by Beck to number eight.
Finally the second biggest gain of the week belongs to Toni Braxton as "Breathe Again" jumped ten places to number twelve.
Let's dive into this week because it sure is an interesting one and it seems we do have a set number one for now so diving into our top ten where "Ordinary" by Alex Warren remains at number one for a second week, it has a lead on streaming but nowhere else which does make it vulnerable to other competitors.
That may not be the case for "APT" by Rose and Bruno Mars which held at number two but it's losing ground on streaming
"That's So True" by Gracie Abrams rose one place to number three on the back of some residual streaming. Also up a spot to number four thanks to streaming is "Pink Pony Club" by Chappell Roan although some of this might also be due to "Anxiety" by Doechii down two to five as it bleeds on streaming despite having a sales lead.
Standing still is "Messy" by Lola Young which is stuck at number six, its not got that much streaming or sales so it's pretty much inertia keeping it in the top ten.
Speaking of inertia, "Birds of a Feather" by Billie Eilish rebounded three places to number seven while "Beautiful Things" by Benson Boone climbed one spot to number eight, they both took advantage of "Die With A Smile" by Lady Gaga and Bruno Mars falling two spots to number nine.
Finally Drake completes our top ten with "Nokia" up one place to number ten and looks set to hang around in the top ten thanks to having some decent sales and streaming, Great. Not. (Yeah, that song has soured on me a bit, doesn't help it's on an album that is complete ass).
Gains
So not too much in the way of big gains this week but I will express some annoyance at the eight place gain for "Riptide" by Vance Joy to thirty six...so tired of old songs clogging the chart if I am to be blunt.
I don't mind the five place gains to thirty two for "Love Me Not" by Ravyn Lenae, the same for "Indigo" by Sam Barber and Avery Anna to twenty nine.
Re-Entries
Two returns this week with "Mr Brightside" by The Killers back at forty nine and "Busy Woman" by Sabrina Carpenter at forty seveen
Losers
Lets blow through some of these big losers this week with "TV Off" by Kendrick Lamar down seven to fifty. Unsurprisingly but sadly, "The Giver" by Chappell Roan is down fifteen to forty three.
"Denial Is A River" by Doechii slumped seven places to thirty seven as it's streaming is surprising slowing down.
Drop Outs
So apart from the two Playboi Carti left overs that left this week, we also lost longstanding hit in "Stargazing" by Myles Smith and other songs with a shorter run like "Abracadabra" by Lady Gaga, "Like Jennie" by Jennie and "Burning Down" by Alex Warren
New Entries
Four new entries this week, beginning with...
45. "Dandelion" by Ariana Grande
First of two songs from the External Sunshine deluxe album that charted this week and I cannot be the only one who thinks this song is as wonky as hell, right? From the weirdly out of tune trumpet to that weird drum noise and Ariana sounding needlessly thin and compressed on a song where she's telling this guy he can blow her away because she'll be his dandelion and no, Ariana, you've got a beautiful voice and really the production needs to be better. I'm moving on.
35. "Undressed" by sombr
Breaking on to the charts this week is an American singer songwriter Sombr and right now he has two songs gaining traction with this one being the better one, it sounds like a better version of an indie pop/rock song with the backing vocals and Sombr actually sounding like he has space and room to breathe in the mix surrounded by guitars and a gentle keyboard and especially with lyrics about a relationship on the edge but he isn't quite ready to let go, she still means a lot to him and he isn't ready to move on. Decent song. Worth checking out.
23. "Mutt" by Leon Thomas
The second of our two debutants on the chart this week is Leon Thomas, a GRAMMY winning singer songwriter and producer with this song being on his sophomore album and well...I am not as much of a fan of this as I would like to be mostly because it just doesn't click in the production especially with some of those choices and while the lyrics play to lack of trust through drug use etc, I just can't get my head around this, check it out if you are curious but I am going move on pretty quickly about this.
16. "Twilight Zone" by Ariana Grande
So this might surprise some people but I think this song from the deluxe edition of "Eternal Sunshine" is Ariana Grande's best song since "No Tears Left to Cry" back in 2018. I just love the sound and gentle cooing singing from Ariana Grande here even though the production is more compressed and tinny than it needs to be around her vocals which is weird considering she has one of the best voices in pop music today outside of Adele, there's frustration that works well here. This is excellent. Check it out.
Yeah, it also gets best of the week just edging out "Undressed" by Sombr. Worst is also going to Ariana Grande for "Dandelion"...I just cannot stand how wonky that song is.
Let's just jump straight into this week because yeah, it's really not all that interesting apart from a few shifts in the top ten because for yet another week, "It's Alright" by East 17, it's now spent five weeks at the top and doesn't look like slowing down any.
Remaining at number two is "The Power of Love" by Celine Dion because it's just doing steady on sales but will be a decent threat to top spot should "It's Alright' sales start to slow down or stumble.
Also in decent position is Mariah Carey's howling "Without You" up one to number three, it pushed past "Whatta Man" by Salt 'N' Pepa feat. En Vogue which slipped to number four...frankly I am surprised this really isn't making a bigger push for number one, it's got number one hit written all over it.
Up one to number five is the grading "Sing Halleluljah" by Dr Alban, its just making steady gains and should continue to improve it's position.
The most pleasing news in our top ten this week is that Bruce Springsteen's "Streets of Philadelphia" had an eleven place rise to number six! I know it's because of the movie but I am just thrilled that this song is here. It's a great song.
Melodie MC's remaining at number seven with "Dum Da Dum" while thankfully Michael Bolton's rising tide of ass "Said I Loved You...But I Lied" fell three to number eight...thank goodness for that!
Finally I have mixed feelings on our two new arrivals to the top ten with "Things Can Only Get Better" by D:Ream up four places to number nine. Fine song so reasonably happy to see it here.
Wish I could say the same for "Loser" by Beck which also rose four places to round out our top ten at number ten.
Losers
Not as many losers this week and what of our losers, most of them were just continued losses of momentum like "Feels Like Heaven" by Urban Cookie Collective down from thirty eight to forty three while "What is Love" by Haddaway down from thirty seven to forty two.
"Shoop" by Salt 'n' Pepa just utterly collapsed from twenty five to bit thirty eight...ouch!
Former top ten hit "Stay (Faraway, So Close!" by U2 slipped from twenty eight to thirty four while former number one "All For Love" by Bryan Adams, Rod Stewart and Sting copped a nine place dump down to thrty.
"Hey Mr D.J" by Zhane slipped nine places to twenty nine.
Gains
This week was an incredibly busy one for gains and while I am not thrilled that "Twist and Shout" by Chaka Demus & Pliers with Jack Radics and Taxi Gang got a ten place boost to seventeen, we did see "Cornflake Girl" by Tori Amos jump from twenty six to nineteen and Chocolate Starfish climbed twelve spots to 21 with "Mountain"
Right behind all of that is "Breathe Again" by Tori Braxton which jumped eight places to twenty two, I can see this breathy r'n'b song being a top ten hit and it's on it's way to becoming one.
Also not thrilled that "Let Me Show You" by K-Klass got a seven place boot to twenty eight however "I Can See Clearly Now" by Jimmy Cliff jumped nine spots to twenty seven which I am absolutely delighted about.
Finally "Helping Hand" by The Screaming Jets jumped from forty one to thirty six because Aussie pub rock apparently still has a place on the charts.
New Entries
Thankfully a much lighter week in terms of new entries with just three new songs this week starting with
49. "Since i Don't Have You" by Guns 'N' Roses
I think it needs to be said that I have a mixed at best relationship with Guns 'N' Roses music. Sure "Sweet Child of Mine" is great but damn they have some absolute stinkers as well and I wasn't expecting much given they are covering a 1958 song by The Skyliners that was also covered by Don McLean in 1981 and then by country singer Ronnie Millsap in 1991. Also seems like this ballad about having lost love and trying to move on from a lost relationship is just a good excuse for a guitar solo from Slash and Axl Rose to turn crooner. It's not terrible but this is just a little odd from Guns 'n' Roses.
41. "The Sign" by Ace of Base
So here we have the lead single from Swedish pop group Ace Base, it's from their debut album called "The Sign" and fuck, I don't know if I have heard a catchier pop song in a while! That hook is sticky as hell and combines a lot of sounds from reggae and europop. The song hits on themese of exploring the moment that a couple realizes that this relationship is probably over and yeah it does so maybe the catchiest and kind of fun way yet. Expect this to be heard everywhere!.
39. "Dry County" by Bon Jovi
Sixth and final single from Keep the Faith and it's a long song for sure clocking in at six minutes and thiry seven seconds where over gentle piano, guitar and drums, Bon Jovi laments the then decline of the US oil industry and how the decline affected thoses who relied on the income that the industry provided them in order to support their families. It's certainly an impassioned performance from Jon Bon Jovi. This is good but I am not sure that I will ever come back to it.
That wraps up the week and I am going to give worst of the week to "Since I Don't Have You" by Guns 'n' Roses as that song probably just doesn't hit me as much as the other two do.
Best of the week is going to "The Sign" by Ace of Base and that's not even a contest. It has the potential to be a massive hit going forward in 1994. We'll see what happens next week and whether East 17 can hang on to the top spot.
So this week is all change in our top ten and we do have our regular allotment of new entries that somehow don't seem to slow down any however the only thing that hasn't changed is that "It's Alright" by East 17 remains at number one, now it's got good sales but it really is now a matter of how long it can hang on because it's now got a song with genuine momentum behind it. that being "The Power of Love" by Celine Dion which climbed one place to number two.
It moved past "Whatta Man" by Salt-n-Pepa feat. En Vogue down one two number three while 'Without You" by Mariah Carey which climbed two places to number four and looks to have some solid momentum unfortunately, it pushed "Said I Loved You...But I Lied" by Michael Bolton back one place to number five.
"Sing Hallelujah" by Dr Alban rose three places to number six while "Dum Da Dum" by Melodie MC climbed four places to number seven this week.
All of this saw "Slave to the Music" by Twenty 4 Seven feat Stay-C and Nance slide three spots to number eight while Cut 'N' Move's "Give It Up" continues its graceful exit from the top ten down two to number nine
Also down two places this week is "Feelin' Alright" by EYC to number ten and it's looking like it's time in the top ten is done.
Losers
Down to forty five from thirty eight last week is "Dirty Dawg" by NKOTB. "Feels Like Heaven" by Urban Cookie Collective continues its slide toward the ecit down eight to thirty eight while "What is Love" is being asked even louder by Haddaway as it tumbled nine to thirty seven.
"Will You Be There (In the Morning)" by Heart took an eight place tumble to thirty two while "Shoop" by Salt 'n' Pepa slipped eight to twenty five.
Finally "All For Love" by Bryan Adams, Rod Stewart and Sting slipped seven to twenty one.
Gains
A lot of big gains were for recent new entries with the first of those being a nine place gain to thirty six fot Jimmy Cliff's "I Can See Clearly Now" while "Let Me Show You" by K-Klass climbed from forty one to thirty five.
"Breathe Again" by Toni Braxton got a seventeen place boost to thirty while "One Night in Heaven" by M People climbed six to twenty three.
"Mr Jones" saw a ten place gain to twenty two for Counting Crows but in great news this week, Bruce Springsteen's emotional "Streets of Philadelphia" climbed up to seventeen from thirty one. Happy to see it.
Beck's "Loser" jumped eight places to fourteen while D:Ream's "Things Can Only Get Better" rose six to thirteen.
New Entries
50. "Don't Go Breaking My Heart" by Elton John and RuPaul
No, stop...can we not do this? What the hell? Elton John teaming up with drag artist Ru Paul for a cover of his own song "Don't Go Breaking my Heart" and honestly this seems to have more novelty value on first glance especially with involvement of RuPaul and yeah...this is a novelty version of what was originally a damn great song just messing with the production and instrumentation enough to water it down into this trending chasing Eurodance number that really does not do anything to help Elton John's vocals at all so yeah...skip it.
49. "Feel Like Making Love" by Pauline Henry
Rough start but let's see if we can do any better with former The Chimes singer Pauline Henry's cover of Bad Company's 1975 song "Feel like Making Love" which surprisingly wasn't a hit here back then even though it did reasonably well in the US, Canada and New Zealand and that surprises me because the Bad Company version gets played a lot on the radio in 2025! Anyway, I dig this version, the more soulful verse delivery by Henry and then drops into this kick ass rock hook with the guitars delivering a hell of a punch, Henry makes this work! Check it out.
48. "Let the Beat Control Your Body" by 2 Unlimited
Alright, for some more 2 Unlimited, the last couple of run ins I have had with this group haven't gone well so let's see if this newest single is any better and nope...still the same crappy annoyance with doofy euro club beats that don't change up or do anything different complete with nightclub lyrics about letting the beat control the way your body moves. I am done with this shit already.
43. "You Made Me The Thief Of Your Heart" by Sinead O'Connor
I was dreading having to review this song mostly because Sinead O'Connor as an artist was really complex and this song that was co written in part by Bono for a film called "In the Name of the Father" which starred Daniel Day-Lewis and it's this murky piano driven ballad about a woman murdering her lover just to keep him with her in the 14th century and yeah...this song is hard to listen to. It's worth a listen as the song is definitely good but yeah it's definitely not an easy listen.
27. "Twist and Shout" by Chaka Demus & Pliers with Jack Radics & Taxi Gang.
Oh god,,,no please no...this is a cover of a song that written and recorded in 1961 and wasn't a hit until the Isley Brothers reworked it and made into a hit, it has since been covered by The Beatles (The Beatles version is my absolute favourite) and Salt 'N' Pepa so what the charts did not require was this reggae infused version by Chaka Demus and Pliers where what sounds like yapping dogs feature prominently in the production and everyone sounds jacked up on too much marijuana to care about the music because dear god, at least The Beatles and the Isley Brothers infused their covers with some passion to show they cared, this is just a lazy, phoned in hack job of what is a pretty damn great song.
Yeah, it's the worst of the week by a country mile...I fucking hate it. Best of the week is going to "Feel Like Making Love" by Pauline Henry because at least she makes that song her own and it feels like less of a hack job,