So let's be honest this week was one of the quietest weeks of the year apart from some minor shifting within the top ten and just two new entries.
Lil Nas X spends a second week at number one and normally I would say that he has a lock on a third week but with Taylor Swift's new song set to likely challenge for number one so it's really turning into a numbers game.
Billie Eilish's "Bad Guy" stays where it is at number two as Eilish's album "When We all Fall asleep, where do we go" returned to the top of the ARIA album chart.
Dominic Fike's "3 Nights" climbed two places to number three given some strong streaming, it effectively pushed "Sucker" by the Jonas Brothers back to number four and "Talk" by Khalid and Disclosure back to number 5.
"Sunflower" by Post Malone and Swae Lee regained ground up one place to number 6 switching with Post Malone's other top ten hit "Wow" which went back to number 7.
Arriving in the top ten is Avicii's "SOS" with Aloe Blacc which went up three places to number 8. This song is doing well on sales and looks like it might have traction on streaming. It's one of two songs new to the top ten this week.
"Here with Me" by Marshmello and CHVRCHES remains at number nine.
The second song that is new into the top ten is Lewis Capaldi's "Someone You Loved" which umped three places to reach the top ten at number ten.
Gains
The biggest gain of the week belongs to Birds of Tokyo's "Good Lord" which jumped 11 places to 25 this week.
Happy to see "Woke Up Late" by Drax Project feat. Hailee Steinfeld up six places to 23 and "Exit Sign" by Hilltop Hoods feat. Ecca Vandal and Illy up five places to 22.
"So Am I" by Ava Max has leapt into the top 20, it's up from 22 to 14. I really am not the biggest fan of this song, it does feel like she's tried to copy the "Sweet But Psycho" formula but it didn't quite work.
"Lovely' by Khalid and Billie Eilish is back in the top 40 up from 42 to 37 while Dean Lewis's "Stay Awake" is up 6 places to 40.
Re-Entry
We have one re-entry this week, just a pity it's Imagine Dragons "Bad Liar" which returned at number 49. Really, Australia?
Losers
The losers are actually not the worst news this week, the biggest being "My Bad" by Khalid which dropped eleven places to 39 while Khalid's "Outta My Head" with John May slipped 8 places to 29. and "Better" slipped 7 places to 27.
"Kill this Love" by Blackpink slipped even further this week down to 43 from 34 while "Boy with Luv" by BTS featuring Halsey dropped out of the top ten down six places to 16.
Billie Eilish's "Wish You Were Gay" slipped 7 places to 21.
Drop Outs
Three songs fell out this week with two songs belonging to Ariana Grande with "Monopoly" feat. Victoria Monet and former number one "Thank U, Next" finally finding the exit.
Also gone is Khalid's "Saturday Nights" (which is disappointing, that song isn't bad)
New Entries
We got two new entries this week with one being pretty good and the other a slice of cringeworthy awful/ The highest debut going to the better song thankfully that being Amy Shark's "Mess Her Up" (I really wished "The Idiot" had of been the single but anyway) debuting at number 44.
Lil Dicky has rounded up some of the biggest names in music like Justin Bieber and Ariana Grande for a song that is allegedly said to be trying to send a message about the effects of climate change but crumbles in its attempted message with stupid and unfunny jokes, did we really need a baboons arse joke, Justin? but regardless, "Earth" debuts at number 46.
On that pretty crappy note, that finishes this week's top ten/chart review. We'll see what Taylor Swift's new song does, it does seem like it's on a trajectory toward a top 3 or top 5 debut, the public's reaction to the song has been weird to say the least, also the fact that Taylor is returning so soon after the Reputation era in 2017.
The chart for the week beginning May 6 is out at 5pm on Saturday.
Tuesday, 30 April 2019
Charting 1996: April 28th. Boyzone go number two
So this week is a bit of a strange one, it feels like not a lot happened but there was actually a fair bit that happened but we'll get to all that a bit later but let's deal with the issue of the top ten first where for a third week and honestly this could be number one for quite awhile with those sales.
Boyzone continue to surprise as they rise from 3 to 2 with "Father and Son". Honestly I am not a fan of this cover at all. Feels very twee but whatever the case, it pushed this year's longest running number two "Missing" by Everything but the Girl. "Missing" is starting to show signs that it might be ready to leave the top ten.
Australia is stil showing it's "California Love" to 2pac feat Dr Dre as "California Love" rose one place to number four.
The surprise for me is 3T's "Anything" climbed into the top 5 jumping one place to number 5.
A song headed perhaps for higher honours is Alanis Morissette's "Ironic" which leapt up two places to number 6, it's got a pretty solid footing right now, it went past "Spaceman" by Babylon Zoo which remained stagnant at number seven.
Joan Osborne slipped hard out of the top five down four places to number eight with her former chart topper "One of Us"/
Finally the last two songs stayed put with Eternal's "Power of a Woman" at number 9 and "Salvation" by The Cranberries at number ten
Gains
The big gains this week came from Human Nature who nab their first top 20 single with "Got It Goin' On" up nine to 19 while La Bouche also break into the top twenty as they are up 14 places to number 20 with "Sweet Dreams (Ola Ola e)"
The weird run of Melissa Etheridge's "I Want to come Over" has continued as it's up 9 places to 29.
"Firestarter" by The Prodigy is up ten places off its debut to 30. No surprise considering it was a UK number one, I expect it to be huge here too.
Losers
Most of the big losers are around the lower reaches of the top 50 and mostly all songs that were losing steam anyway like John Farnham's "Have a Little Faith in Us" which slipped 12 places to 37 and "Hey Lover" by LL Cool J which tumbled hard from 29 to 41.
It was also bad news for CDB's "Don't Stop" which seems to have sputtered out to be the biggest loser of the week dropping 14 places to 46. Ouch!
Bon Jovi's "These Days" drops 9 places to 50.
New Entries
We start the new entries with the biggest new song on the chart being an overseas hit already that being Michael Jackson's "They Don't Care About Us" which entes ths week at 33.. It's then back to Regurgitator's new single 'Kong Foo Song" which enters at 36.
A Swiss born Italian musician and DJ called Robert Miles has landed his first hit on the ARIA singles chart with "Children" at number 45.
Candy Girls feat. Sweet Pussy Pauline are back with "Wham Bam" at number 47 and finally, British rock band Spacehog have trotted in at number 48 with "In the Meantime"
Let's head overseas and check out the UK and US top 5.
United Kingdom (Official Charts)
The UK has a brand new number one and unsurprisingly it comes from George Michael with his new single "Fastlove". Watch for it here because I have a feeling this song might be huge.
"Fastlove' pushed "Return of the Mack" by Mark Morrison back to number 2. Gina G's "Ooh Aah...Just a Little bit" remains at number 3.
Manic Street Preachers fell back two places to number 4 with "A Design for Life" while "Cecilia" by Suggs and Louchie Lou/Michie One is up one place to number 5.
USA (Billboard Hot 100)
It's a sixth week at number one for Celine Dion with "Because You Loved Me" but she may well havea challenge to get a seventh week because Mariah Carey's "Always Be My Baby" which stayed at number two next week but appears to be an imminent threat for number one.
"Nobody Knows" by The Tony Rich Project and "Ironic" by Alanis Morissette remain where they are at 3 and 4 respectively.
Coolio's "1, 2, 3. 4 (Sumpin New)" jumped one place to reach the top 5 at number 5.
And that brings an end to Charting 1996 for the week.
Boyzone continue to surprise as they rise from 3 to 2 with "Father and Son". Honestly I am not a fan of this cover at all. Feels very twee but whatever the case, it pushed this year's longest running number two "Missing" by Everything but the Girl. "Missing" is starting to show signs that it might be ready to leave the top ten.
Australia is stil showing it's "California Love" to 2pac feat Dr Dre as "California Love" rose one place to number four.
The surprise for me is 3T's "Anything" climbed into the top 5 jumping one place to number 5.
A song headed perhaps for higher honours is Alanis Morissette's "Ironic" which leapt up two places to number 6, it's got a pretty solid footing right now, it went past "Spaceman" by Babylon Zoo which remained stagnant at number seven.
Joan Osborne slipped hard out of the top five down four places to number eight with her former chart topper "One of Us"/
Finally the last two songs stayed put with Eternal's "Power of a Woman" at number 9 and "Salvation" by The Cranberries at number ten
Gains
The big gains this week came from Human Nature who nab their first top 20 single with "Got It Goin' On" up nine to 19 while La Bouche also break into the top twenty as they are up 14 places to number 20 with "Sweet Dreams (Ola Ola e)"
The weird run of Melissa Etheridge's "I Want to come Over" has continued as it's up 9 places to 29.
"Firestarter" by The Prodigy is up ten places off its debut to 30. No surprise considering it was a UK number one, I expect it to be huge here too.
Losers
Most of the big losers are around the lower reaches of the top 50 and mostly all songs that were losing steam anyway like John Farnham's "Have a Little Faith in Us" which slipped 12 places to 37 and "Hey Lover" by LL Cool J which tumbled hard from 29 to 41.
It was also bad news for CDB's "Don't Stop" which seems to have sputtered out to be the biggest loser of the week dropping 14 places to 46. Ouch!
Bon Jovi's "These Days" drops 9 places to 50.
New Entries
We start the new entries with the biggest new song on the chart being an overseas hit already that being Michael Jackson's "They Don't Care About Us" which entes ths week at 33.. It's then back to Regurgitator's new single 'Kong Foo Song" which enters at 36.
A Swiss born Italian musician and DJ called Robert Miles has landed his first hit on the ARIA singles chart with "Children" at number 45.
Candy Girls feat. Sweet Pussy Pauline are back with "Wham Bam" at number 47 and finally, British rock band Spacehog have trotted in at number 48 with "In the Meantime"
Let's head overseas and check out the UK and US top 5.
United Kingdom (Official Charts)
The UK has a brand new number one and unsurprisingly it comes from George Michael with his new single "Fastlove". Watch for it here because I have a feeling this song might be huge.
"Fastlove' pushed "Return of the Mack" by Mark Morrison back to number 2. Gina G's "Ooh Aah...Just a Little bit" remains at number 3.
Manic Street Preachers fell back two places to number 4 with "A Design for Life" while "Cecilia" by Suggs and Louchie Lou/Michie One is up one place to number 5.
USA (Billboard Hot 100)
It's a sixth week at number one for Celine Dion with "Because You Loved Me" but she may well havea challenge to get a seventh week because Mariah Carey's "Always Be My Baby" which stayed at number two next week but appears to be an imminent threat for number one.
"Nobody Knows" by The Tony Rich Project and "Ironic" by Alanis Morissette remain where they are at 3 and 4 respectively.
Coolio's "1, 2, 3. 4 (Sumpin New)" jumped one place to reach the top 5 at number 5.
And that brings an end to Charting 1996 for the week.
A Rantish Kind Of Review of AJR's "Neotheater"
I don’t normally do album reviews because I just don’t have
the ability to cut apart and explain an album’s arc like other people who put
together album reviews but I just put
and pushed myself through quite the nightmarish experience that I never want to
go through again with the only solace being on Twitter venting about it during
the listen to this album in the hope that NOBODY else will put them through
what I did willingly.
The album is from “indie pop” trio AJR entitled “Neotheater”,
it’s this group’s third album after the release of their widely panned
sophomore album “The Click” in 2017. I didn’t listen to “The Click” mostly
because I had seen several reviews on Youtube suggest it was one of the worst
albums of the entire decade and decided that I’d be better off avoiding and
stick to listening to other albums which were much more appealing to me anyway
however that wasn’t the case this time around with “Neotheater” because I
somehow got the idea that this album couldn’t possibly be as bad as had been suggested
by Jon at ARTV so of course I decided to give “Neotheater” a go.
Folks, “Neotheater” by AJR is comfortably one of the worst
albums I have ever had the displeasure of listening to and am left wondering
who the hell thought this absolute rancid load of faux deep garbage, that
wouldn’t be out of place being played on Satan’s P.A system on repeat as a form
of torture, was good enough for the public to hear because seriously there are
next to no redeeming factors from this album.
Let’s deal with the lyrics because for the most part the lyrics are just inane
whinging that lacks the self-awareness or any basic grounding to make any of it
interesting especially in terms of the arc of growing up and the fear of
becoming adults especially as within the first two or three songs, the whinging
becomes really quite insufferable.
Take for example, the track “Karma” where they are bemoaning
that they aren’t getting anything in return for being “Good, helpful and
friendly” but complains that even though he is being all those things, he feels
‘hollow’ and that he is getting no good karma from being all these things in
return. What do you want, dude? A fucking pat on the back or congratulations
that you’ve managed to be good all year? Cause that ain’t going to happen. Also
you fail to address the fact that by helping somebody and being friendly that
you feel good about yourself but “Karma’ doesn’t do that instead the song goes
on and on about all these bad things that have happened in spite of the good
things he has done which of course he doesn’t outline in any of the verses.
Now let’s talk about “Beats”, a song so irreversibly stupid
I wondered what the point of putting it on the album was. “Beats” is basically
a song where AJR wonder if they’ll get money for promoting Beats headphones by
Dre so they can pay for recording the whole song while in the verses wondering
whether people will recognise their songs should some sadistic supermarket play
them while they are in the produce aisle. Quite why a supermarket would play
this garbage AJR call music I don’t know.
There are so many more examples of awful lyrics like the
contemptible “Break My Face” or the nonsense that is “Don’t Throw Out My Legos”
– well let’s deal with the latter because this song really sums up the
immaturity and sheer lack of growth in the song writing, which is ironic
considering this album is supposedly all about growing up, that AJR have shown in two years since they
released “The Click” and made me wish that they’d step on lego so they could
feel the similar pain I felt listening to this mind numbing abortion of a song.
AJR are moving out of home and all they think to say to their parents before
they head for their new home is “Don’t Throw Out my Legos” after years of being
fed, clothed, educated etc by these poor parents and all your worried about is
mum and dad not throwing out the lego so the lego is there in case you return
home. TAKE THE GOD DAMN LEGO WITH YOU THEN. At least Carrie Underwood’s “Don’t
Forget to Remember Me” had a semblance of being grateful for everything her mum
and dad had done for her.
What makes all of this worse is the production which for the
most part a mono genre slurry where AJR try to have a whole lot of noise and
when there is a small moment where something sounds good, it gets hit with some
noise to make you want to cringe. Take for example “Wow, I’m Not Crazy” which
features a high pitched voice going “Yep Yep Yep yep” and it sounds atrocious,
at leat when the Martians on Sesame Street repeat “Yep yep yep yep” to
oblivion, they occasionally added an “Uh huh” to make interesting and it
actually sounded good, the noise on “Wow, I’m Not crazy” made me want to throw
things out the window.
“Here’s the Entertainment” has gang vocals and oh a pitched
whistling sound over the chorus for no god damn explainable good reason. For
me, most of the production on this album was just noise after noise that set my
teeth on edge,
At most, this album and its arc of not wanting to grow up or
face reality as an adult is very much represented in terms of the way AJR write
their music with very little maturity or with any pathos that would make any of
this mono genre slurry or really bad two year old joke interesting.
This gets pretty damn generous 1/10 and that’s only because
I don’t believe in awarding 0/10. I can only hope AJR go away and do some solid growing up in terms of their songwriting and lyrics writing because this was just headache inducing
Tuesday, 23 April 2019
ARIA singles chart top ten/chart review: 22nd April 2019. Old Town Road takes number one and BTS debut in top ten
I need to get better at reading the Australian public. Seriously. I got it horribly wrong last week when I suggested that it was likely Billie Eilish could keep number one because....
That didn't happen and the new number one is "Old Town Road" by Lil Nas X and the remix with Billy Ray Cyrus. It got here courtesy of those streaming numbers which while not better than our current number two "Bad Guy" by Billie Eilish, the combined streaming numbers of "Old Town Road" and it's Billy Ray remix were enough for it to push past Billie.
So yeah as I said "Bad Guy" by Billie Eilish went back to number two after a two week run at number one.
Jonas Brothers "Sucker" remains stuck at number three as their new single "Cool" is getting roundly lambasted for being a pretty god awful song.
"Talk" by Khalid and Disclosure is up to number four proving that Australia has a major love affair with Khalid (he has better songs that this one!)
Also up one is Dominic Fike's "3 Nights" to number five. Ugh.
"Wow" by Post Malone got pushed back two places to number six while his other hit former number one "Sunflower" with Swae Lee continues to show it's longevity by remaining at number 7.
Also stable is "Bury A friend" by Billie Eilish at number eight while "Here with Me" by Marshmello and CHVRCHES continues to infuriate by climbing one spot to number 9 (Australia, you ignored CHVRCHES better songs but you let this become a hit?).
The highest new entry of the week isn't a surprise, it comes from BTS who have teamed up with Halsey for "Boy With Luv": which has debuted at number 10. Now like most other K-Pop songs, I am not expecting this one to stick around and its already slipping down Australian streaming charts but hey the song is actually decent so I'll take it at number ten for now.
Gains.
Happy to say the biggest gain of the week went to Australian band Birds of Tokyo with "Good Lord" up from 50 to 36 this week while Hilltop Hoods single "Exit Sign" with Ecca Vandal and Illy is up to 27 from 34.
Meanwhile "Don't Call Me Up" by Mabel smashed into the top twenty this week up ten places to 18 while Lewis Capaldi's UK number one "Someone You Loved" is up from 19 to 13. "Someone You loved" is a good bet to be in the top ten next week.
"So Am I" by Ava Max is up five places to 22.
Drax Project feat. Hailee Steinfeld is up 11 places to 29 this week wth "Woke Up Late".
Re-Entry
There was one re-entry this week courtesy of Ariana Grande with "Thank U, Next' back at 50.
Losers
There were some big losses this week mostly for Billie Eilish album tracks but the biggest loser this week was "Monopoly" by Ariana Grande and Victoria Monet which slipped hard to 39 this week. Ouch. As I said, I think it's time Ariana took a break from releasing singles.
Lets blow through the Billie Eilish songs that lost hard, "You should See me in a Crown" down to 48, "My Strange Addiction" down to 47, "All the Good Girls Go to Hell" slides to 37 and "When the Party is Over" down to 17.
Meanwhile Blackpink's "Kill This Love" fell as expected to 34 while Khalid's "My Bad' got shoved down to 28.
Drop Outs
The drop outs are as expected with "Xanny" by Billie Eilish (I think that may well be a single off the album soon, won't be shocked if it comes back) while I am surprised by the premature exit of "Giant" by Calvin Harris and Rag 'n' Bone man, kind of thought that that song had some traction to stick around.
Don't mind seeing "Bad Liar' by Imagine Dragons also out of the top 50. Good riddance.
New Entry
A posthumous song is one of two new entries (the other being "Boy With Luv" by BTS and Halsey at number ten) and by that I mean the new single by the much missed Avicii. Aloe Blacc recording his vocals for a song called "SOS" off of Avicii's second album which had been in the works before he sadly died.
Anyway will be interesting to see if Lil Nas X can nab a second week at number one especially with Taylor Swift showing up the week after. Things are about to get interesting and we're here for it. The chart updates on Saturday at 5pm AEST.
That didn't happen and the new number one is "Old Town Road" by Lil Nas X and the remix with Billy Ray Cyrus. It got here courtesy of those streaming numbers which while not better than our current number two "Bad Guy" by Billie Eilish, the combined streaming numbers of "Old Town Road" and it's Billy Ray remix were enough for it to push past Billie.
So yeah as I said "Bad Guy" by Billie Eilish went back to number two after a two week run at number one.
Jonas Brothers "Sucker" remains stuck at number three as their new single "Cool" is getting roundly lambasted for being a pretty god awful song.
"Talk" by Khalid and Disclosure is up to number four proving that Australia has a major love affair with Khalid (he has better songs that this one!)
Also up one is Dominic Fike's "3 Nights" to number five. Ugh.
"Wow" by Post Malone got pushed back two places to number six while his other hit former number one "Sunflower" with Swae Lee continues to show it's longevity by remaining at number 7.
Also stable is "Bury A friend" by Billie Eilish at number eight while "Here with Me" by Marshmello and CHVRCHES continues to infuriate by climbing one spot to number 9 (Australia, you ignored CHVRCHES better songs but you let this become a hit?).
The highest new entry of the week isn't a surprise, it comes from BTS who have teamed up with Halsey for "Boy With Luv": which has debuted at number 10. Now like most other K-Pop songs, I am not expecting this one to stick around and its already slipping down Australian streaming charts but hey the song is actually decent so I'll take it at number ten for now.
Gains.
Happy to say the biggest gain of the week went to Australian band Birds of Tokyo with "Good Lord" up from 50 to 36 this week while Hilltop Hoods single "Exit Sign" with Ecca Vandal and Illy is up to 27 from 34.
Meanwhile "Don't Call Me Up" by Mabel smashed into the top twenty this week up ten places to 18 while Lewis Capaldi's UK number one "Someone You Loved" is up from 19 to 13. "Someone You loved" is a good bet to be in the top ten next week.
"So Am I" by Ava Max is up five places to 22.
Drax Project feat. Hailee Steinfeld is up 11 places to 29 this week wth "Woke Up Late".
Re-Entry
There was one re-entry this week courtesy of Ariana Grande with "Thank U, Next' back at 50.
Losers
There were some big losses this week mostly for Billie Eilish album tracks but the biggest loser this week was "Monopoly" by Ariana Grande and Victoria Monet which slipped hard to 39 this week. Ouch. As I said, I think it's time Ariana took a break from releasing singles.
Lets blow through the Billie Eilish songs that lost hard, "You should See me in a Crown" down to 48, "My Strange Addiction" down to 47, "All the Good Girls Go to Hell" slides to 37 and "When the Party is Over" down to 17.
Meanwhile Blackpink's "Kill This Love" fell as expected to 34 while Khalid's "My Bad' got shoved down to 28.
Drop Outs
The drop outs are as expected with "Xanny" by Billie Eilish (I think that may well be a single off the album soon, won't be shocked if it comes back) while I am surprised by the premature exit of "Giant" by Calvin Harris and Rag 'n' Bone man, kind of thought that that song had some traction to stick around.
Don't mind seeing "Bad Liar' by Imagine Dragons also out of the top 50. Good riddance.
New Entry
A posthumous song is one of two new entries (the other being "Boy With Luv" by BTS and Halsey at number ten) and by that I mean the new single by the much missed Avicii. Aloe Blacc recording his vocals for a song called "SOS" off of Avicii's second album which had been in the works before he sadly died.
Anyway will be interesting to see if Lil Nas X can nab a second week at number one especially with Taylor Swift showing up the week after. Things are about to get interesting and we're here for it. The chart updates on Saturday at 5pm AEST.
Charting 1996: 21st April 1996. The Cranberries find Salvation in the Top Ten
So in stark contrast to the wild shifts and swings we have gotten so far this year, we have a fairly normal week with a normal amount of shifting,
OMC's "How Bizarre" stays at number one for a second week and really its more a question of longevity at this point with the sales still being decent, it held off "Missing" by Everything But the Girl which has done everything but reach number one however with its position starting to show signs of weakness I can see it just missing number one.
Boyzone's surprising rise up the chart with "Father and Son" continues as it rose one place to number three surpassing "One of Us" by Joan Osborne which dropped back to number 4.
"California Love" by 2Pac feat. Dr. Dre rose one place to hit the top 5 at number five while 3T's anything also surged up a place to number six.
Babylon Zoo's "Spaceman" continued it's descent down two places to number 7, it's starting it's slow exit, I expect this to be gone from the top ten sooner rather than later.
Alanis Morissette continues her run of chart success with "Ironic" up two places to number 8, it pushed back "Power of A Woman" by Eternal to number 9.
Now for a new entry at number ten from The Cranberries, the song is called "Salvation" which from their forthcoming album "To the Faithful Departed" out on April 30. Hope it does well for them
Gains
So outside the top ten, there was an eight place gain for Take That's "How Deep Is Your Love" to number 12.
After 7 breaks into the top twenty with "Til You Do Me Right" up from 25 to 18. Oasis join them in the top 20 at 19 up from 23 with "Don't Look back in Anger" and Mariah Carey finally sits inside the top 20 at number 20 with "Always Be My Baby" (I actually expected this song to be doing much better than it is considering it's performance in the USA).
The Max-A-Million cover of "Sexual Healing" is for some reason gaining traction so it's up nine to 30. Why anyone wants that, I do not know.
La Bouche hit number 34 with "Sweet Dreams (Ola Ola e)" up from 41 while Pulp's "Sweet Disco" is up 37 from 46.
Re-Entries
One returning entry and it comes from Everclear with "Santa Monica (Watch the World Die)" is back at number 43.
Losses
Mariah Carey and Boyz II Men's huge hit "One Sweet Day" has taken a ten place plunge to 50 as it finally heads toward the exit, also heading toward a rather quick exit is "Real Love" by The Beatles which slipped from 35 to 49.
Another hit that is likely to also follow 'Tell Me" by Groove Theory which tumbled down 11 places to 47. Bjork's "Hyperballad" lost its voice as it hit 48 from 31.
Melissa Etheridge's demand "I Want to Come Over" is starting to see the Australian public say no as the song slips 8 spots to 38
There's been another rapid loss of faith for John Farnham's "Have A Little Faith in Us" as it stuttered down from 14 to 25 while "1979" by the Smashing Pumpkins slipped 9 places to 26.
Shaggy's former chart topper "Boombastic" crumbled down 10 places to 21.
New Entries
So as for the new entries apart from the new song from The Cranberries at number 10, what else was there this week?
Well, The Prodigy's big UK hit "Firestarter" has finally reached Australian shores at number 40 while Simply Red eye following up their 1995 top ten hit "Fairground" with new single "Love Never Love" debuting at 42.
Coolio is also back with "1, 2, 3, 4 (Sumpin' New)" entering the chart at number 45, this song is already a top ten hit in the US.
So what about the US and UK...let's take a look...
UK Top 5 (Official Charts)
In the UK, it's a second week at number one for "Return of the Mack" by Mark Morrison but there is a new number two with Manic Street Preachers earning the highest new chart entry with "A Design for Life"
Gina G's "Ooh Ahh...Just A Little Bit" by Gina G falls back one place to number 3.
Michael Jackson remains stuck at number four with 'They Don't Care About Us" while Ash has the second new entry at number 5 with "Goldfinger"
US top 5 (Billboard hot 100)
Not sure there's much point because the top five are the exact same with "Because You Loved Me" by Celine Dion remaining at number one for a fifth week. "Always Be My Baby" by Mariah Carey at number two.
"Nobody Knows" by Tony Rich Project remains at number three, "Ironic" by Alanis Morissette is stuck at number four and "Down Low (Nobody has to know)" by R. Kelly feat. Ronald Isley sticking to number 5.
The biggest new entry of the week went to girl group SWV with "You're The One" debuting at number 9.
Anyway that wraps up charting 1996 for another week. Can OMC hang on to number one for a third week or will Boyzone or somebody else knock them off the top spot? Find out next week!
OMC's "How Bizarre" stays at number one for a second week and really its more a question of longevity at this point with the sales still being decent, it held off "Missing" by Everything But the Girl which has done everything but reach number one however with its position starting to show signs of weakness I can see it just missing number one.
Boyzone's surprising rise up the chart with "Father and Son" continues as it rose one place to number three surpassing "One of Us" by Joan Osborne which dropped back to number 4.
"California Love" by 2Pac feat. Dr. Dre rose one place to hit the top 5 at number five while 3T's anything also surged up a place to number six.
Babylon Zoo's "Spaceman" continued it's descent down two places to number 7, it's starting it's slow exit, I expect this to be gone from the top ten sooner rather than later.
Alanis Morissette continues her run of chart success with "Ironic" up two places to number 8, it pushed back "Power of A Woman" by Eternal to number 9.
Now for a new entry at number ten from The Cranberries, the song is called "Salvation" which from their forthcoming album "To the Faithful Departed" out on April 30. Hope it does well for them
Gains
So outside the top ten, there was an eight place gain for Take That's "How Deep Is Your Love" to number 12.
After 7 breaks into the top twenty with "Til You Do Me Right" up from 25 to 18. Oasis join them in the top 20 at 19 up from 23 with "Don't Look back in Anger" and Mariah Carey finally sits inside the top 20 at number 20 with "Always Be My Baby" (I actually expected this song to be doing much better than it is considering it's performance in the USA).
The Max-A-Million cover of "Sexual Healing" is for some reason gaining traction so it's up nine to 30. Why anyone wants that, I do not know.
La Bouche hit number 34 with "Sweet Dreams (Ola Ola e)" up from 41 while Pulp's "Sweet Disco" is up 37 from 46.
Re-Entries
One returning entry and it comes from Everclear with "Santa Monica (Watch the World Die)" is back at number 43.
Losses
Mariah Carey and Boyz II Men's huge hit "One Sweet Day" has taken a ten place plunge to 50 as it finally heads toward the exit, also heading toward a rather quick exit is "Real Love" by The Beatles which slipped from 35 to 49.
Another hit that is likely to also follow 'Tell Me" by Groove Theory which tumbled down 11 places to 47. Bjork's "Hyperballad" lost its voice as it hit 48 from 31.
Melissa Etheridge's demand "I Want to Come Over" is starting to see the Australian public say no as the song slips 8 spots to 38
There's been another rapid loss of faith for John Farnham's "Have A Little Faith in Us" as it stuttered down from 14 to 25 while "1979" by the Smashing Pumpkins slipped 9 places to 26.
Shaggy's former chart topper "Boombastic" crumbled down 10 places to 21.
New Entries
So as for the new entries apart from the new song from The Cranberries at number 10, what else was there this week?
Well, The Prodigy's big UK hit "Firestarter" has finally reached Australian shores at number 40 while Simply Red eye following up their 1995 top ten hit "Fairground" with new single "Love Never Love" debuting at 42.
Coolio is also back with "1, 2, 3, 4 (Sumpin' New)" entering the chart at number 45, this song is already a top ten hit in the US.
So what about the US and UK...let's take a look...
UK Top 5 (Official Charts)
In the UK, it's a second week at number one for "Return of the Mack" by Mark Morrison but there is a new number two with Manic Street Preachers earning the highest new chart entry with "A Design for Life"
Gina G's "Ooh Ahh...Just A Little Bit" by Gina G falls back one place to number 3.
Michael Jackson remains stuck at number four with 'They Don't Care About Us" while Ash has the second new entry at number 5 with "Goldfinger"
US top 5 (Billboard hot 100)
Not sure there's much point because the top five are the exact same with "Because You Loved Me" by Celine Dion remaining at number one for a fifth week. "Always Be My Baby" by Mariah Carey at number two.
"Nobody Knows" by Tony Rich Project remains at number three, "Ironic" by Alanis Morissette is stuck at number four and "Down Low (Nobody has to know)" by R. Kelly feat. Ronald Isley sticking to number 5.
The biggest new entry of the week went to girl group SWV with "You're The One" debuting at number 9.
Anyway that wraps up charting 1996 for another week. Can OMC hang on to number one for a third week or will Boyzone or somebody else knock them off the top spot? Find out next week!
Friday, 19 April 2019
ARIA singles chart top ten/chart Review: 15th April. Old Town Road goes number two as Khalid mini bombs the chart
So this week was a more normal week, we got a small album bomb from Khalid and with BTS likely to have one to maybe two songs arrive on the chart on Saturday and one of the worst charity songs I have ever heard next week, I am kind of grateful or what was a pretty quiet week.
Billie Eilish has a second week at number one with "Bad Guy" and it looks like it will get a third week at the top with its pretty impressive streaming numbers.
That said the US number one "Old Town Road" by Lil Nas X is also doing some pretty impressive numbers and could challenge if time was right but with the loaded release schedule ahead, it's going to need to have a big week next week to take number one before Taylor Swift blows everyone aside the week after but regardless "Old Town Road" jumped from 18 to number 2.
The Jonas Brothers drop back to number 3 with "Sucker" as a result and really my opinion on this song is cooling a bit. It reminds me of a much better song "Feel It Still" by Portugal the Man and every time I hear "Sucker", I feel like I could do much better but anyway.
Post Malone stays steady at number four with "Wow"
The arrival of Khalid's tepid second album "Free Spirit" meant that "Talk" with Disclosure rocketed from 11 to number five (I expect this song to fall away).
"3 Nights" by Dominic Fike has also experienced a recovery following the album bomb surging up three places to number six.
"Sunflower" by Post Malone and Swae Lee drops 1 place to number 7 while "Bury a Friend" by Billie Eilish drops 5 to 8 and "Wish You Were Gay" by Billie Eilish suffers a four place plunge to number 9. Not surprising the two Billie Eilish songs fell while the album bomb receded.
What was surprising is that Australia has decided to give CHVRCHES their first ever top ten hit and I can't say I am thrilled its "Here With Me" with Marshmello, CHVRCHES have much better songs than this one, Australia but "Here With Me" jumped 11 places to reach number 10.
Gains
Khalid's album mean "Better" was the biggest gainer of the week jumping from 40 to 17 while "My Bad" is up to 14 from 30.
The UK number one "Someone You Loved" has smashed into the top 20 up to 19 from 26 as it looks to make the same impact in Australia.
Another UK hit smashing the chart is "Don't Call Me Up" by Mabel which jumped 10 places to 28 as she announced her debut album this week.
In good news for Aussie artists Hilltop Hoods "Exit Sign" with Ecca Vandal and Illy is up to 34 from 43 and looks like continuing to go up given strong streaming.
Re-Entries
Khalid dominates the re entries, he has the best return with "Saturday Nights" at 41 while "Lovely" with Billie Eilish is back at 45.
"Swervin'" by A Boogie Wit Da Hoodie feat. 6ix9ine is also back at 44 but I cannot imagine why anyone even wants that song back.
Losers
Billie Eilish really does dominate the losers this week with the biggest being "Xanny" falling out of the top ten to 38, "My Strange Addiction" to 33, "You Should See Me in a Crown" to 36, "All Good Girls Go to Hell" to 25 from 8 and "When The Party's Over" from 7 down to 11. Ouch.
"Giant" by Calvin Harris feat. Rag 'n' Bone slipped surprisngly badly down ten to 47 would have thought with the over play it might stick around a lot longer than this.
Drop Outs.
\Six drop outs this week with four of them being from Billie Eilish wih "I Love You", "Iomilo", "Listen Before I Go" and "8" gone.
The other two are big ones with the biggest being former number one "Thank U, Next" by Ariana Grande.while former top ten hit "Body" by Loud Luxury feat. Brando is gone
New Entries
Three new entries this week with the biggest coming from K-Pop girl group Blackpink and their new single "Kill This Love" which has debuted inside the top 20 at number 18 something not even BTS have done with any song in Australia so that's kind of interesting. The best charting BTS song (Until next week) is "Idol" at number 35. I'd be surprised if "Kill this Love" stuck around.
Khalid got his song "Outta My Head" with John Mayer to debut at number 20 while Ariana Grande's new song "Monopoly" with Victoria Monet finally debuts at 21. (Starting to think Ariana burn out might be a thing, I think some people are sick of her)
So that wraps up the week, we'll find out how BTS got on when the chart is released by ARIA at 5pm on Saturday
Billie Eilish has a second week at number one with "Bad Guy" and it looks like it will get a third week at the top with its pretty impressive streaming numbers.
That said the US number one "Old Town Road" by Lil Nas X is also doing some pretty impressive numbers and could challenge if time was right but with the loaded release schedule ahead, it's going to need to have a big week next week to take number one before Taylor Swift blows everyone aside the week after but regardless "Old Town Road" jumped from 18 to number 2.
The Jonas Brothers drop back to number 3 with "Sucker" as a result and really my opinion on this song is cooling a bit. It reminds me of a much better song "Feel It Still" by Portugal the Man and every time I hear "Sucker", I feel like I could do much better but anyway.
Post Malone stays steady at number four with "Wow"
The arrival of Khalid's tepid second album "Free Spirit" meant that "Talk" with Disclosure rocketed from 11 to number five (I expect this song to fall away).
"3 Nights" by Dominic Fike has also experienced a recovery following the album bomb surging up three places to number six.
"Sunflower" by Post Malone and Swae Lee drops 1 place to number 7 while "Bury a Friend" by Billie Eilish drops 5 to 8 and "Wish You Were Gay" by Billie Eilish suffers a four place plunge to number 9. Not surprising the two Billie Eilish songs fell while the album bomb receded.
What was surprising is that Australia has decided to give CHVRCHES their first ever top ten hit and I can't say I am thrilled its "Here With Me" with Marshmello, CHVRCHES have much better songs than this one, Australia but "Here With Me" jumped 11 places to reach number 10.
Gains
Khalid's album mean "Better" was the biggest gainer of the week jumping from 40 to 17 while "My Bad" is up to 14 from 30.
The UK number one "Someone You Loved" has smashed into the top 20 up to 19 from 26 as it looks to make the same impact in Australia.
Another UK hit smashing the chart is "Don't Call Me Up" by Mabel which jumped 10 places to 28 as she announced her debut album this week.
In good news for Aussie artists Hilltop Hoods "Exit Sign" with Ecca Vandal and Illy is up to 34 from 43 and looks like continuing to go up given strong streaming.
Re-Entries
Khalid dominates the re entries, he has the best return with "Saturday Nights" at 41 while "Lovely" with Billie Eilish is back at 45.
"Swervin'" by A Boogie Wit Da Hoodie feat. 6ix9ine is also back at 44 but I cannot imagine why anyone even wants that song back.
Losers
Billie Eilish really does dominate the losers this week with the biggest being "Xanny" falling out of the top ten to 38, "My Strange Addiction" to 33, "You Should See Me in a Crown" to 36, "All Good Girls Go to Hell" to 25 from 8 and "When The Party's Over" from 7 down to 11. Ouch.
"Giant" by Calvin Harris feat. Rag 'n' Bone slipped surprisngly badly down ten to 47 would have thought with the over play it might stick around a lot longer than this.
Drop Outs.
\Six drop outs this week with four of them being from Billie Eilish wih "I Love You", "Iomilo", "Listen Before I Go" and "8" gone.
The other two are big ones with the biggest being former number one "Thank U, Next" by Ariana Grande.while former top ten hit "Body" by Loud Luxury feat. Brando is gone
New Entries
Three new entries this week with the biggest coming from K-Pop girl group Blackpink and their new single "Kill This Love" which has debuted inside the top 20 at number 18 something not even BTS have done with any song in Australia so that's kind of interesting. The best charting BTS song (Until next week) is "Idol" at number 35. I'd be surprised if "Kill this Love" stuck around.
Khalid got his song "Outta My Head" with John Mayer to debut at number 20 while Ariana Grande's new song "Monopoly" with Victoria Monet finally debuts at 21. (Starting to think Ariana burn out might be a thing, I think some people are sick of her)
So that wraps up the week, we'll find out how BTS got on when the chart is released by ARIA at 5pm on Saturday
Monday, 15 April 2019
Charting 1996: April 14th. A new number one, how bizarre!
Well I didn't see this coming, sure I saw signs of weakness in the number one but didn't think it would lose the number one this week and yet...well let's talk about that because our new number one is New Zealand group OMC with "How Bizarre" and yeah, this looks to have a little bit of staying power at the top but right behind it is "Missing' by Everything But the Girl which remains strong at number two.
What isn't so strong is the previous number one "One of Us" by Joan Osborne which dropped from number one back to number three as sales declined for "One of Us" with there being a big push for "How Bizarre"
Boyzone somehow have enough strength via their cover of Cat Stevens "Father and Son" climbed past "Spaceman" by Babylon to reach number four pushing "Spaceman" back to number 5"
Then we have a trio of one place gains with "California Love" by 2pac feat. Dr Dre at number 6, "Anything" by 3T at number 7 and "Power of A Woman" by Eternal at number 8.
Slipping back three places is "Get down on it by Peter Andre feat. Past to Present at number nine. Kind of surprised this is still in the top ten if I am being honest.
Then at number 10, we have Alanis Morissette's "Ironic" which climbed four places to reach the top ten which is good because "Ironic" is a good song.
Gains
So it was a bit of a quiet week but we did get a decent sized gain for The Presidents of the United States with "Peaches" breaking into the top 20 at number 13 up from 21 last week. "Don't Stop" by CDB broke into the top 30 up four to 28.
"I Want to Cokme over" by Melissa Etheridge is up 11 places to number 30 while "Bulls on Parade" by Rage against the Machine is up to 29 from 36.
Human Nature look to have had one of the biggest gains of the week with "Got It Goin' On" up to 33 from 47 last week while "These Days" by Bon Jovi rides up to 38 from 46.
Re-Entries
Two re-entries with "Lump" by Presidents of the United States returning at 47 and "I Wonder..." by Renegade Funktain back at number 50.
Losers
Unfortunately thr charts haven't been kind to "Imagination" by Deni Hinds which slipped from 38 to 49 and Tina Arena dropped 8 places to 48 with "That's the Way a Woman Feels" (bit of a shame for the latter as I really do like that song)
"It's Oh So Quiet" by Bjork stumbled quietly 14 places to 44 while the Red Hot Chili Peppers "Aeroplane" suffered turbulence in flight to stutter down to 43 from 35 last week.
Finally people are showing no "Real Love" for The Beatles song as "Real Love" slumped down to 35 from 27.
New Entries
Something of a rarity this year with only one new song and it's the new single for La Bouche called "Sweet Dreams (Ola Ola e) debuting at 41. Just another very meh dance track but will say it's better than their previous top ten hit.
That wraps up the week in Australia but lets head to the US and the UK to find out what happened on the chart scenes there with the top 5.
United Kingdom (Official Charts)
The UK have a new number one this week with Mark Morrison finally hitting the top of the charting with "Return of the Mack". Gina G's Eurovision song "Ooh Aah...Just a Little Bit" got a three place boost to number two while the previous number one "Firestarter" by The Prodigy dropped two number three.
Michael Jackson has the highest debut of the week with "They Don't Care About Us" at number four and Mark Snow dropped three places to number 5. Other big debuts in the UK this week came for Everything But the Girl's "Walking Wounded" at number 6 while The Presidents of the United States have a top ten hit in the UK with "Peaches" debuting at number 8.
United States (Billboard Hot 100
Speaking of the United States, let's check out what's happening on the Billboard Hot 100, it's a fourth week at number one for Celine Dion's "Because You Loved Me" ,
Really no change in the top three with "Always Be My Baby" at number two and "Nobody Knows" by Tony Rich at number three.
The only change comes with "Ironic" by Alanis Morisette up one place to number four while "Down Low (Nobody has to know)" by R.Kelly feat. Ronald Isley dropping one place to number 5.
That wraps up this week, we'll step back into 2019 with the Aria singles chart top ten/chart review of a pretty interesting old week following the Billie Eilish album bomb.
What isn't so strong is the previous number one "One of Us" by Joan Osborne which dropped from number one back to number three as sales declined for "One of Us" with there being a big push for "How Bizarre"
Boyzone somehow have enough strength via their cover of Cat Stevens "Father and Son" climbed past "Spaceman" by Babylon to reach number four pushing "Spaceman" back to number 5"
Then we have a trio of one place gains with "California Love" by 2pac feat. Dr Dre at number 6, "Anything" by 3T at number 7 and "Power of A Woman" by Eternal at number 8.
Slipping back three places is "Get down on it by Peter Andre feat. Past to Present at number nine. Kind of surprised this is still in the top ten if I am being honest.
Then at number 10, we have Alanis Morissette's "Ironic" which climbed four places to reach the top ten which is good because "Ironic" is a good song.
Gains
So it was a bit of a quiet week but we did get a decent sized gain for The Presidents of the United States with "Peaches" breaking into the top 20 at number 13 up from 21 last week. "Don't Stop" by CDB broke into the top 30 up four to 28.
"I Want to Cokme over" by Melissa Etheridge is up 11 places to number 30 while "Bulls on Parade" by Rage against the Machine is up to 29 from 36.
Human Nature look to have had one of the biggest gains of the week with "Got It Goin' On" up to 33 from 47 last week while "These Days" by Bon Jovi rides up to 38 from 46.
Re-Entries
Two re-entries with "Lump" by Presidents of the United States returning at 47 and "I Wonder..." by Renegade Funktain back at number 50.
Losers
Unfortunately thr charts haven't been kind to "Imagination" by Deni Hinds which slipped from 38 to 49 and Tina Arena dropped 8 places to 48 with "That's the Way a Woman Feels" (bit of a shame for the latter as I really do like that song)
"It's Oh So Quiet" by Bjork stumbled quietly 14 places to 44 while the Red Hot Chili Peppers "Aeroplane" suffered turbulence in flight to stutter down to 43 from 35 last week.
Finally people are showing no "Real Love" for The Beatles song as "Real Love" slumped down to 35 from 27.
New Entries
Something of a rarity this year with only one new song and it's the new single for La Bouche called "Sweet Dreams (Ola Ola e) debuting at 41. Just another very meh dance track but will say it's better than their previous top ten hit.
That wraps up the week in Australia but lets head to the US and the UK to find out what happened on the chart scenes there with the top 5.
United Kingdom (Official Charts)
The UK have a new number one this week with Mark Morrison finally hitting the top of the charting with "Return of the Mack". Gina G's Eurovision song "Ooh Aah...Just a Little Bit" got a three place boost to number two while the previous number one "Firestarter" by The Prodigy dropped two number three.
Michael Jackson has the highest debut of the week with "They Don't Care About Us" at number four and Mark Snow dropped three places to number 5. Other big debuts in the UK this week came for Everything But the Girl's "Walking Wounded" at number 6 while The Presidents of the United States have a top ten hit in the UK with "Peaches" debuting at number 8.
United States (Billboard Hot 100
Speaking of the United States, let's check out what's happening on the Billboard Hot 100, it's a fourth week at number one for Celine Dion's "Because You Loved Me" ,
Really no change in the top three with "Always Be My Baby" at number two and "Nobody Knows" by Tony Rich at number three.
The only change comes with "Ironic" by Alanis Morisette up one place to number four while "Down Low (Nobody has to know)" by R.Kelly feat. Ronald Isley dropping one place to number 5.
That wraps up this week, we'll step back into 2019 with the Aria singles chart top ten/chart review of a pretty interesting old week following the Billie Eilish album bomb.
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