Showing posts with label 2024. Show all posts
Showing posts with label 2024. Show all posts

Thursday 18 April 2024

New Entry Review: March 2024

"Saturn" by SZA 

A brand new SZA single as a lead off to "LANA" and I was looking forward to this mostly because while SZA has never grabbed me with a full album, she does have songs that I adore (my 2023 best list will feature one such song) so how was "Saturn"?

Oh good lord, this is right up there as one of the best songs on the charts right now, I love how the song opens with what sounds like a merimba and SZA just sounds imcredible, The song is just incredibly easy to listen to and go back to. The lyrrics hit on feelings of feeling like everything is terrible and trying to find something better even if that something better requires SZA and her partner to leave and go to that other place so yeah this is fucking great!


?End of Beginning" by Djo

Ahh anorher viral TikTok song gaining traction to wind up on the charts, this song came out in late 2022 and after having heard it, I wish I was as impressed with this song as other people seem to be, the instrumental sounds great, the drums have a nice rbythm but why are the vocals so god damn buried under the instrumentation? It makes the song feel like it is missing a hook so no...this doesn't work for me at all. Next!


"Stumblin' In" by CYRIL

Oh no...just no. Not another one of these type of songs. A producer taking an old song and turning it into unrecognisable junk but quickly just to explain CYRIL is an Australian DJ and producer that got his big breakthrough with this thing and somehow this version of Suzi Quatro and Chris Norman's 1980 hit that at the time had some romantic charm to it but this new version? Nope, there is nothing romantic about this, it just reminds me of the time Kenny G played saxophone over Louis Armstrong's "What a Wonderful World" except Cyril brings in these keysand strings then proceeds tio make Quatro and Norman sound washed out as hell. Skip this!.


"We Can't Be Friends (Wait For Your Love) by Ariana Grande

Okay with "Yes, And?" looking like a dud lead single with every passing day, this is the song from Ariana Grande's new album that appears to have some legs on the charts and is sticking around even if I I would have preferred "Supernatural" to be the song from "Eternal Sunshine" that absolutely smashes the charts as this is pretty middle of the road for Ariana as in its not precisely bad. its just forgettable given its another pop song in the vein of how she can't be friends with this guy given she wants a relationship... it feels a bit dime a dozen, that's all.


"Whatever She Wants" by Bryson Tiller

Kind of surprised that Bryson Tiller of all people turned up on the ARIA singles chart with any kind of momentum especially as I have never really thought of him as being all that interesting in his lane of hip hop but none the less, this song did turn up so what did we get? It's fine...I don't hate it, Bryson Tiller can ride this beat pretty well and he seems all ready to buy whatever this woman wants be it the brand names etc, I just wish it didn't feel like it was more empty flexing to say he can spend all this money so easily but check this out if you are curious

"Austin" by Dasha

So with the onslaught of country on the ARIA top 50 singles chatt these days, it's interesting that we have a relative no name make her debut on the charts although I will admit calling Dasha country is a stretch but just quickly Dasha is from California and her song "Austin" went viral on Tik Tok (makes me wonder what people will do for music discovery when TikTok is banned and that appears to only be a matter of time) so what do I make of this?

Well it's another of those songs that I think is absolutely fine even if I think it feels a bit too cookie cutter for it's own good but Dasha has the vocals to sell this song well even if I do get some of the criticisms. Check it out if you are curious.


"Fri(end)s" by V

So members of BTS are continuing to chart solo jaunts while the band is on a break with several members doing their time in military service in South Korea, V being the one that can pull off a smooth and somewhat funky sound that really actually works, I say all this because I feel like this song goes away from what makes V's sound really work, it sounds kind of rough in a way that doesn't flatter V at all. Bit disappointing if I am going to be honest.


Worst of the Month: "Stumblin In" by Cyril

Dishonourable Mention: "Fri(end)s" by V

Honourable Mention: "Whatever She Wants" by Bryson Tiller

Best of the Month: "Saturn" by SZA



Sunday 3 March 2024

ARIA New Entry Review: February 2024

"Praise Jah in the Moonlight" by YG Marley

Gahh, I have been watching this song blow up around the world and was hoping it wouldn't in Australia but it charted so I guess I will have to talk about it so here we go. YG Marley is an American singer songwriter whose mother is Lauryn Hill of The Fugees and his grandfather is reggae pioneer and legend Bob Marley which is why it pains me to say that I do not like this song at all. 

The vocals just sound messy and YG Marley's vocals do nothing to sell me on the song, it just feels like it is underproduced to a very large degree especially with all the noises around Marley's vocals...yeah, I am avoiding this one.


"Murder On the Dancefloor (Triple J Like a Version)" by Royel Otis

Oh. how to explain this one, Royel Otis are an Australian guitar pop duo from Sydney with thiis being their first appearance on the ARIA singles chart with a cover of the recently viral early 2000s smash "Murder on the Dancefloor" by Sophie Ellis-Bextor and I just love this cover!. It sounds big and somewhat grandiose...it sounds like something I would have heard around 2005 or 2006 during the pop rock explosion that hit the charts than. The instrumrntal gives the song are sense of drama and scale. I dig it, good job Royel Otis.


"Texas Hold 'Em" by Beyoncè

When I heard that Beyonce was shifting toward country, I was cautiously curious, mostly because of the fact I knew that to some degree she likely did have some understanding of the genre given her upbringing but wary because of just how many acts in pop etc that have commodified country for a quick buck given how folk and country have become huge on the charts in recent years...that said Beyonce was raised in Texas and maybe an awareness of the country scene in Texas would be in built within this song.

Well yeah, this song blew me away when I first heard it almost to the point where I thought that maybe I am too easily impressed  with this sort of thing, put simply this song is a hoedown that is made for line dancing with that stomp clap rhythm and Beyonce showing she can still get down and have fun so yeah, this is easily one of the best songs to chart in 2024 and easily better than anything on Renaissance.



"Training Season" by Dua Lipa

Okay so with the album name and release date now set, we've got the follow up single and while its not quite as good as "Houdini", its still pretty, I do think the repetitive nature of the intro will absolutely annoy some people and it does make me hungry for pizza...lol. What stands out here though are the lyrics where Dua Lipa makes it clear that she is done teaching men how to treat her right and that from now on she will expect a man to know how to treat her right from the get go. Good song that just isn't quite great yet.

"Home" by Good Neighbours

So am I the only one who just started singing the Neighbours theme song upon seeing the name of this UK duo? It did make me laugh a bit and it made me feel better in saying that this song is absolute junk. Seriously whats with the strangely tinny vocals and the cold sterile production that doesn't give me the feeling of being home but rather at a hospital or in a prison. Screw this song!


Worst of the Month: "Home" by Good Neighbours

Best of the Month: "Texas Hold 'em" by Beyonce