ARIA Singles top 50 Chart Review: Abracadabra! I'm The Pink Pony so Cry For Me

 This week felt stranger than it should have because we got a more muted than you might expect with a muted album impact for The Weeknd's "Hurry Up Tomorrow" and Grammys impact for at least one of our other new entries which we'll get to. 

None of that impacts our top ten though where "Messy" by Lola Young maintained the number one spot for a second week mostly thanks to decent enough streaming and sales. Really, the top five was stagnant this week with "That's So True' by Gracie Abrams at number two, "APT" by Rose and Bruno Mars at number three, "Die with a Smile" by Lady Gaga and Bruno Mars at number four and "The Days (Notion Remix" by Chrystal and Notion at number five.

Frorm there "Birds of a Feather" by Billie Eilish gained one place to number six moving past "Good Luck Babe!" by Chappell Roan at number seven.

Shaboozey's "A Bar Song (Tipsy)" remained stuck at number eight while "Beautiful Things" by Benson Boone made it's unfortunate return up four places to nine.

Finally "Sports Car" by Tate McRare remains rooted to the number ten spot. 

Losers

This week was busy in this department!. Let's begin with more recent hits though with "BMF" by SZA which tumbled down fourteen to thirty three, "Bad Dreams" by Teddy Swims fell thirteen spots and hit forty six while "The Door" slammed eight places to twenty nine, "Somedays" by Sonny Fodera, D.O.D and Jazzy slumped twelve spots to thirty eight, "Indigo" by Sam Barber feat. Avery Anna continues to slump down nine to forty one, "Kisses" bv BL3SS x CamrinWatson feat bbbunch yclose slipped eight to forty two, "Stargazing" by Myles Smith slid down eight ton thirty five and "GBP" by Central Cee collapsed down thirteen to forty nine. 

From there, a bunch of older songs lost ground like 'Dreams" by Fleetwood Mac which tumbled fourteen spots to forty four, "Something in the Orange" by Zach Btyan slipped six places to forty eight. , "Stick Season" by Noah Kahan which also suffered a six place drop to thirty four, 'Riptide" by Vance Joy going out with the tide seven places to thirty one. Finally "Too Sweet" by Hozier down ten spots to twenty eight

Gains

So "Timeless" by The Weeknd and Playboi Carti rebounded up six to number eleven thanks to The Weeknd's new album. 

The rest are all big new peaks for songs courtesy of the Grammys with the biggest coming for "Denial Is a River" by Doechii which climbed twenty one slots to number eighteen...I expect this to make a play for the top ten soon.

Kendrick Lamar's " Not Like Us" climbed eighteen to twenty seven thanks to it's award winning performance at the Grammys.

Finally "Wildflower" by Billie Eilish climbed sixteen slots to number twenty five and I am not sure why as she performed "Birds of a Feather" at the Grammys. Might be a fan led push to make it the next single from Hit Me Hard and Soft so we'll have to see. 

Re entries

The one re entry this week was "Sao Paolo"  by The Weeknd feat. Anitta

Drop Outs

The drop outs this week are mosrly characterised by long running hits finally dropping out apart from "Linger (SiriusXM Sessions)" by Royel Otis, the others like "Austin" by Dasha, "Pink Skies" by Zach Bryan, "Cruel Summer" by Taylor Swift and "Mr Brightside" by The Killers are all good to great songs but I am glad to see them having left the charts.

New Entries

Four new entries this week, starting with...

50. "Abracadabra" by Lady Gaga

The second single from the upcoming new Lady Gaga album "Mayhem" and I have some mixed feelings about this song, Lady Gaga is back to spouting nonsense in the hook and she sounds great here. I am just not wild about some of the more industrial elements of the song that can actively distract from the song and I do think that Gaga can afforrd to get weirder, it's not precisely bad but it's not great either. 

22. "Pink Pony Club" by Chappell Roanbut i

Oh finally, something else crossed over from "The Rise and Fall of a Midwest Princess" and this is one of my favourite songs from the album as this song is just Chappell Roan using her classical training to create a song where she wants to move to Santa Monica in California from Tennessee much to her mother's unhappiness but Chappell is going to follow what her heart is set on which dancing down at the Pink Pony Club in Santa Monica. it's just queer in the best way possible and that hook is a fucking earworm. Great song!

21. "I'm the Problem" by Morgan Wallen

Unlike this song which is apparently the lead single for that new upcoming album of Morgan Wallen's and this thing is basically the lyrical version of a  relationship nuclear toxic waste dump where Wallen is doing that whole manipulative bullshit of "I am not really the problem" and proceeds to blame it ALL on her, it bares all the hallmarks of "I Had Some Help" by Post Malone...a track he was featured on where Wallen refused to take responsibility for his own damn culpability in the alcohol abuse that was and happening and the same is happening here with this relationship that is now so toiic...it may as well been blown up...the same goes for this song, it can be blown up any time now. 

20. "Cry for Me" by The Weeknd.

So the only new song to chart from "Hurry Up Tomorrow' and it's not one of the better ones unfortunately, the song just doesn't do much for me at all especially as The Weeknd croons through what is a pretty basic chorus that sounds hollow as hell and pretty darn annoying at worst. There's better songs on the album that could have charted over this eg: "Open Hearts"

That wraps this week and the best and worst fell out fast bere with "I'm The Problem" by Morgan Wallen being the worst of our new arrivals....I don't see that one sticking around. Best of the week is going to "Pink Pony Club" bty Chappell Roan because yeah...that song is awesome.

All 4 1994. 6th February. Wouldn't Normally Do This but Time to Relight Nails in Your Open Heart

 This week feels wild in a lot of ways, we got some interesting changes to the top ten and some songs gaining momentum lower down that will be interesting to talk about  but let's not delay things and get to the top ten because we do have a new number one with Cut 'N' Move leaping to the top spot with "Give It Up"...probably the best number one we've had thus far in 1994. 

It wiped "All For Love" by Bryan Adams. Rod Stewart and Sting back to number two as it couldn't match "Give it Up" on sales, the same goes for "Shoop" by Salt 'n' Pepa which slipped back one to number three. 

M People's "Moving On Up" keeps living up to it's name climbing two spots to number four. This song has been reverberating around my head for days now so it is catchy as hell.

"Slave to the Music" by Twenty 4 Seven feat. Stay-C and Nance climbed three spots to number five which completes a top five where three songs are definitely big beat songs. 

Also climbing is "Asshole" by Denis Leary up three to number six while "Boom! Shake the Room" by DJ Jazzy Jeff and the Fresh Prince was the big victim of all the movement in the top ten down three to number seven/

After weeks of being stalled at number seven, "Hero" by Mariah Carey took a step in the wrong direction down to number eight this week.

Former number one "Please Forgive Me" by Bryan Adams dived four places to number nine as it continues to hopefully disappear. 

Up four to number ten is "Feels Like Heaven" by Urban Cookie Collective as their follow up to "The Key. The Secret" continues to do well. 

Losers

So starting at the bottom, we have "Soul to Squeeze" by the Red Hot Chili Peppers down ten to fifty, "Lemon" by U2 down fron thirty three to forty six, 

The Badloves "Green Limousine"  ran out of fuel stalling down from thirty five to forty two while their hit with Jimmy Barnes "The Weight" slipped from eighteen to twenty seven.

1993 hit "Right Here" by SWV down from thirty two to forty one.

Madonna's " Bye Bye Baby" starts to wave bye bye to the top 50 down eight to thirty eight while "\Runaway Train" by Soul Asylum runaway down from twenty four to thirty five. 

The dreams are becoming nightmares for Gabrielle's "Dreams" as it slid seven to twenty eight. 

Gains

Our gains are mostly all new entries from last week with "Daughter" by Pearl Jam up nine places to eighteen and 'What's My Name?" by Snoop Doggy Dogg up from thirty seven to twenty nine. I am thrilled about those.

However I am not thrilled that "Dirty Dawg" by NKOTB rose nine to twenty, "Can We Talk?" by Tevin Campbell climbed eleven places to thirty two and  "Maximum Overdrive" by 2 Unlimited rode a six place gain to thirty two.

Finally Caligula's "Tears of a Clown" climbed from 31 to twenty five.

New Entries

We have seven new entries this week...so again I am going to endeavour to keep each review...

48. "The Power Of Love" by Beverly

So we start off with a dance song that covers Jennifer Rush's "The Power of Love" because that's what we really need...a dance/electronic version of a ballad and I kind of think the lyrics here lose their punch and Beverly doesn't really do much to make this memorable at atll...I'd skip it.

47. "Open Up" by Leftfield/Lydon

So this is from British electronic duo Leftfield who have teamed up with Sex Pistols John Lydon and well I actually don't mind this at all...more because there feels like there is a groove there courtesy of some guitar and keyboard and there's some punch in the vocals...I dig this...check it out if you are curious,

45. "Nails in My Feet" by Crowded House

So we have the second single from Crowded House's "Together Alone" even as the lead single "Distant Sun" is doing well in Canada and yeah, of course this song is great with the guitars and the dramatic piano before the song absolutely soars at the end. Definitely worth checking out.

44. "Is There Any Love In Your Heart" by Lenny Kravitz

So time for new Lenny Kravitz song, the fourth single from "Are You Gonna Go My Way" and I think it might be the weakest to date because apart from the decent instrumentation, I am finding the falsetto that Kravitz sits with on this song to be fucking annoying, the only decent thing about this is that guitar solo before Kravitz wails like somebody on helium...next!

39. "Relight My Fire" by Take That feat, Lulu

So I was all prepared to absolutely tear this song apart because the title and the two acts involved set off alarm bells so colour me surprised when the song turns out to be a rather good pop song, it's not perfect, Take That's harmonies on the hook are little off and Lulu's vocals on the bridge kind of take me out of the song a little but yeah this is better than what I was expecting.

36. "Time" by INXS

Time to rock out to the third single from INXS's ninth album "Full Moon, Dirty Hearts" and wow, I absolutely how this song's instrumention goes off, instrumentally this song is incredible but what on earth happened to the vocal production here. Michael Hutchennce sounds like he is recording his vocals in another room so buried in the mix that he is which is a shame!

34. "I Wouldn't Normally Do This Kind of Thing" by Pet Shop Boys

So in recent yrars I have built a liking for the kind of synth pop the Pet Shop Boys make, I hold "West End Girls" as an absolute 80s classic that should be respected as ,much as "It's A Sin"  so I was curious how they would follow up "Go West" and yeah, it's fine... but Pet Shop Boys have made better songs especially with that weird droning hook.

That wraps our week...a long one if I am blunt but worst of the week falls out easily with "Is There Any Love In Your Heart".

For the best...I actually think this was a solid week overall so I am going to go with a tie..."Nails in My Feet" by Crowded House and.,,:"Open Up" by Leftfield/Lydon

ARIA Singles Top 50 Review: 3rd February: New Number One Messy Sports Car

 So this week was a weird one, what I expected to turn up new this week didn't and we only have one new entry this week and yet we have some changes to our top ten this week that pleased me didn't thrill me at all. 

What did please me with our top ten is that we have an excellent new number one, "Messy" by Lola Yojung...now anyone culd have seen this coming for weeks, the song has been gaining rapid momentum on streaming and has been there abouts on sales and Youtube to take the number one spot.

Sliding down one place to number two after an incredible run at number one is "APT" by Rose and Bruno Mars, it just no long could match "Messy" on streaming even with the sales it has been racking up. 

The same goes for another former chart topper "That's so True" by Gracie Abrams, its still doing decently on streaming and sales but again not enough to challenge however it does seem like it might just do enough to take number two next week so we'll have to see.

On the downswing is "Die With A Smile" by Lady Gaga and Bruno Mars staying at number four, I don't see this moving up in the weeks ahead while "The Days (Notion Remix)" by Chrystal and Notion remained stuck at number five 

Chappell Roan's Triple J  Hottest 100 win saw "Good Luck Babe!" catapault back up six places to number six this week, I don't expect this to last in the top ten though, it did push past "Birds of a Feather' by Billie Eilish which slipped one place to number seven, "A Bar Song (Tipsy)"  by Shaboozey at number eight and "I Had Some Help" by Post Malone and Morgan Wallen at number nine.

Finally our lone new entry in the top fifty this week debuted in the top ten at number ten courtesy of Tate McRae's new single "Sports Car" 

Gains

Lots of gains that basically continue on from momentum last week, the continuing gains for Luke Combs songs thanks to his tour of Australia with "Fast Car" up six to twenty, "When It Rains It Pours" up eight to twenty two , "Ain't No Love" in Oklahoma" up eleven spots to twenty three, "Where the Wild Things are" up six places twenty nine and "Beautiful Crazy" up seven to thirty nine. 

Both the debuts last week also gained nicely unfortunately that meant "GBP" by Central Cee and 21 Savage gained eleven places off of it's debut to thirty six and "Denial is a River" by Doechii rose five places to thirty nine.

Losers

Lots of older tracks losing traction this week with "Cruel Summer" by Taylor Swift down eight places to forty nine, Zach Bryan's "Pink Skies" and "Something in the Orange" both down six places to forty four and forty two respectively.

"Austin" by Dasha fell six places to thirty eight while "Please Please Please" by Sabrina Carpenter slid eight places to thirty seven and "Kisses" by BL3SS and CamrinWatsin (feat. bbyclose) slipped seven places to thirty foir.

"Indigo" by Sam Barber and Avery Anna seems to have lost all momentum to slide nine places to thirty two while most pleasingly "Slow It Down" by Benson Boone dipped ten places to thirty one...thank god, 

Finally "Stargazing" by Myles Smith slipped seven to twenty seven.

Re-Entries

Two re-entries I am happy about this week with "Guess" by Charli XCX and Billie Eilish back at number forty seven and "Not Li\ke Us" by Kendrick Lamar returning at forty five. Both are back courtesy of the Hottest 100 so not sure if they will stick around. 

Drop Outs

So we lost both "Smile" by Morgan Wallen and "Carry You Home" by Alex Warren. Both pretty much non starters really.

Coldplay's 2000s hit "Yellow" exited the top fifty this week as well.. 

New Entries

Just the one new entry this week so let's just dive straight in...

10. "Sports Car" by Tate McRae

Oh this was never going to go well at all now was it? A brand new Tate McRse song where she tries where too hard to be every late 90s/2000s popstar and only ends up looking the worse for the effort because she cannot concievably pull the sound or the aesthetic off. Well, this time sround McRse continues to try to be 2020s Britney Spears over an interpolation of the Pussycat Dolls "Buttons" (And if its not an interpolation of "Buttons", the verses sound really close to that song) whuile trying to get all hot and steamy for her partner and again, she just can't nail this wantonly sexual atmosphere she is going for here, the hook sounds forced as hell and honestly annoying...I ain't buying this.

 No best or worst of week because with there only being one song, it feels a bit redundant. Next week will probably see an album bomb from The Weeknd but we'll have to see. 

All 4 1994: January 30th. Estranged Dirty Dawg Daughter Now and Forever, what's my name?

 This week was busy in more ways then one, multiple new entries across the board and plenty of changes to our top ten...just not right at the top where "All For Love" by Bryan Adams, Rod Stewart and Sting remained at number one for another week thanks to a decent sales margin, it handily held up over our new number two "Shoop" by Salt 'N' Pepa which climbed one place this week as it seemed to gain more momentum, it just remains to be seen if it can take number one,.

Cut 'n' Move continues to move on up with their cover of KC and The Sunshine Band's "Give It Up" up three places to number three, this is a cover I actually don't mind, it's a bit of fun and the band didn't mess with the key melodies too much.

All of this saw "Boom! Shake the Room" by DJ Jazzy Jeff and the Fresh Prince slide down two places to number four as it slowly makes it way out alongside "Please Forgive Me" by Bryan Adams as it slipped one to number five and "Moving On Up" by M People down one to number six.

Stalled at number seven is "Hero" by Mariah Carey. This song just stuck right now and it remains to be seen if it can get any kind of real traction to move up.

Moving up is "Slave to the Music" by Twenty 4 Seven feat. Stay-C and Nana up one to number eight while "Asshole" by Denis Leary is one of the big gainers of the week by jumping from its debut at 30 to number nine this week, this song has some very real momentum and it will be interesting to see if it can make a play for numnber one.

Finally defeating my prediction from last week "Got to Get It" by Culture Beat remains stubbornly at number ten. 

Losers

One of 1993's biggest hits looks like it's spending it's last week in the top 50, "Dreamlover" by Mariah Carey plummeted from thirty three to fifty this week while non starter "Where is the Love" by Rick Price and Margaret Urlich stumbled ten places to forty five. 

"Soul to Squeeze" by Red Hot Chili Peppers slipped eleven places to forty while "Maximum Ovcrdrive" by 2 Unlimited stumbled six places to thirty eight and "Lemon" by U2 lost it's juice down from twenty six to thirty three. 

Finally "All About Soul" by Billy Joel collapsed from thirty four to forty eight this week. 

Gains

I mentioned "Asshole" by Denis Leary joining the top ten earlier but there were a couple of other noteworthy gains this week starting with "Tears of a Clown" by Caligula which climbed from thirty nine to thirty one and interestingly "Feelin' Alright" by EYC jumping from forty two to twenty six

New Entries

Alright so because we have plenty of new entries I am going to aim to keep my reviews brief this week, starting with.

44. "Estranged" by Guns 'n' Roses

Well, starting off with a nine minute song from a 1991 Guns 'N' Roses album sure is a wild way to start the week's new entry reviews but it is their second longest song overall and lead singer Axl Rose said that the song is about acknowledging estrangement and how it all works aft the estrangement has happened, it's supposed to be a continuation of "November Rain". 

The song is fine, I do like the instrumentation but why are Axl's vocals so weirdly produced ? He sounds so tinny here. This song isn't for me but if you are curious, check it out. 

39. "Will You Be There (In the Morning)"  by Heart

So Nancy Wilson takes the lead vocal on this song and serves as the lead single from their album "Desire Walks On" and yeah, this is not the best song I have ever heard from Heart, I do like the piano that underpins the melody but I am not a fan of the weirdly pitchy vocals here at all, it just sounds like a Wilson Phillips song with a rock edge. Next!

37. "Who I Am (What's My Name0" by Snoop Doggy Dogg

Now for some hip hop, this time coming from American rapper Snoop Doggy Dogg, he appears to be a prodigy of producer Dr Dre with this song being Dogg's first single and well...I think I love this. Dre has give Snoop Dog just this perfect West Coast G funk groove for him to just absolutely kill it as he raps about finding his true identity and where he sits within hip hop and broader life. Definitely a good song. Check it out!

34. "Now and Forever" by Richard Marx

Oh god, you know when you see a song title and absolutely know what you are going to get? Yeah, that was the case with this song from Richard Marx and my expectations and thoughts going in were thoroughly met, this is a corny "I will be your man not just now but forever" over guitar that is very reminiscent of Bryan Adams at his most treacly sweet and that high note on the bridge is willowy as all hell. Yuck yuck yuck.

29. "Dirty Dawg" by NKOTB

Oh so we have a previously unreleased track from New Kids on the Block's greatest hits album...and dear god this reeks of trying to leap onto nineties hip hop trends that NKOTB cannot remotely do and the production just buries their vocals which might be as well considering the lyrics are pretty terrible as well where he is whining about this girl not treating him right and leaving him cold which doesn't even begin to make sense but than he accuses her of cheating on the bridge and outright calls her a "Dirty Dawg" on the hook...like that's classy, my guy.

Nope, add this one to the filth to toss aside.

27. "Daughter" by Pearl Jam

Trigger Warning: Child abuse

Second single from the second studio Pearl Jam album entitled "Vs.", also I really need something truly excellent to end the week and you know what? I think I got what I was after with this song, nice scathing guitar riffs bounce off the wall with this song and Eddy Vedder's vocals are immaculately produced and he sounds incredible in the mix, The content of this song is incredibly dark, a little girl with learning disabilities the parents of this child don't understand, they get angry and frustrated abd abuse the little girl only after pulling down the shades so the neighbours don't see and can't report the abuse. which is just heavy and devastating content especially for a song in 1994. Yeah, this song is great but if you are struggling with issues from childhood abuse...might be a song to avoid.

"Daughter" by Pearl Jam is easily best of the week. The worst of the week also easily falls out..it's going to "Dirty Dawg" by NKOTB

ARIA Top 50 Singles Chart Review. 27th January. GBP is a River

Tbis week was a case of the more things change the more they stay the same on the ARIA singles chart this week and that was especially the case with our top ten where for an eleventh week "APT" by Rose and Bruno Mars stayed at number one, it lost a bit of its margin on streaming but has a good lead on sales and streaming which was enough to keep it at the very top of the chart.

It was enough to hold up over "That's So True" by Gracie Abrams which despite closing some of that streaming margin couldn't narrow the gap to "APT so spent a ninth week at number two.

The open question is whether "Messy" by Lola Young holding strong at number three this week can surpass "That's So True' especially as it seems to have so momentum behind it on streaming and on sales so it's going to be one to watch for the number one spot in the weeks ahead.

"Die With A Smile" by Lady Gaga and Bruno Mars appears to be done as it is starting to sputter on sales and streaming, it just appears to be waiting on something stronger to surpass it and that might come in the form of "The Days (Notion Remix)" by Chrystal and Notion which climbed one spot to number five as it leapt past "Birds of a Feather" by Billie Eilish which dipped to number six but it should get a Hottest 100 streaming boost next week.

"A Bar Song (Tipsy)" by Shaboozey held it's place number seven while "I Had Some Help" by Post Malone and Morgan Wallen climbed one place to number eight pushing past "Taste" by Sabrina Carpenter at number nine. 

Unfortunately back in the top ten up two places is the lingering skidmark in the underpants that is "Beautiful Things" by Benson Boone at number ten.

Gains

Not too many big gains this week, just "Fast Car" by Luke Combs up seven places to twenty six thanks to Combs being in the country right now, this also explains why "When It Rains, it Puurs" being up ten to thirty.

Speaking of country, "Indigo" by Sam Barber and Avery Anna climbed five places to twenty three.

"Iris" by The Goo Goo Dolls climbed five places to forty three.

Re-Entries

 Three songs returned this week and all three are from Luke Combs with "Beautiful Crazy" at forty two, "Where The Wild Things Are" at thirty five and "Ain't No Love in Oklahoma" at thirty four.

Losers

Pretty quiet on the losers frontt with the biggest losers this week basically being non starters like "Smile" by Morgan Wallen and "Carry You Home" by Alex W\arren, both down six places to forty eight and forty nine respectively.

Drop Outs

Mixed news on the drop out front because did see "Stumblin' In" by Cyril drop out which was welcome  news. The bad news is that we also lost "Tweaker" by Liangelo Ball/Gelo which is sad considering I actually think the song is good.

Also gone is "Bed Chem" by Sabrina Carpenter, "Love Somebody" by Morgan Wallen and "Take Me to Church" by Hozier'

New Entries

Two new entries this week

47. "GBP"  by Central Cee feat. 21 Savageboth 

So I have absolutely no interest in listening to that Central Cee album that dropped on Friday, I have a bunch of other albums that are just more interesting than a British rapper who alternates between awful and mediocre, sadly this song is pretty much on the mediocre side of the equation with both Central Cee and 21 Savage rapping about the struggles of street life in the UK with all the enthusiasm of damp socks especially as Central Cee interpolates lines from his other songs in order to brag about how he would of had a high powered gun with several rounds of ammunition. I'd say skip it but chances are high that this will be forgotten about in no time. 

44. "Denial is a River" by Doechii

Finally, a proper chart breakthrough for Doechii, I did expect  "What it is (Block Boy)" to be her break through on the ARIA charts especially with the airplay on the radio it got but it somehow didn't but none the less, "Denial is a River' did cross over to the charts so what did we get? A damn good song as it turns out! That piano melody is just hitting for me and Doechii can absolutely flow over this as she reflects on her come up and the things that have happened to her and other people that have been apart of her life. 

Easily best of the week here...no contest.

"GBP" by Central Cee and 21 Savage gets worst of the week because yeah...I'm going to forget that one exists.

All 4 1994. January 23rd. She Feelin' Alright...Asshole, Can We Talk?

Pretty standard week we have at hand here but we do have a new number one...just wish it was better...it's "All For Love" by Bryan Adams, Sting and Rod Stewart claimed top spot with a damn good sales week that gave it a well timed push to get ahead of last week's number one "Boom! Shake The Room" by DJ Jazzy Jeff and the Fresh Prince at number two.

"Shoop" by Salt 'N' Pepa climbed one place but that might be more because "Please Forgive Me" by Bryan Adams hit the downswing down two to number four.

M People continue to keep their upwards momentum going as they climbed one spot to number five as did Cut 'n' Move's "Give It Up" whichn climbed four places to number six meanwhile the same cannot be said of "Hero" by Mariah Carey which has stalled at number seven.

Ace of Base stumbled four places to number nine as "All That She Wants" continues it's descent out of the top ten. 

There's a new arrival to the top ten this week and one that I saw coming with "Slave to the Music" by Twenty 4 Seven feat. Stay-C and Nane up five spots to number nine this week, I think this could make a play for number one soon.

Rounding out our top ten is "Got to Get to it" by Culture Beat down down one to number ten, it's time in the top ten is done.

Losers.

So not too many major losers this week with one of  the biggest being "True Love" by Elton John and Kiki Dee which slipped eleven places to forty five. 

The other major loser was Johnny Gill with "The Floor" sliding eleven to forty nine.

Efua's "Somewhere" is also headed out as it stumbled six to forty seven. 

Re Entries

We did have one return this week with "Please (You Got That...)"  by INXS returning at number forty three/

Gains

Most of the gains are just small incremental gains as the hits of 1993 slowly start making their way out but we did see "Green Limousine" by The Badloves rise ten spots off the debut to thirty seven and "Maximum Overdrive" by 2 Unlimited rise eight to thirty two this week.

New Entries

Four new entries this week, let's begin with...

50. "She Don't Let Nobody" by Chaka Demus & Pliers.

Alright, already got the bad feelings going just by glancing at this and seeing that is a cover of a 1981 Curtis Mayfield song and that Chaka Demus and Pliers are a reggae duo for whom this song is from their fourth album and well it's this smooth r'n'b number about hiw his girlfriend doesn't let other girls other than him have sex with her, it honestly feels like a brag song about how he is the only one she will sleep with and honestly while I think it's cool, that hook is beyond repetitive to the point of annoying and I feel like he is only using this girl's loyalty to him be a reason to brag about how she doesn't sleep with other guys which is a shame because I do like the smoother production here but yeah I don't see myself coming back to this one. 

42. "Feelin' Alright" by EYC

Alright, EYC an American pop and R'n'B group with this song being their big break through and look while I think the hook is a bit noisy, I do kind of get the appeal of this because I can see how this song would go off at parties given how the percussion is going off but I just wish the vocals didn't sound so completely buried because other wise this is a pretty solid party jam.

38. "Can We Talk?" by Tevin Campbell

Time to turn our attention to American singer songwriter Tevin Campbell who first started notching hits in 1991 and appeared on "Fresh Prince of Bel Air" at one point with this song released in September 1993 having been co-produced by Babyface of all people and...this is a bit of a disaster, not only is that clanking noise in the background way too reminiscent of poles being banged together and while the lyrical content of the song doesn't stand out particularly at first, he just wants to talk to this girl but is too shy to do so however he wants to find out her name...at first but then by the end of the song, he gets more insistent she talk to him and give him her name like he is entitled to it! This sucks...next!

30. "Asshole" by Dennis Leary

It's a bad sign that we're relying on an American comedian for a good song this week because my goodness we need something good to close out the week and well...this song is actually fucking hilarious, Leary's verses are full of things he does that would likely piss off everyone else such as piss on the toilet seat etc and it's all because he says that he is an asshole on the hook with the adlibs singing "he's an asshole" and "he's the world's greatest asshole". I loved this. Check it out!

Yeah, "Asshole" by Dennis Leary is the easy best of week, as for the worst..."Can We Talk" by Tevin Campbell for being a beyond pushy slice of incel R'n"B

ARIA Top 50 Singles Chart Review: 20th January. Carry Tweaker Home

No preamble this week, I have year end lists to write so let's get on with this. "APT" by Rose and Bruno Mars retains the number one slot for a tenth week and its looking pretty rock solid for another week at least at number one, it held off "That's So True" by Gracie Abrams (a song that is starting to sour on me rather quickly...might see it on my worst list) mostly because Gracie doesn't have the stability across the board on sales, streaming and Youtube that Rose and Bruno do. 

The rest of our top five is also very stable with "Messy" by Lola Young at number three, "Die With A Smile" by Lady Gaga and Bruno Mars at number four and "Birds of a Feather" by Billie Eilish at number five.

From there, it's change as "The Days (Notion Remix)" by Chrystal and Notion continued its upward climb up one spot to number six, it moved past "A Bar Song (Tipsy)" by Shaboozey which slipped to number seven.

Both "Taste" by Sabrina Carpenter and "I Had Some Help" by Post Malone and Morgan Wallen moved up one spot each to eight and nine respectively which pushed "Espresso" by Sabrina Carpenter back two places back to number ten.

Losses

"Cruel Summer" by Taylor Swift finally appears to be on its way out as it fell ten places to number thirty nine while "Smile" by Morgan Wallen slipped six places to number forty two

Drop Outs

Unfortunately we lost "Push 2 Start" by Tyla, "Hot to Go!" by Chappell Roan and "Sticky" by Tyler the Creator along with 2024 hit "End of Beginning" by Djo and the other debutant from last week "Don't Stop Believing" by Journey.

Re-Entries 

So we did see couple of songs return with two older songs returning with "Yellow" by Coldplay at fifty and "Take Me to Church" by Hozier at forty nine.

Morgan Wallen's "Love Somebody" is unfortunately back at forty seven. 

Gains

So not too many massive gains this week but we did see "Indigo" by Sam Barber and Avery Anna up ten places off its debut to twenty eight while "Bad Dreams" by Teddy Swims went up nine spots to thirty. 

Nrw Entries

Bit of a shorter week with just two entries but it is going to get quite complex just not straight away because first...

43 "Carry You Home" by Alex Warren

I was expecting ?Burning Down" to the song to cross over to the ARIA singles chart not this one but no matter. If you aren't aware who Alex Warren is, he is an American singer songwriter and Youtuber, he was apparently the member of a questionable video group called The Hype House with this song being one of the first to get any attention for him as a musician and look, I am not going to say it's as good as "Burning Down" but it's solid without being great. its basically a Noah Kahan song where he hopes that this girl understands that no matter when he will carry her home.

I just wish the backing vocals didn't feel like they overwhelmed the song and that this song was more memorable, It's not bad...just easily forgettable.

41. "Tweaker" by Ball Brothers/G3 Gelo

This is actually somewhat of a more interesting new entry this week as it comes from LiAngelo Ball, the brother of former NBA player LaMelo Ball and did play basketball for a time before he dropped out to become a rapper and signed to Def Jam records with this actually winding up being something of a viral hit so what did we get?

Uh, much to my surprise, a pretty good song that reminds me a lot of 2000s rap that came from Nelly especially on the hook and more recently of Lil Nas X on his 2021 album Montero. That piano is also doing a lot of heavy lifting and it's just short enough to not get annoying. Definitely check this one out if you are curious but while I don't think it's great just yet, it's definitely fun and worth your time.

Yeah, it's getting best of the week. No worst this week because I don't think "Carry You Home" by Alex Warren deserves that. 

Next week...uhh...I don't know...could be a quiet one, we'll have to see.