Monday 24 August 2020

ARIA Singles Top Ten/ Chart Review: August 24th: WAP gushes through some Savage Love to reach number one

This week was a busy one and where there was a lot to like across the board..it wasn't a perfect week but yeah this wasn't bad, the biggest news of all was that we have a new number one, the first for both artists, "WAP" by Cardi B and Megan Thee Stallion, it rode massive streaming (this song is a serious streaming juggernaut right now), sales and controversy to rise one place off its debut to number one. Not at all surprising, this song got conservatives knickers in a knot thus ensuring that it was destined for number one not just in Australia but around the world...I don't mind, the song is decent to me...there is absolutely nothing wrong with open, brazen sexuality in music and heck, if male rappers can rap about their penises then Cardi B and Megan Thee Stallion can wrap about their vaginas...there.

Moving on..."WAP" pushed "Savage Love" by Jawsh 685 and Jason DeRulo down to number two as it just couldn't match "WAP" on streaming and it has taken a a bit of a dip on sales, this might mean an opening for the highest new entry of the week "Laugh Now, Cry Later" by Drake feat. Lil Durk but it's mostly only got streaming at this point. This song is the lead single for Drake's new album called "Certified Lover Boy" (Yes, that is correct and something that I find to be very funny)

"Rockstar" by DaBaby feat. Roddy Ricch fell one place to number four as it hangs on on streaming but has started to bleed on sales.

"Breaking Me" by Topic feat. A7S recovered by rising two places to number five because somehow it's still got streaming on board and a small amount of sales. This ain't leaving the top ten any time soon which is unfortunate because I am getting tired of this song.

All of this forced "Roses" by Saint Jhn down two places to number six, it's bleeding on streaming and sales are slowly fading so I can see this song leaving the top ten sooner rather than later.

"Watermelon Sugar" by Harry Styles has started to fall away on both sales and streaming as it slipped one place to number seven, it's under threat from the rising "Mood Swings" by Pop Smoke which rose two places to number eight, this song is big on streaming right now, wouldn't shock if this was a top five hit.

Rising into the the top ten this week is UK hit "Head & Heart" by Joel Corry feat. MNEK which climbed two places to number nine, this song also has traction on both sales and streaming so this will only continue to rise.

The big loser out of all of this is "Blinding Lights" by The Weeknd which slipped five to number ten and honestly given how amazing it's run inside the top ten has been, I am ready to see this leave the top ten.


Gains


Biggest gain this week went to Tate McRae's "You Broke Me First" which climbed from 47 on debut to hit 29 this week. 

It was a good week for the late Pop Smoke with "Mood Swings" gaining inside the top ten while "For the Night" rose eight places to 24 while "Before You Go" by Lewis Capaldi rose five places to 25 (Australia, WHY?!)


Losers

The biggest loser of the week is "My Future" by Billie Eilish which crashed from 18 to 30 this week. Not surprising here given Eilish's songs seem to have this strange thing right now where they debut high but fall off in the weeks after which is a little disappointing.

Then there are the continued losses for Taylor Swift songs with "Cardigan" dropping six places to 18 and "Exile" feat. Bon Iver falling eleven places to 28.

Unfortunately "Be Kind" by Marshmello and Halsey also took a seven place hit drop to 34 but in better news "Stuck With U" by Ariana Grande and Justin Bieber copped a well deserved nine place drop to 35 (honestly it's a song that has only gotten more cloying and horrible every time I have heard it) but speaking of Bieber, "Intentions" feat. Quavo slipped four to 37...not fast enough for me, time for it to be gone.

"Standing with You" by Guy Sebastian dropped six places to number 46 while "Adore You" by Harry Styles crashed seven places to 49, (not that that worried about "Adore You"...it's place on the year end list is safe)

Drop Outs

The biggest drop out this week is "Savage" by Megan Thee Stallion, it's making the year end list for certain as likely will "Pump It Up" by Endor and "Ily" by Surf Mesa feat. Emilee.

Also gone are "Go" by The Kid Laroi feat. Juice WRLD and "The 1" by Taylor Swift.


New Entries

So I have already mentioned the new single from Drake called "Laugh now Cry Later" feat. Lil Durk having the highest debut of the week at number three...it's fine...it's better than most of that last Drake album, will say that not enough was done with the sample though.

Miley Cyrus becomes the latest pop act to dive head deep into 80s nostalgia sampling Stevie Nicks "Edge of Seventeen for her new single "Midnight Sky" which debuts at number 16. It's actually a pretty good song...hope it does well.

Then we have one of the catchiest trap songs of the year in at 36 with "Mood" by 24kGoldn feat. Iann Dior...this song is blowing up on streaming right now and will be a massive hit.

Ava Max notches her third ARIA charting single with "Kings and Queens" in at 44 while finally Conan Gray has finally followed up "Maniac" with "Heather" in at 47.


So yeah that wraps a decent week overall.Next week sees BTS bring "Dynamite" to the chart and likely big gains for "Mood" and "Heather' off their debuts. Nothing is going to challenge "WAP" for number one for awhile but we'll find out when ARIA updates the chart on Saturday at 5pm


Thursday 20 August 2020

Top Ten Best Hit Songs of 1998

1998…a year that would be headlined by the US President of the time having an affair with a White House intern which he would subsequently impeached for while India and Pakistan tested ballistic AND nuclear missiles and Australia re-elected John Howard as Prime Minister. In the sporting world. there were premierships for Adelaide Crows in the AFL and the Brisbane Broncos in the newly formed NRL following the Super League split of 1997 while Michael Doohan would take out the World 500cc Motorcycle Championship.

However I’m not really going to go into any more of the political and other nonsense that went on because not much of it informed the popular music of that year and 1998 was generally a much better year for the charts than the mediocre 1997 with some truly excellent songs across all genres that hit the charts, the year was mostly dominated by pop but hip hop and r’n’b saw some success while rock and country notched decent quality hits as well, now that’s not to say there weren’t some bad songs that were huge…there was but most of the awful is pretty laughable unlike 1997 when No Mercy released “When I Die” (a song that made me WANT to die)

Anyway, lets rip into a good year on the charts with a song that could aptly be the song that both Hillary Clinton and Monica Lewinsky sang in 1998…

 

10. “The Boy is Mine” by Brandy and Monica.

 

This was one of the best R’n’B songs from 1998, “The Boy is Mine” opens with a harp and some pretty wild interplay from both Brandy and Monica arguing over a man…now this song could have been downright catty and nasty but the song is written with both Brandy and Monica in mind as a conversation over this guy who apparently seeing the both of them at the same time and both have realized it, both lay the facts out to each other explaining why she is the best for him without diving into the catty nonsense that could have potentially made this song insufferable. Also that production for the time is still sounding so god damn good in 2020 with the harp and guitar, it sounds so organic. Songs of the future that go down this lane need to learn and follow the lead of “The Boy is Mine”.

 

When I made my 1996 best list, I did acknowledge that this group could be seen as obnoxious, in your face and annoying, even as somebody who liked the group, I can understand why they annoyed so many people but then they recorded this song for their second album that became a single after the highly publicised exit of one of the members of the group and well…

 

9. “Viva Forever” by Spice Girls

This would have been the perfect way to finish the Spice Girls as a group rather than record that pretty awful third album without Geri Halliwell, “Viva Forever” combines both at the time modern pop and classical elements in the production for a song where the girls are actually on point with the harmonies not just in the chorus but in the verses as well with Mel C, Mel B and Emma given most of the work which makes sense, give the best singers in the group the most to do on the song and really “Viva Forever” is a gorgeous song

For one thing, the lyrics play into the group wistfully remembering bygone relationships (which has a spooky turn given what had happened within the group at the time this song was released with Geri leaving the group to start her own solo music career which would have limited success) and this song is evidence that the Spice Girls were worth something after all.

 

Now we cross to Canada for a song that I am surprised has not gotten the Tik Tok or meme treatment yet.

 

8. “One Week” by Barenaked Ladies

It has taken me awhile to appreciate what a true classic 90s gem this song is but it occurred me while quoting the songs lyrics and I realized that “One Week” is more memorable than what I gave it credit for. “One Week” is a song where this man and woman are having a fight and the man realizes he is wrong (he clearly had never learned the wise words “Happy wife, happy life” so is now desperately trying to save face and get back in the good graces of this women and here’s the thing this song works literally just for the many quotable lines that are wedged into every damn corner of the song eg: “Hot like wasabi when I bust rhymes/ Big like LeAnn Rimes” and “Chickity China the Chinese Chicken. You have a drumstick and your brain stops lickin’”

“One Week” is the “Old Town Road” of 1998 and I am glad we got. Shame that Barenaked Ladies could not follow up their success with this song though so feels like they are a bit of a one hit wonder.

 

Staying in Canada, I deliberated whether I could put this song on the list as during my research I discovered that one of the artists on the song is one hell of an awful human being however I tried to put aside everything I was aware of about the guy and yeah…this song still slaps…

 

7. “When You’re Gone” by Bryan Adams and Mel C.

Regardless of Bryan Adams as a human being, I have always loved this song and I have to be honest because yeah “When You’re Gone” is stunning from the vocal harmonies to even the sweet guitar that opens the song and honestly even Mel C is the right fit for this song, she has the vocal range to match Adams without over powering him…better than the initial choice of Sheryl Crow which kind of blows me away a bit, I can’t imagine Sheryl on this song.

“When You’re Goe” is that song about missing a lover who is yet to return home, Adams and Mel C are lonely and at the point of begging that partner to come home because they are driving themselves crazy, it’s the sort of song that works even with some flaws like the fact Mel C and Adams don’t really harmonise all that well but I can’t deny that it’s a great driving song and genuinely a song that connects when I am alone.

 

We’re on a bit of a global trip because we’re headed to New Zealand for this next artist who like the Barenaked Ladies wouldn’t have another ARIA Chart hit but with this one, I am glad she got that brief moment of success.

6. “Sway” by Bic Runga

I never really gave this song much attention…heck, in 1998 I was an eleven year old kid who cared more about what the Spice Girls and Hanson were releasing at the time more so than what this New Zealand based artist was releasing however by 2010, I realized that I truly loved this simple little love song with just Bic Runga’s voice and her guitar, it’s a quiet unassuming song that just hits all the right buttons with the protagonist being love with this person and hoping that the other person notices and feels the same.

Yeah, it is cloying and sweet to the point of needing a denist to some in and get rid of the cavities but Runga nails that sentiment of being in love so perfectly that yeah…I just sigh happily whenever I hear it.

 

Rock hasn’t featured too heavily on the list so far but we are stepping into rock territory now with the next two picks, this song came from the City of Angels soundtrack and it’s a song that still holds up to this day.

 

5. “Iris” by The Goo Goo Dolls

So I will contend that “Slide” is by far the better Goo Goo Dolls song that somehow wasn’t the huge hit that “Iris”  was however if you are looking for a slice of rock music that still slaps to this day than “Iris” is probably it…yeah, it’s overwrought but can’t lie Goo Goo Dolls frontman John Rzeznik whose gravelly vocals sell “Iris” regardless and that instrumentation that comes in at just the right moment to sweep everyone and everything off their feet…yeah…this song was made for the movies.

The song is about a guy who is willing to give up his own immortality just to have a very real and very human experiences like reaching out to touch the person he loves, it’s a sentiment that in 2020 probably throws this song higher up on the list because of what we are going through right now with the coronavirus pandemic.

“Iris” still hits in all the right places even in 2020, the Goo Goo Dolls made a classic with this one.

Speaking of still hitting in all the right places in 2020…

 

4. “Second Solution” by The Living End

 

The mid to late 90s were a break through for Aussie punk rock act The Living End especially as “Prisoner of Society” was EVERYWHERE in 1997 and with “Second Solution” being the follow up, they were having a wild ride of success and well deserved too. “Second Solution” is one of the more bratty punk rock tracks with Chris Cheney’s attitude really making the song work so well as he puts himself in the shoes of somebody facing the ultimate punishment in prison…death and the impact it has on the person who has been found guilty of a heinous enough crime to warrant being given a lethal injection or hung and is seeking an alternative to death by lethal injection or hanging.

It deserves its place here and The Living End deserved more hits beyond “Prisoner of Society” and “Second Solution”.

So going away from loud politically motivated punk rock, we go to a Danish pop band that had been known for their garish pop songs but got attention for a ballad in 1998 for good reason…it’s excellent.

3. “Turn Back Time” by Aqua

After “Barbie Girl” became one of the biggest and most annoying pop songs of 1997 and possibly all time, Aqua followed it up with the relatively innocuous “Doctor Jones” in 1998 before they dropped this simply gorgeous ballad as their sixth single from the album Aquarium. Lene’s vocals suit this song perfectly, there’s no stupid overacting on this song like there is with “Barbie Girl or even on “Doctor Jones” where Lene sings about making choices and dealing with the consequences of those choices, knowing that she’s regretting the choices she’s made and wishing she could turn back the clock to rectify the things she has done but she can’t, she has to confront what she has done, it’s got this wistful and regretful tone that resonates at just the right level,

The production on this song is also good too with the piano and saxophone providing a gentle groove and a massive difference to the songs that Aqua had released previously. It’s the best song that Aqua released in their pop career, they would fade into relative obscurity down the track but it’s lovely to know that they were good for this beautiful ballad after all.

 

In 1998, one hit wonders were relatively commonplace, there are a few on the year end list for the year but none that hit the right tone for me except for this one…

2. “Crush” by Jennifer Paige

“Crush” is a song for all those summer wind back playlists on streaming services these days but this is still a terrific pop song from an artist who probably deserved to have more hits. Paige is not chasing love over this guitar and piano driven pop song with the perfect placement of the backing vocals, this is her recognising that what she is feeling toward the guy is just a crush, nothing more, she isn’t going to turn to water every time he touches her and she wants him to accept that she’s just got a crush on him and that they aren’t meant to be together even if he might want something more with her but she lets him know that she can’t commit to that right now.

It is a great pop song and honestly…Jennifer Paige as an artist deserved a lot better. Go check out her 2017 album which is full of the same pop sensibility as “Crush” is.

Before we get to our number one, let’s go through our SEVEN honourable mentions beginning with two songs that didn’t make the ARIA year end list somehow…

HM 1: “Closing Time” by Semisonic.

The fact that this song wasn’t huge in Australia in 1998 makes me mad as this song had hit written all over it and as much as I thought it was about last drinks at a bar before the bar closes for the night, it turns out the song was about impending fatherhood and about a baby being born much like a bouncer clearing out the bar of rowdy patrons. This song would have made my top ten had it been a hit which would be topical especially as lead singer Dan Wilson’s girlfriend at the time was pregnant. Still a great song from a band who is releasing a new album this year.

 

HM 2: “Show Me Love” by Robyn

Okay Australia, t don’t understand how the hell you could ignore the most perfect of pop songs and not let this become a hit because like “Closing Time”, “Show Me Love” would have made my year end top ten and fairly high up the list as it shows Robyn swallowing her pride and wanting this guy in her life to show her love and what its about…it’s honestly one of the best pop songs of the 90s and by the look of it criminally under rated in Australia.

 

HM 3: “Thinking of You” by Hanson

This is a guilty pleasure song that I couldn’t justify putting on the list because it felt so short but there’s something sweet and sincere about Taylor Hanson’s vocals and while the production has become a little dated since, it is one of the best of the five singles from “Middle Of Nowhere”

 

HM 4: “Rollercoaster” by B*Witched

Again, this is me indulging in my love of cheeky Europop music with all its sexual innuendo attached and boy, Irish girl group B*Witched weren’t shy about what they wanted to do…ride the rollercoast of love but it’s just innocent enough that the meaning flies over the heads of kids and induces grins from adults and all packaged into one pop song!

 

HM 5: “Cry” by The Mavis’s

I debated whether I could put this on the list mainly because it’s got just one element that doesn’t work…the verses and the vocal delivery…seriously “But we gonna DOOOO/ You leave at half past TWOOOOHHHH” sounds really whiny but honestly the song is still pretty good even for the one element of the song that I find really annoying.

 

HM 6: “Fuel” by Metallica

This is a song that I have only just recently come to appreciate. Mostly due to the fact that through “Charting 1996” I had become more familiar with Metallica’s work and this song occasionally gets airplay on radio so yeah as a rock song, I really do enjoy this and James Hetfield gives a performance to remember on “Fuel”

 

HM 7: “I Don’t Like It” by Pauline Pantsdown

This only just missed the top ten because I couldn’t justify putting this in the top ten ahead of “The Boy is Mine” or Viva Foever” plus it’s not like the production hasn’t aged badly because it has. Its still a good song though playing on the tropes of politician Pauline Hanson back in 1998.

 

So now for the number one best hit song of 1998, when I mentioned this group on the year end best hit songs list for 1996, I said that this group would reach greater heights in 1998 and I wasn’t joking, this song is truly one of the best things that they have ever made.

 

1.       “Cruel” by Human Nature

This was the obvious pick for number one for me, the moment where Human Nature put their harmonies and their ability to sell genuine heartbreak at the forefront of the song also helped by that production of guitar piano and hints of orchestra that come in around the middle that just works, also having Michael take lead is an inspired choice over the production.

“Cruel” is a song that seems about love being so cruel but than finding that special person to spend the rest of life with and there’s nothing the head can do to override the heart…sometimes there’s no holding back feelings.

Then you have the harmonies by the band…and damn, it’s just a gorgeous pop song that didn’t really get the attention it deserved only reaching number 14 on the ARIA singles chart but it was enough for it to make the year end list for the year and thank fucking god it did.

“Cruel” by Human Nature the best hit song of 1998.

2000 Sound: 20th August. Kaylan Shakes It to highest new entry as Anastacia's grip on number one remains unbothered.

Seems like this was a pretty slow and steady week until you look past our top 4 or 5 and realize that it was a pretty busy week so I am going to blow through the top three here because nothing changed with "I'm Outta Love" by Anastacia holding firm at number one for another week ahead of "Jumpin' Jumpin'" by Destiny's Child stuck at number two and "Freestyler" by Bomfunk MCs glued at number three for another week.

Now this is where we get to the changes because unfortunately Five and Queen's "We Will Rock You" climbed one place to number four bringing with it "It's My Life" by Bon Jovi which climbed two places to number five...I'll explain why in a few moments why this rebounded. but first we have to deal with "Thong Song" by Sisqo keeping it's pretty gross presence in the top ten at number six...honestly, we can dump this song's ass at any time, Australia.

Then we have the eleven place gain for "Breathless" by The Corrs which skyrocketed to number seven this week...something I didn't see coming but okay.

Now we get to the reason for the return of "It's My Life" to the top five, "Shalala Lala" by Vengaboys collapsed four places to number eight this week as sales finally started to sputter out.

Aaliyah's "Try Again" fell one spot to number nine. Finally Madison Avenue's "Who the Hell are You?" is hopefully seeing it's final week in the top ten by remaining in the top ten.


Gains 

The biggest gain of the week was "Breathless" by The Corrs which I have already mentioned in the top ten but apart from that? There was a five place gain to 31 for "Take a Look Around" by Limp Bizkit and a four place gain for "Rome Wasn't Built in a Day" by Morcheeba to 36 but that was about it.

Re Entries

Jut the one return this weeks that being "Rock Me All Night" by Kaylan at 47...more Kaylan when we get to the new entries.

Losers

Couple of big losers mostly down the lower end of the chart such as Black Legend's "You See the Trouble With Me" which plummeted from 26 to 42...ouch.

Not a great week for Australian music either with Christine Anu's "Sunshine On A Rainy Day' fell to 41...I'm fine with this not becoming a hit...it's not a great song while"Ordinary Girl" by Jackson Mendoza tumbled 16 places to 46 and "Blow Up the Pokies" dropped eight places to 48. 

Finally, Naughty by Nature's "Holiday" is almost over as it crashed nine places to 50. 

New Entries

So I did mention that there was more Kaylan to talk about, well, they have the week's highest new entry with "Shake It" in at number 15. Not a bad achievement especially glancing through the big names in our new entries.

Britney Spears returns with her second single from her new album, the song called "Lucky" about a girl leading a famous life debuts at number 20.

Pop music veteran Janet Jackson is back on the charts with "Nothing Really Matters" at number 28 and finally Jennifer Lopez returns with the pretty annoying "Lets Get Loud" in at number 49

Tuesday 18 August 2020

ARIA Singles top ten/Chart Review: 17th August. Australia gets hit by some WAP in the top ten

 This week felt weird especially as it feels like the chart is heading for some major changes that didn't quite happen this week...case in point...the top ten where for a  sixth week "Savage Love" by Jawsh 685 and Jason DeRulo spends a sixth and likely last week at number one, it's still doing fine on streaming and sales but have you seen the numbers for our new entry at number two? They are huge which brings us to "WAP" by Cardi B and Megan Thee Stallion debuting at number two and looks set to take the number one spot easily next week as it rules on streaming and is doing decently on sales as it rides the somewhat overblown controversy that came with it.

It pushed back "Rockstar" by DaBaby and Roddy Ricch back to number three as it finally started to leak on streams and collapse on sales. "Roses" by Saint Jhn remains steady at number four

The song that just refuses to go away is "Blinding Lights" by The Weeknd which rose three places to number five on the back of streaming somehow...this song will likely top Australia's year end list if this keeps up.

"Watermelon Sugar" remains at number six for Harry Styles, the same goes for "Breaking Me" by Topic feat. A7S. 

The second of the new entries to the top ten is "Smile" by the late Juice WRLD and The Weeknd, a song that should be better than it is.

Speaking of Juice WRLD, "Come & Go" with Marshmello rose one place to number 9 and finally riding a massive streaming surge "Mood Swings" by Pop Smoke feat. Lil Tjay rose from 34 to number ten off it's debut last week and is the biggest gainer on the ARIA singles chart this week.


Gains

So outside of "Mood Swings' by Pop Smoke and Lil Tjay having the biggest gain of the week up 24 places to number ten, we had a nine place gain for "Head & Heart" by Joel Corry to number 11.

A string of gains for older songs that can be pinned to the continued receding of the Taylor Swift album bomb "Someone You Loved" by Lewis Capaldi continues to hang around like toxic fungus on the nether regions up from 32 to 25 somehow (this is an example of why the ARIA chart needs a recurrent rule) while "Before You Go" jumped up seven places to 30...yuck.. however in better news "Don't Start Now" by Dua Lipa rebounded to 28. 

"Everybody Rise" by Amy Shark climbed six places to 34.

Re Entries

Two re entries with "For The Night" by Pop Smoke back at 32 and "Ride It" by Regard returning for a second time at number 46.


Losses

The biggest loss wasn't for any of the Taylor Swift songs still on the chart for "Popstar" by DJ Khaled and Drake which flop starred down from 22 to 39 while "Standing with You" by Guy Sebastian sat down from 26 to 40.

"Go" by The Kid Laroi and Juice WRLD stopped to drop eight places to 49.

As for the Taylor Swift songs to lose this week, "Cardigan" fell out of the top ten to 12, :"Exile" feat. Bon Iver hit 17 and "The 1" dropped to 29. 


Drop Outs

All the drop outs this week are Taylor Swift album tracks with "The Last Great American Dynasty", "My Tears Ricochet", "August", "Mirrorball", "Seven" and "Invisible String" all gone. 

New Entries

So I have already mentioned two of our four new entries this week with "WAP" by Cardi B and Megan Thee Stallion at number two and "Smile" by Juice WRLD and The Weeknd at number eight.

The other two new entries come from 17 year old Canadian singer and actress Tate McRae with "You Broke Me First" at number 47 and finally Sia's "Together" in at 48 (if "Together" becomes a hit...its a contender for my worst hit songs of 2020 for certain).


So that wraps up the week, next week will likely see "WAP" go to number one but we're probably going to get a new entry from Drake in the top ten so watch out for that one...Miley Cyrus may also debut int the top 50, we'll find out on Saturday at 5pm AEST






Thursday 13 August 2020

2000 Sound: 13th August. Robbie Williams Rocks DJ while Anastacia's still outta love at number one

 Let's rip straight into this week because we have a healthy dose of new arrivals and some interesting moves on the chart this week that don't start right at the very top where Anastacia spends a third week at number one with "I'm Outta Love" and right now this song is a sales juggernaut, it's just ruling everything and getting played extensively on the radio (Hot 30 Countdown LOVES this song).

However it finally has some new competition at number two because rising two places is "Jumpin' Jumpin'" by Destiny's Child as it also has sales momentum but just not enough to challenge "I'm Outta Love" however it was enough to unseat "Freestyler" by Bomfunk MCs which slipped one place to number three.

Vengaboys continue on their surprisingly strong chart run with "Shalala Lala" up one place to number four this week, I'm stunned it's held on to the top 5 however right behind it is "We Will Rock You" by Five and Queen up two places to number five...honestly this cover even with Queen involved isn't good...please...just let's let this one die.

Mercifully though of all that meant "Thong Song" by Sisqo took a well deserved three place plunge to number six as sales fell off this week. Good.

Bon Jovi fell one place to number seven with "It's My Life" and honestly I'm just surprised that it's still here!

Especially as we have a song arriving in the top ten with Aaliyah's "Try Again" up three spots to number eight, this song is huge in the USA right now and yeah it's definitely a solid R'n'B tune.

Then we have Billie Piper's "Day & Night" which got stuck at number nine again this week while "Who the Hell are You?" by Madison Avenue fell two to number ten.

Gains

Honestly not too many major gains this week with the biggest coming for "Shackles (Praise You) by Mary Mary which went up eight to 27 while "Everything You Want" by Vertical Horizon is up four places to 28 (Good, I really would like to see this song become a hit)...

Aside from that...well...'Breathless" by The Corrs is up four to 16.


Re Entry

The one re entry is from the Red Hot Chili Peppers with "Californication" back at 44.

Losers

Same deal for the losers this week too with "So Real" by Mandy Moore falling six places to 31 while "Got Beef" by Snoop Dogg Presents Eastsidaz slipped from 28 to 34. 

"Take a Look Around" by Limp Bizkit also hit a welcome six place skid to 36 and Christine Anu's increasingly annoying "Sunshine on a Rainy Day" got a four place cold rain shower down to 37.

However the biggest fall was for "Holiday" by Naughty by Nature with signs that the holiday on the chart is about to come to an abrupt end down ten places to 41.

Finally John Farnham's "Trying to Live My Life Without You" took an eight place plunge to 50.

New Entries

We have a long list of new arrivals that are mostly from the United Kingdom strangely enough with the biggest debut of the week belonging to former Take That bad boy Robbie Williams with "Rock DJ" at number eleven..I actually kind of dig this song...don't ask me why.

In at number 26 is a collaboration effort by two Italian DJs/producers Enrico Ferrari and Ciro Sasso along with British vocalist Elroy "Spoonface" Powell and together they come up with a remix of a song recorded by Barry White and Ray Parker Junior in 1976 called "You See the Trouble with Me"

At number 33 is an English/Dutch all girl group rather unimaginatively called Girl Thing" with their debut single called "Last One Standing"...if you aren't seeing the similarities between this and the Spice Girls 1996 hit "Wannabe" then yeah you'd be deaf, only real difference is the members of Girl Thing half rap in the verses...not to mention I think Jodi (?) references Cyndi Lauper.

English electronic band Morcheeba hit the Australian singles chart at number 42 with "Rome Wasn't Built in a Day"...a song perfect for radio to play every couple of hours...lovely...not.

We then have a novelty act also from the USA called Daphne & Celeste with their second single "U.G,L,Y" in at 47...a song that is actually rather hilarious even if rather childish...anyway it's in at 47.

The second last of our new arrivals brings the ROCK to the chart, British band Gomez with their EP called "Machismo" in at 48 and finally the latin flavour is brought by Santana who has teamed up with The Product G&B for "Maria Maria" at 49..it would not surprise me if this song is a hit..its ridiculously catchy. 



Monday 10 August 2020

ARIA Singles top ten/Chart Review: 10th August. "Folklore" falls back as Billie Eilish goes top ten on her future and a UK smash finally debuts

This week is a relatively busy cooldown week after a massive album bomb where a lot regained their slots big time, others only just made small recoveries as Taylor Swift's "Folklore" receded but let's get to our top ten where as expected "Savage Love" by Jawsh 685 and Jason DeRulo rode streaming and sales traction to return to number one, it's pretty comfortable but it might face a challenge from the new song by Cardi B and Megan Thee Stallion.

It's certainly not facing that challenge from "Rockstar" by DaBaby and Roddy Ricch as it starts to bleed on sales and while it's still fine on streaming, the challengers are coming for it.

There's the biggest new entry of the week at number three with Billie Eilish's "My Future" debuting high but this isn't going to stay high as the song is already falling away on streaming and sales.

"Roses" by Saint Jhn rebounded two places to number four but again, it's position is shaking as it is getting passed on streaming and sales just aren't what they once were.

Taylor Swift's "Cardigan" fell four places to number five and really it was some surprisingly decent streaming that kept this song from falling harder. 

The biggest gainer within the top ten is Harry Styles "Watermelon Sugar" which regained four places to number six. I'd keep an eye on this song, it's run isn't done yet especially on streaming, this could rise further especially with some weaker songs ahead of it.

Same goes for "Breaking Me" by Topic feat. A7S which rose two places to number seven on the back of still solid streaming but those sales are starting to show worrying signs.

"Blinding Lights" by The Weeknd continues to show no signs of really fading as it regained four places back into the top ten at number eight because it's still doing okay on streaming but streaming is all it has.

"Exile" by Taylor Swift feat. Bon Iver didn't fall as hard as I expected it would, it only fell six places to number nine. This song is being touted as the next single from "Folklore"

Finally, "Come & Go" by Juice WRLD and Marshmello is back in the top ten up one to number ten.

Gains

So even allowing for the fact, I am only going to be covering the large gains that happened...this section is going to be LONG...warning you all now but here goes...the biggest gain of the week was "Be Kind" by Marshmello and Halsey which jumped from 40 back up to 23...which is pleasing because I still like that song. 

"Some Say" by Nea continues to rise and be a likely hit up nine places to 14 this week. Radio loves this somehow, also up nine was Juice WRLD's "Wishing Well" to 17.

Pop Smoke's "The Woo" continues to be a presence in the top 20 as it regained 12 places back to 18 (more on Pop Smoke in the new entries this week) while "Break My Heart" by Dua Lipa jumped back up from 31 to 19 this week.

Tones and I's "Dance Monkey" somehow continues to hang around up ten places to 24 while "Stuck with You" by Ariana Grande and Justin Bieber crawled from 32 to back to 25 (WHY?)

"Look Into My Eyes" by Brando rose ten slots to 28 as it really continues to look like being a hit...some goes for "Secrets" by Regard and Raye which climbed from 46 to 29.

Finally "This City" by Sam Fischer recovered from 47 last week to hit 36 this week.

Re-Entries

So now let's deal with what returned to replace the Taylor songs that exited the chart and honestly it doesn't start too well when the biggest of the returns is "Before You Go" by Lewis Capaldi back at 32.

Fortunately it does get better with "Circles" by Post Malone back at number 42 and "Adore You" by Harry Styles at 45.

The tepid "Lose Somebody" by Kygo and OneRepublic re enters at 46 even though I'm amazed ARIA remembered this song existed while "Ily" by Surf Mesa and Emilee is back at 47

The final return is "Pump It Up" by Endor at 50.


Losers

So let's go through the Taylor Swift losses here because that's majority of the losers here, the biggest being "Seven" which hit 48, "Invisible String" is almost cut loose from the chart at 49, "Mirrorball" shows it's cracks at 43, 'August" fell backward to 39, "My Tears Ricochet" dried up at 30, "The Last Great American Dynasty" slipped to 21 and "The 1" stumbled to 15. 


Drop Outs

Again the drop outs for the most part are Taylor Swift album tracks so let's blow through these, we lost "This is Me Trying", "Illicit Affairs", "Betty", "Mad Woman", "Epiphany", "Peace" and "Hoax" however she also took "Home and Away" by OneFour and "Tell Me Why" by The Kid Laroi.


New Entries

So apart from Billie Eilish's "My Future" debuting at number three, we got the current UK number one smash hit from Joel Corry with "Head & Heart" in at number 21...this is starting to show signs of being a monster hit in Australia too.

Finally, "Mood Swings" by Pop Smoke feat. Lil Tjay swings in at number 34.


That wraps what was a busy old week regardless, next week, Cardi B and Megan Thee Stallion swing in, I'm not sure it will debut at number one but we'll have to see what happens when ARIA announces the updated chart on Saturday at 5pm.

Thursday 6 August 2020

2000 Sound: 6th August. 2nd week at the top for Anastacia as Ronan Keating jumps on the chart rollercoaster

So have a pretty modest week. Not a lot of movement within the top ten but enough there for it to be interesting plus your regularly scheduled list of new arrivals, we begin as usual with the top ten where for a second week "I'm Outta Love" by Anastacia has hold of the number one spot and right now this song is looking pretty comfortable for awhile, I don't see anything topping it for the time being.

Especially when you look at our number two and three that being "Freestyler" by Bomfunk MCs and "Thong Song" by Sisqo respectively, neither are a threat to the number one and look like coming under a stern challenge from Destiny's Child's "Jumpin' Jumpin'" which rose six places to number four this week, it pushed "Shalala Lala" by Vengaboys back one place to number five as it showed some weakness on sales.

Rock stayed steady this week with "It's My Life" by Bon Jovi remaining at six and "We Will Rock You" b Five and Queen glued to number seven.

The biggest fall though came for Madison Avenue's "Who the Hell Are You?" which took a three place hit to number eight as it starts to weaken...finally.

Remaining at number nine is "Day & Night" by Billie Piper while "Toca's Miracle" by Fragma drops two spots to number ten.

Gains

The Corrs are "Breathless" with their six place rise to 20 with their recent single while Faith Hill has begun to "Breathe" in her chart run up from 34 to 27 this week.

Invertigo's "Desensitized" rose from 35 to 29 which is great because I still like that song a lot. Same goes for "Everything You Want" by Vertical Horizon which rose 12 places to 32.

"Blow Up The Pokies" by The Whitlams climbed eight places to 37. Everclear also jumped eight to 38 with "Wonderful".

"Teenager of the Year" by Lo-tel got a nine place gain to 39.

Re Entries

Just the one return with Matchbox Twenty's "Bent" back at 47.

Losers


So the biggest loser was "There You Go" from Pink which took a dive down twenty to 50, not surprising really given it's been losing ground consistently over the last few weeks/

Tupac Shakur's "They're Tryin' To Kill Me" is down eight to 48 this week along with a massive fall for Bardot's "I Should Have Never Let You Go" which fell from 24 to 41 this week...yikes...looks like the hype for this group died pretty quick

New Entries

Former member of Boyzone, Ronan Keating has the highest new entry of the week with his single "Life is a Rollercoaster" in at number 19.

Jackson Mendoza has a thing for the ladies as "Ordinary Girl" arrives at number 24.

Taxiride's "Nothing In This World" is in at 43 while Anuj's pop r'n'b has hit the charts at 44 with "Can You Stand the Heat?".

Finally, A Perfect Circle debut at 49 with "The Hollow"/