ARIA Singles Top 50 Top Ten/ Chart Review: 27th September. Obsessed With avoiding Fancy Like in my Wildest Dreams

 So this week felt less than I expected, I expected a Little Nas X album which we didn't get but a weird mish mash of new entries including from Lil Nas X but a re recording and one of the worst songs of the year in any genre but we'll get to that because we do need to discuss our top ten where for an 11th week, "Stay" by The Kid Laroi and Justin Bieber holds firm at number one, it's still incredibly strong on streaming and it doesn't appear that anything is getting near it right now...depending on numbers for that new Coldplay/BTS collab.

It held on ahead of "Bad Habits' by Ed Sheeran which remains at number two while "Cold Heart (PNAU Remix)" by Elton John and Dua Lipa stuck at number three, both have sales but their streaming is just not competitive with "Stay" right now.

Then we get to one of the stories of the week, the impact of Lil Nas X's album with "Industry Baby" feat. Jack Harlow up two places to number four thanks to an upsurge in streaming brought about by the release of the album, it's a matter of whether that streaming surge will last but it did push 'Heat Waves" by Glass Animals back to number five and "Shivers" by Ed Sheeran back to number six. 

There's a new entry at number seven, it comes from Lil Nas X with his latest single "That's What I Want" thanks to consistently solid streaming during the week but that streaming is nothing over the top right now.

Olivia Rodrigo's "Good 4 U" holds steady at number eight. 

Biggest gainer of the week does belong to Lil Nas X as "Montero (Call Me By Your Name)" surged back up ten places to number nine.

Finally "Beggin'" by Maneskin also held steady at number ten.

Gains

So I already mentioned "Montero (Call me By Your Name)" by Lil Nas X up ten to number nine this week thanks to the album release however the other big gain this week was for "Meet Me at Our Spot" by The Anxiety" up ten spots to 17 but that was it for the big gainers this week.

Losers

Unfortunately with the focus being on "Shivers" now, "Visiting Hours" by Ed Sheeran slipped eight places to number 32 this week, I expect this song to exit in the weeks ahead sadly.

Then there were the Drake cuts that continued to lose ground with "Knife Talk" feat. 21 Savage and Project Pat down eight to 26 and "Girls Want Girls" feat. Lil Baby down six to 13

Then  there's "Hurricane" by Kanye West feat. Lil Baby and The Weekend down ten to 22. 

Drop Outs

Five drop outs this week with there being one big one in "One Too Many" by Keith Urban and Pink making what will hopefully be its final exit...just a shame the song is probably locked on the year end list.

Unfortunately we did lose "Family Ties" by Baby Keem feat. Kendrick Lamar and "Higher" by Bella Taylor Smith...when you see the new entries you'll understand why these exits are unfortunate.

The others are from album bombs with "Champagne Poetry" leaving for Drake while "Off the Grid" feat. Playboi Carti and Fivio Foreign left for Kanye West

New Entries

Five new entries this week and we're starting in a rather gross and disgusting manner with...

50. "Fancy Like" by Walker Hayes 

I don't even know where to start with this or who to apportion blame to for this atrocity of a song being a thing in the first place or the fact it's in the ARIA singles top 50 this week to begin with but I'm not shocked by it, its hardly a surprise though and I'll explain why in a moment but first I'd better explain who Walker Hayes is, Hayes is basically a Nashville country by product churning out awful bro country slurry for the masses, he first charted on the US Billboard Hot 100 with the awful "You Broke Up With Me" in 2017 and is now having his biggest ever hit with "Fancy Like" hitting number five on the Hot 100 because the song became a viral hit thanks to TikTok and was used by a US restaurant chain that's mentioned in the damn song. 

This song has guitars with no tone, limp percussion and Walker Hayes faux rapping his way through a song and managing to sound even worse than his fucking predecessor Sam Hunt on "Drinking Too Much" and not managing to justify why he sounds so unbearably smug as he raps completely cringeworthy lyrics about his apparently low maintenance girlfriend wanting to dip him like the fries her frosty at Wendys (I'm fairly certain you can be arrested for having sex in public) but every now and then he has to treat her to an upgrade by taking her to Applebees...not a decent restauarant...just another fast food chain that's considered marginally more fucking snooty than Wendys and also features some of the most embarrassing product name dropping in years that makes me think that Walker Hayes is getting paid fucking endorsements for trash like this. 

So where does the blame lie for shit like this? With Sam Hunt's "Body Like a back Road" in 2017 becoming a hit? With people on iTunes buying "Fancy Like" which is how and why the song ended up in the top 50 this week? With the culture in Nashville that enables country music to continue to suffer embarrassments like this? We could have had KACEY MUSGRAVES or even Casey Barnes on the chart instead. Ugh.

It's the worst song to hit the ARIA singles chart since I started this blog. Fuck this song and fuck everything and everyone who enabled shit lie this song to chart.

41. "Obsessed With You" by Central Cee

Now to calm down and talk about British rapper Central Cee who has been chalking up an impressive number of hits in the UK with this being the first song of his to hit the Australian singles chart and well I like his delivery, he can keep a good flow and spit his bars out but those programmed female vocals really annoy the hell out of me, why are they so tinny and programmed on the hook. Central Cee also kind of paints himself as a bit of a stalker here, the lyrics point toward him being more than just obsessed with whatever it is his ex is doing and it kind of gives the song a weird vibe. It's better than "Fancy Like" but yeah I ain't coming back to this.

28. "Wildest Dreams (Taylor's Version)" by Taylor Swift

So this was a surprise release from Taylor Swift especially as she's preparing for the release of the "Red" re recording later this year so nobody was expecting her to release the re recording of a single from "1989" and honestly I was never a fan of the original song however I actually think the re record is much better, Taylor sounds less weirdly weedy on the chorus and overall the song feels lot more organic in the production with that orchestra picking up in the background. Yeah...I'll absolutely take this...nice job, Taylor...wonder if she can make "Shake It Off" somehow tolerable.

23. "love nwantiti (ah ah ah) by CKay feat. Joeboy and Kuami

Another newcomer to the chart with a remixed version of a 2019 song and quite frankly I wasn't expecting this to chart this week but none the less, CKay (real name Chukwuka Ekweani) is a Nigerian singer who has a flair for combining afrobeats, pop and psychedelia in his songs with this being the first to hit the ARIA singles chart and I will say it's a pretty sweet love song where CKay has found somebody he connects with and has fallen in love with and how she makes him feel when she is around him. It's a pretty intense love song if I am to be honest and yeah the Afrobeat elements shine here alongside that guitar. Yeah, I don't mind this...check it out if you are curious especially as its quite unusual to have a song from an African artist on the chart but it's great to see.

7. "That's What I Want" by Lil Nas X

So I've heard the new album from Lil Nas X and this song is actually one of my immediate favourites from the album with that bright guitar line, it's ridiculously catchy chorus and Lil Nas X's infectious personality bursting through every pore of this song as he goes through what he wants which is to find love with another man something that is often a struggle for a gay black man as being accepted by the black community for being homosexual is still a struggle and finding that acceptance and love is something Lil Nas X is still confronting to this day, he just wants somebody to love him. It's a song that shows how vulnerable Lil Nas X is despite the bright and rather bombastic production. Yeah, I love it...great song!

So that wraps up the week and yeah as it turns out the worst of the week is easy this week, it goes to "Fancy Like" by Walker Hayes because the song is just an absolute turd.

As for the best of the week is a little tougher because there are a two or three options here, I am going to give it to "That's What I Want" by Lil Nas X only because I've been going back to that song this week.

Next week is probably going to be a slow down week but I am expecting that Coldplay/BTS collab to debut high so we'll have to find out when the chart updates on Friday at 5pm. 

Good 1992 Vibrations. 20th September. Success Without You has Lead Me to White Men Digging in the Dirt

So here we go with another wild week with a ridiculous number of new entries this week all of them in the lower half of the chart as the top half of our top ten stalled...seriously nothing there changed so let's get to our top ten because for yet another week, it's "Amigos Para Siempre (Friends for Life)" by Jose Carreras and Sarah Brightman at number one but those margins are closing and it's going to be an open question of it can retain number one ahead of the strengthening competition behind it.


"Humpin' Around" by Bobby Brown looks the most likely to take number one should "Amigos Para Siempre (Friends For Life)" falter any further as it retained number two. "Rhythm is a Dancer" by Snap couldn't rein in the margin to the songs ahead of it hence remaining at number three while it was the same case for both '"Life is a Highway" by Tom Cochrane and "Please Don't Go" by K.W.S at number three.


Rising three places to number six is 'Sesame's Treet" by Smart Es up three places to number six...not a good sign that this is heading toward the top five...


Then there's the return to the top ten for "November Rain" by Guns 'n' Roses which rebounded from 41 to number seven...not sure what sparked this but pretty rare a song has that kind of rise after returning to the chart none the less it forced back "Everything's Alright" by John Farnham, Kate Ceberano and Jon Stevens back one to number eight and "Baby Got Back" by Sir Mix A Lot to number nine.


Arriving in the top ten this week is "Achy Breaky Heart" by Billy Ray Cyrus up seven to number ten. Looks like this is going to be a thing, folks. Joy.





Gains


So I already spoke about the big gains for "November Rain" and "Achy Breaky Heart" but there were some pretty significant gains outside the top ten this week especially for "Best Things in Life are free" by Luther Vandross and Janet Jackson breaking into the top 20 up from 23 to 17...this will rise further in the weeks ahead.


Then there's also the big gain for Company of Strangers song "Motor City (I Get Lost)" which jumped from it's debut of 48 to 27 this week which is really rather impressive, I am still kind of cold on the song sadly.


What I am not cold on is the excellent gain for "The Day You Went Away' by Wendy Matthews which climbed from 43 to 29...I still stand by this song being excellent however it dragged the not so excellent "Proove" by Radio Freedom up from 42 to 30 this week.


"Just Another Day" by Jon Secada saw a boost up from 47 to 33 while "Breaking the Girl" by Red Hot Chili Peppers climbed from 45 to 39.


Losers


We have a long list of losers this week as well so let's begin where we usually do because "Candyman" by Ratcat lost all it's gains as the candy went sour down from 38 to 50 while "Ain't 2 Proud 2 Beg" by TLC slumped down from 35 to 47.


"Save the Best for Last" by Vanessa Williams collapsed from 28 to 45 as it's best days on the look well and truly behind it. "Abba esque" by Erasure fell ten places to 44. Michael Jackson is in a sticky situation as "Jam" got stuck in reverse down from 32 to 43.


God also gave "God Gave Rock n Roll to You Part II" by Kiss a nine place fall to 42 while "Baby Don't Cry" by INXS cried it's way down eleven to 41.

Former chart topper "Hazard" by Richard Marx hit a hazard as it plummeted down from 25 to 34 while "Heaven Knows" by Rick Price tumbled seven to 28 as Girlfriend skidded down ten places to 26 with "Girl's Life"


"Too Funky" by George Michael slipped from 15 to 21 while "As Ugly as They Wanna Be" by Ugly Kid Joe finally took a well deserved five place hit to number 11...thank fucking god.




New Entries


Eight new entries this week, beginning with...



49. “Don’t You Want Me” by Felix

No, we don’t need a cover of The Human League’s “Don’t You Want Me”, 1992 has had enough bad covers to last for the rest of the year….okay…it’s not …thank goodness… it’s actually from a British DJ and producer Francis Wright otherwise known as his pseudonym Felix with “Don’t You Want Me” sampling Jomanda’s “Don’t You Want My Love” and is the latest techno/Eurodance dance song to hit the chart but all that aside, how is the song’s quality?

Well as it turns out, I was pleasantly surprised, the song isn’t the ear blasting sack of audio torture that previous hits in this subgenre have been this year, the groove feels more melodic and even if the lyrics do feel like they are being belted into the ground, it’s the same sentence over and over again but the song really pretty short and not all that bad…worth checking out if you are curious.



48. “Without You” by Girlfriend

So after two really rather perky and bright pop songs, Girlfriend have flipped the switch and gone with a piano ballad where Robyn Loau takes lead vocals on the verses and the group singing the chorus together. It’s your pretty standard pop piano ballad about how they’d be lost without their significant other and how heartbroken they’d be but the harmonies are probably the most on point they have been since they debuted and Robyn taking the lead vocal here is a good fit. I kind of like it, check it out if you are curious



46. “Have You Ever Needed Someone So Bad” by Def Leppard

A new single from Def Leppard’s latest album and wow…I can’t be the only one who isn’t impressed at all, this song is trying to be all desperate and begging for somebody to keep them company and let the vocals sound relaxed and well honestly kind of horny and the production is pretty limp to, there’s no portraying of any urgency or desperation in their plight to not be alone, it feels like a rather desperate attempt to keep bad 80s hair metal alive well into the 1990s. I’m skipping this.





40. “Who Is It” by Michael Jackson

Kind of surprised we got a new single so soon from Michael Jackson especially so late in from his album “Dangerous’ and honestly I am kind of digging this even if Michael sounds odd vocally here like he is lacking the usual fire in his delivery but might make sense given the lyrics? The song plays to a man’s despair over his partner leaving him, he then learns she cheated on him and as result wants to know she was playing around with behind his back…the song doesn’t answer those questions and the production makes the song haunting because you just know the questions over who she cheated with and why she cheated on him in the first place will haunt this man. Yeah, this is pretty good.



38. “Lead Me to Water” by Southern Sons

Lead single from Southern Sons second album called “Nothing But the Truth” and honestly this is nothing special, he wants this girl to lead him to water which I am guessing is a metaphor for love or something. At least the guitar sounds pretty great on the middle eight but otherwise this is pretty disappointing and it kind of reminds me of a bad John Farnham B side.



37. “Success Has Made a Failure of Our Home” by Sinead O’Connor

What is with the song titles this week? Well none the less, here’s Sinead O’Connor with a cover of a song that was originally recorded and released as a single in 1962 and eventually became a hit for Lynn in the US country scene going on to peak at number six on the Billboard Hot Country songs chart. O’Connor has made the cover the lead off single for her third album “Am I Not Your Girl?” so how is this cover?

Honestly it only made me want to go back and hear Loretta Lynn’s version because my god why is Sinead O’Connor singing so bloody soft over orchestral arrangement, at least with the original I understood what Lynn is singing about but with the cover, I had to literally strain to understand what O’Connor is singing here especially as the song is reflecting on how success outside of the home is making life at home an absolute failure. I’m passing on this one but go back and hear the Loretta Lynn original…really good.



36. “White Men Can’t Jump” by Riff

Alright so here we have a song for a comedy film of the same name as the song from R’n’B group Riff and honestly, I’m fairly indifferent to this, it’s got a solid and pretty memorable groove and the production really is what makes the song work here but again it’s the vocals, the vocal delivery here is pretty darn forgettable until the rap verse kicks in, you can almost listen to the music and forget that any lyrics come attached with the song! I don’t hate this but I certainly don’t love it either.



35. “Digging in the Dirt” by Peter Gabriel

So not going to lie here, I don’t mind Peter Gabriel’s music, the guy has a solid knack for some solid hooks and memorable melodies so with “Digging in the Dirt’ being the lead single for his sixth album called “Us” I was curious to see what Gabriel would come up with and well…this is a pretty interesting art rock track where Gabriel explores his darker instincts and emotions, finding out what makes a person act the way they do and peeling back the layers within yourself, it’s a definitely a fascinating song that’s kind of grounded in a guitar that could have probably afforded to be more distorted but hey it’s not bad.

However, it’s only getting the honourable mention this week because best goes to “Who Is It” by Michael Jackson…I just love the production a little more on “Who Is It”

As for the worst? Ughh, I am giving to Southern Sons for “Lead Me to Water’…that song just didn’t do anything for me. Sinead O’Connor nets dishonourable mention for the cover of ‘Success has Made a Failure of Our Home” because its got absolutely nothing on the original which is a great song.

ARIA Singles Top 50 Top Ten/Chart Review. 20th September. Its not A OK so Meet Me At Our Spot with your Family Ties

 Ahh after two straight weeks of album bombs...we get a relative cool down week where most of the Drake nonsense left and A LOT flooded in to replace it. I'm glad for this cool down week before Lil Nas X rides in to bomb the chart next week.

Anyway let's dive straight into the top ten where of course there was no change at the top with "Stay" by The Kid Laroi at number one for a tenth week, its still got strong margins on streaming but there could be a challenger afoot.

That challenge won't come from "Bad Habits" by Ed Sheeran which rebounded two places to number four this week. sales will help it keep its place on the chart but rise no further.

The same goes for "Cold Heart (PNAU Remix)" by Elton John and Dua Lipa which does have some streaming strength and is a pretty dominant force on streaming, it might make a play for number one should "Stay" falter.

Rebounding six places to number four is "Heat Waves" by Glass Animals because it's got traction on streaming again...just lovely...not.

Then we have a new entry at number five and this one kind of surprised me, it's Ed Sheeran's second song in the top five this week, "Shivers"...now I will talk about the song's quality later but it's here on decent sales and rising streaming. 

Then there's "Industry Baby" by Lil Nas X feat. Jack Harlow which climbed five places to number six. I expect this song to make a play for number one when we get that "Montero" album bomb next week. 

Drake's "Girls Want Girls" feat Lil Baby plummets five places to number seven...this is not going to hang around hopefully.

"Good 4 U" by Olivia Rodrigo' rebounded seven places to number eight, this song is fading slowly on both sales and streaming, its about ready to leave.

Down six to number nine is "Fair Trade' by Drake feat. Travis Scott because like "Girls Want Girls", hype behind "Ceritified Lover Boy" faded.

Finally also leaping seven places on the rebound is 'Beggin" by Maneskin to number ten. 

Gains

Mostly everything that's not Drake or Kanye gained this week so we'll start with "Happier than Ever"
 by Billie Eilish up nine spots to 11 while "Kiss Me More" by Doja Cat feat SZA rebounds 7 to 14 while "Need to Know" also by Doja Cat jumped seven to 15 and "Woman" jumped thirteen to reach a new peak of 17 (I just wish the song was better). 

"Levitating" by Dua Lipa leaped nine places to 16. "Montero (Call Me by Your Name)" by Lil Nas X got a whopping thirteen place rebound to 19 (Look for this to return to the top ten next week). 

"Dreams" by Jolyon Petch returned to the top twenty up fourteen to 20 while "Save Your Tears" by The Weeknd climbed sixteen places to 21 and '2055" by Sleepy Hallow up thirteen to 22. "Without You" by The Kid Laroi climbed 19 places to 23. 

"Visiting Hours" by Ed Sheeran recovered seven places to 24. Clinton Kane's "I Guess I'm in Love" climbed seventeen places to to hit a new peak of 25 while 'Missing Piece" by Vance Joy rebounded nineteen places to 26. 

"Little Bit of Love" by Tom Grennan got some love to leap seventeen places to 32 while "Take My Breath" by The Weeknd jumped fourteen to 33. "Traitor" by Olivia Rodrigo rebounded thirteen places to 37 while "Drivers License" also by Olivia Rodrigo climbed seven places to 41.

Re Entries

It's an insane week for re entries, there's about thirteen of them. "Mood" by 24kGoldn feat. Iann Dior is back at number 50, "I Wanna Be Your Slave" by Maneskin returns at 48. "The Business" by Tiesto gets a second life on the chart at 46.

Unfortunately "One too Many" by Keith Urban and Pink came back at 45. "Blinding Lights" by The Weeknd rebounds back into the top 50 at number 43 while a Tik Tok meme saw the return of Sam Smith's 2014 single "Like I Can" at number 42.

Shouse's "Love Tonight" came back at number 40 while "Dreams" by Fleetwood Mac glides back in at 39 and "Friday" by Riton and Nightcrawlers feat. Mufasa and Hyperman in at 38

Then there's "Astronaut in the Ocean" by Masked Wolf" returns at 36 while "Peaches" by Justin Bieber feat. Daniel Caesar and Giveon back at 35.

"Leave Before You Love Me" back at 34 for Marshmello and the Jonas Brothers while finally "Get into it (Yuh)" by Doja Cat is back at 30. 

Losers

All of the losers are from either the Kanye or Drake album bombs so let's begin with the Kanye songs still on the chart: "Moon" down six to 49, "Off the Grid" feat. Fivio Foreign and Playboi Carti down 21 to 47 and "Hurricane" feat. Lil Baby and The Weeknd down three to 12.

Now for the Drake songs that fell but didn't fall off the chart: I already mentioned the losses for both "Girls Want Girls" and "Fair Trade" but "Way 2 Sexy" feat. Future and Young Thug fell six to 13, "Knife Talk" feat. 21 Savage and Project Pat down five to 18 and Champagne Poetry fell 23 places to 29.

Drop Outs 

No real notable drop outs here with the rest of  Drake's album bomb not already mentioned in the losers or top ten leaving but apart from that both ABBA's songs 'I Still Have Faith in You" and "Don't Shut Me Down" unfortunately also exited along with "Jail" by Kanye West feat. Jay Z.

New Entries

Five new entries this week, let's start with ..

44. "Family Ties' by Baby Keem feat. Kendrick Lamar

So of the new entries this week, two of these have already broken through on the US Hot 100 with this song being he better of the two with brassy production before Baby Keem's opening verse where he raps about Kendrick Lamar (his cousin) partnered with him, previously having worked with Kendrick's label TDE but didn't garner success until the pretty awful "Orange Soda' broke through in the USA in 2020.

Then Kendrick comes in and completely dominates in a completely braggadocious manner as only he can do where he insists on people no addressing unless it's with the acronym G.O.A.T and then gives an update on where he has been because it's pretty well documented that Kendrick has been incredibly quiet during the BLM protests last year, he even references Kanye's born again Christianity while nothing has changed for him. Kendrick just makes this song work because let's be real, Kendrick is who people are listening to this song for.

31. "Higher" by Bella Taylor Smith.

So full confession, I have not paid a shred of attention to The Voice Australia...the show hasn't really created any stars unlike what Australian Idol did for the first couple of seasons so imagine my surprise when going through the chart this week when the winner of the contest showed up on the singles chart this week. Bella Taylor Smith hails from Sydney and won the contest following her rather impressive performance of Andrea Boccelli's "The Prayer" so how is her debut single?

It's fine. Look, it's your standard let's climb every mountain together ballad that's been released time and again from reality TV shows but Bella's voice really does shine through here...the production works just enough to make space for her. in the mix and it's got enough swell to kind of work even if the lyrics are your standard cliches. Yeah you know...it's not bad...check this out.

28. "A OK" by Tai Verdes

So here's the other song only less good that hit the Hot 100 recently coming from American newcomer Tai Verdes who got big on TikTok somehow thanks to a song called "Stuck in the Middle" but "A OK" is the song that broke him on the charts and dear god, this song is AWFUL, for one thing the guitar and the overtly polished smarmy attitude from Verdes because he has a fucking acoustic guitar in his arms that makes me understand why the genre of guys with acoustic guitars has a pretty terrible reputation and then there's the lyrics that fall somewhere between Jason Mraz levels of gross and AJR being repulsively twee eg: "Hey little lady, I know your feeling crazy (woo!) All your other friends making babies (ew)" and inserting a lame cheerleader rhyme into the verse. Throw the smug overtly cheery delivery on the chorus and this song sinks to being worse than its older version from last year... "Sunday Best" by Surfaces, in other words if this becomes a hit, it's a definite contender for my worst list...NEXT!

27. "Meet Me at Our Spot" by The Anxiety

So Willow Smith has formed a new duo with her boyfriend Tyler Cole who also happens to be a musician called "The Anxiety with this being the first song from their debut album to hit the ARIA singles chart and look, I actually think there's a bit to like here...the drum groove is solid and Willow fits this song perfectly about meeting somebody for ice cream etc but Tyler wasn't the best choice to open the song, he sounds grating as hell here. Overall, I don't mind it but it could have been better. Just saying.

5. "Shivers" by Ed Sheeran.

What the fuck is Ed Sheeran's label doing? They've got "Visiting Hours" a truly excellent song that deserves to be a hit yet they decide to drop "Bad Habits" part 2 because this sounds so similar to "Bad Habits" its not funny and feels less like a song that Ed Sheeran is comfortable in but one that his label wanted him to make. rather than the heartfelt material Sheeran is good at making, there's something so cold and calculated about this song where its forcing Ed to do his own impression of The Weeknd's synthwave synthpop flourishes yet it just doesn't work here. Sorry but I just am not digging this.

That's the end of the week and the worst of the week fell out easily with that going to "A OK" by Tai Verdes...the first song this year to really completely piss me off. 

As for the best of the week...well that's harder but I'm going to give it to "Higher" by Bella Taylor Smith...I just kind of like it a little more than "Family Ties"

Next week...Lil Nas X album bomb so brace for that when the chart updates on Friday at 5pm

Good 1992 Vibrations. 13th September. Proove Love is The Strangest Thing the Day You Went Away

So this week turned out to be reasonably normal thank goodness, standard amount of new entries with most of them being Australian which is interesting but anyway before all that let's deal with the top ten which is considerably less interesting because for yet another week "Amigos Para Siempre (Friends for Life)" by Jose Carreras and Sarah Brightman maintains the number one but those margins are starting to close even further and could open the way for "Humpin' Around" by Bobby Brown, which stayed at number two, to potentially take the number one spot soon...it's getting tighter.

That leave Snap's "Rhythm is a Dancer" an interested bystander at number three again this week, it could make hay if "Humpin' Around" suddenly falters in it's chase for number one.

There's a new arrival in the top five with "Life is a Highway" by Tom Cochrane up three places to number four because of all we have to let tepid pop/rock get high...sigh.

At least it pushed "Please Don't Go" by K.W.S down one place to number five...the sooner this is gone the better, the same goes for 'As Ugly as They Wanna Be" down one spot to number six for Ugly Kid Joe.

Unfortunately it also meant "Everything Is Alright" by John Farnham, Kate Ceberano and Jon Stevens slipped one to number seven while 'Baby Got Back" by Sir Mix A Lot remained steady at number eight,

Rising from 13 to number nine this week is unfortunately "Sesame's Treet" by Smart E's which is NOT a good thing...

Finally, on it's way out is Mariah Carey's cover of "I'll Be There" which is down one to number ten. 

Gains

In promising signs, Rosette's "How Do You Do" rose six places to 14 while "The Best Things in Life Are Free" by Luther Vandross and Janet Jackson climbed from 39 to 23. I still like both songs.

In a continuation of it's weird chart run, "It's Probably Me" by Sting with Eric Clapton jumped 14 places to 26 this week. while "Love is in the Air" by John Paul Young climbed from 32 to 27. 

Weirdly "Baby Don't Cry" by INXS is up five to 30 and "All I Want Is You" by Bryan Adams is unfortunately also p five to 36.

"She's Got That Vibe" by R. Kelly & Public Announcement up from 44 to 37, it's been hanging around the lower half of the chart for a couple of months now.

Surprisingly "Candyman" by Ratcat is up ten to 38, I'm fine with that...then again maybe it's because it was the best of a really awful week that I'm being nice to this song? I don't know.

Re entries

Just the one re entry with "November Rain" by Guns N Roses back at 41 which is good. I like the song...it's grown on me since it was last on the chart earlier in the year.

Losers

Alright, let's start as usual at the bottom with "Live and Learn" by Joe Public slipping five to 50 while "Warm It up" by Kriss Kross down nine to 46.

Radio Freedom's "I Can Feel It" fell nine to 39 (more on Radio Freedom in the new entries shortly). "Sexy MF" by Prince and The New Power Generation takes a slide down from 29 to 36 while "Ain't 2 Proud 2 Beg" by TLC tumbled from 28 to 35.

Kiss plunged from 37 to 33 with "God Gave Rock n Roll to You II" while "Save the Best for Last" by Vanessa Williams slipped from 23 to 28 and "Hazard" by Richard Marx crashed eight spots to 25,

"This Used to be my Playground" by Madonna collapsed six places to number 20,

New Entriess

Five new entries this week, let's start with...

49. “Ain’t Love the Stangest Thing” by The Black Sorrows.

Here’s the lead single from the Black Sorrow’s seventh studio album entitled “Better Times” and yeah, I’m not sure what to think about this new song, it’s fairly standard Black Sorrows with that bluesy guitar and the instrumentation giving the song a weirdly dark vibe for a song about pondering how love is the strangest thing or maybe that’s the whole point of the song where by it’s musing on the emotions that love makes you feel. Look, it’s fine for what it is but I won’t be surprised if I forget about it in a few days.

 

48. “Motor City (I Get Lost)” by Company of Strangers.

Ohh how to explain this one? Okay so Company of Strangers is an Australian supergroup comprising of Daryl Braithwaite, Simon Hussey, Jef Scott and James Reyne with this song being the lead single and well…this is an interesting because for one thing, it’s got this chugging keyboard and percussion underneath it but the vocals from James Reyne here underwhelm here and it doesn’t quite have the explosive energy it wants and kind of mishmashes styles here with the instrumental post the chorus sounding like something off Daryl Braithwaite’s album of the time but the rest, if anything, reminding me a lot of releases by U2 in 1991. This could be better. Just saying.

 

45. “Breaking the Girl” by Red Hot Chili Peppers

Okay, another single from “Blood Sugar Sex Magik”, a ballad that’s more melodic than their previous singles and references the band’s frontman Anthony Kiedis then girlfriend and honestly I’m not sure about this one, it’s definitely not better than “Under the Bridge” but given the week that’s been for new releases in rock and how the song slowly becomes ever more distorted toward the end, it still works for what it is, I’ll take it…I guess.

 

43. “The Day You Went Away” by Wendy Matthews

Well…it’s Australians aplenty this week with this song being the lead single for Wendy’s sophomore album “Lily”, this song originally having been recorded by a British electronic act called Soul Family Sensation, an act Matthews shares a publisher with. The song had been written about a painful relationship breakdown and I got to say the production on Wendy’s version is considerably better, it’s strips the song back to the piano taking out some of the beyond clunky percussion, it allows the listener to focus on the words Matthews is singing as she ponders the breakdown of this relationship and the day this person is ‘leaving her behind’, yeah, this is a gorgeous ballad. Please check this out.

 

42. “Proove” by Radio Freedom

So “I Can Feel It” becoming a top ten hit genuinely surprised me…was not expecting that…so the success of that song means we now get a follow up single and yeah I don’t see this one catching on like “I Can Feel it” mostly because this doesn’t quite have the joy or energy of it’s predecessor, it’s going for this mix between dance/gospel that doesn’t quite work and I have never been wild on the singing vocals that don’t have as much charisma to carry a song like this. Honestly, I feel like the only energy being brought to the song is by the rapping so yeah I’m skipping this.

 

“Proove” by Radio Freedom is getting worst of the week mainly because I can see “Motor City (I Get Lost)” by Company of Strangers growing on me and there’s just too many elements on “Proove” don’t work, it just feels overall a disappointing follow up to a massively successful single.

 

Wendy Matthews runs away with best of the week for “The Day You Went Away” and that wasn’t even a contest.

ARIA Singles Top Ten/Chart Review. 13th September. Certified Drake Boy, Don't Shut Me Down!

Last week was the week of Kanye. This week is the week of Drake and his new album "Certified Lover Boy" slamming into the ARIA singles chart with twenty songs from the album which according to ARIA is a record...just unfortunate that "Certified Lover Boy (or if you wanting be snarky "Certified Streaming Bait") doesn't rise beyond being anything but an insult to ambient background noise apart from moments when Drake decides to faceplant into complete cringe on the album (it happened a fair bit) and given we're out of the realm of album bombs with Lil Nas X likely to get one in a couple weeks time thanks to the release of "Montero", things aren't going to settle down any time soon.

Anyway let's get to the top ten because for yet another week, it's "Stay' by The Kid Laroi feat. Justin Bieber at number one, it's still strong on streaming which is why it held onto the number one spot but those margins are narrowing and there's some signs that streaming could be done with this song.

We then get to the first signs of the Drake album bomb because debuting at number two is "Girls Like Girls" by Drake featuring Lil Baby, now this a single apparently as it's gone to radio but I have questions about how memorable the song is...we'll get to why later.

Then it's "Fair Trade" by Drake feat. Travis Scott at number three because like "Girls Want Girls" it had strong streaming but that's about it... pretty sure it charted this high because name recognition alone...

Then there's Ed Sheeran's "Bad Habits" which slipped two places to number four but in stark contrast to everything that isn't Drake this week, it's pretty stable and should rebound.

It's also the case for "Cold Heart (PNAU Remix)" by Elton John and Dua Lipa down two to number five, it's stable and will rebound next week,

Then we get to more Drake because "Champagne Poetry" lands at number six while the other song being pushed as a single "Way 2 Sexy" by Drake feat. Future and Young Thug debuting at number seven.

Concluding the depressing amount of Drake in the top ten is "Papi's Home" at number 8. 

"Hurricane" by Kanye West feat. Lil Baby and The Weeknd slipped five places to number nine (interestingly, if the Drake album bomb didn't happen, it would have remained at number four) 

Finally 'Heat Waves" by Glass Animals remains at number ten for this week.

I regret not doing this last week with the Kanye album bomb but I thought it would be interesting to go through what the top ten would look like if the Drake album bomb didn't happen:

10. "Kiss Me More" by Doja Cat feat. SZA

9. "Happier Than Ever" by Billie Eilish

8. "Beggin" by Maneskin

7. "Good 4 U" by Olivia Rodrigo

6. "Industry Baby" by Lil Nas X feat. Jack Harlow

5. "Heat Waves" by Glass Animals

4. "Hurricane" by Kanye West feat. Lil Baby and The Weeknd

3. "Cold Heart (PNAU remix)" by Elton John and Dua Lipa

2. "Bad Habits" by Ed Sheeran

1. "Stay" by The Kid Laroi and Justin Bieber

Gains

There were no gains this week.

Re Entries

"Drivers License" by Olivia Rodrigo returned at number 48 in the only return to the chart this week

Losers

Folks, anything that wasn't Drake took hard falls this week, let's start with the hits taken by the previous week's album from Kanye West that somehow remained on the chart with "Moon" falling 28 to 43, "Off the Grid" fell 17 places to 26 and  "Jail" got locked up down 19 spots to 24.

As for the rest of our losers, "Traitor" by Olivia Rodrigo fell ten to 50 while "Good 4 U" slumped seven to 15. "Little Bit of Love" by Tom Grennan tumbled 13 places to 49. "Take My Breath" by The Weeknd fell 12 to 47 while "Save Your Tears" also by The Weeknd. 

"Missing Piece" by Vance Joy plunged 17 places to 45 while "Without You" by Miley Cyrus feat. The Kid Laroi fell 12 to 44.

"I Guess I'm In Love" by Clinton Kane stumbled nine to 42 (this looks like it may have some traction going forward which is interesting). "2055" by Sleepy Hallow collapsed 10 places to 35 while "Dreams" by Jolyon Petch got hit with a 14 place fall to 34. "Montero (Call Me By Your Name)" by Lil Nas X slipped nine to 32 (It and "Industry Baby" will rebund hard when Lil Nas X gives birth to his album "Montero" on 17th September) while "Visiting Hours" by Ed Sheeran stumbled 15 to 31.

"Levitating" by Dua Lipa slipped seven to 25 while "Need to Know" by Doja Cat slumped ten places to 22.while "Kiss Me More" by Doja Cat feat SZA down seven to 21. "Happier Than Ever" by Billie Eilish down nine to 20 while "Beggin'" by Maneskin crashed ten places to 17.

Drop Outs

So we lost a large majority of the Kanye album cuts but also leaving but will likely all be back in the next few weeks are "Leave Before You Love Me" by Marshmello feat. Jonas Brothers "I Wanna Be Your Slave" by Maneskin, "Astronaut In the Ocean" by Masked Wolf (he dropped an album yesterday so this song will definitely return), "Rumors" by Lizzo feat. Cardi B, "Peaches" by Justin Bieber feat. Daniel Caesar and Giveon, "Get Into It (Yuh)" by Doja Cat and "Friday" by Riton and Nightcrawlers feat. Mufasa and Hyperman.

The only non Kanye drop out that I expect won't return is "Butter" by BTS.

New Entries

Alright, you all know my album bomb rules, these are all the Drake songs that debuted this week that I won't be giving a review to: "Way 2 Sexy" feat. Future and Young Thug at number 7, "Papi's Home" at number 8, "Love All" feat. Jay Z at number 12. "Knife Talk' feat. 21 Savage and Project Talk at number 13, "In the Bible" feat. Lil Durk and Giveon at number 14, "TSU" lands at 16, "No Friends in the Industry" at 18, "N 2 Deep" feat. Future at 19,  "Pipe Down"  at 23, "7am on the Bridle Path" at 28, "Race My Mind" at 29, "IMY2" feat. Kid Cudi at 33, "Fountains" feat. Tems at 36, "Yebba's Heartbreak" feat. Yebba at 38, "You Only Live Twice" feat. Lil Wayne and Rick Ross at 40, "Get Along Better" feat. Ty Dolla $ign and finally..."Fucking Fans" at 46.

So that leaves us with just five new entries (I'll be keeping the Drake reviews brief) and mercifully we get a brief reprieve from Drake because we start off with...

39. "I Still Have Faith in You" by ABBA

I cannot lie, this is probably the best moment I've had since I created this blog, I never thought I'd have the opportunity to talk about NEW MUSIC from ABBA of all groups...its honestly really just awesome even if it sucks that neither song hit the top ten and wouldn't have hit the top ten even if "Certified Lover Boy" wasn't a thing on the chart this week, this song would have debuted around 22 or 23 but it's even more awesome that the new songs are really good too!. "I Still Have Faith In You" is pretty much a great fit to where they left off n their previous studio album with it's pianos and gospel swell. Agnetha and Frida sound absolutely incredible for their age as they reassure that friend that they will keep the faith and the production just sounds so warm and comforting here. This is really good.

27. "Don't Shut Me Down" by ABBA

So not surprisingly the more pop leaning cut of the two new ABBA songs fared a bit better and would have debuted in the top twenty if not for bloody Drake and again, I can't fault this because this just a gorgeous pop song that opens slow with the description of a scene in a park and lytics about forgiveness and not shutting each other down, its actually weird to hear a pop song that isn't completely washed out sounding and the fact the harmonies on this song from the members of ABBA put most modern acts to shame, Definitely a great song and one I hope becomes a hit. Check this out, its well worth it unlike what we're about to dig into...

6. "Champagne Poetry" by Drake

The most interesting part of this song is that awful sample of "Michelle" by The Beatles which is flattened to where Sir Paul McCartne sounds like a god damn chipmunk as Drake rambles through a series of things including his son, recent events like the Black Lives Matter protests etc, his business dealings with OVO. and his issues with the media coverage of him...yet I'm struggling to care because Drake raps about all this with the enthusiasm of somebody who needs the sound of having passion explained to him. NEXT

3. "Fair Trade" by Drake feat. Travis Scott

So I am guessing this debuted so high because of the Travis Scott feature because this track is an absolute MESS. Drake complains about fake friends and declares he is going to cut those fake friends out of his life but it seems like Travis Scott didn't get the memo because he is off talking about women. men and cars over a sample from a song by Charlotte Day Wilson. I'll be skipping this.

2. "Girls Want Girls" by Drake feat. Lil Baby

So there's only one reason why this song charted so high or will even stick around is because of one line from Drake where he says "Yeah, say that you a lesbian, girl, me too" on the hook and that really just ends any other interest in the song because of the total what the hell line from Drake. Lil Baby is really better than he needs to be on this waste of space of a song which is amplified by the dreary trap beat that doesn't do anything to help either rapper.

That ends the week, neither are a contest this week with ABBA taking best of the week for "Don't Shut Me Down". As for the worst "Fair Trade" by Drake feat. Travis Scott takes the worst of the week.

Next week? Hopefully most of the Drake disappears. Likely new Ed Sheeran and possibly Troye Sivan but we'll see when the chart updates on Friday

Good 1992 Vibrations. 6th September. Best Things In Love Are Just Another Day

 Another semi regular week here and really the top ten look like it might be starting to get tight at the top again so let's start there, shall we? "Amigos Para Siempre (Friends For Life)" by Jose Carreras and Sarah Brightman retained number one for another week, it's still got a decent margin at the top but it's starting to face competition and that competition is coming in the form of "Humpin' Around" by Bobby Brown which climbed one place to number two, its slowly but surely pulling back the margins to our current number one, it's just a matter of when it will get there.

Also making a play is "Rhythm is a Dancer" by Snap which climbed two places to number three, I am not sure if this song is a player for number one yet but we'll see what happens. 

None the less it pushed back both Please Don't Go" by K.W.S two places to number four and "As Ugly As They Wanna Be" by Ugly Kid Joe back one to number five because it seems like both have thankfully peaked. 

In great news, "Everything's Alright" by John Farnham, Kate Ceberano and Jon Stevens rose one spot to number six as it continues it's climb up the chart.

What's not so good is the continued rise for "Life is a Highway" by Tom Cochrane which rose three places to number seven for unexplainable reasons then there's the four place gain for "Baby Got Back" by Sir Mix A Lot to number eight, I expect this to be a hit somehow despite the obnoxious vocals.

Steady at number nine is "I'll be There" by Mariah Carey while "Damn, I Wish I Was Your Lover" by Sophie B. Hawkins slipped two places to number ten as it's run looks finally done.

Gains

Okay so when the gains start with Smart E's "Sesame's Treet" rising from 31 all the way up to 13...that's not a good sign, throw in "Take This Heart" by Richard Marx jumping from 22 to 15 and there's more problems.

Then there's "Achy Breaky Heart" by Billy Cyrus which of course got an eight place climb to number 22....sigh.

In better news, "Tennessee" by Arrested Development is up ten places to 24 however it also brought with it the really mediocre "Boy in the Moon" by Margaret Urlich which rocketed from 39 to 25 but win some lose some...I guess.

"Ain't 2 Proud 2 Beg" by TLC got a nice boost from 41 to 28

Losers

So a lot of hits earlier this year took falls this week like "Jump" by Kriss Kross slumped six places to 49 while 'Cry" by Lisa Edwards collapsed from 29 to 46 while "She's Got that Vibe" by R.Kelly and Public Announcement slipped from 37 to 44.

I am delighted that "Beauty and The Beast" by Celine Dion and Peabo Bryson plummeted from 28 to 43 and disappointed that "I Don't Care" by Shakespears Sister slipped six to 38.

"ABBA esque" by Erasure fell nine to 33 while Michael Jackson is caught in a chart "Jam" down ten to 31.

"God Gave Rock 'n' Roll to You II" by KISS suffered a nine place slump to 27 while "Save the Best for Last" by Vanessa Williams fell out of the top twenty to 23.

Finally former chart topper "Hazard" by Richard Marx dropped eleven places to 17.

New Entries

Four new entries this week, let's start with...

50. "Just Another Day" by Jon Secada

So we're starting our look at the new entries with this lead off single from Cuban American singer/songwriter Jon Secada and wow...I've never heard a love song sound this flat and emotionless, sure it's got a good bass groove and the drums do a lot here to try to give this song some weight but I can't get past the idea that this song is really just the 1992 version of "Someone You Loved" by Lewis Capaldi although as it least Secada sounds a little better here but again this song does nothing for me other than cause mild irritation.

41. "Indio" by Indecent Obsession

So a new single from that sophomore album from Indecent Obsession and this isn't bad? Even though I can absolutely tell they've been inspired by George Michael because it's a dead ringer for the sound that George Michael has used on songs like "Too Funky" but hey, this is catchy and has a solid groove to it, I'll certainly take it over the previous song. Yeah, I can be jamming to this. 

39. "Best Things in Life Are Free" by Luther Vandross and Janet Jackson

Well this is a collab that makes some sense especially if you look at the music both Luther Vandross and Janet Jackson have been releasing and the minute this song starts the chemistry between Vandross and Jackson is there for all to see, they sound so god dang comfortable together its insane. Throw in the guest verse from Bell Biv DeVoe and this song is just all over a summer feel good jam. Yeah, I've been looking for more high energy pop/hip hop grooves like this. Thanks Luther and Janet!

32. "Love Is in The Air" by John Paul Young

So a 1977 disco song from John Paul Young that originally peaked at number three in 1978 has been given a remix for the film Strictly Ballroom therefore this song is back on the charts..yet I just don't feel anything when I listen to this? I don't know,,,the lyrics just hit the spot where it becomes cringe especially with JPY shrieking "LOVE IS IN THE AIR!" on the hook but at least there's passion here and the song has a pretty memorable melody and production.

And it's because of the production that it's spared worst of the week with that going to "Just Another Day" by Jon Secada.

However the best falls out easily...that's going to "Best Things in Life Are Free" by Luther Vandross and Janet Jackson

ARIA Singles Top Ten/Chart Review: 6th August, Woman Get Into It with Donda (Yuh)

Fair to say the chart this week has been absolutely massacred thanks to the release of Kanye West's new album "Donda" on Monday and as a result we got nineteen of twenty four songs from that album on the ARIA singles chart...then you remember there's likely to be a Drake album bomb next week and Lil Nas X in a couple of weeks time so the charts are about to get pretty god damn messy and that's not even counting the number of big scattered singles we're going to get from big names in the lead up to the end of the year....still expecting, Adele, Kendrick Lamar and maybe Rihanna to release singles or albums before the year is over. 

Let's get to the top ten where remarkably in spite of the best efforts of Kanye, the top two remained stable with "Stay' by The Kid Laroi feat. Justin Bieber maintained the number one spot for an eighth week, it's going to be interesting to see if it's streaming can hold up against the onslaught that's Drake next week.

The challenge may not come from "Bad Habits" by Ed Sheeran which remains at number two but it's numbers on streaming while steady aren't challenging those of "Stay" right now.

Then there's "Cold Heart (PNAU Remix)" by Elton John and Dua Lipa which rose spot to number three thanks to solid streaming and being sales behemoth...people on iTunes love this song...wish the song was better.

The first of three Kanye West songs in the top ten pops up at number four courtesy of "Hurricane' which features Lil Baby and The Weeknd (weirdly neither are credited as features on Spotify) and looks like the one getting the biggest push on streaming right now. Close behind that is "Jail" by Kanye West feat Jay Z at number five...now unlike "Hurricane", I don't expect this one to hang around.

"Industry Baby" by Lil Nas X and Jack Harlow got pushed back one spot thanks to Kanye but it should rebound hard because it has the album coming. 

"Beggin'" by Maneskin held onto number seven thanks to mostly consistent streaming this week despite the Kanye impact. 

However Kanye did impact Olivia Rodrigo here as "Good 4 U" slipped two places to number eight however that might have happened anyway as the song is starting to fade naturally.

The third Kanye song to hit the top ten is "Off the Grid" featuring Fivio Foreign and Playboi Carti in at number nine...again...should fade when Drake turns up next week.

Glass Animals returned for another week in the top ten with "Heat Waves up one spot to number ten.

Gains

The biggest gainerthis week was "Heat Waves" by Glass Animals climbing that one solitary place to number ten

Re entries

We did see one re entry with a remix by Megan Thee Stallion helped "Butter" by BTS return at number 47...I kind of also suspect it will go with most of the Kanye next week when Drake shows up.

Losers

Oh good fucking lord, I am going to start from the bottom here and work my way up because there is a LOT of losers here, we begin with "Friday" by Riton and Nightcrawlers feat. Mufasa and Hyperman down 25 spots to 50.

Former chart topper "Peaches" by Justin Bieber feat. Daniel Caesar and Giveon got pushed back 22 spots to 48.

"Rumours" by Lizzo feat. Cardi B got hit with a 25 place plunge to 45. I am hopeful this rebounds in the weeks ahead.

"Astronaut in the Ocean" by Masked Wolf drowns 20 spots to 43 while "I Wanna Be Your Slave" by Maneskin is on bended knee down 18 to 42,

"Traitor" by Olivia Rodrigo slumped 18 spots to 40 while "Leave Before You Love Me" by Marshmello and Jonas Brothers fell 11 to 39.

The falls continue with "Little Bit of Love" by Tom Grennan slipping 15 to 36 and "Take My Breath" plunging 18 to 35 (I have some concerns over the longevity of "Take My Breath") while The Weeknd's other song "Save Your Tears" drops 12 spots to 27.

"Guess I'm In Love" by Clinton Kane held on pretty well all things considered only dropping six places to 33 while "Without You" by The Kid Laroi feat. Miley Cyrus slipped 13 spots to 32.

"Missing Piece" by Vance Joy collapsed 10 places to 28 and "2055" by Sleepy Hollow down 12 to 25. 

"Montero (Call Me by Your Name)" by Lil Nas X skidded nine places to 23,,,again not worried as this song should rebound in a few weeks time. "Levitating" by Dua Lipa fell six places to 18.

"Visiting Hours" by Ed Sheeran dived out of the top ten down 13 to 16...sales is really doing wonders for this song.

Drop Outs

So lets deal with likely year end list makers that probably won't be concerned at the early exit like "Goosebumps (remix)" by HVME and Travis Scott, "Cover Me in Sunshine" by Pink and Willow Sage Hart, "Body" by Russ Millions and Tion Wayne, "Deja Vu" and "Drivers License" both by Olivia Rodrigo and "The Business" by Tiesto, Although there's an argument to say that "BED" by Joel Corry, RAYE and David Guetta is also likely to make year end list.

In doubt for year end is "Rasputin" by Majestic and Boney M...I am okay if it doesn't.

Then there's the songs that had some momentum but had it cut short like "Love Tonight" by Shouse, "Dumb Love" by Mimi Webb and "Cloudy Day" by Tones and I.

"Don't Go" by Skrillex feat. Justin Bieber and Don Toliver also left (that song's lack of promo is surprising...maybe Bieber's fans don't care for it either)

Those took with them scattered songs like "Not Sober" by The Kid Laroi, Polo G and Stunna Gambino, "Mood Ring" and "Solar Power" both by Lorde and "Dreams" by Fleetwood Mac (that song had an impressive run for something was spawned by a viral meme last year)

Then there's the cuts from 2018/19/20...some that have stayed long enough to likely have made the year end for 2021 like "You Broke Me first" by Tate McRae, "Someone You Loved" by Lewis Capaldi, "Watermelon Sugar' by Harry Styles, "Mood" by 24kGoldn and Iann Dior and "Perfect" by Ed Sheeran

Okay, that last one won't make this year's year end but still. Finally, the classic "Blinding Lights" by The Weeknd also departed the chart. 

It's hard to say what will come back once these album bombs go away but some of this is song I'm kind of glad to see gone.

New Entries

There's twenty one new entries to the ARIA singles chart this week and given my album bomb rules, I only cover the top three charting songs from the album plus any songs that qualify for best or worst of the week so here's the full chart placements of the "Donda" album bomb from Kanye:

"New Again" arrives at 42, "Jesus Lord" at 44 (this was close to worst of the week), "Keep My Spirit Alive" at 41, "Donda" at 38, "Pure Souls" at 37, "Remote Control" at 34, "No Child Left Behind" at 31, 'Junya" at 30, "24" at 29 (so disappointed it didn't debut at 24), "Heaven and Hell" debuted at 24, "Ok Ok" at 22, "God Breathes" at 20 (another song that could have gotten worst of the week...it's not good), "Jonah' at 19, "Believe What I Say" at 17 (I liked this one...probably one of the better cuts from the album), "Moon" at 15 and finally, "Praise God" at 13.

That leaves us with just five new entries to talk about but we're not starting off with Kanye because...

49. "Get Into It (Yuh)" by Doja Cat

So I won't lie, I am impressed by how well "Planet Her" has done on the charts around the world since it's release and it looks like Doja Cat is having a number of songs from the album land on the charts with this going viral apparently which I don't mind because it is one of the better cuts from the album, for one thing it plays to the more playful side of Doja Cat with the twinkling piano keys and knock of percussion, it gives the song a rather British street feel which is yeah pretty cool for a sex song and the reference to Ariana Grande's 'yuh' in the verses is actually pretty funny, it's also one of the songs where Doja's vocal delivery works. Check this out.

26. "Woman" by Doja Cat

Now this is the cut from "Planet Her" that I didn't like all that much, a tropical beat with an unspired chorus where Doja begs this guy to let her be his woman and ends up drumming the word 'woman' into our ears in the most annoying fashion. Also the percussion over any obvious melody is really kind of annoying here. I'll stick with "Get Into It (Yuh)"...thanks

9. "Off the Grid" by Kanye West feat. Fivio Foreign and Playboi Carti

So let's begin with the first of three Kanye West songs we'll be looking at and this might be the worst of them where Kanye brags about being off social media and about moving away from 'secular music' to devoting himself to religion and making music that is aimed at worshipping God but than Playboi Carti shows up to brag about how much money he gave away to women dancing at a strip club and getting a tattoo with his son's name on it which doesn't feel very in line with being off the grid or as Christian (more in line with the prosperity gospel that was "Jesus is King") as the song wants to try to be. At least Fivio Foreign shows up to get the song back on track even if you get the feeling the verse about being in prison was meant for another song on the album but this is just a forgettable nothing of a song. 

5. "Jail"  by Kanye West feat. Jay Z

Now this is better, this has an actual groove and hook here...I can see that hook being belted out live and sounding amazing. It's a song where Kanye knows that he is most likely going to fail in his walk with Christianity but is relying on God to help eg: bail him out...it's a bit of a nod back to "Life with Pablo" and tracks on there and from there Kanye references his recent divorce and how being single may well have it's benefits, then Jay Z shows up to reiterate what Kanye has already said, reference an interview Kanye did with Zane Lowe in 2013 and past Kanye tracks. Look, this is pretty good, probably one of the better tracks on the album.

4. "Hurricane" by Kanye West feat. Lil Baby and The Weeknd

There are ten unreleased versions of this song out there apparently but the official released version on "Donda" is the one featuring both Lil Baby and The Weeknd. The song opens with The Weeknd singing the hook begging God and Jesus to not let him drown and references himself walking on water then Lil Baby raps about his personal struggles like the deaths of three of his friends before noting the fact that in his come up he has gone from sheepskin floor mats to biiying expensive luxury cars (again, I question how bragging about wealth here on a Christian album is really all that Christian)

Then Kanye shows up to brag about his influence on pop culture and how he dropped out of school and yet still become successful. Again I question how much all this bragging about money and homes is really all that Christian or fits within the realm of Christianity. "Hurricane" is fine...I guess.

And that completes our week and best and worst kind of fall out a lot easier than I thought with "Off the Grid" by Kanye West feat. Playboi Carti and Fivio Foreign taking the worst of the week.

I'm giving Doja Cat the best of the week though for "Get into it (Yuh)" mostly because I can see myself coming back to that one.

Next week, the unpleasant task of finding something to say about a Drake album bomb. Joy. Hopefully we get some ABBA or even Little Mix to make things tolerable and it's not just all Drake. Find out at 5pm AEST on Friday when ARIA updates their chart.