So this is it for 1994, huh, a meaty chunk of new arrivals and plenty of movement across the board that makes this week a fair bit more interesting especially going into 1995 and well, it's not interesting right at the very top of the charts because The Cranberries have number one on lock right now thanks to "Zombie", it's sitting pretty thanks to having such a strong sales margin, it's going into 1995 looking pretty.
"All I Want for Christmas is You" by Mariah Carey which jumped five places to number two presumably because it's Christmas and all a lot of people wnant to do is listen to Christmas music, I don't forsee it making a run at number one however it did move past "Tomorrow" by Silverchair at number three, "All I Wanna Do" by Sheryl Crow at number four, "Always" by Bon Jovi at number five. "Short Dick Man" by 20 Fingers feat. Gillette at number six and "If I Only Knew" by Tom Jones at number seven.
"Turn the Beat Around" by Gloria Estefan continues to get raw on the dancefloor up one spot to number eight although that could be because "Chains" by Tina Arena is effectively done at this point down one to number nine.
Rising three places into the top ten is "On Bended Knee" by Boyz II Men at number ten because Australia just loves it's slop.
Losers
So the losers begin with former number two hit "Endless Love" by Luther Vandross and Mariah Carey slumping from thirty three to forty eight looks like the public's love for this song is not endless after all!
"Spin the Black Circle" by Pearl Jam continues to spin the wrong down this week down eleven to thirty five.
"Sooner or Later" by GF4 plummeted ten spots to thirty one after the song stalled out at number twelve (which I am okay with...I still don't like that song).
More from Madonna in the new entries but "Secret" slipped from sxiteen to twenty four.
Gains
The problem going into 1995 might be the utter inane crap that is rising, let's start with goddamn "Baby, Come Back" by Pato Banton feat. Ali and Robin Campbell which somehow continues gain, this week it's up eight to eighteen.
The Stone Roses at least got a decent twelve place gain to thirty six with "Love Spreads" while "Sure" by Take That bounces around like a zoomy cat up twelve spots to thirty seven.
New Entries
Five songs new to the chart this week so let's start this exploration with...
49. “Hot Hot Hot” by Arrow
Stick with me for this one because we're kicking off the week with a remastered version of a 1982 song from a Montserrat musician known as Arrow which apparently peaked at fifty nine in the UK in 1984 and it's fair to say I get the appeal here as the percussion kick up quite the stomping rhythm before the horns kick in and it actually really sounds like a summer party on tape which is perfect for Australia at this time of year, I won't say it's for me but I can see plenty of fun being had with this...check it out if you are curious.
45. “Seether” by Veruca Salt
This song comes from Veruca Salt's album "American Thighs" and is a more pop leaning than the rest of the album and you are can tell, there definitely some more pop concessions in the sound of this sound from the hook to even the vocal delivery. Lead vocalist Nina Gordon told an interview that the song could well be about the feminine urge to sometimes rage and how rage is occasionally something that someone cannot fight and they have to go with it and let their emotions out. Solid song but I just can't get behind the vocals especially with the subject matter of the song.
43. “Sight for Sore Eyes” by M People
So somehow this is the tenth single from M People's album "Bizarre Fruit" and this one has more of a gospel tinge that combines decently with the groove supplied by the percussion and the piano, it's supposoed to be this song where this other person is so beautiful and handsome to the point where they are a sight for sore eyes...its fine enough but it's not anything I'll remember in a month's time.
21. “Take a Bow” by Madonna
Latest single from Madonna's album "Bedtime Stories" and I have to say this sounds really nice on the ear, it's a gentle ballad that Madonna just sounds incredible over especially with those strings which should not have surprised me as much as it did considering she collaborated with Babyface for this song. The somber tone of the song makes sense given the subject material all about unrequited love and saying goodbye to a relationship. I really like this a lot, definitely one of Madonna's better efforts so far in the nineties.
15. Sympathy for the Devil” by Guns ‘n’ Roses
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