadly.