Thursday 14 May 2020

2000 Sound: 14th May. Ayyy ROCK ON!!!!

Let's not waste any time this week and get stuck into it beginning with the top ten where Destiny's Child spend a second week at number one with "Say My Name" and really it looks a pretty dominant number one right now.

It's closest competition is coming from "Never Be The Same Again" by Mel C and Lisa "Left Eye" Lopes which rose one place to number two, this song's radio presence is quite something else which is odd because the radio won't touch Spice Girls but anyway this song pushed "Poison" by Bardot down to number three as the hype continues to fade.

Sash! saw "Adelante" move up one place to number four as sales remain consistent, I don't think it's a player for number one but this song is more than holding it's own although it could be more that "Bye Bye Bye" by NSYNC started to weaken and fell one place to number five.

"Don't Give Up" by Chicane feat. Bryan Adams rose two places to number six because somehow people want an empowerment anthem.

Another week, another new entry in the top ten, this time from Pearl Jam with "Nothing As It Seems" riding solid sales to debut at number seven, it won't last in the top ten though.

Naughty by Nature climbed one place to number eight for their "Holiday" while Leah Haywood is back in the top ten at number nine having rose two places this week with "We Think It's Love".

Finally not quite proving my point back number seven, we have Toni Braxton's "He Wasn't Man Enough" which fell four places to number ten.


Gains

Lonestar's "Amazed" got a massive jump this week rising 14 places to 26 somehow mainly due to it being easy listening wedding fodder.

Macy Gray's completely unmemorable "Still" climbed five places to 21 while "Crash and Burn" by Savage Garden rose from 22 to 15...

Re-Entries

Speaking of Savage Garden, "Affirmaton" is back at 50...

Losers

Not much in this category here except that "American Pie" by Madonna dropped seven to 40 thank goodness while "Pray" by Tina Cousins dropped from 23 to 32 this week and "Generator" by Foo Fighters also lost power down to 38.

"Candy" by Mandy Moore fell out of he top ten to hit 13.

New Entries

I've already mentioned Pearl Jam in the top ten but it's not the last of the rock leaning songs new this week because at number 28 is "Bent" by Matchbox Twenty, this song is doing big things in the US, looks set to be a hit here while Aussie rockers Oblivia hit the chart at 36 with "My Friend"

Steering back toward pop, in at number 37 is M2M's ballad "Mirror Mirror" - a song that plays on the Snow White tropes a fair bit, not sure this is going to be the hit they are after, speaking of pop ballads, Chtistina Aguilera is back with "I Turn to You" at number 42.

Finally Ilanda team up with Jackie for "Breakin' There's no Stoppin' Us" which debuts at 43

Monday 11 May 2020

ARIA Singles Chart top ten/Chart Review: 11th May. Megan Thee Stallion and Beyonce's 'Savage" chart move

So this week was pleasing to a certain aspect as there was no Drake album bomb within the top 50 and what we got was a middling week with a couple of enormous moves that I will get to but first place where we saw bit of movement was in the top ten just not right at the top where "Roses (Imanbeck Remix) remained at number one for another week mostly due to streaming and solid sales hut will face a challenge next week when Ariana Grande and Justin Bieber's collaboration enters the chart next week likely very high.

"Roses held up over "Blinding Lights" by The Weeknd which remained at number two for another week, it's slowly bleeding on sales and streaming but its still got a fair margin to it's opposition which brings us to "Toosie Slide" at number three.which really only has streaming at this point and that is starting to show signs of wavering against stronger opposition...good.

The big story is with our number four that being "Savage" by Megan Thee Stallion which rose sixteen places due to the remix with Beyonce (which ARIA haven't credited this week). It's Megan Thee Stallion's first top ten hit in Australia.

Up three places also courtesy of a remix is "Say So" by Doja Cat. This song got a remix with Nicki Minaj (it's nowhere near as good as the remix of "Savage"). I can see this falling back hard in the weeks ahead.

All of this pushed "Death Bed" by Powfu feat. Beabadoobee down one place to number six, it's just not quite got the streaming or sales to really compete with the top five right now.

"The Scotts" by The Scotts slipped three places to number seven because it's underwhelming at best while Dua Lipa's "Don't Start Now" slipped two places to number eight as streaming and sales have evaporated for this song.

Rising five places into the top ten is "Rockstar" by DaBaby feat. Roddy Ricch at number nine thanks to streaming, this is DaBaby's first top ten hit in Australia and Roddy Rccch's second.

Most pleasingly the frantic movement has seen "Intentions" by Justin Bieber feat. Quavo fall back three places to number ten. Good.

Gains

So the only major gains outside of "Savage" by Megan the Stallion rising to number four were for "ILY" by Surf Mesa feat. Emilee which somehow jumped ten places to 32 and "Rover" by S1mba feat. DTG which got a big boost to 34 (not sure how long either song will stick around though, both seem to benefiting from internet virality.

Re-Entries

We got one re-entry this week from Noah Cyrus with "July" at 47, this song has been bouncing on and off the chart for awhile now so I don't expect it to stick around

Losers

The biggest loser this week is "Maniac" by Conan Gray which fell eleven spots to 48 this week (thank god it really didn't become a massive hit)

Unsurprisingly Travis Scott's "Highest In the Room" took a hit as it fell six places to 46 and "Sicko Mode" with Drake dropped seven places to 38 while Tones and I's "Never Seen the Rain" plunged from 41 to 49 (Yeah I like it but it's time for this to exit already)

"The Box" by Roddy Rich hit 26 down from 19 last week while "I'm Ready" by Sam Smith feat. Demi Lovato continues to be a non starter at 39.

Drop Outs

Neither drop out is all that surprising with "Goosebumps" by Travis Scott feat Kendrick Lamar and "Glitter" by BENEE both gone this week. Bit of a shame because would have liked to have seen "Goosebumps" become a hit in 2020.

New Entries

There's only just the one new entry to speak of this week and that is at number sixteen with "Be Kind" by Marshmello and Halsey, the song is actually surprisingly good and well worth checking out.

So that wraps up this week, expecting the debuts of the collab by Ariana Grande and Justin Bieber plus that new unfortunate song by 6ix9ine when the chart updates on Saturday at 5pm.


Sunday 10 May 2020

Top Ten Best Hit Songs of the 2010s

The 2010s…a decade where music became more disposable or really only good for the 30 second meme that might get virality on Vine or now TikTok which is becoming the new Vine, streaming has effectively replaced downloads and CDs as the way the majority of people around the world are listening to music while the popstars of the 2000s took a backseat to rappers and the new wave of popstars with the biggest names this decade including Adele, Taylor Swift, Post Malone, Ariana Grande, Drake and Bruno Mars.

Regardless of all that though, how was the music? Honestly, I think its ridiculous to compare decades as each decade has equal amounts of good and bad years eg: I have been looking at the music of the 70s and I am finding just as much crap from that I think people forget hence they like to romanticise about the 70s being better than the 2010s when there’s an argument that that is not the case at all however I am getting carried away, it’s time to talk about the ten songs that I loved the most over this 2010s

Believe me, creating this list wasn’t easy, it was agony cutting songs that just missed out but this is best of the best from the 2010s so for as much as I loved the gorgeously constructed “Someone Like You” by Adele, the amazing “Somebody that I Used to Know” by Gotye and Kimbra and the cathartic “Hymn for the Weekend” by Coldplay, they won’t be making this list.
The songs all had to chart on the ARIA year end singles chart of their respective year and keep in mind this is just my opinion, music is subjective so feel free to share your top ten favourite hit songs of the decade just gone in the comments and some of these picks may not reflect the year end top ten lists that I published especially for one year in particular.

Now all that is out of the way, let us get this show on the road starting with a song that was my favourite hit song of last year and still packs a smooth punch in 2020.

10. “Dancing With A Stranger” by Sam Smith and Normani
I have no regrets about putting this here, this song just connects for me with its slinky cool smoothness with R&B vibes that are tailor made to suit both the voices of Sam Smith and Normani. A song about not wanting to be lonely in the wake of a relationship falling apart so trying to find some semblance of solace with a stranger amidst the hope that the other person returns and the instrumentation really does highlight the loneliness.

Sam Smith vocally sounds so better on this too not using the range where they tend to sound more willowy and it works with Normani so effectively, the lower range works with spare guitar and the other elements so well, its almost breathtaking.

This guy is going to be appearing on my list twice, he is the only one set to appear twice and its for good reason…

9. “Lego House” by Ed Sheeran

It took me awhile to appreciate Ed Sheeran’s 2012 smash hit, it took hearing this on the radio in 2014 for me to truly appreciate just how resonant “Lego House” is for me and that gentle acoustic guitar along with the piano, it’s sheer divinity to the ears. The subject matter of the song though is dark as Sheeran sings about the struggle of trying to fix a relationship that seems hopelessly lost or at the point of just falling apart altogether but Sheeran still cares enough about this girl to want to stop her from getting hurt by him, he knows things in the relationship aren’t working and wants to ease her pain even if he knows he will suffer himself.

What sells this song is the sincerity and emotion in the voice of Ed Sheeran on the song, you can almost feel his heart breaking on the track. So glad Australia made “Lego House” the hit it deserved to be,

There are three songs on this list that weren’t hits in the USA, “Lego House” was one, this is the second of those and considering the fact that after her breakout success in 2013/14 over the USA the fact this song wasn’t a hit there surprised me which is why I am so happy I can put it on this list.

8. “Green Light” by Lorde

Unlike “Lego House” where Ed Sheeran is trying to let down a partner easy, Lorde is upset and trying to deal with her own heartbreak by seeking the moment her own heart will allow her to move forward and on with her life after the end of the relationship but not without taking a few pointed shots at the guy who broke her heart referencing kissing on the dancefloor etc and Lorde delivers with a genuine vocal intensity that maybe only Beyonce at her most  savage could match.

What I also love about this song is Jack Antonoff’s production which sees a piano sample that helps to build into one of the most exultant choruses of the 2010s, it’s anthemic without tilting into being corny. If you have not heard Lorde’s 2017 masterpiece album “Melodrama” yet, I highly recommend you do so because much like this song, it is something incredibly special.

This next song was not going to make my top ten, in fact, I had left it out for another song…I went back and re listened and weeeell….

7. “Uptown Funk” by Mark Ronson and Bruno Mars.

For a large portion of 2014-15, this song was inescapable and meant that it was under threat of suffering from people getting tired of it but even if I wasn’t initially a fan, I could still appreciate just how incredibly catchy it was as Mark Ronson fused jazz, dance and 70s and 80s tropes together to make a ridiculously memorable melody and beat while Bruno Mars is showing off all his retro cool as he sings about being so pretty he could kiss himself and brags he is smoother than a jar of Skippy peanut butter.

Now normally that kind of bragging from Bruno Mars or anyone else for that matter would irk me but Bruno Mars can carry the attitude and swagger involved with this kind of song plus “Uptown Funk has one hell of a groove that no other song was able to match for the rest of the decade, seems kind of ironic that “Uptown Funk” would be one of the last really fun songs in 2015 before the charts lapsed toward woke pop that was trying far too hard to be relatable and boring hip hop trap that popular music is only now just starting to come out of but for awhile this song brought smiles and fun for so many and we have Mark Ronson and Bruno Mars to thank for that.

I cannot believe I’m doing this; I am not a massive fan of this artist, she can annoy me sometimes, but you know what? When she makes a pop song like this one, you do have to acknowledge it and praise it…yep, there is a Taylor Swift song on this list…

6. “Style” by Taylor Swift

Taylor Swift’s singles choices are usually pretty terrible, I wasn’t a fan of “Shake It Off” (She just couldn’t sell the message convincingly for mine and that cheerleader aspect of the song pissed me off) and “Blank Space” while not as annoying as “Shake It Off, it suffered production issues but “Style” is what happens when Taylor leverages her strengths in writing with that outrageously good melody along with a sound that could have been jacked straight out of the late 70s, early 80s – a sound a lot of artists are going for right now.

“Style” is allegedly about a past romantic relationship Taylor was involved in and regardless of the stories and rumours, the song just works so well beyond all the gossip with that groove courtesy of those synths and a killer guitar riff that will almost always make any pop song good to great at least to me and Taylor sells this so much better than she did on “Shake it Off”.

I look forward to writing about “Cruel Summer” when it hopefully makes the year end for 2020, looking forward to whatever else Taylor has in store.

This next song gets to me a far bit and hearing it performed live by one of the artists involved during Music from the Homefront confirmed that for me, it needed to be here. It’s the last of the three songs not to be a hit in the USA and the only hip hop or hip hop adjacent song to make this list…

5. “Battle Scars” by Guy Sebastian feat Lupe Fiasco

This song brings me to tears every single time I hear it either on the radio or p, a song about over coming personal battles or labels given by other people and inspiring people to confront the challenges they are facing in their lives and yeah Sebastian’s vocal performance is one of his most passionate to date, the kind of soaring range that makes you sit up and pay attention and Lupe is on form here, he isn’t doing the whole phoned in verse on this song, he is giving it 100% and wow, he sounds fantastic as he raps about never really healing from the end of a relationship.

It is a very real and very honest song that dives headfirst into holding up a mirror to itself and questioning whether Sebastian and Lupe have overcome their battles and holding them to account, it’s real and powerful moment when Lupe admits what he is confronting is starting to break him and knowing what that’s like to hit that point, it’s something that does get to me every time. I think I’ll leave it where it is as like I said previously I do have trouble writing about this one.

I am so glad Australia made this a number one hit like it deserved to be worldwide.

Talking about this band so high on this list feels weird, mostly because they are making music now that is nowhere near as good as this song…

4. “Counting Stars” by OneRepublic

Oh man, hearing this song reminds of the potential that OneRepublic had at the time this song came out when Ryan Tedder showed he had some personality and One Republic had this knack for song writing that took the audience with them instead of selling out to car commercials with their most recent releases, look at songs like this one and “Love Runs Out” (a song that was a hit in the USA) but regardless of my thoughts on OneRepublic’s direction in 2020.

“Counting Stars” blends folk pop, pop rock and disco with a groove that is incredibly propulsive especially as the slow build leads to the incredibly propulsive chorus and lyrics that play almost toward themes that sound familiar today with laying in bed at night wondering how on earth they are going to make ends meet and what they are going to do with their lives as individuals and Tedder is just able to take the audience with him on this song, he really is the star of the show here.

Terrific song! I am glad this was a hit around the world, maybe just maybe, OneRepublic will come back to make this kind of pop rock music again one day.

We are not done with propulsive pop songs with a lot of energy though because…

3. “Ghost” by Ella Henderson

Who would have thought a former UK X-Factor contestant would up so high on this list? Well here is the thing, Ella Henderson released a damn good first album called “Chapter 1” with “Ghost” being the first single from the album and what a song it is with its prominent guitar rollick and plenty of momentum that really keeps the song moving with Ella Henderson delivering the song with a passion and conviction.

The subject matter of “Ghost” is that of a relationship that has fallen apart but Henderson knows that while it is absolutely toxic, she’s still in love with this guy and keeps going back to him because hey true love never dies. “Ghost” just a damn great pop song that I think way too many people have forgotten about and while Ella’s return hasn’t quite really bore the fruit this debut did, glad we got this out of it.

So we only have to go back a couple of years to 2017, the year Ed Sheeran just dominated the ARIA charts (also the year I started this blog), he released two songs at the same time at the start of the “Divide” album cycle, one was the biggest hit of the year in “Shape Of You”, the other was this…

2. “Castle on the Hill” by Ed Sheeran

This song never fails to make me tear up somehow with its almost anthemic chorus, that brilliant guitar and the whole song sounding like a U2 song maybe from the Achtung Baby era or something and the fact that ED SHEERAN, the man responsible for boring slog like “Thinking Out Loud” and “Photograph”, could write and release a ROCK leaning song like “Castle on the Hill” in the midst of a time when the world’s charts were full of clunky desaturated pop and hip hop stuck in a murky swirl of trap that mostly wasn’t good so when this got stuck at number two behind “Shape Of You” for a few weeks, I could scarcely believe my eyes, it was almost too good to be true especially as Sheeran wasn’t playing to his hook up side this time.


“Castle on the Hill” sees Sheeran reminiscing about growing up and how everyone he grew up with has handled life, some of those people he knew have since had children and some are just barely making ends meet when he returns home from his tours, it’s clear that Sheeran thinks of these people who he says in the song helped raise him, it’s a song that leaves a lump in my throat.
Heck, “Castle on the Hill” ended up being better than the entirety of the U2 album that was released in that same year.

So here we are at the top spot, I think I have known what my number one best hit of the decade would be for some time, this song to me is just incredible and the only one that I felt was right to put at the top to me…

1.  “Rolling in the Deep” by Adele

I love everything about this song that combines blues, gospel and disco into one incredible song that sees a proper build through the verses and bridge into an explosive chorus and the power of Adele’s voice is just captivity especially as the song just starts with Adele’s vocals and spare guitar building up with drums and a piano before hitting the chorus with Adele just nailing it brilliantly.

It’s claimed the song was written after a relationship breakdown where Adele was told by an ex-boyfriend that her life would be boring and lonely if she didn’t stay with him which is pretty insulting and abusive so this song does feel like the right message to send to that ex by Adele and what a way to do it too!


Billboard chose this song as one of their 100 songs of the decade and you know what? For once they got SOMETHING right as Adele was proving to be a game changer for the music scene still looking for direction post the collapse of the club boom in 2011, “Rolling in the Deep” and “Someone Like You” brought soul and blues back into sharp focus on the charts at a time when people were starting to feel the effects of the hangover from all the partying.

“Rolling in the Deep” is the best hit song of the 2010s.

Thursday 7 May 2020

2000 Sound: 7th May. Destiny's Child make you say their name at number one

We have a pretty interesting week on our hands here, plenty of switches everywhere and some new entries with one in the top ten so let's get right to it starting with the top ten and it's probably the right place to start because we do have a change at the top with Destiny's Child have snared their first ARIA singles chart topper with "Say My Name" and it was sheer numbers of sales and momentum that got them to number one, so much so it pushed Bardot's "Poison" down to number two this week as hype fades from Popstars.

Seems like the biggest rival to "Say My Name" might come from "Never Be the Same Again" by Mel C and Lisa "Left Eye" Lopes which moved up two places to number three this week, this song also has some serious momentum behind it right now. Radio is loving this song right now, it pushed former chart topper "Bye Bye Bye" by *NSYNC down to number four as it bleeds on sales.

The same goes for "Adelante" by Sash! which slipped to number five this week due to sales just starting to fall off.

Toni Braxton has the week's highest new entry at number six with "He Wasn't Man Enough". There's an open question of whether this will stay in the top ten but its here due to a pretty strong sales week.

Heck, it blew past "Candy" by Mandy Moore which fell to number seven this week as it continues to fall away gracefully.

Chicane's "Don't Give Up" feat. Bryan Adams remains steady at number eight this week while Naughty By Nature make their first appearance inside the top ten with "Holiday" up six places to number nine.

Finally returning to the top ten is "What's a Girl to Do" by Sister2Sister but I don't expect it to stick around.

Gains

A big gain this week for "Mambo Italiano" by Shaft as it rose eleven places 34 this week to become the week's biggest mover on the chart.

Brian McKnight's "Back at One" rose nine places to 39 while Kaylan's "Rock Me All Night" jumped eight places to 25.

Pink's "There You Go" seems to be the song headed for the top ten as it rose five places to 14 wbile "Crash and Burn" does the exact opposite for Savage Garden in rising six places to 22.

Re-Entries

Two re-entries this week with Westlife back at number 35 with their song "Flying without Wings" while Enrique Iglesias is back on the chart at number 36 with "Be With You"

Losers

Oof. It was a busy week on this front but let's start off with the songs that were top ten hits that lost big this week like Killing Heidi's "Live Without It" which plunged 20 places to 38 and the band's chart topping hit "Mascara" run down 14 places to 48, S Club 7's "S Club Party" is headed for a bad hangover as it dropped from 35 to 49 while "American Pie" by Madonna dropped from 25 to 32 this week and Chris Franklin's "Bloke" lost some of its oomph by skidding down seven places to 21.

"All the Small Things" by Blink 182 dropped seven places out of the top ten to 17 but frankly I am stunned it stayed in the top ten for so long.

Tom Jones and Mousse T's "Sex Bomb" continues to fail to detonate as it slid eleven places to 50 and Alice Deejay's "Back in My Life" slipped from 38 to 47.

New Entries

I have already talked about the new entry in the top ten for Toni Braxton with "He Wasn't Man Enough" at number six so we have just two other new entries to mention here with the first of those coming from American rock band Foo Fighters with their new single "Generator" in at 31.

Finally UK boy band A1 hit the chart with "Summertime of Our Lives" at number 44.





Sunday 3 May 2020

ARIA Singles Chart Top Ten: May 4th: Chart readies for another Drakepocalypse

This week was a surprisingly busy one, we got four new arrivals and plenty of movement up and down the chart this week and with Drake and a bunch of other new releases on the horizon that isn't surprising, Let's start with the top ten where "Roses (Imanbeck Remix)"by Saint JHN kep the number one spot for a fourth week and right now it's a margins game because while it is still doing well on sales, it is in a battle with another song for the top spot next week.

That battle is not with "Blinding Lights" by The Weeknd because while it's still incredibly strong on sales, streaming isn't so strong right now and it's starting to bleed there,

What is set to challenge for number one is "Toosie Slide" by Drake at number three especially as it's likely the release of his b-sides mixtape called "Dark Lane Demos" was released on Friday which resulted in a surge for this song on streaming along with several other songs but unlike "Roses", the sales for "Toosie Slide" are its weak point.


We have a new entry in at number four with a song called "The Scotts" by The Scotts otherwise known as Travis Scott and Kid Cudi. Now I am not certain this song will stay in the top beyond the next month but none the less strong streaming ensured that it debuted high.

Not going anywhere is "Death Bed" by Powfu and Beabadoobee which remained at number five this week courtesy of consistent sales and streaming that just won't go away.

"Don't Start Now" by Dua Lipa is down two to number six after it started to fall away on sales and it bled hard on streaming, it's secured it's place on the year end list so it will start making it's way out naturally.

Down one place is "Intentions" by Justin Bieber and Quavo mostly because sales fell this week. (They aren't falling away quickly enough, this song is rancid).

"Say So" by Doja Cat remains at number eight but I suspect it will get a boost next week because it got a remix with Nicki Minaj (I have some thoughts on the remix which I will going into on another blog entry)

"Break My Heart" by Dua Lipa dropped two places to number 9 this week as sales and streams weirld fell away, there's no real consistent base for this song right now.

Finally "Supalonely" by BENEE and Gus Dapperton fell one place to round out the top ten at number ten.

Gainers
The biggest gain of the week came for "This City" by Sam Fischer which rose from its debut of 43 last week to hit 22 this week. This is looking like being a hit in the making.

Speaking of songs rising off their debut last week, "Rockstar" by DaBaby feat. Roddy Ricch jumped ten places to 14, this song has traction on streaming so I kind of expect this song to get bigger.

Re-Entries

There is a LOT of Travis Scott this week and we find him again in the returns with "Sicko Mode" feat. Drake back number 31 while "Highest In the Room" is back at 40. Mostly due to to Fortnite, I don't see either making much more impact, they'll be gone next week if Drake has any impact at all.

"Rover" by S1mba and DTG is back at 48.

Losers

Unfortunately the biggest loser of the week was Physical" by Dua Lipa which fell eleven places to 29 this week. It should just make the ARIA year end chart but it's going to be close.

It was a busy week across the board with "City of Angels" by 24k Golden losing its hype and falling ten places to 44 and "I'm Ready" by Sam Smith feat. Demi Lovato slipped nine places to 34 as people realize that it's not good at all.

"In Your Eyes" by The Weeknd continues to really disappoint as it slips to 38 while "Maniac" by Conan Gray drops seven to 37 and "Glitter" by BENEE dropped six places to 50

Top ten hits like "Roxanne" by Arizona Zervas dropped six places to 47 as did "Godzilla" by Eminem feat. Juice WRLD which hit 49.

What was surprising were the sudden six place falls for "What's Poppin'" by Jack Harlow to 27 and "Savage" by Megan Thee Stallion to 20 although in the case of the latter, it might get a rebound next week given it's got a remix with Beyonce, I hope it does, the song is great!

Also the same can be said for "Blueberry Faygo" by Lil Mosey which fell from 17 ro 21...this was looking like being a hit a few short weeks ago...what happened?

Drop outs

So we have a busy week of drop outs from the top 50 with the only one I am disappointed to see gone is "To Die for" by Sam Smith however it is taking "Life is Good" by Future and Drake, "What a Man Gotta do" by the Jonas Brothers and "Post Malone" by Sam Feldt featuring Rani so that's really a win.

Other songs to go that really weren't hits are "Purple Hat" by Sofi Tukker, "Believe It" by PartyNextDoor feat. Rihanna (serves him right for wasting Rihanna) and "July" by Noah Cyrus.

New Entries

So I have already talked about "The Scotts" by The Scotts at number four but Travis Scott also has his 2017 Billboard Hot 100 hit "Goosebumps" with Kendrick in at 45 which is fine because "Goosebumps" is pretty solid.

Outside of Travis Scott songs either new or returning, the late Juice WRLD's new single "Righteous" is in at 15, I have some thoughts on that song too which I think need a forum better than a chart review to explain.

Finally an interpolation of Frank Sinatra's "I Love You Baby" has hit the chart through Surf Mesa's "ILY" feat. Emilee at number 42 because bastardising Frank Sinatra during lockdown is fucking normal.

So that wraps up what was a surprisingly busy week dominated by Travis Scott...next week as I mentioned...the likely Drakepocalypse along with new entries from a collab by Marshmello and Halsey, Hilltop Hoods and maybe even Luke Combs! We'll find out on Saturday when the chart updates at 5pm AEST.


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Thursday 30 April 2020

2000 Sound: 30th April. Bardot hold number one on another busy week

So this week isn't quite as wild and as crazy as last week but holy hell that doesn't mean it wasn't busy because it was, not at the top though where "Poison" by Bardot maintains number one for a second week due to mostly consistent sales, it held on over the closest challenger that being "Say My Name" by Destiny's Child which rose one place to number two and looks like being the song to take number one should "Poison" wobble.

"Say My Name" pushed past "Bye Bye Bye" by *NSYNC which fell one place to number three this week as it gracefully looks set to leave, it is under threat from "Adelante" Sash! which remained at number four this week.

Mel C and Lisa "Left Eye" Lopes continue their success with "Nrver Be The Same" rising two places to number five, this song is fast becoming a staple on the tadio so I guess we'll see whether or not this can make a run for number one however it did push past "Candy" by Mandy Moore which remained at number six this week.

Now we have the first of three songs making their first appearance in the top ten, at number seven, it's "We Think It's Love" by Leah Haywod rising ten places to give Haywood her first ARIA top ten hit, it's followed Chicane feat. Bryan Adams with "Don't Give Up' which rose twelve places to number 8...umm okay? I am not a fan at all of it but I guess people out there think it's good. The last of the new entrants to the top ten comes from No Doubt with "Ex Girlfriend" rising three places to number nine.

Finally Blink 182's "All the Small Things" rounds out the top ten by dropping two places to number ten.

Gains

Naughty by Nature got one of the bigger gains of the week as "Holiday" rose eleven places to 15. I actually don't mind that song, it's a good fun little jam.

"Caught out There" by Kelis rose from 32 to 26 this week while Pink's :debut single "There You Go" broke into the top 20 up from 25 to 19.

Lonestar's "Amazed" hit 36 up from 42. What people see in that sappy ballad, I have no fucking clue.


Re- Entries

There are fpir songs back on the chart this week starting at number 40 with Human Nature's "Be There With You". I don't expect this to stick around given it's not Human Nature's best song.

Santana and Everlast's collaboration "Put Your Lights On" is back at 42, Limp Bizkit's "Break Stuff" is a returning entrant at 47 and finally Brian McKnight's "Back at One" finds new chart life at 48.

Losers 


The biggest loser this week was "Live Without It" by Killing Heidi which fell from number to five to out of the top ten at 18 this week...ouch!

S Club 7's "S Club Party" fell five places to 35, they've got a new song on the chart this week which we'll get to in a second.while Len's "Steal My Sunshine" fell six places to 46 this week. Both "Steal My Sunshine" and "S Club Party" have clinched spots on year end list though.

New Entries

So the biggest new entry of the week belongs to Savage Garden's "Crash and Burn" which entered the chart at number 28.

S Club 7 are on the come down from the party with their new single being a ballad called "2 in a Million" at number 30.

Finally a song that I think might become a surprise hit from Shaft called "Mambo Italiano", its very catchy!


Monday 27 April 2020

ARIA Singles Top Ten/ Chart Review: 27th April.

If ever there was a week to think that the charts are starting stagnate due to the pandemic than this week was the week because in a way the chart really did slow down A LOT, we  only have a couple of songs new on the chart and yet another change at number one so let's get straight to the top ten where "Roses (Imanbeck remix)" by Saint Jhn returned to number one after a very strong streaming week, it really is a case of margins though because right behind is "Blinding Lights" by The Weeknd at number two because while it rules the sales, its losing ground on streaming to "Roses".

"Toosie Slide" by Drake remains at number three and unless those sales pick up, it's just not at the races right now, I expect this song to lose steam soon which would leave it open to "Don't Start Now" by Dua Lipa at number four except it has started to bleed on sales and streaming and will likely be heading down.
Unfortunately this means "Death Bed" by Powfu feat. Beabadoobee is in the best position to take advantage as it continues to have a strong streaming and sales presence to remain at number five this week. "Death Bed" has gotten kind of annoying for me" in a bad way. 

It also remains the case for "Intentions" by Justin Bieber feat. Quavo, a song that just doesn't know how to god damn die yet with streaming and sales both reasonably decent which no is not a good thing because the song SUCKS.

Then we have "Break My Heart" by Dua Lipa at number seven as it had a good week on streaming and sales. Just needs some consistency, it pushed past "Say So" by Doja Cat which fell to number eight and "Supalonely" by BENEE feat. Gus Dapperton at nine, both "Say So" and "Supalonely" are losing ground on sales and streaming, stronger songs will push them out of the top ten.

The same could be said for "Dance Monkey" by Tones and I which returned to the top ten at number ten somehow because it had better sales than the other songs around it.

Gains

We didn't have many big gains this week with the biggest being "If The World Was Ending" by JP Saxe feat. Julia Michaels which rose from 34 to 29 this week. Ew...


Losers

The biggest loser this week is 'Believe It" by PARTYNEXTDOOR feat. Rihanna which fell ten pllaces to 47, I like to believe its because the song utterly wastes Rihanna. It could have been a smash given how long the public have waited to hear anything from her.

"To Die For" by Sam Smith fell six places to 48 (We have more Sam Smith to talk about in the new entries)

"Memories" by Maroon 5 is finally on the way out as it fell nine places to 38 while 'In Your Eyes" by The Weeknd has something in it's eyes as it fell to 32 from 26.

Drop outs

"Everything I Wanted" by Billie Eilish leaves but not before securing its place on the 2020 year end list which may not be the case for "The Less I Know the Better" by Tame Impala.

"Rover" by S1mba feat DTG also made its exit off it's debut last week.

New Entries

So we have an interesting cluster of new entries here with the best of them being "Rockstar" by DaBaby feat. Roddy Ricch entering at number 24, it was the only DaBaby debut this week from by all accounts a pretty poor album entitled "Blame It On Baby"

I mentioned there'd be more Sam Smith, well, they have a new song at 25 called "I'm Ready" feat. Demi Lovato. The song is fine enough i guess, there's potential to get sick of the song pretty quickly but that's just in my opinion.

Finally Australian singer-songwriter Sam Fischer has his first ARIA top 50 hit with "This City" in at number 43, this song has radio traction, I expect this song to get even bigger in the weeks ahead.

So that wraps up a pretty slow week, "Roses" looks like it might just have number one on lock next week but we'll see what happens, expecting new entries for a Travis Scott/ Kid Cudi collaboration and a posthumous JuiceWRLD song but all that will occur when the chart updates on Saturday at 5pm.