All 4 1994: 27th March Feel Like You Made Me Twist and Shout

 So this week is all change in our top ten and we do have our regular allotment of new entries that somehow don't seem to slow down any however the only thing that hasn't changed is that "It's Alright" by East 17 remains at number one, now it's got good sales but it really is now a matter of how long it can hang on because it's now got a song with genuine momentum behind it. that being "The Power of Love" by Celine Dion which climbed one place to number two.

It moved past "Whatta Man" by Salt-n-Pepa feat. En Vogue down one two number three while 'Without You" by Mariah Carey which climbed two places to number four and looks to have some solid momentum unfortunately, it pushed "Said I Loved You...But I Lied" by Michael Bolton back one place to number five. 

"Sing Hallelujah" by Dr Alban rose three places to number six while "Dum Da Dum" by Melodie MC climbed four places to number seven this week.

All of this saw "Slave to the Music" by Twenty 4 Seven feat Stay-C and Nance slide three spots to number eight while Cut 'N' Move's "Give It Up" continues its graceful exit from the top ten down two to number nine

Also down two places this week is "Feelin' Alright" by EYC to number ten and it's looking like it's time in the top ten is done. 

Losers

Down to forty five from thirty eight last week is "Dirty Dawg" by NKOTB. "Feels Like Heaven" by Urban Cookie Collective continues its slide toward the ecit down eight to thirty eight while "What is Love" is being asked even louder by Haddaway as it tumbled nine to thirty seven.

"Will You Be There (In the Morning)" by Heart took an eight place tumble to thirty two while "Shoop" by Salt 'n' Pepa slipped eight to twenty five. 

Finally "All For Love" by Bryan Adams, Rod Stewart and Sting slipped seven to twenty one. 

Gains

A lot of big gains were for recent new entries with the first of those being a nine place gain to thirty six fot Jimmy Cliff's "I Can See Clearly Now" while "Let Me Show You" by K-Klass climbed from forty one to thirty five.

"Breathe Again" by Toni Braxton got a seventeen place boost to thirty while "One Night in Heaven" by M People climbed six to twenty three. 

"Mr Jones" saw a ten place gain to twenty two for Counting Crows but in great news this week, Bruce Springsteen's emotional "Streets of Philadelphia" climbed up to seventeen from thirty one. Happy to see it. 

Beck's "Loser" jumped eight places to fourteen while D:Ream's "Things Can Only Get Better" rose six to thirteen. 

New Entries

50. "Don't Go Breaking My Heart" by Elton John and RuPaul

No, stop...can we not do this? What the hell? Elton John teaming up with drag artist Ru Paul for a cover of his own song "Don't Go Breaking my Heart" and honestly this seems to have more novelty value on first glance especially with involvement of RuPaul and yeah...this is a novelty version of what was originally a damn great song just messing with the production and instrumentation enough to water it down into this trending chasing Eurodance number that really does not do anything to help Elton John's vocals at all so yeah...skip it.

49. "Feel Like Making Love"  by Pauline Henry

Rough start but let's see if we can do any better with former The Chimes singer Pauline Henry's cover of Bad Company's 1975 song "Feel like Making Love" which surprisingly wasn't a hit here back then even though it did reasonably well in the US, Canada and New Zealand and that surprises me because the Bad Company version gets played a lot on the radio in 2025! Anyway, I dig this version, the more soulful verse delivery by Henry and then drops into this kick ass rock hook with the guitars delivering a hell of a punch, Henry makes this work! Check it out. 

48. "Let the Beat Control Your Body" by 2 Unlimited

Alright, for some more 2 Unlimited, the last couple of run ins I have had with this group haven't gone well so let's see if this newest single is any better and nope...still the same crappy annoyance with doofy euro club beats that don't change up or do anything different complete with nightclub lyrics about letting the beat control the way your body moves. I am done with this shit already.

43. "You Made Me The Thief Of Your Heart" by Sinead O'Connor

I was dreading having to review this song mostly because Sinead O'Connor as an artist was really complex and this song that was co written in part by Bono for a film called "In the Name of the Father" which starred Daniel Day-Lewis and it's this murky piano driven ballad about a woman murdering her lover just to keep him with her in the 14th century and yeah...this song is hard to listen to.  It's worth a listen as the song is definitely good but yeah it's definitely not an easy listen.

27. "Twist and Shout" by Chaka Demus & Pliers with Jack Radics & Taxi Gang. 

Oh god,,,no please no...this is a cover of a song that written and recorded in 1961 and wasn't a hit until the Isley Brothers reworked it and made into a hit, it has since been covered by The Beatles (The Beatles version is my absolute favourite) and Salt 'N' Pepa so what the charts did not require was this reggae infused version by Chaka Demus and Pliers where what sounds like yapping dogs feature prominently in the production and everyone sounds jacked up on too much marijuana to care about the music because dear god, at least The Beatles and the Isley Brothers infused their covers with some passion to show they cared, this is just a lazy, phoned in hack job of what is a pretty damn great song.

Yeah, it's the worst of the week by a country mile...I fucking hate it. Best of the week is going to "Feel Like Making Love" by Pauline Henry because at least she makes that song her own and it feels like less of a hack job, 

ARIA Top 50 Singles Chart: March 24th. The Music Giver's Emergence Rather Lies to Evil J0rdan

Sigh...I knew it was coming...the Playboi Carti album for "I Am Music" but really, I wasn't expecting one of this size...guess there's a lot of people into rap where the production is at best amateur and the songs sound completely unfinished but we'll get to that in the new entries because we finally do have a new number one with "Anxiety" by Doechii taking number one thanks to solid streaming and decent sales but I don't think it's got a healthy margin at all, it's going to come under threat. 

It may not be from "APT" by Rose and Bruno Mars which slipped to number two but it still as some streaming and sales to continue hanging around for a lot longer than people might expect. 

"That's So True" by Gracie Abrams remains at number three while "Ordinary" by Alex Warren has vaulted ten places to number ten and looks the most likely threat to our current number one. 

Rising to number five is "Pink Pony Club" by Chappell Roan climbed one to number five, this may have peaked but we'll have to see. 

Slipping two places to number six is "Messy" by Lola Young while there is a new entry at number seven with the first sign of the Playboi Carti album bomb with "Evil JOrdan" at number seven (yes, stylised like that) 

"Luther" by Kendrick Lamar and SZA down three spots to number eight while the biggest plunge inside the top ten belongs to "Die with a Smile" by Lady Gaga and Bruno Mars which fell seven to number nine. 

Also slipping seven is "Birds of A Feather" by Billie Eilish which looks to be finally on its way out of our top ten.

Gains

So apart from "Ordinary" by Alex Warren gaining ten spots to number four, what about outside the top ten? "The Door" by Teddy Swims climbed five places to thirty six but that was about it for our gains this week thanks to what entered the chart this week.

Losers

A large chunk of the chart lost this week so let's begin with the Sleepy Hallow and Doechii version of "Anxiety" which took a crash down twenty two places to forty one. "I Love You, I'm Sorry" by Gracie Abrams fell six to thirty nine while "TV Off" by Kendrick Lamar also fell six to thirty four.

Wasn't a good week for Lady Gaga as "Abracadabra" tumbled ten to thirty one while "Wildflower" by Billie Eilish skidded down six to thirty. 

"All the Stars" by Kendrick Lamar and SZA fizzled out six places to twenty six

Drop Outs

So we saw the exits of some long running hits with "Pink Skies" and "Something in the Orange" both by Zach Bryan gone alongside "Please Please Please" by Sabrina Carpenter, "Guess" by Charli XCX and Billie Eilish and "Stargazing" by Myles Smith.

Also exiting are pretty much the non hits like "Busy Woman" by Sabrina Carpenter, "Die Trying" by PartynextDoor and Drake feat. Yebba. and "I Know Love" by Tate McRae feat. The Kid Laroi.

New Entries

So we did get something of a Playboi Carti album bomb and in the guise of not really wanting to cover this album anymore than what I have to..."Crush" at 29, "Toxic" at 46,  "Philly" at 49 and "Good Credit" which rather questionably features Kendrick Lamar.

That leaves us with four new entries to review, beginning with...

38. 'Emergence" by Sleep Token

I was shocked this showed up on the charts considering just how much heavy music has fallen by the way side in terms of charting on an all genre chart like the ARIA singles but in retrospect this should have made sense as Sleep Token are the kind of heavy metal band to try to mix their metal sound with more pop and r'n'b flourishes and to me, it just doesn't work, it just sounds incredibly wonky.  I'd pass on this.

16. "Rather Lie" by Playboi Carti feat. The Weeknd

Now I thought Abel said he was done doing features on others songs? So why is he on this Playboi Carti song where it ends up sounding like a Drake knock off in terms of The Weeknd's own vocal delivery and Playboi Carti really not offering up much of anything especially as the song is just him complaining about women and bragging about being back on lean with all the flare of a two year old having a tantrum. I'll pass. 

14. "The Giver" by Chappell Roan

A brand new single from Chappell Roan with this having a decidely country pop flourish with the squealing fiddle that's on this song and cheeky lyrics about a lesbian relationship where she can make this woman orgasm or as the song says in the chorus "she gets the job done" in terms of satisfying this woman in her life, its such a fun cheeky song that couldn't help but like it on first listen, it's not quite Chappell's best but in a week like this, I'll take it. 

7. "Evil JOrdan" by Playboi Carti

Alright let's deal with this somewhat more industrial noise track from Playboi Carti and look, this just sounds unfinished like they just threw a bunch of sounds together and had Carti mumble his way through a rather rote and basic verse. 

 Yeah it's also the worst of the week however "best of the week is going to "The Giver" by Chappell Roan because...duh

All 4 1994: 20th March. I Can See Mr Jones and Loser Breathe Again Clearly Now, Let Me Show You

No preamble this week, straight into the top ten where to no one's surprise. "It's Alright" by East 17 remains at number one for another week, it's got sales and looks comfortable.

Right behind it is "Whatta Man" by Salt 'n' Pepa feat. En Vogue up three places to number two. The same three place rise occurred for Celine Dion's "The Power Of Love" to number three. 

Thankfully both songs pushed "Said I Loved You...But I Lied" by Michael Bolton down two number four while "Slave to the Music" by Twenty 4 Seven feat. Stay-C and Nance down one to number five. 

Moving up five places to number six is "Without You" by Mariah Carey because of course we need one overwrought love ballad in the top ten.

Former number one "Give It Up" by Cut 'n' Move slipped four places to number seven as it's making a s natural exit from the top ten.

Remaining at number eight is "Feelin' Alright" by EYC while up one place to number nine is "Sing Hallelujah" by Dr Alban.

Finally a three place drop for "Asshole" by Denis Leary rounds out our top ten. 

Losers

A few big losers mostly down the lower end of the top 50 this week beginning with "Somebody Dance With Me" by DJ BoBo which slipped twelve places to fifty while former chart topper "All That She Wants" by Ace of Base took a six place slide to forty eight. 

?Boom! Shake the Room" by DJ Jazzy Jeff & The Fresh Prince tumbled from thirty four to forty three while the boring "Please Forgive Me" by Bryan Adams stumbled down ten places to forty two. 

"Got to Get It" by Culture Beat is reaching but falling nine to thirty nine while in the biggest fall of the week "Hero" by Mariah Carey just utterly collapsed from nineteen to thirty four.

"Feels Like Heaven" by Urban Cookie Collective slipped seven to thirty while "Stay (Faraway, So Close" by U2 tumbled from fifteen to twenty one and "All For Love" by Bryan Adams, Rod Stewart and Sting fell from nine to fourteen.

Gains

It's a bit quieter on the gains front this week with "What's My Name" by Snoop Doggy Dogg up seven to thirteen while "Things Can Only Get Better" by D:Ream up five to nineteen.

Also having a decent gain is "Mountain" by Chocolate Starfish which had a seven place gain to thirty three. 

"Return to Innocence" by Enigma jumped from forty one to thirty seven.

New Entries

47. "Breathe Again" by Toni Braxton

We're starting with a single from American r'n'b singer Toni Braxton with this song being written by Babyface. The lyrics do strike me as being a bit clingy here with Braxton claiming that if her boyfriend were to break up with her, she'd have a nervous breakdown which yeah gives me icky vibes to a degree but I do like the song's production and how Braxton's vocals interweave easily with the backing vocals and how she almost sounds like she's letting out a breath upon singing "breathe again". I don't think it's great but it's fine enough. Check it out if you are curious.

45. "I Can See Clearly Now" by Jimmy Cliff

A cover of a 1972 Johnny Nash song has debut on the chart this week and it comes from  Jamaican reggae singer Jimmy Cliff, the cover was recorded for 1993 movie Cool Runnings (you know that movie about the Jamaican bobsled team?) and look, I generally give a lot of shit to bad cover version but honestly, I love this version especially as it's probably become the standard version that most people now sing. Its got that bright optimism and Cliff is matching that optimism in his vocal delivery.  I dig it!

44. "Helping Hand" by The Screaming Jets

So the fourth single from "Tear of Thought" and I think this one is definitely more memorable for that guitar lick that features quite prominently and that hook which does make the song memorable even though it; does take its damn sweet time to get moving which might make sense from a lyrical perspective as it appears all about wanting to find somebody who is willing to help him but he knows that that person could turn against him. It's an interesting song for sure.

41. "Let Me Show You" by K-Klass

British house act K-Klass with their take on eurodance and I'm sorry but what's so different about this one that hasn't been done before? Same piano with a thumping base and a screechy sounding female vocallist that really adds nothing to the song. I'd say move on from this quick but chances are you'll forget it exists. 

32. "Mr Jones" by Counting Crows

Debut single from American rock band Counting Crows which comes from their album "August and Everything After" and oddly this song kind of epitomises the dreams of wannabe rock stars, they want to be big stars so that they will never ever wind up lonely and everyone loves him when in reality life on the road as a rockstar can be inherently lonely and that fan love can get weird.

I really admire what this song is trying to do with the lyrics and the instrumentation especially when the song slows down to focus on the dreams of this rockstar kind of as a mirror. I like it! Good song!

22. "Loser" by Beck

I have been dreading covering this song from American artist Beck mostly because the song just doesn't resonate me with as much as it does with a lot of other people who I respect, there's only so much goodwill you can give that hook which does hold up the song quite well but when the verses are mostly just nonsense that lend no additional weight to the hook then it's going to leave me wanting at the best of times especially when he is saying to this girl that he is loser so she should kill him...yeah, not keen.

That ends our week so worst of the week goes to "Let Me Show You by K-Class while Jimmy Cliff gets best of the week for "I Can See Clearly Now" 

ARIA Singles Top 50 Singles Chart Review: March 17th.

 Not going to lie, I am getting pretty frustrated with the charts in 2025 and that frustration is only made worse by the fact that a Playboi Carti album bomb is likely all but assured on the horizon but also the fact the charts have been so slow and really just tired.

What? You want proof? Look at our number one this week where "APT" by Rose and Bruno Mars retained the number one spot for a fourteenth non consecutive week. 

There was an album boost for "Die With A Smile" by Lady Gaga and Bruno Mars up five to number rwo even though you can argue that this song doesn't fit at all on "Mayhem"

"That's So True" by Gracie Abrams continues to refuse to go away as it is up one spot to number three  while "Messy" by Lola Young slipped one spot to number four. Kendrick Lamar and SZA's "Luther fell three places to number five.

"Pink Pony Club" by Chappell Roan keeps dancing at number six while "Birds of a Feather" by Billie Eilish fell two to number seven  and "Sports Car"  by Tate McRae climbed one to number eight.

We have a new entry at number nine with "Anxiety" by Doechii debuting at number nine, it's the solo version of the song that was released witih Sleepy Hallow and debuted last week, more on the quality of the song later.

Finally "Beautiful Things" by Benson continues to be the worst song in the top ten right now and refuses to go away as it should have done months ago clinging on at number ten.

Gains

So let's go through some of the big gains this week with "Ordinary" by Alex Warren looking like it's going to be his big breakthrough hit up thirteen places to fourteen next week. I fully expect this song to be top ten post the Playboi Carti album bomb.

Lady Gaga saw some album impact with "Abracadabra" up ten to twenty one

Losers

The big loser this week was "Die Trying" bty PartyNextDoor and Drake feat. Yebba down nine places to forty nine while "Too Sweet" by Hozier is falling away naturally down eight to forty three.

"Ain't No Love in Oklahoma" by Luke Combs slipped eight to forty as the traction he gained from his recent Australian tour has really died off. 

Finally "Riptide" by Vance Joy finally appears to be about to exit the top 50 again as it lost seven places to fifty.

Re Entries

Two songs re entered this week with "Austin" by Dasha back at number forty seven and "Carry You Home" by Alex Warren back at number thirty (Not really surprising that the latter would gain some traction considering how often radio stations are playing this song)

Drop Outs

This week saw the exits of both "Chihiro" by Billie Eilish and "Where the Wild Things Are" by Luke Combs, two good to great songs that have had decently good chart runs unlike "Somedays" by Sonny Fodera, D.O.D and Jazzy which also exited...a good song that deserved better

New Entries

Two new entries this week, beginning with...

35. "Like Jennie" by JENNIE

Bit surprised we got album impact from JENNIE of Blackpink instead of anything from Lady Gaga but none the less we got this from Jennie's album and I'm unfortunately not as much of a fan of this as I like to be. It's clear that Jennie was inspired by Charli XCX in terms of how the song's sound seems to chase the sound Charli XCX used for "Brat" obly the sound here is less appealing and when Jennie's vocals aren't appealing to me...yeah I'm going to skip this. 

9. "Anxiety' by Doechii

So we finally get the solo form of "Anxiety" and I think the solo form of this song might be better just in terms of Doechii's performance, you can absolutely tell this wad meant to be a solo jaunt at first and she sounds smoother in her flow and vocal delivery than she did in the versiion with Sleepy Hallow. Yeah that sample of "Somebody I Used to Know" by Gotye and Kimbra remains prominent but I wouldn't mind if this become a hit.

Yeah it's best of the week this week. JENNIE gets worst of the week by default for "Like Jennie"

All 4 1994: March 13th. I Ain't Going Out Because Streets of Innocence and Love

 This week is...exasperating...especially in terms of developments in our top ten, I am not a happy camper so lets start there because much to my annoyance "It's Alright" by East 17 remains at number one for some inexplicable reason, it's got a handy lead on sales and that might be good news because up three to number two is "Said I Loved You...But I Lied" by Michael Bolton...this song is gross and the fact it's number two is infuriating to me.

Cut 'N' Move's "Give It Up" remains stranded at number three while "Slave to the Music" by Twenty 4 Seven feat Stay-C and Nance slipped two to number four,

Meanwhile Salt 'n' Pepa and En Vogue's awesome collab single "Whatta Man" climbed one spot to number five. I desperately want this to become a hit please.

Also thrilled that Celine Dion's cover of "The Power of Love" is up ton number six from thirteen last week which is awesome to see.

Slipping down three places is "Asshole" by Denis Leary to number seven while "Feelin' Alright" by EYC tumbled one to number eight and "All for Love" by Bryan Adams, Rod Stewart and Sting continues its slow decline down one to number ten.

Up eight to number ten is "Sing Hallelujah" by Dr Alban...Joy...sarcasm fully intended with that. Not thrilled about that last one at all.

Losers

So let's begin right down the bottom of the top 50 because "Is There Any Love In Your Heart?" by Lenny Kravitz fell twelve places to five while "Rock And Roll Dreams Come Through" by Meatloaf fell flat to forty seven.

"Open Up" by Leftfield and Lydon is having it's chart time closing up on it as it slipped from thirty nine to forty six. 

"Green Limosousine" by The Badloves continues to run out of fuel down eight to forty five. while Ace of Base's hit "All That She Wants" collapsed eleven places to forty two

People are starting to get tired of sappy Bryan Adams so the pain that is "Please Forgive" is down eight to thirty twi.

We've got Haddaway's follow up in the new entries this week but their former hit "What is Love" by Haddaway fell six to twenty nine. Mariah Carey also saw "Hero" fall from eleven to nineteen/

Gains

So let's talk about the gains outside the top ten and we have some huge ones this week with "Without You" by Mariah Carey which for some reason is up from twenty eight to eleven...ugh...do we really need another hit cover of this originally sappy ballad?

In better news "Dum Da Dum" by Melodie MC is up nine to fourteen while "Things Can Only Get Better" by D:Ream had one of the biggest gains of the week up eighteen places to twenty four while in other pleasing news "Mountain" by Chocolate Starfish is up ten to forty.

Re Entries

We did get two re entries with "You Open My Eyes" by Hoodoo Gurus at forty nine and 'In Your Room" by Depeche Mode at forty four. 

New Entries

Five new entries starting with 

43. "I Ain't Going Out Like That" by Cypress Hill

So first up we have the third single from American hip hop group Cypress Hill's second album "Black Sunday" and I actually don't mind this especially the use of the sample of "The Wizard" by Black Sabbath and lyrics that flick between bragging and some funny jokes like "Makin Stevie Wonder why" which made me laugh. Also learning that this song was recorded while the entire group was high on shrooms is some very funny stuff but also makes sense in terms of the lyrics where they don't quite come together. All up fun song...check it out. 

41. "Return to Innocence" by Enigma

Now to turn our attention to a German group and the lead single from their album "The Cross of Changes" and while I think it's definitely quite pretty in terms of it's production, I am just not feeling what this song is going for, it just sounds flat apart from the male chanting. Yeah, not feeling this at all...I'm skipping it. 

39. "Life" by Haddaway

Okay so the follow up to "What Is Love" has arrived and I am afraid it is very dime a dozen dance/electronic song where Haddaway sings about how life is short and everyone needs to find somebody to love over thimping dance grooves like this subjject hasn't been covered to death club dancefloor songs before. Definitely do not care for this AT ALL. Next. 

35. 'Streets of Philadelphia" by Bruce Springsteen

So this song is for a movie called "Philadelphia" which starred Tom Hanks and is one of the saddest songs I have heard, it paints a very raw and realistic portrait of somebody suffering with the AIDS virus while watching as society just didn't care as he struggled with his plight wandering the streets of downtown Philadelphia at night out of their sight. Springsteen's vocal delivery gives this song an incredible emotional weight. What's with so much music from 1994 hitting me like a fucking sledgehammer? Please check this one out, it's great.

27. "Because of Love" by Janet Jackson

The new single from Janet Jackson's 1993 album "Janet" and well it's a pop funk number that while it doesn't quite have the lyrical depth of some of her previous singles, this one is just funky with a good groove and Janet just being incredibly playful and she sounds like she is having fun here. I adore the chorus and the very new jack swing sound of the song...only Janet could make new jack swing not sound tired. Check this out.

However it just misses best of the week, that's going to "Streets of Philadelphia" by Bruce Springsteen...too much emotional weight there.

Worst is tough but I'm giving it to "Life" by Haddaway" for being nothing more than dancefloor filler.

ARIA Singles Top 50 Chart Review: 10th March

 The chart this week seemingly settled down a bit even though I am starting to get concerned that things are becoming a bit stagnant which is where we get to our top ten and our second longest running number one of the 2020s with "APT" by Rose and Bruno Mars which has been number one on the ARIA singles chart now for thirteen weeks. 

Holding position are both "Luther" by Kendrick Lamar and SZA at number two and "Messy" by Lola Young at number three.

"That's So True" by Gracie Abrams climbed one spot to number four as it regained some traction on streaming thanks to 2025 being extremely slow so far...I just want this song gone from the top ten...that's how much I've come to dislike it. 

Also up one to number five is "Birds of a Feather" Billie Eilish while "Pink Pony Club" by Chappell Roan climbed two places to number six.

Holding steady at number seven is "Die with a Smile" by Lady Gaga and Bruno Mars, I expect this to get a boost thanks to the release of Lady Gaga's album "Mayhem".

Meanwhile "Not Like Us" by Kendrick Lamar tumbled four to number eight while "Sports Car" by Tate McRae held steady at number nine and "Beautiful Things by Benson Boone held on to number ten because this thing refuses to fucking go away already. 

Gains

So the lone big gain this week was "Nokia" by Drake up eight to number twelve because it's becoming something of a viral hit while "Die Trying" by PartyNextDoor and Drake feat. Yebba climbed four to forty. 

"Iris" by The Goo Goo Dolls climbed six places to number twenty nine while "Indigo" by Sam Barber and Avery Anna continues to yo yo this week up six to thirty six. 

Re-entries

So we saw five returns this week as the Tate McRae album bomb receded hard this week with older songs like "Something in the Orange" by Zach Bryan back at forty eight, "Where the Wild Things Are" by Luke Combs at number forty six and "Riptide" by Vance Joy at forty three.

We also saw "Stargazing" by Myles Smith back at fifty while I am pleased to see the return of "Somedays" by Sonny Fodeera, D.O.D and Jazzy at number forty seven.

Losers

So the biggest loser this week was "I Know Love" by Tate McRae and The Kid Laroi down nine to number twenty six, it was pretty much the only major loser this week.

Drop Outs

All of the songs that dropped out were Tate McRae album cuts 

New Entry

Just the one new entry this week so this should be short for once, let's get to...

14. "Anxiety" by Sleepy Hallow feat. Doechii.

So this song actually has quite a long and somewhat confusing history which I am not going to even try to dig into here because dear god, it's complicated. The song samples the now classic hit "Somebody that I Used to Know" by Gotye and Kimbra. The content of the song is probably the best part of the song as Sleepy Hallow raps about substance abuse and violence. Doechiii's hook is solid but it's not amazing, she does better on her solo version of the song.

It's fine enough.

All 4 1994: 6th March. Whatta Man Mountain, Get Better on Peace, Love & Harmony

Finally a reasonable week at hand here with some notable changes and new arrivals so let's get to the big story of the week...our new number one and yeah, I am not exactly thrilled about it because East 17 rose six places to take number one with "It's Alright", it's got a sizeable sales lead so it could be number one for awhile.

"Slave to the Music" by Twenty 4 Seven featuring Stay-C and Nance jumped to number two but that was basically on the weaknesses of the former number one "Give It Up" by Cur 'N' Move as it just lost a chunk of its sales momentum this week.

The same could be said for "Asshole" by Denis Leary which slipped two places to number four and it's now coming under threat from "Said I Loved You...But I Lied" by Michael Bolton up six places to number five because we apparently need shittty garbage like this in our top ten...grrr.

Than we have a new entry at number six wuth :Whatta Man" by Salt 'N' Pepa feat. En Vogue, I'll talk about the song's quality in the new entries but it's here through a decent sales week. Don't mind seeing it here in all honesty and it could be argued that Salt 'n' Pepa are merely replacing themselves in the top ten.

EYC's "Feelin' Alright" took advantage of the weaker songs below it to move up to number seven. 

The rest of the top ten is songs falling away naturally like "All For Love" by Bryan Adams, Rod Stewart and Sying which slipped four places to number eight while "Moving On Up" by M People slumped three places to number nine.

Sadly "Stay (Faraway, So Close!)" by U2 skiittered down five places to number ten. Would have liked this song to have a longer time in our top ten, it deserved much better than this. 

Losses

So we had a lot of songs move downward in large style this week with 1993 hit "Again" by Janet Jackson down ten to forty nine and "No Rain" by Blind Melon down from thirty six to forty eight. 

"The Key, The Secret" by Urban Cookie Collective tumbled six to forty seven while their other hit "Feels Like Heaven" slipped eight notches to twenty one, it might take some major effort to relight the fire for Take That and Lulu's "Relight My fire" which slipped nine to forty four and "Creep" by Radiohead wound up being one of the biggest losers of the week down twelve to forty five.

Also down twelve is "Rock and Roll Dreams come Through" by Mestloaf to forty

Finally "Boom! Shake the Room" by DJ Jazzy Jeff and the Fresh Prince slipped nine to twenty nine.

Gains

So the rise of "The Power of Love" by Celine Dion continues unabated, its up eleven spots to thirteen this week and seems to be plotting a course for the top ten.

"Sing Hallelujah" by Dr Alban rose broke into the top twenty this week up from twenty five to eighteen this week...guess we had to have some junk rise. 

Melodie MC's "Dum Da Dum" climbed twelve places to twenty five. wbile "One Night in Heaven" by M People got a decent eight place gain to 32 off it's debut last week.

New Entries

Four new entries this week beginning with...

50. "Mountain" by Chocolate Starfish

So doing these retrospective charts and I occasionally see a song I vaguely recognise, one that got played all the time on the radio at the time after it's release or in the background of some event I was at and that's kind of the case for this song from Australian rock band Chocolate Starfish (I hear the laughing overseas and all I can say is get your filthy minds out of the gutter...:)) with "Mountain" being the third single from their self titled album and yeah this one does click with its incredibly instrumental swell as the lyrics sound off about how he can't be what his partner wants him to be which is an immovable force or object like a mountain when he feels like a river.

Damn good song, worth checking out if you aren't familiar with it or don't listen to the radio.

43. "Peace, Love and Harmony" by Cut 'N' Move"

So the follow up to "Give It Up" is here and well, I am not a big fan of this at all, it's this standard eurodance and rap song that kind of feels a bit dime a dozen especially in 1994. I might like their cover of "Give It Up" but I am really not a fan of this especially when others just the previous week did it better. Next!

42. "Things Can Only Get Better" by D:Ream

This is a song from a North Ireland group called D:Ream with this song's inspration coming from a conversation that one of the band members was having with an office colleague and you know what? I do like this a fair bit, I like the passion and resolve that the hook is sung with and the swell of the backing vocals. Solid song, worth checking out.

6. "Whatta Man"  by Salt 'N' Pepa feat. En Vogue

Well no wonder this song charted so high, a collab between two girl groups that could be almighty interesting and what we got was this pretty sweet, fun song about praising the guys in their lives that are apparently incredibly good providers and lovers and while I'd love for the hook to be something a little more than that one line, I love the beat and groove of this to the point that it feels like nit picking on the hook, this is a damn good song.

Yeah, "Whatta Man" by Salt 'n' Pepa feat. En Vogue gets bet of the week. It was close though because "Mountain" by Chocolate Starfish hits like a train for me.

As for worst, I guess that has to go to Cut 'N' Move for "Peace, Love and Harmony" although its really not that bad...just a sound and style that I need a break from for a bit.