Saturday 30 January 2021

ARIA Top Ten Singles/Chart Review: 1st February. No need for a Booster Seat to Get on the Beers after Hottest 100

I was expecting chaos following the reveal of the 2020 Hottest 100 countdown by Triple J last week and yeah we got muted chaos that can be correlated to the Hottest 100.,,some of it not so much but let's get to the top ten where "Drivers License" by Olivia Rodrigo reigns supreme for a third week, it's got streaming in its favour and while it's not dominating on sales...its still a solid player on that angle.

Now this is where we confront the first impact of the Hottest 100 because the Hottest 100 number one "Heat Waves'  by Glass Animals surged up nine places to number two on the back of massive sales and streaming off the back of the Triple J countdown...I just wish the song was good.

The same could be said for The Kid Laroi's "Without You" which fell one place to number three thanks to the monster streaming by Glass Animals. In fact "Mood" by 24k Goldn and Iann Dior at number four and "Levitating" by Dua Lipa feat. DaBaby at number five also fell one place thanks to the rise of "Heat Waves"

A song that has the potential to rise even further is "Fly Away" by Tones and I which rose two places to number six, this song is doing incredibly on sales and on Apple Music...just needs to improve on Spotify and it might well challenge "Drivers License" in a few weeks.

Steady at number seven is "Head & Heart" by Joel Corry and MNEK, mostly because streaming hasn't completely moved on from this song yet.

We have a new entry at number eight and yes it's another impact courtesy of the Hottest 100 with Perth band Spacey Jane landing at number eight with "Booster Seat"...I'll have more on this song's quality later but it isn't built to stick aroudn unfortunately, it's mostly here due to the impact of the  Hottest 100 on streaming and sales with the sales already evaporating.

This means that "So Done" by The Kid Laroi could leap forward if streaming stays strong...needs sales to get on board properly though.

Finally the big victim of all the shuffling is "Anyone" by Justin Bieber which fell six places to number ten.

Gains

So let's deal with the Hottest 100 correlated gains with there being a thirteen place jump to 18 for "WAP" by Cardi B and Megan Thee Stallion", a four place gain to 16 for "Therefore I Am" by Billie Eilish. 

In gains not related to the Hottest 100, "Streets" by Doja Cat looks to be a hit in the making as it rose 19 places to 27 while HVME's awful remix of "Goosebumps" by Travis Scott climbed seven spots to 22.


Re Entries

Both returns are off the back of appearances on the Hottest 100 with Flume's "The Difference" with Toro y Moi back at 23 and Hilltop Hoods "I'm Good" back at number 50.

Losers

Our losers are mostly all songs that suffered hard especially "Prisoner" by Miley Cyrus feat. Dua Lipa which plunged fourteen to 36, "Take You Dancing" by Jason Derulo which fell eight places to 33 and "Willow" by Taylor Swift" down nine to 28. 

The same can also be said for "Monster" by Shawn Mendes and Justin Bieber which tumbled nine spots to number 45.

Others are just 2020 songs that are on their way out like "Midnight Sky" by Miley Cyrus which dropped six places to 41, "Savage Love" by Jawsh 685 and Jason Derulo down six to 44, "Don't Start Now" by Dua Lipa down six to 49, "Watermelon Sugar"  by Harry Styles down seven spots to 35 and "What You Know About Love" by the late Pop Smoke down six to 32.

CJ's "Whoopty" tumbled six spots to 24 while "Afterglow" by Ed Sheeran slipped five to 19 while "34+35" by Ariana Grande lost traction to fall six places to number 11

Drop Outs

Well I am not all that upset about our drop outs this week, mostly because they are 2020 leftovers or utter trash. In the former category is "Some Say" by Nea and "Dancing in the Moonlight" by Jubel feat. Neimy depart after respectable runs.

In the latter, "Put Your Records on" by Ritt Momney and "Love Not War (The Tampa Beat)" by Jason DeRulo and Nuka also take their exits. Good riddance.

New Entries

Two new entries this week and they are both Australian...(the Rosalia and Billie Eilish collab didn't show up in the top 50), starting with...

39. "Get on the Beers" by Mashd n Kutcher feat. Dan Andrews

So this showed up on the chart this week thanks to ranking fairly high on the Hottest 100 but it even before that it had been a trending track on Spotify for a good couple of months. For those who don't know, Mashd n Kutcher are a dance and electronic duo who have previously charted on the Australian singles chart with "Do It Now" in 2014 and "My Sunshine" in 2018 xo these guys aren't newbies to the ARIA top 50. 

"Get on the Beers" is inspired by Melbourne's COVID lockdown in the middle of last year and a speech made by Victorian Premier Daniel Andrews warning Victorians that "it was not appropriate to have all your mates around to your house" and get on the beers" due to the pubs being shut. 

This just seems the sort of laconic Aussie thing that would happen on the ARIA singles chart during the pandemic, I love what Mashd n Kutcher have done here, the music matches Daniel Andrews speech perfectly...this is good fun...check it out!


8. "Booster Seat" by Spacey Jane

So to explain this one, Spacey Jane are an indie rock garage band hailing from Perth with "Booster Seat" being their first song to hit the ARIA singles chart from their album released last year called "Sunlight" so how is the song.

Honestly I like it! The harmonies and that swirling guitar riff help to bring home the lyrics about feelings of depression and anxiety taking control away from you by using the metaphor of a child traveling in a car in a booster seat and that child relying on loved ones restraining him in the seat. Throw in that great hook and I honestly hope this sticks around even if I get the feeling it won't. Great song!

No worst of the week this week as both songs are pretty good but best of the week is going to Spacey Jane for "Booster Seat".

So that wraps up our week here. I'm not sure what's going to happen next week so we'll have to find out on Saturday at 5pm AEDT. 

Tuesday 26 January 2021

Good 1992 Vibrations: 25th January: Rocket Man, it's been a long long time but I adore mi amor...wait, what?

So this week was interesting in terms of everything on the chart especially as to what gained traction and the two new songs that hit the chart (Oh boy...we'll get to that) but the big story is right at the very top of the chart where "Let's Talk About Sex" by Salt -n- Pepa took the number one as sales momentum saw it climb two places to the top the charts.

Hell, it could also be that "Cream" by Prince and the New Power Generation is slowly starting to lose traction on sales but it was enough for it to hold on to the number two slot ahead of the six week number one "Black Or White" by Michael Jackson which slipped two places to number three.

"Don't Let the Sun Go Down on Me" by George Michael and Elton John remains steady at number four however its starting to come under pressure from Euphoria's "Love You Right" which moved up two places to number five.

It was another steady week for "Ain't No Sunshine" by Rockmelons feat Deni Hines as it stayed at number six while "I'm Too Sexy" by Right Said Fred shifted down two places to number seven.

Surprisingly, "Saltwater" by Julian Lennon shifted up one spot to number eight while unsurprisingly rising three places to number 9 is "Smells Like Teen Spirit" by Nirvana.

All this meant "Come to Me" by Diesel slipped twp spots to number ten


Gains

So most of the gains are on the good side with "Bohemian Rhapsody" by Queen getting an enormous boost off it's return to the chart last week all the way up to number 12 likewise for "One Word" by Baby Animals which rose twenty places to 24 and "Justified & Ancient" by The KLF rose seven to number 11.

However there are some gains on the crap side like "Addams Groove" by MC Hammer which rose all the way from 30 to break into the top twenty at 19...not good, the same can be said for "Martika's Kitchen" by Martika which jumped from 37 to 29 and "Spill the Wine" by Freaked-Out Flower Children up from 46 to 32. 

Richard Marx jumped from 42 to 34 this week while "I've Had You" by Jenny Morris climbed from 47 to 39 and Rozalla's "Everybody's Free (To Feel Good)" jumped from 22 to 15. 

Re-Entries

For some reason, "2 Legit 2 Quit" by MC Hammer is back at number 43...Sheeesh

Losers

Most of the losers are songs that are from 1991 like "Live Your Life Be Free" by Belinda Carlisle down 12 spots to 50, "Please Don't Ask Me" by John Farnham slipped eight places to 44. Marky Mark and the Funky Bunch feat. Loleatta Hathaway aren't feeling the "Good Vibrations" anymore as the song slipped ten places to 42.

"I'll Be Back" by Arnee and The Terminators collapsed from 29 to 40 while Extreme fell into a hole as "Hole Hearted" tumbled from 34 to 41 and PM Dawn's "Set Adrift on Memory Bliss" skidded eleven places to 38

Robbie Nevil's increasingly annoying "Just Like You" fell seven spots to 27 and finally "When Something is Wrong with My Baby" by Jimmy Barnes & John Farnham crashed from 14 to 22.


New Entries

Just the two new entries this week so let's get this over with quickly.

49. "Rocket Man (I Think It's Going to Be A Long Long Time)" by Kate Bush

So we technically have two Elton John covers on the chart now with Kate Bush putting her own spin on "Rocket Man" and I will admit I was guilty of being dismissive of this after one listen but having gone back and re-listened to this song, its actually not bad and puts a different line on Elton's 'Rocket Man"...its a very respectfully done cover with the instrumentation while sounding very much Kate Bush managing to also keep with the melody of the cover. I don't mind it...check it out if you are curious.

It's certainly much better than...

44. "I Adore Mi Amor" by Color Me Badd

Alright so Color Me Badd are following up their success in 1991 with...possibly the most miserable sounding turd to be released in 1992...seriously for a song about adoring someone, this sounds more miserable and lethargic, "Addams Groove" by MC Hammer might not be good but it at least has energy and passion, something that none of the members of Color Me Badd seem to have.

Also for a song about being in love, there's nothing love struck about anything in this song, the instrumentation makes adoring this girl sound miserable and like the members of Color Me Badd all got a whiff of bad body odour hence the less than enthusiastic and bored vocal delivery.

Yeah this is worse than "Addams Groove"...avoid this shit like the plague, it's the worst of this week so given there's no other new entries, "Rocket Man (I think it's going to be a long long time)" by Kate Bush gets best of the week.

Monday 25 January 2021

New Music Friday Review: 22nd January. New Love Lifestyle and Letting Go of Confession Box

 "Typhoons"  by Royal Blood

Royal Blood are amongst a couple within the indie rock genre in Britain that I like to keep an eye on and with this song being the title track for the new album due out in April  and "Trouble's Coming" growing on me a fair bit since it's release so how is "Typhoons"?

Well "Typhoons" has some serious swagger about it however the bright skuzzy guitars and almost disco rock feel of the song hide some pretty dark lyrics centring around mental health and substance abuse eg: alcohol during the ongoing pandemic and yeah the production makes this song feel like it'd be a load of fun to dance to at a festival...absolute banger!

Rating: 8/10

Speaking of British indie rock...

"Confession Box" by The Pale White

The Pale White are a band hailing out of north east of England, I've been aware of these guys since they released "Reaction" in 2017, they've been releasing singles and EPs for awhile now with "Confession Box" being their first single of 2021 so how is "Confession Box"?

Well it's a return to a heavier sound for the Pale White after the more melodic "Take Your Time", with "Confession Box' exploring post break up emotions and I definitely like this sound from The Pale White a lot with it's searing guitars and lyrics that are pretty darn catchy. Looking forward to that debut album in 2021 if we get it1


Rating: 8/10


Time to go with pop country thanks to a collaboration I wasn't expecting...

"I Can't" by Caitlyn Smith feat. Old Dominion

So Caitlyn Smith has teamed up with one of the country bands that I really don't care for to see if she can finally get a break onto the charts in the US with this ballad from the deluxe edition of "Supernova" although lets be real songs from "Starfire" and "Supernova" should have crossed over already however is "I Can't" any good?

Well yeah, it's a strong song and Caitlyn Smith really shines through in the vocals although Old Dominion's Matthew Ramsey is also pretty solid here too! Prominent piano and guitar here too...it's solid and both Caitlyn and Old Dominion sell the song well so you know what? Check it out!

Rating: 7/10


Okay, so I think this along with one other song may chart (I am trying to keep New Music Friday Review for songs that don't hit the ARIA singles top 50) but I going to cover this one only briefly...

"Lifestyle" by Jason DeRulo feat. Adam Levine

I think I groaned when I saw that these two had collaborated but then I remembered that two acts I disliked got together and made a song that made my best list last year so Jason DeRulo and Maroon 5's Adam Levine could potentially have made something good, right?

Well here's the thing...this song really isn't that bad, it's ridiculously catchy and even if Jason DeRulo still thinks singing his name at the start of a song is still very annoying to me but both DeRulo and Levine sound fine enough here and it sounds like both are having fun as they sing about this woman having this lifestyle of diamonds (the reference to Rihanna's song called "Diamonds" by DeRulo was hilarious). Honestly the song is a bit stupid and will get annoying pretty quickly if it gets overplayed, that said I don't mind it right now...ask me in a couple of months time and my response might be different.

Rating: 6/10


Now time for Australia's favourite musical anti vaxxer!

"letting go" by Ziggy Alberts

I've never really been impressed by Ziggy Alberts music regardless of his views away from the music but I wanted to give him another chance...and well...I kind of regret doing so because this song is really not anything at all special, it falls closer to bad Jack Johnson impersonation than anything else and again that's the feeling I've had about this guy's music for most of his career, he has one or two songs that are decent but for the most part they are like this. Pass.

Rating: 3/10


This is another one that I think might chart eventually but its a song that I wanted to cover none the less


"New Love" by Silk City feat. Ellie Goulding

So Mark Ronson and Diplo have worked together again this time swapping out Dua Lipa with Ellie Goulding for this slice of dance and EDM pop. Look, it's fine, the production works well but that chorus is just repetitive to the point of being extremely annoying despite Ellie Goulding selling it well enough. It's an ehhh for me.

Rating: 6/10


Let's wrap this up with a relatively new Aussie rock act.


"Something About Being Sixteen" by Teenage Joans

So for he uninitiated the Teenage Joans are an act hailing from Adelaide that was discovered by radio station Triple J through Unearthed which seeks to find exciting new young Australian talent with Teenage Joans song "Three Leaf Clover" winning the "Unearthed High" competition and just recently landing at 87 on Triple J's Hottest 100 countdown for 2020 and on Friday, they released new single "Something About Being Sixteen" so what did we get?

When I heard "Three Leaf Clover" I was actually impressed, I liked what I was hearing and with this new song...yeah...its pretty good, I love how prominent the drums and guitars are. The lyrics are pretty angsty about getting over a break up and moving on. I like this....check it out if you are curious.

Rating: 7/10

Sunday 24 January 2021

ARIA Singles Chart Top Ten/Chart Review: 25th January. Best Friend Walks Streets getting bad Goosebumps

 This week felt like a much calmer and somewhat easier week to deal with, sure the new entries are a bit of a nightmare but they feel like a small portion within regard to a chart that has sorted itself out for 2021 so let's begin with the top ten where unsurprisingly 'Drivers License" by Olivia Rodrigo held the number one for a second week, it's got streaming and sales pretty much on lock for another two weeks or so at number one at least.

It was enough to see it keep "Without You" by The Kid Laroi, remaining at number two, at bay. It's got streaming and a little bit of sales traction but the margin to "Drivers License" is enormous and it's just not got the strength to knock it over just yet.

The same goes for "Mood" by 24kGoldn and Ian Dior at number three for a second week, it just doesn't have the strength to challenge the top two, it might also be the case for "Levitating" by Dua Lipa feat. DaBaby as it looks to have peaked on streaming. 

Boosted by a remix with Doja Cat (more about her in the new entries) and Megan Thee Stallion saw "34+35" by Ariana Grande rise from 14 to number five this week thanks mostly to streaming and yeah, it impacted the rest of the top ten

Well...except for Justin Bieber's "Anyone" which remains steady at number six thanks to streaming and some sales. I am not convinced this has the legs to rise much higher but we'll see.

"Head & Heart" by Joel Corry and MNEK fell two places to number seven as it has finally started to bleed on streaming while "Fly Away" by Tones and I fell one spot to number eight as it lost a bit of ground on streaming this week, "So Done" by The Kid Laroi slipped one spot to number nine and "Good Days" by SZA fell one to number ten (this should rebound given it's strength on streaming).

Gains

The biggest gain for this week came for The Weekend's "Save Your Tears" which climbed 18 places to number 32...I'll take it as it was the best of our gain this week because from there we have "Looking for Me' by Paul Woolford, Diplo and Kareen Lomax up five to number 39.

However the most significant gain of the week belongs to "Heat Waves" by Glass Animals up six to 11 mostly because this looks set to hit the top ten next week thanks to the impact of being the number one song on the 2020 Triple J Hottest 100 countdown held yesterday, i;' s already got major boosts on both both sales and on Apple Music and Spotify.

However there are some good gains with "Prisoner" by Miley Cyrus and Dua Lipa up five spots to 27 and "Paradise" by Meduza feat. Dermot Kennedy up eight places to 21.

Losers

"Midnight Sky" by Miley Cyrus fell seven places to 35 while "Therefore I am" by Billie Eilish slipped five places to 20 (it should get a Hottest 100 boost next week) as did "Take You Dancing" by Jason DeRulo down five to 25 and "Watermelon Sugar" by Harry Styles down five to 28.

Drop outs

Three drop outs this week. Not all that disappointed that "Wonder" by Shawn Mendes or "For the Night" by Pop Smoke are gone, the latter has had a good run on the chart.

The one drop out I am sad to see not get any traction whatsoever is "Holiday" by Lil Nas X...maybe it's a seasonal song but whatever the case, I would have liked it to stick around because it's a fun song.

New Entries

So there's three new entries and I am going to endeavour to keep this short because I really don't have much to say about most of these starting with...

48. "Best Friend" by Saweetie feat. Doja Cat

So I am just going to try to set aside the fact that this song is co written and co produced by Dr Luke and look..I am not very impressed by this song regardless, all this is is Saweetie and Doja Cat bragging about their best friend being a 'bad bitch' and being able to do all this other stuff like drive a car (she doesn't need a Uber or Lyft!) and twerking on guys in the club, it's basically a hype song that doesn't amount to all that much especially with a beat that is pretty limp from Dr Luke...I am going to forget this exists in a week...NEXT!

We're not done with Doja Cat though because...

46. "Streets" by Doja Cat

So this is Doja Cat's follow up to "Say So" and honestly I actually like this a lot, her delivery on the first verse and chorus and is sensual and matches the more sleek and wiry production, she sounds great here! It almost reminds me of early 90s R 'n' B. My only real criticism is that second verse where she slips into that grating delivery, it doesn't feel at all necessary...that said I do like this a lot more than "Say So" and the lyrics do come across as sincere as Doja is trying to find somebody to love that's like her ex partner and not really finding anyone but yeah that second verse just means the song is merely good  rather than great which is annoying because I wanted it to be great.

Finally...

29. "Goosebumps (remix) by Travis Scott & HVME

Oh god. So let me explain,,,HVME (pronounced "Hume") is a Spanish producer with this remix of Travis Scott's 2017 hit "Goosebumps" being his breakout charting hit and honestly this is pretty terrible, mainly because the music doesn't at all match what the original song was selling which was darkness and Scott inviting this girl into his dark world and that flat delivery of the hook just sets my teeth on edge. This is easily the worst new song of the week. 

As for the best...that's not a contest either with "Streets" by Doja Cat getting that. 

Let's hope next week is a bit better for the quality of the new entries as the chart will be impact the Triple J Hottest 100 next week and maybe that Spanish language song collaboration from Billie Eilish and Rosalia but we'll see on Saturday at 5pm AEDT




Wednesday 20 January 2021

New Music Friday Review: 15th January Bonafide Don't Play De Una Vez

"De Una Vez" by Selena Gomez
("At Once")

Selena Gomez is changing tack musically, she's going to be releasing a Spanish language album this year with a song called "De Una Vez" being the first song from that upcoming project. Translated "De Una Vez" means "At Once" and judging by the translation of the song, it's the next chapter following "Lose You to Love Me" where she's healed from her broken heart after a failed relationship and is ready to move on and is ready to prove she is stronger and happier without the guy (whoever it is aimed at) and yeah I totally get it even if I am a little tired of Selena writing songs allegedly aimed at Justin Bieber...it is time to let go.

 I like the production from Tainy on this song, it feels more organic and definitely suits Selena a lot better than some of the production she was given on that last English language album of hers. I like this a lot...check it out.

Rating: 8/10

"Don't Play" by Anne-Marie, KSI and Digital Farm Animals

Ugh...I wasn't looking forward to this one, KSI is a rapper who is bigger in the UK, he teamed up with singer Anne-Marie, who hasn't seen any chart success in Australia since "2002" in 2018, they brought along Digital Farm Animals along for this song so how is the song?

It's forgettable if I am to be honest, its a song about heartache that's delivered with all the passion of somebody who has had to be told what heartache feels like, it just feels wooden and insincere. The production from Digital Farm Animals is only passable at best...I'm not coming back to this. Pass.

Rating: 3/10


"How Can I Resist Her?" by Robinson

Ooh how do I explain this one? This song is from an upcoming album where artists hailing from Australia and NZ are recording reimagined covers of songs from Split Enz 1980 number one album in Australia and New Zealand called "True Colours" and spawned the Australian year end number one hit "I Got You" plus hits like "I Hope I Never" and "Shark Attack" with Robinson's cover of the Tim Finn penned "How Can I Resist Her" being the third song to be released from the project following Shihad's pretty solid cover of "I Got You" and Busby Marou's cover of the Neil Finn penned "Missing Person".

I am a Split Enz fan so I was kind of curious to hear this song and my god...it was instant love, folks, this cover is beautiful, Robinson has kept the lyrics as they are rather than changing them which gives the song a same sex romance framing and honestly it works as Robinson turns the song into this gorgeous indie folk nearly country song and her vocals are stunning, check out this song and the more raucous Split Enz original (actually check out the whole original "True Colours" album). Great job Robinson! 

Rating: 9/10


"Bonafide" by Emotional Oranges feat. Chiiild

This is going to sound weird considering I loved the lightweight version of Emotional Oranges in 2019 that being "Dancing With a Stranger" by Sam Smirh and Normani but I just couldn't find an inroad to getting into Emotional Oranges even as I watched other people digging their music and telling me how incredible it was yet every time I tried to get into this group, it just wasn't connecting for me despite the music being as stunning as everyone said it was. 

So here's "Bonafide" this time bringing on board Canadian experimental soul band Chiiild and well? Yeah...this works for me! It's got a solid groove and the vocals are silky smooth and give the song a vibe that I can get into. Nice!

Rating: 8/10


"Did Ya Think" by The Veronicas

Bet this is an act you guys haven't thought about for awhile and no this is not a song from their supposed album that is said to be coming this year, it's an off cut from their debut album "The Secret Life Of" and honestly this is the Veronicas sound I love...its sharp pop/rock which is what Jess and Lisa Origlasso are damn good at and was a shame to see them move away from especially as "4Ever" is still a damn great song. I don't think this will be a hit but check it out.

Rating: 8/10



"Close To You" by Dayglow

To wrap up this week's New Music Friday Review, we have Sloan Struble aka Dayglow and his new single which honestly sounds similar in sound to The 1975 except done better than the actual The 1975...how many times has everyone said that this past year?. Its a solid song that's got an 80s style sound to it again like The 1975 with lyrics all about the mix of excitement and nervousness felt before meeting a date. It's a pretty solid song...I dig it.

Rating: 7/10

Tuesday 19 January 2021

Good 1992 Vibrations: 19th January. MC Hammer's BAD Addam Groove as Baby Animals need One Word

 Wow. This week was a busy one...not just in the top ten but for all the songs that gained or lost big lower down the chart and also for the slew of new entries...this is going to be a long one, folks, strap yourselves in!

Let's start where we always start with the top ten where to nobody's real surprise "Black or White" by Michael Jackson kept the number one spot for a sixth week...now the challengers for this song are coming and there was some signs of weakness for this song so it may only be a matter of time before we get a new number one

It most likely won't be "Cream" by Prince and the New Power Generation which remained at number two for another week thanks to really not being able to match "Black and White" on sales. 

The same could be said for "Let's Talk About Sex" by Salt -N- Pepa which stayed at number three but this is looking more of a challenger than "Cream" is right now despite it's position, it looks stronger. overall.

Speaking of looking strong, that can be said of "Don't Let the Sun Go Down On me" by George Michael and Elton John as it climbed two places to number four off its debut last week which is nice to see as it's a good remake of Elton John hit, it pushed past "I'm Too Sexy" by Right Said Fred which fell down one place to number five and "Ain't No Sunshine" by The Rockmelons and Deni Hines down one to number six (hopefully in the former's case, it leaves the top ten and the chart quickly)

Australian dance pop trio Euphoria break into the top ten jumping five places to number seven with "Love You Right"...a song that I honestly don't like all that much...that squawking "I WANNA I WANNA LOVE YOU RIGHT" sets my teeth on edge a bit.

Fortunately Diesel's "Come To Me" is up two places to number eight. Nice to see, it's a good song.

Julian Lennon's "Saltwalter" makes the jump from 16 to nine...got no opinion on this one, it's not Julian's best song although you can absolutely see John Lennon's influence.

Finally Guns 'n' Roses jumped four places to number ten with their cover of James Bond theme from 1973 film of the same name and Wings hit"Live and Let Die"...I will say the cover is actually decent as the cover keeps most of the dramatic swell of the original.

Gains

So outside of the big gains into the top ten for "Saltwater" by Julian Lennon and "Love You Right" by Euphoria, what else gained big?

Well, in good news "Justified & Ancient" by The KLF made a huge jump into the top twenty...all the way from 40 to 18 off it's debut last week while also climbing off the debut last week is "Finally" by CeCe Peniston up from 46 to 25.

Then there's the case of continued momentum for "The Globe" by Big Audio Dynamite II which rose from 31 to 19 while "Just a Touch of Love (Every Day)" by C&C Music Factory got a massive boost from 42 to 26 and "Keep Coming Back" by Richard Marx up six places to 42.

Losers

So we've got a pretty normal list of big losers this week, most fading naturally like "Stop the War in Croatia" by Tomislav Ivcic which plummeted from 20 to 49 and "Caught in My Shadow - Australian Tour Souveneir E.P." by The Wonder Stuff slipped ten places to 48.

It wasn't all good news for Big Audio Dynamite II with "Rush" slipping from 32 to 39 while "Live Your Life Be Free" by Belinda Carlisle continued to lose traction as it fell eleven places to 38 as did "Set Adrift on Memory Bliss" by PM Dawn which fell five to 27.

John Farnham's begging you not to ask him how "Please Don't Ask Me" managed to tumble from 23 to 36 while the word is out that Kylie Minogue's "Word is Out" skidded from 24 to 31.

Gang Starr's "Lovesick" vomited from 15 to 21 while "When Something is Wrong with my Baby" by Jimmy Barnes and John Farnham dropped seven places to 14 but on a brighter note Colour Me Badd's "All 4 Love" dropped five places to 13...thank god

New Entries

Got six new entries this week starting with.

50. "O.P.P" by Naughty by Nature

So this is set to be huge in the US, its climbing the Hot 100 right now and I got to say it's actually a pretty damn interesting song with it's subversive lyrics all about sexual infidelity and references other people's private parts with some at times hilarious descriptions eg: woman's vagina "The last P... well... that's not that simple. It's sorta like another way to call a cat a kitten. It's five little letters that are missin' here"

Also I love the samples used here and how well they blend into the song eg; "ABC" by The Jackson Five sounds fantastic weaved through the song along with "Synthetic Substitution" by Melvin Bliss. Great song, hope it becomes a hit!

47. "I've Had You" by Jenny Morris

Given I didn't like "Break in the Weather", we've got another single from Jenny Morris and is it any better? It is but mostly because of the production here which merges classical elements with pop elements for a more baroque sounding song which makes sense when you consider Morris co wrote the song with Paul Kelly and his influence is all over this song!

Just a shame the lyrics really don't do anything for me, its a song that basically deals in if all her friends turned away, it wouldn't matter because she's "had you" and kind of falls into being a bit of a bland song which is a pity because the production is really good.

46. "Spill The Wine" by Freaked-Out Flower Children

Oh god. How to explain this...okay so this band formed in 1991 and includes actress and TV presenter Sophie Lee on saxophone and lead vocals, this song being the first to actually reach the ARIA singles top 50 and is a cover of Eric Burdon and War's 1970 smash hit and...well, it stayed true to the original, the production is very retro cabaret and works for what this is but that flat vocal delivery just does nothing for me and the lyrics are vague as all hell. Pass.

45. "Bohemian Rhapsody" by Queen

I am going to keep this short as this song really doesn't need much said about it and is back on the chart due to its prominent use in the film "Wayne's World". The song is a classic. We lost a music legend way too soon, rest in peace Freddie. 

44. "One Word" by Baby Animals

So in 1991, Australian rock band Baby Animals had break out success with three singles off their debut album entering the top 50 in 1991 with this song being the fourth from that album...and yeah...this is legitimately great, Suze DeMarchi's vocals communicate the angst of somebody who just wants that word of reassurance that's she is going to be okay as her partner moves on with somebody else while she's still trying to clean up the pieces and that production just goes off, I love the intro where the guitars just play off each other before the drums kick in and the song gets louder and harder....this is damn great. CHECK THIS OUT

30. "Addams Groove" by MC Hammer.

Okay...stop...was ANYONE asking for this? Really? Okay so this song was for the Addams Family movie and it's a song best left forgotten...the Addams Family were known for being spooky and creepy yet you take out anything in the production that might allude to some spookiness or creepiness for MC Hammer to basically turn the Addams Family into a slightly weirder version of the family from "Hey Dad"? MC Hammer's flow and cadence is just goofy and altogether stupid. This song is forgettable at best...fucking terrible at worst.

It's also snagging worst of the week by a country mile with "Spill the Wine" by Freaked-Out Flower Children as the dishonourable mention. 

For the best though...its tough because there are some good choices here and I'm inclined to disqualify "Bohemian Rhapsody" given it made the 1976 year end so I'm going to go with "O.P,P" by Naughty by Nature as the honourable mention with "One Word" by Baby Animals for the best.



Monday 18 January 2021

ARIA Singles top 10/Chart Review: 18th January: Olivia Rodrigo drives in Drivers License to number one

I have no actual way of wording my thoughts about this week except to say that 2021's biggest hit song may already be on the chart and of course I am talking about our new and somewhat unexpected number one "Drivers License" by Olivia Rodrigo, we'll talk about the song's quality later but this song has the sort of monstrous streaming that you'd expect for artists like Adele or Drake, it's been breaking all kinds of Spotify records in the past week and its position on sales is right now unchallenged...it's impressively dominant across the board.

The nearest challenger is "Without You" by The Kid Laroi stuck at number two, it's was never going to be able to match the sort of insane numbers "Drivers License" racked up this week but it held position over "Mood" by 24KGoldn and Iann Dior which slipped two places to number three as its streaming finally starts to bleed which may mean it comes under pressure from "Levitating" by Dua Lipa feat. DaBaby which remained steady at number four as it is still yet to reach a peak on streaming so yeah this still a player to move higher.

What is not a player anymore is "Head & Heart" by Joel Corry and MNEK down two places to number five as it finally starts to bleed on streaming and on sales, honestly unfortunate because would have been nice to see this song have a week at number one.

Also down one place off it's debut last week is "Anyone" by Justin Bieber, this should rebound next week, it only dipped a little because it couldn't sustain that strong a streaming presence.

Continuing to rise is "Fly Away" by Tones and I up one place to number seven...this song looks like being a challenger to "Drivers License" in a couple of weeks when the hype around "Drivers License" has faded a little bit

The Kid Laroi's second song in the top ten "So Done" is up one spot to number nine thanks to streaming that won't fucking die already.

Now we get to the biggest gainer of the week which is "Good Days" by SZA which climbed twenty nine places to number 9 this week on the back of an impressive streaming surge which is good as this song is pretty terrific especially as it's SZA's first solo top ten hit in Australia.

The big loser in all the shuffling though was "Positions" by Ariana Grande which slipped four places to number ten...I think she might just replace herself in the top ten next week but we'll see what happens.

Gains.

So I already mentioned the massive gains for 'Good Days" by SZA in hitting the top ten at number nine, the other big gain was for Tiesto's "The Business" climbed 15 spot to 25 and while continued momentum for "Heat Waves" by Glass Animals up five places to number 17.

Losers.

A lot of 2020 hits took losses this week with "Roses" by Saint Jhn down six to  33, "Watermelon Sugar" by Harry Styles down six to 23, "Dreams" by Fleetwood Mac down eight to 24 and "Rockstar" by DaBaby feat. Roddy Ricch also down six spots to 36.

If you are wondering about "Afterglow" by Ed Sheeran, it fell four places to number 11

Drop Outs

Three drop outs this week with "Circles" by Post Malone, "Before You Go" by Lewis Capaldi and "Lonely" by Justin Bieber and Benny Blanco all gone. Not too upset about any of that even if I do think "Circles" is a pretty damn great song.

New Entries

Three new entries on the docket this week, starting with...

50. "Save Your Tears" by The Weeknd

Hey...this isn't "Scared to Live" or "Faith"...What's doing? Well okay, this is the latest single from "After Hours" and look, I'm not going to quibble, it's The Weeknd singing about longing for his ex after he broke her heart the same way a previous flame of his did over an 80s groove but it only feels decent at best as a lot of the sounds on this song aren't given the room to grow or swell...it honestly feels pretty cluttered to a point...it's not a bad song by any means but it should be better.

44. "Looking For Me" by Paul Woolford, Diplo and Kareen Lomax

So Diplo finally kicked his need for making bad country music and returned to electronic music this time teaming up with British producer Paul Woolford and American singer Kareen Lomax for a song that has been a top ten hit in the UK for the last couple of weeks and honestly I'm not a fan mostly because the production feels like another generic electronic song and reminds me way too much of Starley's bland "Call On Me". Kareen Lomax does her best to sell the song but I don't know...it's just not at all an impressive song and doesn't grip me in the same way "Head & Heart" by Joel Corry and MNEK did in 2020. Pass.

1. "drivers license" by Olivia Rodrigo

So here's the big shiny new number one hit that is taking the world by storm by right and while I think the comparisons to Lorde and Billie Eilish are a little off, star of High School Musical The Musical The Series Olivia Rodrigo doesn't quite have the level of intensity to pull off what both Lorde and Billie Eilish can in terms of raw intensity and even darkness in their music, maybe the better comparison to make would be to somebody like Alessia Cara where like Cara, Rodrigo is wistfully going through memories of how she and her boyfriend talked of getting her drivers license but the relationship has fallen apart because of him cheating (an assumption Rodrigo makes) with a blonde girl and now she's realizing that she can't celebrate getting her drivers license with him despite it being something they'd planned for together with the kicker being she's still painfully in love with this guy, its a sad, wistful song and the production gives Rodrigo enough support but also allows room for her vocals to breathe over the piano and the beat. 

I will say the only part of the song that makes me uncomfortable is the assumption he is cheating on her with the blonde girl, that bit felt a little filmsy to me but it's an otherwise really good song and yeah, it's best of the week.

As for the worst? No real bad songs of the three new entries but I guess if there was to be a worst per se,, "Looking for Me" by Paul Woolford, Diplo and Kareen Lomax as that song had the potential to be so much better.



Sunday 17 January 2021

The Top Twenty Best Hit Songs of 2020 Part 2 (10 to 1)

Before reading on, please check out part one: Click here for 20 to 11

AND NOW FOR THE THRILLING CONCLUSION….


 You might be surprised to know that Billie Eilish was reasonably quiet in 2020 apart from the release of some scattered singles including a James Bond Theme but it was the first of the scattered singles post the album that got my attention.

10. “Everything I Wanted” by Billie Eilish

My god, this song breaks my heart, Billie sings about this nightmare she had where she commits suicide by jumping off the Golden Gate Bridge yet none of her friends or fans watching cared or even tried to stop her committing suicide, the nightmare sees Billie seek comfort from her brother Finneas reassures her that he’ll always be there to support her and deal with the feelings associated with the nightmare, the pair of them will okay as they have each other. It’s a gorgeous song that I am not sure got all the attention it deserved.

 

This next song is the only Australian entry on this list although there were one or two songs from Aussies that were close to making the list (“Bad Child” by Tones and I and “This City” by Sam Fischer) and it’s by a band that I have had quite a weird relationship with but yet…

 

9. “Live In Life” by The Rubens

There’s an inherent sleek pop sensibility to this song that ruminates over the breakdown of a relationship and all the second guessing that happens as the individual at first feels fine with it and then realizes “Well no…this is not okay, I need to do something to stop this break up from happening” but by the time that realization has dawned and goes about trying to fix things, the partner or person involved has upped and gone, it’s a devastating moment, it’s a rather dark and almost bitter song that wonders what could have been.

It’s not quite The Rubens best but my god, it’s a catchy song that I am glad I grew to like a lot, this is good stuff, am looking forward to that new Rubens album in February 2021.

We finally got the world’s busiest boyband on the ARIA singles chart…thank goodness…they have got a hit…

8. “Sugar” by Brockhampton

I was never going to leave this song off the best list, hell, this might just be the only time Brockhampton have chart success (thanks Tik Tok) in Australia and while I’ve not had time to fully dive into Brockhampton’s discography (still trying to figure out a starting point and I am also fully aware how my previous statements show a lack of faith in the Australian public) but “Sugar” is a concentrated piece of wonderful, I love the intricate melodies and how the lyrics talk about a relationship facing uncertainty and wanting to figure out why so the couple can move forward and move ahead together and the production plays up to the questions being asked about the relationship.

Hope to see a lot more of Brockhampton on the ARIA singles chart especially if it is more songs like this.



This song took a while to grow on me, I wasn’t even sure I liked it all that much when I first heard it however, I eventually realized the critics weren’t joking, this is Lady Gaga’s best pop song in years…

7. “Rain On Me” by Lady Gaga and Ariana Grande

Let’s not mince words with this one, this is Lady Gaga’s best pop song since “Alejandro’ in 2010 with it’s splashy keys and production that supports both Lady Gaga and Ariana Grande perfectly, “Rain On Me” is almost the sort of pop song I would have expected to hear during the club boom in the early 2010s but unlike a lot of music from the club boom, it doesn’t feel like it’s going to get annoying and or old quick, the only reason I wasn’t the biggest fan of it was Lady Gaga say “Rain…On….Me” however I can see that it does work within in the song.

The lyrics play to pent up frustration about their lives and tears shed over situations they might be in and boy that sounds familiar in 2020 in a lot of ways with regard everything that has happened in this shitty year. ‘Rain On Me” is one of the best pop songs of the year”. I highly recommend you check it out.



For all the garbage that Tik Tok has enabled to chart this year, 2020 showed that there was openings for older songs that didn’t make their year end in their respective year and by openings I mean becoming a meme on Tik Tok thanks to a guy riding a skateboard and drinking cranberry juice while this next song was playing in the background…





6. “Midnight Sky” by Miley Cyrus

This year was the year Miley Cyrus finally found the lane that her voice is suited too: pop/rock and boy it paid dividends to the point where “Plastic Hearts” is the best album of her career to date. “Midnight Sky” was the lead single from the album and was the song on this list that grew on me the fastest (the songs above it I liked from the jump), I thought this was merely good without really being great but subsequent listens to the song since it’s release earlier in the year have me convinced that this is Miley’s best song since “Nothing Breaks Like A Heart” with Mark Ronson, its not better than that song but it’s damn close.

The interpolation of “Edge of Seventeen” by Stevie Nicks just works so god damn well so much so they basically mashed up Miley’s “Midnight Sky” with Nick “Edge of Seventeen” for one of the best remixes/mash ups of 2020 and seriously, Miley sounds stunning here.

Miley just needs to keep making pop/rock because while it’s not the best song on the album, its still AWESOME.



The UK is still the home of producing EDM/house bangers like this one…



5. “Head & Heart” by Joel Corry and MNEK

This song was one that I was reluctant to like at first, it felt like another EDM/house song but the more I heard it the more I liked it. Sound wise it reminded me of the early nineties dance music that dominated the charts with MNEK providing the vocals about how he has met this attractive girl who has his head saying “Uh oh, she’s trouble, it’s just a crush…stay away from her” but his heart wants something more than it just being a crush, it wants him to hook up with her, it’s actually framed a lot better than other songs in a similar lane like Taylor Swift’s “I knew You were trouble” in that Joel Corry and MNEK don’t frame themselves or this girl as caricatures in cartoons like Taylor did but as humans with very real feelings which is what I appreciate about “Head & Heart”. Good job!







Imagine if all music that came from the trap sound was like this:

4. “Mood” by 24kGoldn feat. Iann Dior

I was stunned when I heard this song for the first time, a trap song that was tight, catchy and had a rock leaning with guitars that were bright, colourful and had a tonne of flavour…I thought this couldn’t be a real song coming from a sound that had been done to death to the point of being boring, derivative and generic but no, “Mood” was a real song and my god, its now one of my most played songs of the year because of its production and the fact both 24kGoldn and Iann Dior sound enthusiastic and deliver that ridiculously catchy hook with so much energy and passion that I get caught up in it.

Imagine if trap music leaned more into the rock/emo sound in 2017/18 rather than the ultimately way too dark to make their songs fun…trap music could have been awesome and honestly when rock music does finally find its way back on the charts in full, it might just have this unexpected gem among others to thank for it.

I also suspect that 24KGoldn might not be able to recreate this lightning in a bottle on his next release but hey at least I’m always in the mood for this song.

I really advise you all not to take my top three ranking all that seriously, at some point all three have been number one and I have had a nightmare of a time trying to figure out which song I loved the most but anyway here is the final Dua Lipa song to have made the list…



3. “Physical” by Dua Lipaspec

So I thought “Levitating” was going to be the Dua Lipa song that wound up fighting for the top spot on my best hit songs list when I set out to make it but I just couldn’t deny “Physical” after three or four more listens and it only got better every single time I heard it and yeah it is just so much better than Olivia Newton John’s “Physical” (I have NEVER liked that song, the beat and instrumentation doesn’t match the lyrics/sentiment of that song) that it interpolates on the hook in nearly every single possible way, it’s the sort of synth pop/power pop song that gets everyone on their bedroom dancefloors almost immediately that gorgeous persian flute sample that opens the song plays.

Unlike the lead single “Don’t Start Now”, “Physical” celebrates meeting somebody special and getting ‘physical’ with that person, it’s a song that is just out to have a good time and drag you along for the ride which happened every time I heard this song on the radio.

Also, this wasn’t a massive hit in the USA for some ungodly reason so yeah, I am delighted I can name it one of the best hit songs of the year in Australia.



There are four guarantees in our existence on earth: Life, death, taxes, and this song making a year end best hit songs list for 2020.



2. “Blinding Lights’ by The Weeknd

It kind of goes without saying or even needing to be said: “Blinding Lights” will go down as a classic song of the decade and maybe for years beyond this current decade and while it’s a brave prediction to make now, I can see it ending up getting the same classic treatment as the song “Blinding Lights” interpolates and deservedly so because it’s one of the best synthpop verging on new wave and dark wave songs I have heard in some time.

Every single element of this song works perfectly with The Weeknd delivering one of his best vocal performances since…I don’t know…possibly “Starboy” or “I Feel It Coming”, ‘Blinding Lights” just feels like an event in itself with just how huge and immense the production is unlike other songs where the release of the song is the event, “Blinding Lights” is a massive event of a song itself which of course helped to make the song absolutely huge around the world this year unlike a few songs last year which got labelled events more for the hype surrounding the release however “Blinding Lights” is still a damn great song and if it does become a classic…it will be richly deserved.



So even with all that “Blinding Lights” is not my best hit song of 2020 because given how terrible and miserable this year has been, there was one song that got me through the horror and sadness of the year and made me smile so if a song can do that in a year like this, it deserves top spot (Granted most of my top ten make me smile) so what song could it be…



1. “Adore You” by Harry Styles

Yeah, Harry finally did it and with a song that has its own share of flaws in that the multi tracked vocals sound a little wonky but honestly, I think that kind of adds to the charm of the song? Seriously, that “Ahhh” sounds exactly like what a person would do when adoring another and Harry’s vocal delivery just makes the song even better, he sounds like he is happy and also helps that his delivery reminds me a lot of Neil Finn’s vocal delivery of the verses on the Crowded House song “World Where You Live” which probably forms part of the reason that I think “Adore You” is a damn great song.

Hell, “Adore You” is just three and almost a half minutes of pure escapism and in a year like 2020 escaping on that fluffy white cloud with Harry Styles crooning about adoring somebody was enough to make me smile this year in amidst lockdowns, politics and a pandemic that refuses to just go away.

I adore this song and it’s the best hit song of 2020.

Thursday 14 January 2021

The Top 20 Best Hit Songs of 2020 Part 1 (20 to 11)

As I said in the preamble on my worst hit songs of 2020 list, this year was a pretty damn good one for popular music in spite of the world being a pandoras box of suck all year (seriously 2020 was just one big “open the box and find the next shitty thing to happen”) so I honestly have to say thank goodness the music on the charts this year mostly delivered, sure there were bad songs but they were more the outliers as the good to great songs exceeded the bad songs popularity so much so I have almost too much material for this list to just be a top ten with honourable mentions so this year, it’s a top twenty best hit songs of 2020.

The other reason for that is that there were some genuinely good songs that I loved this year that if I was doing a normal top ten list with five honourable mentions that I might not have gotten the opportunity to write about

All twenty songs must have made ARIA’s Year end singles chart for 2020 and a 2019 hit song is eligible for this list if it appears higher on the 2020 list than it did in 2019. Also I’d encourage you to not worry about the ranking so much because it’s been a nightmare to slot all this great music into placings for this list and no doubt I am going to regret a few of these rankings in the days ahead…lord knows I already have changed the placings several times.

 

Let us begin this adventure with a break out act from New Zealand...

20. "Glitter" by BENEE

So while Australia and the rest of the world fawned over "Supalonely" (feat Gus Dapperton like many grown adults cooing over a baby, I've felt like "Glitter" is the toddler who is crying out for love attention but is being ignored in favour of the baby and that is frustrating because "Glitter" is so much better than "Supalonely" with its bright guitars and BENEE just wanting somebody to hang out with her and burn the midnight oil together, it's a well crafted pop gem...it might have been a song that got big via tik tok but it still one I appreciate....it might have been neglected by way too many especially in the US but this didn't escape my attention...

Well there's at least four artists with multiple entries on this list...here's one of them...

19. "In Your Eyes" by The Weeknd

2020 was the year I finally completely got behind The Weeknd, "After Hours" is just such fantastic album and honestly I'd be hard pressed to pick just one highlight but yeah "In Your Eyes" is just killer 80s worship in the best way and with a fantastic saxophone solo to boot (there's nowhere near enough sax solos in popular music this year. 

Its a song where The Weeknd is longing to find a deeper connection with this girl that he has feelings for and sees that same longing in her eyes, he wants her to commit to him. Its actually the moment both Abel and the girl find that moment of happiness together, it's not quite my favourite song from "After Hours" but its still damn good...we'll get to more The Weeknd later.


So this pop act improved by leaps and bounds in 2020

 

18. “You Should Be Sad” by Halsey

There’s a lot of promise in Halsey’s album “Manic” that was released all the way back in January this year and this song was one of the reasons why, its about as close to country as the year end list gets this year as Halsey tears apart an ex (said to be G Eazy) who she doesn’t realize has issues because she’s completely in love with this guy so when she does realize he has some pretty serious issues going on so tries to help him only he can’t or doesn’t love anything or anyone including Halsey unless there’s something in it for him….it’s a bruising, heartbreaking song that is so much better than “Without Me”.

Thank goodness, Halsey improved and gave us some better music in 2020.

 

 

Sex as a food metaphor was a thing in 2020...we had "Yummy" which was unfortunate but at least there was this...

17. “Watermelon Sugar" by Harry Styles

This not the first song that references vaginas on this list...in fact...I am now slightly worried that you will think that I have some bizarre form of mentions or references to vagina in music addiction but yeah, this song is just the sort of chill summer song where Harry Styles voice albeit singing about the sugar from a watermelon giving him a high (aka: eating pussy is giving him a high)  may as well feel like the sun touching your skin when you first step outside and the production makes you wish you were at the beach rather than locked down inside...I guess we can pretend we are at the beach, right?

It's not better than another song which I will talk about later but it's a song that I return to a lot and over time it just kept getting better this year. I am so glad this became a hit because this just rules.


So this is one of four songs from its parent album making this list…yeah we’ve hit the first of the Dua Lipa songs.

16. “Don’t Start Now” by Dua Lipa

So yeah, this song has suffered from overplay a little bit given it come out in the last few months of 2019 and there are better songs on Future Nostalgia as we will get to but it doesn’t change that the song is Dua Lipa telling a guy where to get off and that she’s ready to move on over a pop melody that’s just so perfectly retro and really awesome and the live performances of this song kicked all sorts of butt. It’s not Dua Lipa’s best song but it is still good.

 

Let us get to the other Halsey song that’s on this list….

15. ‘Be Kind” by Marshmello feat. Halsey

When I first heard that Marshmello and Halsey were releasing a song together, I groaned and thought ‘Well here goes another instant for my worst list alongside ‘Yummy’ and co” but then I gave the song a chance and…oh my goodness, this song was the best surprise in 2020, Halsey sounds good over Marshmello’s slightly over compressed production and she sells the song well. Marshmello’s drop isn’t even as annoying as the lyrics delve into a person who needs reassurance that it is okay to be vulnerable and scared around the person, he or she loves rather than hiding behind veneers of bravado that just don’t add up to much, its honestly pretty powerful stuff. Good job!

 

I am becoming a bit of a fan of this rapper, she can be a bit hot and cold but when she’s on like she was in 2020, there’s no stopping her…

14. “Savage” by Megan Thee Stallion

So let’s get something straight here, Megan thee Stallion is absolutely the next best female rapper on the charts behind Cardi B and “Savage” is all the more evidence of that with Megan out celebrating her complexity as a human being and as a rapper and she’s got the kind of attitude to carry it however I think Beyonce makes the song even better on the remix, the song is just a sassy load of fun and is the perfect entrée to discussing the other song Megan Thee Stallion was involved with but “Savage” just kicks all sorts of butt!.

 

If there was an award for ridiculous over reaction that helped a song to become a massive hit (okay without the over reaction from some, it still would have been a hit) however the controversy has always felt overblown and honestly, I’d just rather grab a bucket and a mop for that…

 

13. “WAP” by Cardi B and Megan Thee Stallion.

First things first, Ben Shapiro and the others who complained about the overtly sexual nature of the song, what’s so different about Cardi B and Megan Thee Stallion rapping about their vaginas to a male rapper flexing about his scrotum or how he is going to take YOUR girl and get her all slippery between the legs and regardless all the critics of “WAP” did were acting as Cardi B’s promotional team, she didn’t have a to do a thing to promote this song.

I liked “WAP pretty much from the jump mostly because there’s just so many quotable lines, the song is just way too much fun and absolutely hilarious to be hated plus it helps that Cardi B and Megan Thee Stallion have bucket loads of charisma and personality; they work well together here. Yeah, the sample was a bit grating at first but the more I got used to it. Looking forward to the sophomore album, Cardi B.

 

Combine pop disco with a familiar bassline…sounds like a best list certainty to me!

 

12. “Break My Heart” by Dua Lipa

There’s a part of me sad that I couldn’t find room for this song in my top ten mostly because of that rhythm guitar that samples 80s classic “Need You Tonight” by INXS and that funk guitar that comes in during the chorus is fantastic along with the hints of violin and handclaps that don’t ever get annoying. The song’s lyrics play to the moment when finding the person who is “The One” making Dua happy than it occurs to her that this guy could very well end the relationship and break her heart, its a moment of vulnerability from Dua Lipa that really captures the self-doubt experienced in a relationship.

 

I have seen this next song on a few worst lists which I find pretty strange because it’s one of the better songs from the parent album….

 

11. “Rockstar” by DaBaby feat. Roddy Ricch

 

This is where this list takes a turn for the dark because this song is surprisingly dark as DaBaby and Roddy Ricch draw comparisons between rappers’ gangster lifestyle and rockstars. DaBaby using his second verse to recount an incident in 2018 when he and his family were at the centre of an attempted robbery while in Walmart and talks about the moment, he shot the person responsible and warns the same will happen to anyone that threatens his family, it’s a dark moment on song with that trap beat driven by a guitar. It is an honest song from DaBaby and got to me a fair bit this year.

 

Stay tuned for part two

Wednesday 13 January 2021

New Music Friday Review: 8th January Part 2. The Bandit and Flame Come in Closer

 "New Truck" by Florida Georgia Line

In short: NOT GOOD and an early contender for the worst song of 2021, If you want to see my full thoughts on this atrocity than here's the full review

Rating: 1/10


"And So It Went" by The Pretty Reckless feat. Tom Morello

So I am a bit of a Pretty Reckless fan and they've been rolling out the singles for their up coming fourth album called "Death by Rock 'n' Roll" due out next month with "And So It Went" being the third single for that project and I got to say, it's pretty good, it's not anywhere near what "25" (hell, that song is firmly entrenched as one of my favourite songs of 2021 already) is but its still solid..the guitars are crunchy and Tom Morello's guitar solo turns the song from merely being good to kicking butt and taking names...its good...check it out.

Rating: 7/10


"Come In Closer" by Rhye

So while we got the absolute worst of the year in Florida Georgia Line's "New Truck, we may also have gotten one of the best songs of the year in "Come In Closer" from Canadian R'n'B composer Rhye. This thing is slinky, there's grooves for miles longer than a motorway in any country and Rhye's voice sounds incredible, this has got me hyped to hear that new album in a couple of weeks. PLEASE CHECK THIS OUT.

Rating: 9/10


"Flames" by Mod Sun feat. Avril Lavigne

Okay to explain...Mod Sun (an acronym standing for "Movement on Dreams, Stand under None"), his real name being Derek Smith, he is a rapper, author and also rock musician..somehow and so he collaborated with Avril Lavigne for this song and...I'm left confused...I don't think the song is bad but Mod Sun and Avril don't mesh well together at all and the lyrics are pretty close to generic filler. The instrumentation is fine enough pop rock...if this is your thing than fair enough but otherwise I'll wait (nervously) for that next Avril album because this didn't do much for me at all.

Rating 4/10


"The Bandit" by Kings of Leon

I haven't thought much about this band in a long time...I know they released an album called "Walls" in the 2010s that wasn't well received by the critical set but I hadn't cared about a release from Kings of Leon in awhile so how is "The Bandit"?

Honestly it's not bad! The instrumentation sounds tighter and heavier sound that yeah works well with the vocals. The content of the song is pretty vague about this group of people who are desperate and frustrated in their chase to catch this bandit and it's never implied if they caught this bandit or if he or she got away, it's an interesting song to say the list.

Rating: 7/10





Tuesday 12 January 2021

Top Ten WORST Hit Songs of 2020

 We have finally reached the end of this wretched, disgusting and frankly tiresome year however also means looking back on the year in popular music to find the absolute best and absolute worst 2020 had to offer on the ARIA singles chart and honestly…this year on the ARIA singles chart somehow defied the terribleness of the year, there’s not nearly as many bad or outright garbage songs as there were in 2018 or even last year however it does mean that the truly awful hits this year stuck out a lot more especially from one particular artist who spent 2020 infuriating me but we’ll get to that. 

Also it’s worth pointing out that a lot of the worst elements of pop music in 2020 came from things beyond the control of popular music like stan culture and all of the ugly offshoots that come from that on social media eg: doxxing of chart accounts (Let’s not forget that 2020 was the year that ChartData got doxxed by a certain fanbase over the number one position on the US Billboard Hot 100) and the bullying that I see so often in the comments under ChartData’s tweets and the songs trying to cash in on people’s emotions due to the pandemic and the subsequent lockdowns that occurred worldwide.

There was also the coronavirus pandemic and the music that was aiming to hit on people’s emotions. Unfortunately a lot of the good songs about the pandemic were kept off the charts and well…you’ll see…

However, we are going to talking about the music that got popular in Australia so before we get stuck into the list, it is time to go through the rules.

1. A song can only make this unfortunate list if it reached the ARIA year end singles chart so while "Hard to Forget" by Sam Hunt is absolutely disgusting, it didn't make the ARIA year end list (honestly, thank goodness for that because I really would have started questioning the intelligence of the Australian public

2. A song that made the 2019 year end list is also eligible but only if it peaked higher on the 2020 year end list 

3. No abuse, this list is my opinion and reflects the feelings I have had about the charting music this year, if you disagree with me than provide valid argument why a song doesn’t deserve to be on my worst hit songs list minus using stan lingo…stan lingo will earn you a patented laugh and a ‘the song still sucks’ reply.

Now that I have made that clear, let us get on with the list.


So in the past two years, Billie Eilish has become one of the biggest names in pop music but in 2020, she was pretty quiet apart from releasing a few scattered singles however Eilish being pretty quiet so set the stage for this travesty to happen… 


10. “You Broke Me First” by Tate McRae

I am convinced record labels watched as Billie Eilish set the world alight in 2019 with a sound that was very different from what others within pop music were doing at the time and pontificated on how they can get in on what Billie Eilish is doing and given Billie has had a reasonably quiet year, they turned to Tate McRae for this turgid slog of a song that tries to sell her scorn at this ex wanting her back after an ugly break up and honestly, McRae’s anger here is unconvincing and the production sounds washed out and lacks the kind menace and anger you’d think you would need for a song about a break up where the title is accusing the other person of breaking her first.

The song is also bland, derivative junk that Billie Eilish did better on “When the Party’s Over” in 2018/19…next!


As I said in the introduction, the world is in the midst of a pandemic which meant of course lockdowns and people staying home so of course the popular music tried to reflect on what people were going through which meant everyone from Twenty One Pilots to Luke Combs had to release their quarantine songs and for the most part. Some of them were good eg “Six Feet Apart” by Luke Combs and “Level of Concern” by Twenty One Pilots neither of which somehow became hits but we did get one quarantine song that became a hit courtesy of both these artists being managed by Scooter Braun…pity it sucks.


9. “Stuck with You” by Ariana Grande and Justin Bieber

This song represents the absolute worst of the songs that pandered toward people’s feelings toward the pandemic and what is unsettling about this song is that it’s Ariana Grande and Justin Bieber, two superstars in the world of popular music who are capable of so much better. Can we start with the fact that Ariana’s crooning fails to harmonise with Justin Bieber who sounds completely bored and like he would rather be doing anything else than singing about being in lockdown? Ariana just overwhelms Bieber vocally and the lack of harmonising does bother me. 

Oh and the production sounds slapdash as well, four or five different sounds just slapped together in a slog sandwich…granted I do like the more rock production on the final bridge and what’s more Ariana sounds unsupported over it, she sounds better on the production given to Lady Gaga’s “Rain On Me”. All in all the production just sounds really flat and dare I say it…cheap which is not exactly a good thing given the two people on the god damn song!

As for the lyric “I could stay here forever”, NOBODY wants to be stuck in god damn quarantine forever, Ariana and Bieber and the more I look at the lyrics of this song, it’s less about being in quarantine and more about Bieber and Ariana being confused over their feelings and just wanting to hook up

At the end of the day, it’s a token charity song that’s not really worth much of anything and will more than likely be forgotten…except I am not done with Bieber yet…ugh…


In 2017/18, Camila Cabello had a massive hit with “Havana’ from her debut album, now “Havana” was an honourable mention on my best hit songs list for 2017…that song is still good to almost great and there are days where I wish I could find room to put it in the top ten for that year however in late 2019 she released a song that was nowhere near close to being in the same football stadium as “Havana”…


8. “My Oh My” by Camila Cabello feat. DaBaby


It is telling how much “My Oh My” cribs from “Havana” from the production to even Camila Cabello’s vocal delivery and swapping out Young Thug for DaBaby with the shocking part being just how wonky and awful “My Oh My” sounds, its tinny and doesn’t flatter Camila’s vocals at all, she sounds absolutely horrendous here.

The lyrics play to this hook up where this man only comes out at midnight and he is after one thing yet so is Camila…the writing on this song is more basic than the writing on fucking “Yummy”…Camila then swears she’s been a ‘good girl’ yet she doesn’t flesh out the details of what this other person wants her to do.

DaBaby’s verse contains some terrible lines like “She say I make her wet whenever my face pop up on TV” and “Pop star, I'm fresh up out the trap and I'm goin' Bieber”…given the year Justin Bieber has just had in terms of the music…it’s probably not the smartest flex ever,  Dababy!

This song is worthless and the fact this as so desperately shoved onto that last Camila Cabello album says A LOT.


This year, there was the good, bad and whatever the fact Justin Bieber shovelled out this year…here’s the first bit of evidence of that…


7. “Holy” by Justin Bieber frat. Chance the Rapper

So this is either another song for Justin Bieber’s wife or for Jesus…one or the other…it’s honestly hard to tell as the whole song is this turgid cornball nonsense perhaps exemplified by the chorus with the line “On God, running to the altar like a track star” which is right up there with the absolute worst lyrics Pat Monahan of Train has ever written! I know Evangelical Christians like to have their flock marry young and pump out the children but come on Justin, you aren’t Usain Bolt or any other fucking track star.

Then there’s Chance the Rapper whose verse pretty much locks this song into the worst list especially with lines like “I'm a believer, my heart is fleshy. Life is short with a temper like Joe Pesci” and “When they get messy, go lefty, like Lionel Messi”

In short this song is terrible especially in the song writing but the production has no power or bombast to it that you would think you’d need for a song that’s supposed to be religious, Bieber’s trying to add power to a song that is making me feel nothing but wanting to laugh at the stupid lyrics and no it doesn’t help that the song seems to have similar sentiments to a Florida Georgia Line song from a few years ago.

We will get to more of Bieber and stupid lyrics later….


Well here is an easy target…

6. “Sunday Best” by Surfaces


This is a song where the lyrics/vocal delivery and the production do not match, you would think that for a song where he is going on about ‘he is feeling good like he should’ that he would sound happy and energetic (although I’d take issue with that awfully chipper lyric given the year that 2020 has been) yet at best he sounds fucking constipated like he ate too much fibre and is now sitting on the toilet trying to pass this turd of a song out of his bowels.

What is with all the god damn empty platitudes about leaving a day better than you found it? I mean come on…1. There is only so much that people can do while they are in quarantine/lockdown 2. Saying whatever is not going to fix an issue, it’s how you deal with the issue.

The production on this song is a wash, for a song that is trying to be this perky number, the music sounds like it was written for a death march rather than actually sounding bright and happy so yeah if I wanted to be cheered up this year…this was the sound I kept out of my ears. Ugh!


This next song would not be here, let alone this high on the worst list if it weren’t for just one element of the song that just does not work at all and annoys me…


5, “Death Bed” by Powfu feat. Beabadoobee

This one is going to be reasonably short, “Death Bed” was a song that I liked originally, the content of the song is about a young man who is slowly dying and is talking to his partner about doing things with this partner and potentially meeting up with the person in whatever comes next after they die, it’s a lo fi hip hop song that at first was one that I was ambivalent on and willing to give a pass to when it first hit the ARIA singles chart.

However it took hearing this song one too many times on the radio to realize that there was one misconceived element of the song that was getting really distracting and really annoying…that element being Beabadoobee’s crooning behind Powfu’s verses which really took me out of the song and didn’t match at all with Powfu’s rather bleak verses. 

Ordinarily a song where there is just one element that does not work would not normally throw a song this high on a worst list but the crooning that ruins what could have potentially been a great song is disappointing.


There is an open question about whether external factors behind this next song are fuelling my hatred of it but yeah there is enough to the song that fuels the hatred So therefore…


4. “Say So” by Doja Cat

I didn’t want to put this song here…really…but I’ve never ever come to the conclusion that Doja Cat sounds good over that washed out and rather cheap sounding 80s style production that Daft Punk could do better with, she sounds harsh especially over that final verse, it’s not pleasant to listen to and given I think Doja Cat has a fair bit of talent, the production here is a shame.

As for the lyrics…they are your standard friend who is in love with Doja Cat and Doja wants this friend to tell her how he really feels rather than wasting time by beating around the bush which is fine but maybe this friend isn’t ready to admit he is in love with her, feels like she is trying to force it out of him rather than letting it be a natural moment when the other person is ready as well.

Then there are the external factors that push this song so high up on this list, the man who ruined Kesha’s career produced this song and the fact he can get a song with this limp beat that apparently pleased everyone this year makes me angry especially in light of the Me Too movement which somehow hasn’t taken a broad swipe at the music industry yet apart from ending the career of R. Kelly. Dr L*** career revival also saw him produce a song on that last posthumous Juice WRLD album which also become a hit. 


Fuck Dr L***.


Right foot up, left foot slide into the fucking bin, Drake.


3, “Toosie Slide” by Drake

There was absolutely no reason for Drake to make this song. None. He had his trap dance hits with both “Nice For What” and “In My Feelings” in 2018, there was no need for him to try to capitalise on people being at home bored during the pandemic but we got this fart of a song instead. Let us begin with the fact that this song is really only worth the 30 second Tik Tok meme where Drake sings “Left foot up, right foot slide. Right foot up, left foot slide. Basically, I am saying either way we ‘bout to slide, ayy”. That’s it… there is nothing else to it.” Nutbush City Limits” and “YMCA”, this is not.

At least both “Nutbush City Limits” and “YMCA” have a groove and energy to them that make doing the dances associated with those two songs fun, “Toosie Slide” has this monotonous trap beat that sounds so lethargic and tired which I find absolutely bizarre as in 2020, popular music is moving away from the tired and stale trap sound and really just showed that Drake wanted to show that there was still room in the marketplace for lame songs that could have been Vine videos in 2015/16. 

NEXT…


In my past top ten worst hit songs of a given year you might have noticed that I have a distaste for shitty cover songs….well 2020 did have one song that somehow become a hit much to my horror…


2. “Put Your Records On” by Ritt Momney


I am not a fan of the original “Put Your Records On” by Corinne Bailey Rae…just too cloying and sweet for me but at no stage did anyone ask for a guy with the worst stage name since Lil Dicky to cover “Put Your Records On” and sap the warmth and sunshine out of the song with the trap percussion, it’s clunky, ugly and Ritt Momney having a voice that sits somewhere between having a head cold and a broken cassette tape that’s somehow still playing but break the damn tape deck.

Also the fact that Momney turned this song that was originally smooth and breezy empowerment song  into a choppy hook up song from a male perspective that comes across as completely awkward and comes nowhere near close to being smooth enough to fit the mood he is going for. 

This song is a clattering wall of noise that is not only uncomfortable to listen to but gets rather god damn unpleasant however it’s not the worst hit song of the year but before we find out what is…let’s go through some obligatory dishonourable mentions, shall we?

DHM1: “Yummy” by Justin Bieber

Yeeahhh, “Yummy” is still a bad song, it’s dated, lazy and shows that Justin Bieber hasn’t evolved or changed as an artist by dipping into dated trends from 2016/17 to sing about how yummy his wife’s vagina is. Somehow after hearing this song a few times, I do not blame DJ Khaled for refusing to eat pussy because there’s nothing here that makes the idea even vaguely attractive and Bieber’s squawking delivery just sets my teeth on edge and the fact that this crap got nominated for a Grammy says a lot about the joke the Grammys are.

Also, Justin…not signing a prenup is a silly idea…just saying…


DHM 2: “Falling” by Trevor Daniel

Yeah of the newcomers to hit the charts, Trevor Daniel is the least impressive of the lot and this song is just a trap clunker that Trevor Daniel just sounds off key on. Enough said. Next!


DHM 3: “Party Girl” by StaySolidRocky

Well this guy can be placed in the hall of one hit wonders because after this trap garbage, his career has gone nowhere…for good reason. “Party Girl” is your typically independent girl at the party who likes drugs and guns and apparently does not need anyone. Looks like everyone else decided that they did not need StaySolidRocky beyond this song as he has released other songs, but they’ve not hit the charts. Good riddance.


DHM 4: “Life is Good” by Future and Drake

Well this is a mess that only got worse as the year went on. Future has never been good in his lane of mumble rap under a thick smear of autotune. This song diverts into Drake’s usual playground of concern trolling women and complaining he can’t do his taxes because he is too turnt up. Geez. Let’s hope for better from both but especially Drake given his glorified simp album is coming in January..


DHM 5: “What’s a Man Gotta Do?” by the Jonas Brothers

Yeah this one has one of the most annoying hooks I’ve heard on a pop song in ages and the writing is so fucking corny, it makes my skin crawl, its like they glanced through other songs grabbed at lyrics and mashed them into this one pulsing headache of a song. Sorry guys, I won’t be grabbing you by the collar any time soon


Back to the list and the number one, I think I’ve signalled my pick for top spot enough in 2020, a song that makes me quiver with rage at how ugly the lyrics are and how lazy the production is…”Yummy” wasn’t the worst song that Justin Bieber released in 2020, guys…fight the real enemy…


1. “Intentions” by Justin Bieber feat. Quavo

This song underlines and underpins the ugly and regressive themes and attitudes about women on Justin Bieber’s abortion of an album “Changes” that he released in February and the fact that this became a hit is infuriating but not surprising that Bieber would turn to writing a song aimed at making Evangelical Christian style gender roles/stereotypes seem attractive to young women (alarming when you consider how much of his fanbase is young women).

Let’s start with the lyrics that border on being close to Train at their absolute worst to absolutely asinine, for a start “Heart full of equity, you’re an asset” is nowhere near close to being as sexy as Bieber thinks it is and only served to remind me that I needed to file my taxes and yet Bieber put it on the hook of a love song for his WIFE.

There is also ‘Stay in the kitchen cookin' up, got your own bread” Bieber intends his wife to be a 1950s housewife the typically demure way of staying home and cooking her own bread. Now it’s fine if she WANTS to stay home but what if that isn’t what she wants for her life and that’s before we get to the first verse where Bieber shouts out her parents for having sex and conceiving her which is just all sorts of ick…imagine going up to your partner’s parents and saying “Oh congratulations on making your son/daughter, he or she is a beauty”? Ewww.

What is more Bieber wants to give his girl’s parents a standing ovation for the way they raised her. Who the hell are you to judge on parenting, Bieber?

The line that says everything I need to know about how overwhelmingly shitty the lyrics are is this line in the second verse where he sings that she doesn’t need no sponsor because she’s the brand now like his wife is just some inanimate object with logos all over, she isn’t a fucking trophy!

Quavo comes in with this nothing of a verse where even he sounds like he would rather be eating tacos or doing anything other than appearing on this gutless turd of a song where the production is this spluttering mess with hi hats and percussion that doesn’t much the frankly icky vibe of the song and says a lot about the mess that was Justin Bieber’s “music” in 2020 so for all that “Intentions” by Justin Bieber feat. Quavo is the worst hit song of 2020.


Monday 11 January 2021

Good 1992 Vibrations: 12th January. Black or White rules roost as The KLF get "Justified & Ancient"

Well we're into the first chart week of the new year and it's actually a lot more interesting than I had expected mostly because there's some challengers to a song that has been number one since mid December 1991 with that song being "Black Or White" by Michael Jackson which had enough sales to maintain itself at number one.

It's nearest challenger remains "Cream" by Prince and The New Power Generation which climbed one spot to number two this week while also posing a solid challenge is "Let's Talk about Sex" by Salt-N-Pepa whch clinbed one place to number three although it can be argued the reason why both these songs gained is that former number one "I'm Too Sexy" by Right Said Fred suffered a two place fall to number four. 

Then we have The Rockmelons collaboration with Deni Hines for a very early 90s cover of Bill Withers classic 'Ain't No Sunshine" which climbed two places to number five, 

The highest new entry of the week is at number six with "Don't Let the Sun Go Down on:Me" by George Michael and Elton John, more on this song later but it's certainly got the ingredients to be big with good sales. 

It pushed 'When Something Is Wrong with my baby" by Jimmy Barnes and John Farnham back one place to number seven.as it fades naturally.

All this meant that "Mysterious Ways" by U2 fell three places to number eight and is vulnerable to "All 4 Love" by Colour Me Bad up two places to hit the top ten at number nine. Dear god...I can only hope "Mysterious Ways" hangs on for grim death.

However in good news, "Come to Me" by Diesel rose two places to number ten, this song is really damn solid. Check it out.

Gains

So we had a few big gainers this week, most notably Seattle grunge band Nirvana with "Smells Like Teen Spirit" rising twenty places to 13, this is headed for the top ten...just watch.

Big Audio Dynamite II look headed for another hit with "The Globe" rising from 43 to 31 while Rozalla's "Everybody's Free (To Feel Good" jumped from 39 to 25...got a feeling that this one might make a top ten push at some stage but we'll see.

Roxette's "Spending My Time" climbed from 29 to 17 while Julian Lennon's "Saltwater" continues to rise, this week up 12 places to 16.

Re Entries

Just the one return with MC Hammer's pretty terrible "2 Legit 2 Quit" somehow back at number 44.

Losers

We have a lengthy list of losers this week folks so I'm starting at the bottom and working my way up. 

Dropping eight places to 49 is "Can't Stop This Thing We Started" by Bryan Adams (This song is a guilty pleasure for me so kind of sad to see it on the way out)

"I Gotcha" by Jiumy Barnes is losing it's grip on its place in the top 50 as it tumbles nine spots to 45 while Maybe Dolls plunged eight places to 43 with "Nervous Kid".

A song I absolutely dislike also took a big hit that being "Break in the Weather" by Jenny Morris which collapsed from 26 to 41...not sad to see this as Jenny has done better.

The Wonder Stuff's Australian Tour Souveneir EP called "Caught In My Shadow" slipped seven places to number 38 while "Good Vibrations" by Marky Mark and the Funky Bunch feat. Loleatta Holloway slipped nine spots to 29 (More on Marky Mark and his Funky Bunch in the new entries)

Another 1991 hit taking a fall was "Live Your Life Be Free" by Belinda Carlisle which dropped eight places to 27 while PM Dawn's "Set Adrift on Memory Bliss" tumbled from 15 to 22.

Metallica skidded from 14 to 21 with "The Unforgiven" while Tomislav Ivcic's anti war song and top ten hit "Stop the War in Croatia" took a twelve place hit to to number 20. while the other top ten hit to fall hard was Robbie Nevil's "Just Like You" which dropped nine places to 18. 

New Entries

Number 47: "How Can I Keep from Singing" by Enya

So I feel I need to say this, Enya's music is the epitome of background noise filler, it's the sort of music you put on when curing insomnia so how is this latest single from her 1991 album "Shepherd Moons"...honestly its more of the same background filler noise, Enya sounds nice on the song but the longer the song went the more I was convinced it doesn't belong on the ARIA singles chart. Fast forward!

Number 46: "Finally" by Ce Ce Peniston

Well okay, this is a bit of a wake up call after having to listen to that sleepy Enya song and it comes from an American former beauty queen turned singer and actress so I was kind of interested to hear song and yeah, it's fine...it's got a pop sensibility to it that makes the song work really well,and the lyrics describing somebody finally finding that person to love are cute...it's decent without being great...I'll still take it.

Number 40: "Justified & Ancient" by The KLF 

So The KLF are a British electronic hip hop act formed in 1987 and otherwise known as Justified Ancients of the Mu Mu and many other names. Its a pretty sample heavy song that uses country singer Tammy Wynette very well, she sounds GREAT here. and the harmonies around the hook are gorgeous. You know what? I dig this, its a bit oddball but hey, its a damn good song...hope it's a hit. 


Number 37: "Martika's Kitchen" by Martika

Alright so we've got a pop cut from one of the break out stars of the late 80s and honestly why does this song feel like a tamer version of Katy Perry's 2017 disaster "Bon Appetit" feat. Migos?. Especially as Martika proclaims "The oven is hot" and I almost get the sense she's calling her vagina a kitchen...look, I know it's probably not but the song leaves me with no choice but to make that interpretation! 
The song is trying to go for this sexy vibe that just doesn't work when Martika is singing like a silly seventeen year old girl who is reading Cleo or Cosmopolitan's sealed section full of dicks for the first time. Look, there are worse sex songs out there but yeah I don't have any desire to go back to this.

Number 33: "Wildside" by Marky Mark and The Funky Bunch

Ohh boy, I don't even know where ti start with this one, Mark Wahlberg and his "Funky Bunch" got a hit back in 1991 with "Good Vibrations" mostly due to Loleatta Holloway being an incredible vocalist so for their follow up they sample Lou Reed's "Walk on The Wild Side" (speeding up the tempo) to deliver a "Hey kids, don't take drugs: message in spite of the song they are sampling referencing oral sex! There's no real fire or passion that you would need to resonate or hit hard with teenagers who might be vulnerable to the pressure of taking drugs. 
"Wildside" is just sloppily put together and I do think they could have found a less cringey sample to make the song hit hard but ehh.

Number 6: "Don't Let the Sun Go Down On Me" by Elton John and George Michael

This song is originally a Elton John song that was written by Elton John and his co writer at the time Bernie Taupin, recorded and released in 1974, peaking at number 13 on the Kent Music Report and didn't make the year end list for that year which is weird so in 1991, Elton John brought George Michael on board for a live version of the song which the pair had first performed together at the 1985 Live Aid concerts. 

I'll be hoenst and say this isn't my favourite Elton John however this is still really damn god and Elton John and George Michael sound fantastic together...I love that the hook builds and builds into that chorus and that piano line is gorgeous. 

However it's only getting honourable mention because best of the week is going to "Justified & Ancient" by The KLF.

The worst of the week is going to Martika for "Martika's Kitchen" because that song is just cringe. Dishonourable mention to "Wildside" by Marky Mark and the Funky Bunch for messing up something that might have worked with a better choice of sample.