Tuesday 5 January 2021

The Best World Hits of 2020

So I'm not blinkered, the ARIA singles chart, while it was good to great in 2020, it could have been even better so I decided to take a glance around the world and see what made year end lists for 2020 and pick out songs that made the year end lists in other countries but won't in Australia.

The only rule is that I can only pick one song from a respective country's year end list so yeah there's obvious pick from NZ coming. 

Let's start in the good old USA...

"Even Though I'm Leaving" by Luke Combs (Billboard Hot 100 year end: 85)

There were a slew of country songs I could have chosen from the US year end list. This is a song that is right up there as one of Luke Combs best and shows that neo traditional country can still make the mainstream. A song about a father/son relationship and honestly if you aren't crying when that final verse hits than you are stronger than I was...this song just has such an emotional impact, it's hard to quantify which I guess could be as a result of border clsoures and families being separated from one another, whatever the case, this song is still concentrated wonderful.


Let's head over to Europe and this time to Belgium...


"Heartbreaker" by Loic Nottet (Ultratop Belgium Year End: 47)

I could have chosen "Kings & Queens" by Ava Max but I had to go with this one. I think the reason I like this so much is because it sounds like a recent Dua Lipa song and yeah the lyrics play toward Nottet wanting this girl but the girl isn't sure, she thinks he'll break her heart but he is reassuring her that he is for real and loves her. The song is just catchy and has a really damn solid groove.

Heading over to the UK and Britain's favourite girl group


"Break Up Song" by Little Mix (Offical Charts UK Year End: 58)

UK presented me with a tough choice, I could have gone with "Diamonds" by Sam Smith which charted for a couple of weeks in Australia or this slice of 80s inspired pop from a girl group that i have had mixed feelings on since their album "Get Weird" but "Break Up Song" plays into territory that I like with pop, building through the verses and bridge into a chorus where the girls actually have distinctive harmonies and sound good rather than shouting which put me off songs like "Shoutout To My Ex"...while I didn't enjoy the album all that much, I can appreciate "Break Up Song" as a pop banger.


I'm not saying that Ava Max isn't a little trashy and a little vapid but god damn, her music is fun...


"Salt" by Ava Max (Swiss Year End: 24)

If "My Head & My Heart" can't be here than "Salt" from Ava Max's debut album is a good replacement because yeah this song just works for me in the same way a lot of songs from "Heaven & Hell" work, a simple pop structure with Ava Max holding it together vocally. You can tell that "Salt" was tailor made to appeal to the European markets hence it ending up on Switzerland's year end list high up at 24 but hey it worked for the Swiss audience and in 2020, I needed the fun music that Ava Max brought to the table. 


Hey Australia, there's a Dua Lipa song we somehow didn't make a hit in 2020...

"Fever" by Dua Lipa feat. Angele (France Year end: 94)

I was surprised this song was not a hit in Australia mostly because it kind of twists everything Dua Lipa did on Future Nostalgia into this sultry sexy vibe where Dua Lipa and Angele just play off each other so well that there's almost a natural chemistry, they both sound great and that hook might well be one of the best of 2020 outside of "Mood" by 24k Golden and Ian Dior.


So let's leave Europe and head back to North America and more precisely Canada where this song only just scraped onto the bottom of their year end chart....


"Cold Feet" by Loud Luxury (Canadian Billboard Hot 100 Year end: 99)

I only discovered this song through watching Spectrum Pulse's year end best hit songs list where he had a special section on good songs that hit the year end Canadian Hot 100 but didn't in the US and were good enough to make his year end best hit songs list had they made the American Hot 100 Year end list with this song being one of them and I am flummoxed as to how good this song is, for one thing the production knows when to provide the swell to support the vocals and when it needs to hold back to let the vocals shine, "Cold Feet' is a song about a couple wanting to get married but one of the pair gets cold feet about the impending nuptials but there's no resentment or bitterness...just confusion and wanting to wish the other person well, its a sad song that doesn't wallow and knows how to tell its story and yeah, it's probably a song that I got to all a bit too late...


Well you all knew this was coming, didn't you?


"In the Air" by L.A.B
(New Zealand Year End: 1)

I am stunned this song wasn't bigger outside of New Zealand, mostly because "In The Air" is the sort of chill laidback summer song that has grooves for days and those harmonies are just...gorgeous. It's up there as one of my favourite songs of 2020...period. I am honestly also very happy that it finished the year as the biggest song to chart in New Zealand beating The Weeknd which is an incredible achievement when it's considered how big "Blinding Lights" was but also a true credit to how absolutely fantastic "In the Air" is  If you haven't heard this song yet, I highly recommend you do so. 



Monday 4 January 2021

ARIA Singles Top Ten/ Chart Review: January 4th 2021. Weird Week as Mood retakes number one

 So we have a pretty strange week here, mostly because the Christmas songs didn't quite leave the chart yet which led to a strange combination of Christmas music and the non Christmas songs on the chart...that said I expect all the Christmas songs gone next week.

However Christmas being over and the subsequent streaming slowdown meant that "Mood" by 24kGoldn and Iann Dior returned to number one for a tenth week, it's still got just enough streaming and sales to hang on ahead of  "Without You" by The Kid Laroi which rebounded two places to number two, it's not got sales and only has Spotify in terms of streaming so I am not sure if this can get to number one (if it doesn't get there...I'm fine with that...the song isn't good).

What might also be a chance is "Head & Heart" by Joel Corry & MNEK which moved back up four places to number three, it's still got some streaming and sales...just needs another push to get it to the top. 

Falling off the number one is "All I Want for Christmas Is You" by Mariah Carey as Christmas comes to end for another year, it will be gone next week. 

What might benefit is "Levitating" by Dua Lipa feat. DaBaby rebounding three places to number five, this song still has plenty of traction on streaming and even some sales still. Nice to see.

Ariana Grande's "Positions" rebounded nine places to number six, its still got streaming but literally no sales. 

This is where we get to the biggest gain of the week courtesy of rising FORTY places to number seven, it's Ed Sheeran's loosey single "Afterglow", its a sales behemoth and has respectable sales, I think this might just become a hit thanks to the timing of the release which strikes just enough of a wistful chord with people.

Returning to the top ten is "Blinding Lights" by The Weeknd as it jumped five places to number eight thanks mostly to streaming.

The biggest loser within the top ten was "Last Christmas" by Wham which slipped from number two to number nine this week and like "All I want for Christmas is You" above it, it will be gone next week.

Finally up one place is "So Done" by The Kid Laroi to number 10...yay...I guess.

Gains

I already mentioned the gain into the top ten for "Afterglow" by Ed Sheeran but the other gain worth noting was from Glass Animals with "Heat Waves" which rise ten places to 32...that song has had consistent momentum for weeks now...fair chance this could be a hit.

The other gains are rebounds on the back of Christmas music falling away with "One Too Many" by Keith Urban and Pink up fwelve to 46, "Don't Start Now" by Dua Lipa up nine places to 41, "Dance Monkey" by Tones and I rebounded eleven to 29 (this song got a sixth wind on streaming somehow), "Dreams" by Fleetwood Mac rebounded 12 places to 17. 


Re Entries

So I am just going to list these because we had five returns so starting from the bottom of the top 50...

49. "How to Make Gravy" by Paul Kelly

47. "Some Say" by Nea

45. "Someone You Loved" by Lewis Capaldi (YOU KNOW THIS CAN GO THE FUCK AWAY ANY TIME NOW!)

43. "Holiday" by Lil Nas X (Happy to see this song back)

42. "Send it!" by Hooligan Hefs


Losers

The big losers are mostly all Christmas music with the biggest being "Do They Know It's Christmas?" by Band Aid plunging from 19 to 34 but beyond Christmas music, there was a drop from 17 to 24 for "Watermelon Sugar" by Harry Styles while "Lemonade" by Internet Money and Gunna feat. Don Toliver and Nav dropping five places to 25.

Drop Outs

All five drop outs this week are Christmas songs. 


So with no new entries that wraps up this week's chart update. Next week we'll probably get the new single from Justin Bieber turn up and I am hoping that the new song from SZA turns up (the latter is really damn solid) but we'll find out when the chart updates on Saturday at 5pm AEDT.

Don't forget worst and best lists for 2020 come out next week along with the first episode of "Good 1992 Vibrations" (it's a fun one...trust me)


Thursday 31 December 2020

The Top Ten Best Hit Songs of 2000

So after discussing the absolute worst that the year 2000 had to offer, it’s time to flip the script and talk about the good to great songs that were popular in the mainstream and honestly 2000 was a pretty middling year because while I found plenty of good songs, I didn’t find many absolutely great songs that stood out as among the absolute best which means a lot of this list is songs I like but not love especially when the year overall carried on with the tropes of the late 90s in terms of bubblegum pop,



Let’s go through the rules before we kick this thing into gear.

1. The song must have made the ARIA singles top 100 year end list.

2. A song from 1999 year end list is eligible only if they charted on the year end higher in 2000 than they did in 1999.



Got that? Good. Now time to get this started with a party…cause this group are going to show us how…



10. “S Club Party” by S Club 7

This one is more a guilty pleasure pick than anything else but if “Bring It All Back” was a self-empowerment anthem in a pop song than “S Club Party” was an in your face introduction to Bradley, Hannah, Jon, Tina, Paul, Rachel and Jo and what S Club 7 were all about, “S Club Party” is this bright, garish and somewhat obnoxious pop song that tilts straight into the party but serves the purpose of having everyone know who the band are as individuals. I will say the song is clever for that and yeah, I am not going to lie, it’s a song that I still go back to and have way too much fun with however I think the video for the song is proof that S Club 7 could throw a party anywhere? In the middle of the desert does not seem like a good idea.

Go back and check out S Club 7’s first three albums, they are a lot more fun than you remember.



Now for an artist that stepped up her game and improved in 2000…

9. “Day & Night” by Billie Piper

Billie Piper stepped away and out of her annoying brat phase (Let’s face it, “Because We Want To” is absolutely obnoxiously bratty even if that bridge is fantastic) and showed that she has pipes with this euro pop dance song that has probably one of the best hooks of 2000 (seriously the damn thing got stuck in my head for days after listening to it), it’s a pretty basic love song praising her lover for making her happy but In the case with this song this happiness can feel incredibly infectious so yeah, this song does make me happy every day and night.



Oops that’s corny but ehh, I’ll live…so stepping away from the cheesy pop songs into rock (there’s plenty of it on this list) and an Aussie band that kind of swept all before them in 1999 and 2000 for good reason



8. “Mascara” by Killing Heidi

Look, I am not sure I can quite explain why I like “Mascara” however I have always found this song to be more appealing than their 1999 hit “Weir’. I suspect it’s the part of me that views this song as being about refusing to conform to other people’s opinions and to find things out for yourself/do your own research rather than being sucked in by the crowd that in the song’s case are all dressing the same also Ella Hooper is another pretty solid reason as her vocals just sparkle on this song so yeah this song kicks loads of arse.

This next song is one that has somehow been apart of my life coming from an 80s band that somehow got a second life this year…



7. “It’s My Life” by Bon Jovi

I think this song probably describes my attitude in 2000 as a thirteen year old wand who basically didn’t give a flying about a lot of things (there are days I wish I could go back to thirteen year old me)…I just wanted to live MY life because yeah it’s the only one I’ll have and the fact that this song from a band known for songs like “You Give Love a Bad Name” says something kind of bizarre. Jon Bon Jovi sounds great here, passionate with the delivery but anthemic in terms of trying to take the audience with him and it works, this song still resonates today, it is a worthy addition to Bon Jovi’s discography.



So much like “Mascara”, I have no idea why I put this next song here…



6. “Gotta Tell You” by Samantha Mumba

This is as close as R’n’B or hip hop will get to this list this year and it comes from a one hit wonder to a degree courtesy of Ireland’s Samantha Mumba. It’s a song where Mumba thinks this guy and her have something special and hook up but then realizes he doesn’t exactly love her so she doesn’t want to give her love and affection to him if he isn’t reciprocating, it’s the sort of song that resonated and stuck with me over time more so than some of the larger hits of the year. Just a shame Samantha Mumba would never really be able to follow up that success.



Life, death, taxes and here is another rock song on my best list…

5. “Bent” by Matchbox Twenty

So in 2000, Matchbox Twenty were looking to follow up the success of their late 90s smash debut album “Yourself or Someone Like You” so the sophomore album “Mad Season” was born with “Bent” being the lead single for that album, a rock ballad about two messed up people finding each other and falling in love that it doesn’t matter that if both have stuff to sort out in life, all that matters is that they are together…it’s a song that has a hopeful note attached and honestly…hope is something I love in music.



So next up is the biggest song of the year at least according to the ARIA year end chart for 2000 and may I say deservingly so



4. “I’m Outta Love” by Anastacia

Anastacia’s got better hits than “I’m Outta Love” eg: “Left Outside Alone” in 2004 however “I’m Outta Love” is still damn great with that bass groove, keyboard, guitar and that kick ass Anastacia vocals…lets not make any bones about it, Anastacia is the star of this track as she begs for this former lover to let her go and move on with her life as she simply just not in love with this person anymore and wants to move on. Yeah, it’s a little catty but my god Anastacia sells this well and earn a deserved place not only this list but also on the ARIA year end singles chart for 2000.



So here we are at the final rock song to make this list and yeah…it’s a beautiful day to put U2 on a year-end best list.



3. “Beautiful Day” by U2

I honestly struggle to have the words to describe why I love this song with it’s verses where Bono’s vocals are restrained as he describes somebody who has lost almost everything but is still grateful for what he has left with that soaring chorus being that moment of release as he realizes that what he has left is worth loving and celebrating, it’s a song that takes you on a ride of emotions and feelings and while it may not have clicked for me when I was a thirteen year back in 2000, given everything that has happened this year, this song connects in so many ways that it’s quite potent stuff. Great work U2. 



In a year where boy bands dominated…it might surprise that there aren’t many on this year-end l top ten however one did make it courtesy of the Backstreet Boys… 



2. “Show Me the Meaning of Being Lonely” by Backstreet Boys

The Backstreet Boys had two songs make the year end for 2000, one was this song and the other was “Shape of My Heart” (a song I like but don’t love) however “Show Me the Meaning of Being Lonely” is just concentrated wonderful with it’s lush orchestral arrangement and melody that supports the bands harmonies that sell the utter loneliness that underpins the song.

The song deals with the immediate feelings of loneliness and loss that come in the wake of a painful breakup and the longing of being where this ex is and that feeling of a hole being left in the heart when the break up occurs and the production genuinely makes the boys sound as though they are alone and trying to grapple with life beyond the end of this relationship, the song does get to me a fair bit and yeah, it’s one of the best of the year. 



Before we get to our number one, how about five honourable mentions.

HM 1: “Don’t You Worry” by Madasun

This was the last cut I made and my god, it was painful because this song works for me, it’s a song where Madasun are moving on with their lives but the exes can’t so Madasun set these exes straight over a pretty solid R’n’B groove. 



HM 2: “I Should’ve Never Let You Go” by Bardot

I’ve always liked this song more so than “Poison” because for one thing it shows the group harmonizing something that always felt missing from “Poison” with its clunky production, the issues in the production are still there in “I Should’ve Never Let You Go” which kept it off the list proper but it’s still a good song.



HM 3: “Everything You Want” by Vertical Horizon

Okay, so this song didn’t make the ARIA year end list and if it had it would have knocked “S Club Party” out of the top ten at the very least had It have done but yeah this song is epic with its guitar and those vocals telling this girl that this other guy is everything that she could want but for some reason he doesn’t mean anything to her and she can’t figure out why before the switch up on the last chorus where it turns out that this guy is actually him who can’t work out why he means nothing to her, it’s quite the switch not quite done as well as “Marry Me” by Thomas Rhett but still good.



HM 4: “Absolutely Everybody’ by Vanessa Amorosi

So I’ll say this, “Absolutely Everybody” might be Vanessa Amorosi’s biggest hit but it’s not her best song, her debut song “Have A Look” and “Perfect” are still miles better than “Absolutely Everybody” but I can’t deny that there’s an incredible power and idealism to “Absolutely Everybody” that’s just enough to make it work.


HM 5: “Bye Bye Bye” by *NSync

This song might be one of the ‘cattier’ songs I have heard from a boy band but my god it’s catchy as the guy kicks this girl. who has been doing wrong to him, to the curb. The song is lyrically pretty ugly but hey it still somewhat works.



That is the honourable mentions done so what could possibly be topping this list? Well leave that to the pure shores’ girl group All Saints are roaming…



1. “Pure Shores” by All Saints

For the longest time this song wasn’t going to be my number one then much like “Beautiful Day” did, it clicked for me and I began to appreciate what an incredibly textured electronic production and melodic song it is. Written for the film “The Beach” starring Leonardo DiCaprio, “Pure Shores” is a song that describes finding that place you can relax and escape, sometimes that place can totally call for you even when finding that moment to relax feels totally lost….a feeling that has so often happened to me even 20 years after the song was released.

It’s haunting song that got plenty of well deserved praise at the time, All Saints would go on to release “Black Coffee” that didn’t quite achieve the same success as “Pure Shores” but both songs are classics in the All Saints discography with “Pure Shores” being the deserved best hit song of 2000.

Tuesday 29 December 2020

Top Ten Worst Hit Songs of 2000

 So here we are at the end of another retro chart year and honestly, 2000 was a pretty good year...we got some classic hit songs and likely one hit wonders, the best stuff in 2000 was really good but today we're discussing the bottom of the barrel...the absolute worst that 2000 on the ARIA singles chart had to offer and for the most part most of the songs are from badly produced pop that hadn't aged well, r'n'b and hip hop that was either sleazy or hilariously badly written and even rock and country striking out and believe me, a few choices here will be controversial (there's at least three songs here I can think of that will piss people off)

Let's quickly go over the rules:

1. To make this list, the song has to have made the ARIA year end list for 2000

2. Being boring cannot be a factor, a song must annoy or irritate me in some form to make this list.

3. If a song made the 1999 year end list and peaked higher on the 2000 year end list than it's also eligible.

You got that? Good. Let us begin this list of bad with one question, Jennifer Lopez, what the fuck were you thinking?

10. “Let’s Get Loud” by Jennifer Lopez

As somebody who mostly can tolerate Jennifer Lopez, there’s a part of me that wants to be benevolent and leave this song off the list but I can’t, this song drives me up the wall every time I hear it…that repetitive chorus that borders on the line of being annoying to obnoxious, the gang vocals that seem louder than J Lo is in the mix with their omnipresent yelps of “Hey!” and the lyrics that try to turn music into a metaphor for an empowerment anthem…all I can say J Lo, is if I was wanting to get loud, I’d be turning up songs that are much better than this attempt at empowerment via annoyance.

Jennifer Lopez would go onto further success in the 2000s before her career really kind of sputtered out a bit and has reverted to releasing songs mostly in Spanish…doesn’t stop “Let’s Get Loud” from being annoying as all hell.

 

So you might remember that in my 1998 best list, I praised “The Boy is Mine” by Brandy and Monica, well just two years later there’s a song that goes in a similar direction and does it so completely wrong, it’s nearly hilarious.

 

9. “He Wasn’t Man Enough” by Toni Braxton

This song is just embarrassing from Toni Braxton, it paints her as this capricious catty diva who has just found out her man is married to another woman but instead of handling it with class by ending the relationship and just moving on herself, Braxton tries to interfere in his relationship with his wife by telling her she can have him because he wasn’t ‘man enugh’ for her but is just the man for this other woman like she knows what this other woman wants from a man and Braxton declaring that she has already ‘had’ this man is enough for me to turn this garbage off, it’s toxic in an unpleasant way and the production doesn’t even acknowledge the toxicity…it’s too bright and doesn’t sell the drama so yeah…pass…at least “Unbreak My Heart” is good.

Speaking of relationship songs…this next one goes the other way to a point of being so gooey, it’s positively rainbows and lollipops to an almost sickening degree.

 

8. “Amazed” by Lonestar

This song is the only ‘country’ (if you can call it that) song to make the year end list for 2000 and in a way I get the feeling this song was one of the reasons behind why we rarely ever see country music hit the top 50 of the ARIA charts anymore because wow, this song when not being cliched, is corny, sugary and gooey to the point of making me want to vomit.

Lyrically the song reminds me of how absurd “I don’t Wanna miss a thing” by Aerosmith was in singing about love from a year earlier except toeing a line between corny and ridiculous in the lyrical department while being completely bland in the instrumentation, for a start, “Every little thing that you do, Baby I’m amazed by you”…Dude, I am pretty sure not every little thing she does is amazing, unless she farts rainbows and releases unicorns into the toilet when she poops which is extremely unlikely however it’s an example of how cloying and over reaching the lyrics are.

Another example is he wants to spend the whole night in her eyes…I’m sure burning an imprint of you into this poor girl’s retinas is fucking impossible. This song is ewww in every which way..

 

Remember when I said the Spice Girls should have went their separate ways after “Viva Forever”? Well here is the proof of that…

 

7. “Holler” by Spice Girls

The Spice Girls decided to drop the pop that made them global superstars and go for a popular R’n’B aesthetic and “Holler” is an example of why it did not work, the Spice Girls were known for being boisterous and very in your face with cheeky colourful pop music that established the very different personalities of the women involved, “Holler’ not only is bland from an R’n’B perspective but strips away the personalities of the four remaining members of the band as they sing about wanting this guy to come into their world and play by their rules so they can make him scream and it honestly combined with the production, I don’t think the guy would at all be enticed.

Especially when we get to the middle act of the song where it’s the girls and this male voice spewing the word “Holler” and other nonsense, its actually really creepy to a degree and again defeats the purpose of this song’s attempt to be sexy and lure this guy into their world so he can “holler” for them.

It’s also worth pointing out that only Mel C and Mel B sound even vaguely close to good over that beat. Emma and Victoria just don’t fit…yeah…I’ll stick to “Stop” and “Say You’ll be There” for my Spice Girls fix

Well now we get into where electronic music got completely annoying….

 

6. “Freestyler” by Bomfunk MCs

This song was irritating the first time I heard it in 2000, now it’s irritating with a capital I, that sound of what might be a rooster having it’s balls wrenched off with no anaesthetic in the back of the mix and the fact the song instrumentation wise sounds like it just wants to be a knock off Fat Boy Slim who did this sort of sound better in the 90s with “Praise You” and “Weapon of Choice”… however “Freestyler” manages to incorporate the annoying elements through the song including gang vocals that sound like a person about to start dry retching into a toilet however it’s the vocals solidly kill this track, the lead vocals have no flow and are so smug they grate on every single nerve and that’s before you realize the song itself makes about as much sense as Donald Trump being US President.

By the way, the rooster having his balls wrenched off returns at the end of the song just to make my headache from this wall of noise even worse. Next.

Now we’re hitting proof that 2000 couldn’t escape the trends of the 90s…1996 had a myriad of covers, several of which made my year end worst list for that year, unfortunately we weren’t completely free of covers in 2000 and the only question that I need to ask Madonna is WHY?

5. “American Pie” by Madonna

I can argue that 2000 was a bad year for Madonna, sure she got two hits on the year end list…this being one, the other we’ll get to but this cover of Don McLean’s “American Pie” is here because she turned a song that is about the loss of innocence in music with the line “the day the music died” being about the 1959 plane crash that killed big popular music names of the time Buddy Holly, The Big Bopper and Ritchie Valens into this colourless albeit shortened slice of pop music that reduces Madonna to singing in a flat monotone for most of the song, she doesn’t sound good and takes away a lot of the texture and resonance of the original version by McLean.

Mercifully, we’ve all moved on from and forgotten about this awful cover, certainly don’t hear it played on the radio, but we’ve got more Madonna to deal with a bit later on this list, folks…stick around…

 

Remember when R’n’B songs about sex were sexy and had a recognisable groove…something this next act forgot…

 

4. “Thong Song” by Sisqo

This is a little lower on the list than I had thought it would be originally and that’s mostly because I find what’s in front of it intolerable but yeah “Thong Song” is a sleazy arse song that was approximately fourteen years ahead of its time with its unimaginative chorus and Sisqo sounding about as smooth as a car driving over humps in a shopping mall carpark which makes sense for a song about a woman’s arse…NOT!.

That said it’s not like he actually gets any sort of melody or rhythm to work with ditching the intro’s violin for the overuse of heavy percussion as Sisqo nasally goes on about a scandalous dress this woman is wearing and then uses the chorus to beg her to let him see her thong, it’s sleazy, leering and pretty god damn unpleasant to listen to so yeah…let’s quickly move on from this turd like the world moved on from this guy having a career…NEXT..

 

Rock on the ARIA singles chart was in a bit of a mess, depending on your definition of rock, we had Bon Jovi, Matchbox Twenty, U2 and these guys…

 

3. “Take a Look Around” by Limp Bizkit.

Oh dear god…Limp Bizkit were one of the worst bands of 2000 and this song is the perfect example of why. “Take a Look around” pairs a sample that basically sounds like the Mission Impossible theme and pair it with the bratty whiny rapping of Fred Durst who sounds buried in the mix on the verses, at least the guitars somewhat shred of a tolerable chorus when Durst isn’t trying to scream and really Durst is the one who just makes this song and Limp Bizkit’s presence on Australia’s music charts in the early part of the new millennium intolerable and I blame them, Creed and Nickelback for why rock has next to no presence on the charts in 2020.

 

2000 saw many female pop starlets hit the charts, Britney Spears, Christina Aguilera, Billie Piper amongst others and for the most part their songs were good to objectively fine then Jessica Simpson showed up.

2. “I Think I’m in Love with You” by Jessica Simpson

Of the early 2000s female pop set, Jessica Simpson was one of the weakest, her first hit “I’m Gonna Love You Forever” is not good and only just barely missed the top ten proper but “I Think I’m I Love With You” just pisses me off wholesale. For one thing, why use a classic riff from John ‘Cougar’ Mellencamp’s 1980s classic “Jack & Diane” (a song I actually love) if all Jessica Simpson was just to coo and shout all over it? She hasn’t got the grit in her vocals to handle the sample, she hasn’t got the rock edge that say a Avril Lavigne would later have. For another, the lyrics are asinine, just because this guy looked her in the eyes does not mean he is reciprocating what she is feeling, making eye contact is part of how humans communicate nonverbally, Jessica!

This song is just lame and really given how Jessica Simpson would go on to have a brief period of prominence by playing the part of a stupid ditz on a terrible “reality TV” show, she’s mostly been forgotten but she left this turd with skidmarks as a memory of her time on the charts.

Before we discuss the worst hit song of 2000, lets race through some dishonourable mentions, shall we?

DHM 1: “B-Boys & Flygirls” by Bomfunk MCs

The follow up to “Freestyler” isn’t as bad but those vocals are absolute garbage, going for the cheesy sports announcer vocal style does not work for me at all.

 

DHM 2: “I Wanna Love You Forever” by Jessica Simpson

This is mediocre as hell and with overwrought lyrics like “ten thousand lifetimes together”. Jessica, we only have ONE lifetime, you are overplaying your hand with that lyric. Only got left off the list because “I Think I’m in Love with You” is considerably worse.

 

DHM 3: “Who Let the Dogs Out” by the Baha Men

Novelty song that has not aged as well as you’d like to remember it. Missed the list only because they really have not done too much lasting cultural damage other than occasionally being good for a joke or two.

 

DHM 4: “Jumpin’ Jumpin’” by Destiny’s Child

This is all a bit sleazy and questionable isn’t it? Girls and guys, leave your significant other to go to the club that’s jumpin’ jumpin’ for a night of presumably wild sex with another person and that production is just…no…

 

DHM 5: “Who the Hell Are You?” by Madison Avenue

Yeah…Madison Avenue’s 15 minutes of fame had hit their 13th minute when this song hit number one. The production is a mess and Cheyne Coates can’t pull off sounding angry, she just sounds sleazy or like she’s had a long night at the club…

 

So what’s the number one worst hit song of 2000? For as much as “I Think I’m in Love with You” and “Take A Look Around” make me angry, it just wasn’t going to be anything else other than this affront to “Music”

1.       “Music” by Madonna.

This song is unlistenable and one of the worst hit songs of Madonna’s career, its not quite as bad as the dirge called “Bitch, I’m Madonna” she released in 2015 with Nicki Minaj but man it’s close. A song weirdly called “Music” that just sounds nothing close to being music and more like a group of people who came together to produce the world’s worst hearing test disguised as a song with it’s beeps and that clunky as hell vocoder noise.

Then we’ve got Madonna begging the DJ to put another record on because she wants to dance with her lover…let’s hope the DJ didn’t put this on because it’s not even vaguely close having a groove to dance to and Madonna’s assertion that music brings people together…well good music brings people together…not this absolute atrocity that was allowed to squat at number one for four weeks.

The worst part is that it all feels like Madonna made this in an attempt to compete with Britney Spears and Christina Aguilera who were making better pop music than this…I’ll stick to “Just Like a Peayer” and “Into the Groove”, thanks Madge and bestow the honour of the worst hit song of 2000 on “Music” Instead.

2000 Sound: 31st December. Collapse of "Who Let the Dogs Out" as 12th Man's Bruce tribute rises to the occasion

 The final episode of 2000 Sound and on reflection, I am kind of sad...mostly because there's a lot about 2000 that was so much fun...sure the music was mixed but hey it was still decent if that and we've got a pretty busy week especially in the top ten where Wheatus maintained their grip on number one with "Teenage Dirtbag"

It thankfully held on ahead of "Cruisin'"by Gwyneth Paltrow and Huey Lewis which went up one place to number two and is somehow looking a threat to take number one in the new year as a sudden 22 place collapse by "Who Let the Dogs Out" by the Baha Men.

Also rising one place to number three is "Independent Women Part 1" by Destiny's Child while Vitamin C's "Friends Forever (Graduation)" also regained one place to number four.

The biggest move of the week came for the comedy single by The 12th Man called "Bruce 2000 - A "Special" Tribute" which climbed from 32 to number 5. Didn't realize there was still a hunger for comedy songs out there!

Human Nature remain steady at number six with "He Don't Love You" while The Offspring continue to make inroads into the top ten up three places to number seven with "Original Prankster" and "The Itch" by Vitamin C remained at number eight.

Also remaining steady is '7 Days" by Craig David at number nine while "Groovejet (If this ain't Love)" by Spiller returned to the top ten up one place to number ten.

Gains

I already mentioned the massive gain for The 12th Man's tribute to Bruce McAvaney gaining big to hit the top ten at number five but what gained big? Well, Powderfinger's 'My Happiness" jumped eleven places to number 26 while "Not That Kind" by Anastacia also got a nine place boost to 27.

"I Want Candy" by Aaron Candy insists on being a thing as it rose ten spots to 31. 

Breaking into the top twenty is "Kids" by Kylie Minogue and Robbie Williams rising from 22 to 17 and Vanessa Amorosi's "The Power/Everytime I Close My Eyes" cllimbed five places to 13 as it look like its going to be big in 2001.


Re Entries

Back on the chart this week for some reason is "Girls On Top" by Girl Thing at 44 while Eminem also returns with "The Way I Am" at 48.


Losses

The big story was within the top ten with Baha Men slumping from number two down to 24! Probably a sign that the song was at best a novelty song while speaking of the top ten, Madonna was also cast adrift with "Don't Tell Me" falling five places to number 12.

"Please Stay" by Kylie Minogue fell to 37 off the debut last week while her former number one hit "On a Night Like This" stumbled nine places to 49. 

"The Way You Make Feel" by Ronan Keating slipped from 27 to 39. 

Former number one "Most Girls" by :Pink plunged eleven places to 40 (more on Pink in a moment), "Irresistible" by The Corrs continued to lose traction down from 35 to 42 


New Entries

Just the one new entry courtesy of Pink at number 41 with her latest single "You Make Me Sick".


That wraps up 2000 Sound. Stay tuned for Worst and Best lists for 2000 this week. On 11th January, we begin "Good 1992 Vibrations" going through the year of charting pop music. The latest ARIA chart update went up yesterday if you want to check that out. 



Monday 28 December 2020

ARIA SIngles Chart Top Ten: 28th December: Mariah takes number one in the final chart week of 2020.

So this week is the final chart week of 2020 and is going to just be the top ten with no full on chart review like normal...hopefully back to normal for the first chart week of 2021 next week so let's get through this shall we?

"All I Want for Christmas Is You" by Mariah Carey took the number thanks to the Christmas streaming avalanche and it had some sales to help it rise four places to the top, the Christmas streaming avalanche also helped "Last Christmas" by Wham rise thirteen places to number two. 

If the Christmas music wasn't a thing on the chart,"Mood' by 24kGoldn and Iann Dior would have returned to number one this week and spent a 10th week there but as it is it slipped one spot to number three and looks the most likely to go back to number one when the charts is restored to equilibrium. 

Also slipping a spot is"Without You" by The Kid Laroi down to number four, it's also a threat for number one but all it's really got is Spotify streaming and I am not sure how much longer that is going to hold up.

Back to Christmas music because rising from 26 to number 5 is "It's Beginning to look a Lot like Christmas" by Michael Buble while the biggest gainer of the week is Ariana Grande's honestly pretty funny Christmas sex song "Santa Tell Me" which jumped from 28 to number six.

Falling three places to number seven is "Head & Heart" by Joel Corry and MNEK. This still has a surprising amount of streaming, might well be a dark horse for the top spot...

Holding into it's traction despite dropping to number eight is "Levitating" by Dua Lipa feat. DaBaby....good to see. 

The second Ariana Grande song in the top ten is "positions" which stumbled three places to number nine. I wonder if anyone will remember this song by this time next year...just saying.

Finally, Taylor Swift had the biggest fall of the week with "Willow" plunging nine places to number 10.


Here's what the top ten would look like minus the Christmas songs
1/ Mood by 24kGoldn and Iann Dior
2. Without You by The Kid Laroi
3. Head & Heart by Joel Corry feat. MNEK
4. Levitating by Dua Lipa feat. DaBaby
5. Positions by Ariana Grande
6. Willow by Taylor Swift
7. So Done by The Kid Laroi
8. Fly Away by Tones and I
9. Blinding Lights by The Weeknd
10. You Broke Me First" by Tate McRae


The only other bit of news from this week is that in terms of the new entries, there were three of those but the only one that might well stick around and become a hit is "Afterglow" by Ed Sheeran in at 47 (pretty impressive given it was released on Monday last week).

Next week: The chart eitther resets to equilibrium or we have more Christmas chaos. Stay tuned. The chart updates at 5pm AEDT on Saturday. 

Don't forget we wrap up 2000 Sound with the year end worst and best lists for 2000. "Good 1992 Vibrations" starts on 11th January.. The best and worst lists for 2020 are written and will be released in from the 12th January.

Thursday 24 December 2020

2000 Sound: 24th December. Wheatus back on top of the chart Christmas Tree.

 This week was a surprisingly busy one as the chart winds down for Christmas/New Year holiday, plenty of movement in the top ten and a slew of new entries so let's get right into it where we have a song that I predicted would return to number one and that is what happened with "Teenage Dirtbag" by Wheatus riding a sales boost to return to the top of the charts for another week.

It meant that "Who Let The Dogs Out" by the Baha Men got pushed back to number two as it's sales are finally starting to fade which means it's coming under pressure from..."Cruisin'" by Gwyneth Paltrow and Huey Lewis which rose three places to number three...geez...the song is lame as hell...there's nothing all that good about it, Australia!.

"Independent Women Part 1" by Destiny's Child continues to be a thing as it rose one place to number four.

All of that was enough to push past the first of two Vitamin C songs in the top ten this week with "Friends Forever (Graduation)" falling two places to number five and "He Don't Love You" by Humaan Nature likewise to number six (I am still on the fence about "He Don't Love You"...its cattier than I would like from a group like Human Nature).

Rising two places to number seven is "Don't Tell Me" by Madonna because we need that horror hanging around like a bad smell...

The biggest gain of the week belongs to the second of the Vitamin C songs in the top ten with "The Itch" rising all the way from 27 to number eight....as I said before, this song is better than "Friends Forever (Graduation)" so I am happy to see this here,

"7 Days" by Craig David surged from 15 to break into the top ten at number nine. This song is fine enough. Finally, The Offspring have another top ten hitwith"Original Prankster" rising four places to the top ten at number ten...that song's video is HILARIOUS,

Gains

I already talked about "The Itch" by Vitamin C jumping from 27 to into the top ten at number eight so let's see what else had big gains....Ronan Keating's "The Way You Make Me Feel" jumped from 43 to 27 this week..eh...that song is so bland, I am surprised people remember it exists.

"Dance With Me" by Debelah Morgan is a case of continued momentum as it rose ten places to 19. I just don't get the appeal of that song. Sorry. 

Limp Bizkit continues to be a pain in the neck as "My Generation" climbed from 42 to 31. Seriously? There's better rock music out there than Limp fucking Bizkit.

Re Entries

Two returns this week and neither make sense to me with "My Love" by Westlife back at number 45 and "We'll Be One" by Nikki Webster and Sing 2001 Choir back at number 50.


Losers

Couple of big losers this week, we'll start with Green Day's "Minority" which plunged nine places to 42 while "Black Coffee" by All Saints slide from 36 to 43 while Powderfinger lose some happiness with "My Happiness" slipped from 32 to 37.

Anastacia's "Not That Kind" collapsed eleven places to 36 while "Irresistible" by The Corrs didn't live up to its title by slipping from 28 to 35 and "I Turn to You" by Melanie C got turned away by the public as it fell from 26 to 33.

Pink's "Most Girls" continues to go on its way out gracefully as it slipped six places to 29 while "Shape of My Heart' by the Backstreet Boys and "Gotta Tell You" by Samantha Mumba both fell nine places to 25 and 24 respectively. 

Madsun were the biggest victims of the frantic shuffling of the top ten as "Don't You Worry" took a nine place hit to 17.

New Entries

The new entries are all Australian this week with the highest debut going to Kylie Minogue's "Please Stay" in at number 15, it's the latest single from Kylie's "Light Years" album. 

Vanessa Amorosi is back with "The Power/Every Time I Close My Eyes" at number 18. I like "The Power" a lot.

Finally Billy Birmingham aka The 12th Man is impersonating Channel Seven's Bruce McAvaney for "Bruce 2000 - A "Special" Tribute" at number 32.