Saturday, 2 May 2026

Pretty Fly (For 1999): 2nd May. Blame It on Millennium Bleeding Love Here Right Now, Lucky Me!

So we have quite the week in front of us with most of all of the new entries in the bottom half of the top fifty and the usual array of movement that we may as well get started straight away with the top ten where we have a new number one that being "No Scrubs" by TLC which moved up three slots to take the top spot, it's sales are excellent and I can see this being a stable number one for the time being. 

It held off "Why Don't You Get a Job?" by The Offspring at number two and "We Like to Party (The Vengabus)" by The Vengaboys at number three, both songs just couldn't go with "No Scrubs". 

Former number one "Baby, One More Time" by Britney Spears slipped back to number four with the bottom having fallen out of sales at this point, to the point it's going to come under pressure from the constantly yo yoing "The Animal Song" by Savage Garden which yo yoed back up one to number five, it was rnough to move past "That Don't Impress Me Much" by Shania Twain which slipped one to number six.

"Touch It" by Monifah continues to be annoyance refusing to move from number seven however it could come under pressure from the new arrival to the top ten this week courtesy of "Fly Away" by Lenny Kravitz up from thirteen to number eight.

"Until the Time is Through" by Five remains at number nine and "Anthme for the Year 2000" by Silverchair fell two slots to number ten. GG

Losers

It's all tearing down for The Living End with "All Torn Down" sliding from twenty six to forty one this week. 

Looks like the public aren't feeling "End of the Line" by Honeyz as it dipped ten to thirty five which is a shame as I really like that song still. "Lullaby" by Shawn Mullins dived from eighteen to thirty one. 

Gains

We have more big gains than losers this week beginning with "Honey to the Bee" by BIllie Piper up thirteen slots to twenty, this song is definitely catchy so I am not surprised to see this up off it's debut. 

Also up off it's debut last week is 4 the Cause with their cover of "Stand by Me" unfortunately up eight to twenty nine. 

"Last to Know" by Human Nature scored a ten place rebound to thirty two...delighted about this one while "Save Tonight" by Eagle Eyed Cherry is up eight to thirty three.

"9pm (Til I Come)" by atb gained nine slots to thirty seven this week in more pleasing news.

Really the only gain I am not thrilled about gaining is that of "Put Your Hands Up" by Black and White Brothers up eight to forty two...really, people? Come on, we can do better than this. 


New Entries

Six entries this week, beginning with...

50. "Love Lies Bleeding" by Sonic Animation

We're starting the week with an Australian dance and techno group called Sonic Animation and I'll give this song credit for actually being somewhat interesting and less repetitive with it's instrumentation and pretty solid base groove even if the lyrics are not anything to write home about, the content being about feeling ecstasy and desire  which makes sense for a song that would fit right in on the dancefloor. This song is fine enough but it's nothing I am going to come back to. 

49. "Millennium" by Robbie Williams

Time again to talk about the most successful solo member of Take That that being Robbie Williams and his new song that given we're heading to the new millennium because of course we had to have a song about it only this time Williams is taking inspiration from James Bond themes more specifically "You Only Live Twice" and satirically explores the jet set lifestyle and reflecting on the anticipation of the year 2000 within cuture and how generations going forward may lose some traditions which is actually not a bad tangent for this sort of song however I do think where the issue with this song is in how weirdly elegant the production is for a song about the future especially in the more orchestral arrangements...

Then again, it could be a case of past meeting future or something? Who knows? The song is pretty good, check it out if you are curious. 

48. "Blame It on the Weatherman" by B*Witched

Staying in the UK and we have the fourth single from B*Witched and I think I might like this better than any of their previous three singles more because yeah...this is pretty close to great with the storm sound effects, the gentle guitar and the girls harmonies on the hook. The song is about blaming the weatherman for the end of a relationship and using the horrible weather outside as justification for blaming the break up on the poor weatherman!

But yeah, I just love how this sounds and how the song builds and the vocals stacking on top of each other, this song is well worth yout time, check it out. 

46. "Right Here, Right Now" by Fatboy Slim

So we have the follow up to "Praise You" from Fatboy Slim and unfortunately I am not much of a fan of this at all, sure I get the instrumental appeal but that breathy voice going "Right here/..ight now" hits the wall of being incredibly annoying, it's somewhat lucky that the instrumentation is somewhat memorable because otherwise I'd say this is annoyingly forgettable rather than annoying and mediocre. Next!

45. "It's Our Time" by Ilanda

Yeah we're finishing with Australians this week beginning with vocal harmony and dance group Ilanda's newest song "It's Our Time" and well...this song is good old fun time with the gleaming funk keys and a pretty solid groove to match that feels reminiscent of what CDB were able to do in the mid 90s although I will say the countdown in the middle of the song is somewhat a bit unnecesaary and doesn't really fit in with the smooth vibe of the song. It's not bad overall. 

43. "Lucky Me" by Bachelor Girl

Wrapping up the week with the latest single from Bachelor Girl, a pop rock song where this woman has everything she could want in life such as a nice house, car etc but is bemoaning the lack of compassion and love within their community where people have put material things above loving other people and demonstrating care and compasion towards others (somethig that has only been deomonstrated more and more in the 2020s) and Tania Doko's vocal delivery does well to communicate how fed up she is with the dynamic at play here, in short another pretty great song that deserves your attention


That conpletes our week and wow, best and worst do not fall out easy here. I think I am going to give worst of the week to "Right Here, Right Now" by Fatboy Slim, it's the song I care least about of our new arrivals.

As for the best, it's a tight go but I am going to give it to "Lucky Me" by Bachelor Girl mostly because i think the lyrics hit hard and play well for introspection.